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Author: Jay Nelson
Publisher:
ISBN:
Category :
Languages : en
Pages : 272
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Book Description
Author: Jay Nelson
Publisher:
ISBN:
Category :
Languages : en
Pages : 272
Get Book Here
Book Description
Author: Joshua Arthurs
Publisher: Cornell University Press
ISBN: 0801468841
Category : History
Languages : en
Pages : 233
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Book Description
The cultural and material legacies of the Roman Republic and Empire in evidence throughout Rome have made it the "Eternal City." Too often, however, this patrimony has caused Rome to be seen as static and antique, insulated from the transformations of the modern world. In Excavating Modernity, Joshua Arthurs dramatically revises this perception, arguing that as both place and idea, Rome was strongly shaped by a radical vision of modernity imposed by Mussolini's regime between the two world wars. Italian Fascism's appropriation of the Roman past-the idea of Rome, or romanità- encapsulated the Fascist virtues of discipline, hierarchy, and order; the Fascist "new man" was modeled on the Roman legionary, the epitome of the virile citizen-soldier. This vision of modernity also transcended Italy's borders, with the Roman Empire providing a foundation for Fascism's own vision of Mediterranean domination and a European New Order. At the same time, romanità also served as a vocabulary of anxiety about modernity. Fears of population decline, racial degeneration and revolution were mapped onto the barbarian invasions and the fall of Rome. Offering a critical assessment of romanità and its effects, Arthurs explores the ways in which academics, officials, and ideologues approached Rome not as a site of distant glories but as a blueprint for contemporary life, a source of dynamic values to shape the present and future.
Author: Claudio Fogu
Publisher: University of Toronto Press
ISBN: 9780802087645
Category : History
Languages : en
Pages : 292
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Book Description
Focusing on both ritual and mass-visual representations of history in 1920s and 1930s Italy, The Historic Imaginary unveils how Italian Fascism sought to institutionalize a modernist culture of history. The study takes a new historicist and microhistorical approach to cultural-intellectual history, integrating theoretical tools of analysis acquired from visual-cultural studies, art history, linguistics, and reception theory in a sophisticated examination of visual modes of historical representation - from commemorations to monuments to exhibitions and mass-media - spanning the entire period of the Italian-fascist regime. Claudio Fogu argues that the fascist historic imaginary was intellectually rooted in the actualist philosophy of history elaborated by Giovanni Gentile, culturally grounded in Latin-Catholic rhetorical codes, and aimed at overcoming both Marxist and liberal conceptions of the relationship between historical agency, representation, and consciousness. The book further proposes that this modernist vision of history was a core element of fascist ideology, encapsulated by the famous Mussolinian motto that "fascism makes history rather than writing it," and that its institutionalization constituted a key point of intersection between the fascist aesthetization and sacralization of politics. The author finally claims that his study of fascist historic culture opens the way to an understanding and re-evaluation of the historical relationship between the modernist critique of historical consciousness and the rise of post-modernist forms of temporality.
Author: Günter Berghaus
Publisher: Berghahn Books
ISBN: 9781571818676
Category : Political Science
Languages : en
Pages : 360
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Book Description
On futurism and fascism in Italy
Author: Roland Betancourt
Publisher: Princeton University Press
ISBN: 069117945X
Category : Art
Languages : en
Pages : 288
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Book Description
"Intersectionality, a term coined in 1989, is rapidly increasing in importance within the academy, as well as in broader civic conversations. It describes the study of overlapping or intersecting social identities such as race, gender, ethnicity, nationality, and sexual orientation alongside related systems of oppression, domination, and discrimination. Together, these frameworks are used to understand how systematic injustice or social inequality occurs. In this book, Roland Betancourt examines the presence of marginalized identities and intersectionality in the medieval era. He reveals the fascinating, little-examined conversations in medieval thought and visual culture around matters of sexual and reproductive consent, bullying, non-monogamous marriages, homosocial and homoerotic relationships, trans and non-binary gender identifications, representations of disability, and the oppression of minorities. In contrast to contemporary expectations of the medieval world, this book looks at these problems from the Byzantine Empire and its neighbors in the eastern mediterranean through sources ranging from late antiquity and early Christianity up to the early modern period. In each of five chapters, Betancourt provides short, carefully scaled narratives used to illuminate nuanced and surprising takes on now-familiar subjects by medieval thinkers and artists. For example, Betancourt examines depictions of sexual consent in images of the Virgin; the origins of sexual shaming and bullying in the story of Empress Theodora; early beginnings of trans history as told in the lives of saints who lived portions of their lives within different genders; and the ways in which medieval authors understood and depicted disabilities. Deeply researched, this is a groundbreaking new look at medieval culture for a new generation of scholars"--
Author: Mark Antliff
Publisher: Duke University Press
ISBN: 9780822340348
Category : Art
Languages : en
Pages : 380
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Book Description
An investigation of the central role that theories of the visual arts and creativity played in the development of fascism in France between 1909 and 1939.
