The Fables of la Fontaine (Illustrations by Grandville) PDF Download
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Author: Jean de La Fontaine
Publisher:
ISBN: 9781983016127
Category :
Languages : en
Pages : 815
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Book Description
Divided into 12 books, there are 239 of the Fables, varying in length from a few lines to some hundred, those written later being as a rule longer than the earlier.The most famous French fabulist and one of the most widely read French poets of the 17th century. According to Flaubert, he was the only French poet to understand and master the texture of the French language before Hugo.The numerous works of La Fontaine fall into three traditional divisions: the Fables, the Contes and the miscellaneous works. Of these the first may be said to be known universally, the second to be known to all lovers of French literature, the third to be with a few exceptions practically forgotten.From the 1882 English Edition, Translated from the French by Elizur Wright.With Notes by J. W. M. Gibbs. Illustrated by Grandville from the 1841 French Edition.
Author: Keri Yousif
Publisher: Routledge
ISBN: 1317176359
Category : Literary Criticism
Languages : en
Pages : 213
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Book Description
Examining how the rise of book illustration affected the historic hegemony of the word, Keri Yousif explores the complex literary and artistic relationship between the novelist Honoré de Balzac and the illustrator J. J. Grandville during the French July Monarchy (1830-1848). Both collaborators and rivals, these towering figures struggled for dominance in the Parisian book trade at the height of the Romantic revolution and its immediate aftermath. Both men were social portraitists who collaborated on the influential encyclopedic portrayal of nineteenth-century society, Les Français peints par eux-mêmes. However, their collaboration soon turned competitive with Grandville's publication of Scènes de la vie privée et publique des animaux, a visual parody of Balzac's Scènes de la vie privée. Yousif investigates Balzac's and Grandville's individual and joint artistic productions in terms of the larger economic and aesthetic struggles within the nineteenth-century arena of cultural production, showing how writers were forced to position themselves both in terms of the established literary hierarchy and in relation to the rapidly advancing image. As Yousif shows, the industrialization of the illustrated book spawned a triadic relationship between publisher, writer, and illustrator that transformed the book from a product of individual genius to a cooperative and commercial affair. Her study represents a significant contribution to our understanding of literature, art, and their interactions in a new marketplace for publication during the fraught transition from Romanticism to Realism.
Author: Jean de La Fontaine
Publisher: Palala Press
ISBN: 9781354677063
Category :
Languages : en
Pages : 208
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Elizur Wright
Publisher: BoD – Books on Demand
ISBN: 3385414342
Category : Fiction
Languages : en
Pages : 358
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Book Description
Reprint of the original, first published in 1882.
Author: Jean de la Fontaine
Publisher: Phoemixx Classics Ebooks
ISBN: 3986777393
Category : Foreign Language Study
Languages : en
Pages : 715
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Book Description
The Fables of La Fontaine Jean de la Fontaine - The Fables by Jean de La Fontaine are considered classics of French literature. Collecting fables from a variety of sources, La Fontaine then adapted them into verse. Consisting of twelve books and 239 fables in all, these were originally aimed at adults, but have since been taught to children as a way to educate them in morals. At times they have been mixed in with the fables of Aesop. The sources for the fables are wide-ranging, from Aesop to Boccaccio, from Babrius to Machiavelli - even drawing at times from ancient Indian collections of tales.
Author: Jean de La Fontaine
Publisher:
ISBN: 9781983016127
Category :
Languages : en
Pages : 815
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Book Description
Divided into 12 books, there are 239 of the Fables, varying in length from a few lines to some hundred, those written later being as a rule longer than the earlier.The most famous French fabulist and one of the most widely read French poets of the 17th century. According to Flaubert, he was the only French poet to understand and master the texture of the French language before Hugo.The numerous works of La Fontaine fall into three traditional divisions: the Fables, the Contes and the miscellaneous works. Of these the first may be said to be known universally, the second to be known to all lovers of French literature, the third to be with a few exceptions practically forgotten.From the 1882 English Edition, Translated from the French by Elizur Wright.With Notes by J. W. M. Gibbs. Illustrated by Grandville from the 1841 French Edition.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1094
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Book Description
Author: Henry Sotheran Ltd
Publisher:
ISBN:
Category :
Languages : en
Pages : 476
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Book Description
Author: Jillian Lerner
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773555153
Category : Art
Languages : en
Pages : 333
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Book Description
Nineteenth-century Paris is often celebrated as the capital of modernity. However, this story is about cultural producers who were among the first to popularize and profit from that idea. Graphic Culture investigates the graphic artists and publishers who positioned themselves as connoisseurs of Parisian modernity in order to market new print publications that would amplify their cultural authority while distributing their impressions to a broad public. Jillian Lerner's exploration of print culture illuminates the changing conditions of vision and social history in July Monarchy Paris. Analyzing a variety of caricatures, fashion plates, celebrity portraits, city guides, and advertising posters from the 1830s and 1840s, she shows how quotidian print imagery began to transform the material and symbolic dimensions of metropolitan life. The author's interdisciplinary approach situates the careers and visual strategies of illustrators such as Paul Gavarni and Achille Devéria in a broader context of urban entertainments and social practices; it brings to light a rich terrain of artistic collaboration and commercial experimentation that linked the worlds of art, literature, fashion, publicity, and the theatre. A timely historical meditation on the emergence of a commercial visual culture that prefigured our own, Graphic Culture traces the promotional power of artistic celebrities and the crucial perceptual and social transformations generated by new media.
Author: Penny Brown
Publisher: Routledge
ISBN: 1135871949
Category :
Languages : en
Pages : 381
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Book Description
Author: Deborah Schultz
Publisher: Peter Lang
ISBN: 9783039109180
Category : Art
Languages : en
Pages : 312
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Book Description
The poet and artist Marcel Broodthaers (1924-76) is widely recognized as a key figure in 20th century art who questioned the nature of art, the role of the artist, the functioning of the museum and of the art market. This book sets out Broodthaers's strategy for artistic success and examines the dialogue into which he entered with his contemporaries and predecessors in 19th century French poetry, Pop and Conceptual Art, including Stéphane Mallarmé, Charles Baudelaire, Marcel Duchamp and René Magritte. It provides a broad overview of his objects, paintings, films, slides, books and installations, and his focus upon relationships, also central to Post-Structuralist and postmodern theories. The visual qualities of his works, combining the material with the poetic, his wit and irony, are examined in relation to his subtle method of questioning and contradicting, defying conventional systems and definitions. The author explores the wider framing contexts in which things are presented and the geographical context via maps, notions of the voyage and a sense of place. Institutional critique, the artist's political position and moral responsibilities in society are discussed by analyzing the responses of Broodthaers, Daniel Buren, Joseph Beuys and Hans Haacke to a series of museum events in the early 1970s.