Author: Stanislao G. Pugliese
Publisher: Rowman & Littlefield Publishers
ISBN: 0742579719
Category : History
Languages : en
Pages : 356
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Book Description
While the historical significance of fascism and anti-fascism is still being hotly debated in Europe and around the world, this anthology offers a new look at the many faces of repression and resistance. Stanislao G. Pugliese brings together a wide range of voices that illuminate more than eighty years of fascism and anti-fascism in Italy. Many of the pieces, including letters from women to Mussolini and anti-fascist graffiti from a Nazi prison in Rome, are available in English for the first time. The selections include historical documents, political analysis, stories, songs, and memoirs from a variety of perspectives. Taken together, the documents provide a compelling account of the political, historical, economic, and social impact of fascism and the resistance. Touching on fields as far ranging as political science, history, women's studies, and religion, Fascism, Anti-Fascism, and the Resistance in Italy is immediate, human, and eminently readable.
Author: Claire Holleran
Publisher: John Wiley & Sons
ISBN: 1405198192
Category : Literary Criticism
Languages : en
Pages : 804
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Book Description
A Companion to the City of Rome presents a series of original essays from top experts that offer an authoritative and up-to-date overview of current research on the development of the city of Rome from its origins until circa AD 600. Offers a unique interdisciplinary, closely focused thematic approach and wide chronological scope making it an indispensible reference work on ancient Rome Includes several new developments on areas of research that are available in English for the first time Newly commissioned essays written by experts in a variety of related fields Original and up-to-date readings pertaining to the city of Rome on a wide variety of topics including Rome’s urban landscape, population, economy, civic life, and key events
Author: Stephen L. Dyson
Publisher: Cambridge University Press
ISBN: 1108577148
Category : Social Science
Languages : en
Pages : 345
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Book Description
Rome is one of the world's greatest archaeological sites, preserving many major monuments of the classical past. It is also a city with an important post-Roman history and home to both the papacy and the modern Italian state. Archaeologists have studied the ruins, and popes and politicians have used them for propaganda programs. Developers and preservationists have fought over what should and should not be preserved. This book tells the story of those complex, interacting developments over the past three centuries, from the days of the Grand Tour through the arrival of the fascists, which saw more destruction but also an unprecedented use of the remains for political propaganda. In post-war Rome, urban development predominated over archaeological preservation and much was lost. However, starting in the 1970s, preservationists have fought back, saving much and making the city into Europe's most important case study in historical preservation and historical loss.
Author: Asato Ikeda
Publisher: University of Hawaii Press
ISBN: 0824872126
Category : Art
Languages : en
Pages : 165
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Book Description
This book examines a set of paintings produced in Japan during the 1930s and early 1940s that have received little scholarly attention. Asato Ikeda views the work of four prominent artists of the time—Yokoyama Taikan, Yasuda Yukihiko, Uemura Shōen, and Fujita Tsuguharu—through the lens of fascism, showing how their seemingly straightforward paintings of Mount Fuji, samurai, beautiful women, and the countryside supported the war by reinforcing a state ideology that justified violence in the name of the country’s cultural authenticity. She highlights the politics of “apolitical” art and challenges the postwar labeling of battle paintings—those depicting scenes of war and combat—as uniquely problematic. Yokoyama Taikan produced countless paintings of Mount Fuji as the embodiment of Japan’s “national body” and spirituality, in contrast to the modern West’s individualism and materialism. Yasuda Yukihiko located Japan in the Minamoto warriors of the medieval period, depicting them in the yamato-e style, which is defined as classically Japanese. Uemura Shōen sought to paint the quintessential Japanese woman, drawing on the Edo-period bijin-ga (beautiful women) genre while alluding to noh aesthetics and wartime gender expectations. For his subjects, Fujita Tsuguharu looked to the rural snow country, where, it was believed, authentic Japanese traditions could still be found. Although these artists employed different styles and favored different subjects, each maintained close ties with the state and presented what he considered to be the most representative and authentic portrayal of Japan. Throughout Ikeda takes into account the changing relationships between visual iconography/artistic style and its significance by carefully situating artworks within their specific historical and cultural moments. She reveals the global dimensions of wartime nationalist Japanese art and opens up the possibility of dialogue with scholarship on art produced in other countries around the same time, particularly Nazi Germany and Fascist Italy. The Politics of Painting will be welcomed by those interested in modern Japanese art and visual culture, and war art and fascism. Its analysis of painters and painting within larger currents in intellectual history will attract scholars of modern Japanese and East Asian studies.
