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Author: Japan. Imperial Japanese Commission to the Louisiana Purchase Exposition
Publisher:
ISBN:
Category : Industries
Languages : en
Pages : 410
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Book Description
Author: Japan. Imperial Japanese Commission to the Louisiana Purchase Exposition
Publisher:
ISBN:
Category : Industries
Languages : en
Pages : 410
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Book Description
Author: Ayako Hotta-Lister
Publisher: Psychology Press
ISBN: 9781873410882
Category : Art, Japanese
Languages : en
Pages : 292
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Book Description
Faced with western contempt and suspicion, the Meiji Government staged this exhibition to advance Japanese agendas in political, economic and educational terms. The first major study principally concerned with the Japanese side of this story.
Author: Hirokichi Mutsu
Publisher: Routledge
ISBN: 113687254X
Category : History
Languages : en
Pages : 235
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Book Description
The Japan-British exhibition in London, 1910 was the most concerted and systematic attempt by Meiji Japan to explain its traditional society and arts, modern industry and empire, to its most important international ally, Great Britain. This is a facsimile edition of the original book compiled and edited for the exhibition by Count Hirokichi Mutsu (1869-1942) and published in London and Tokyo in four parts in 1910 and 1911 by the Imperial Japanese Commission. This compendium of newspaper and journal articles, starting in March 1909 and ending in December of 1910, covers the preparation, activities and immediate aftermath of the Exhibition. Making widely available a veritable treasure trove of information and insight, it will be of interest to students and scholars of Japan and Britain alike, providing authoritative insights into contemporary attitudes in each country towards the other.
Author: Alice Yu-Ting Tseng
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 304
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Book Description
It was not until Japan's opening to the West during the Meiji period (1868-1912) that terms for "art" (bijutsu) and "art museum" (bijutsukan) were coined. The Imperial Museums of Meiji Japan documents Japan's unification of national art and cultural resources to forge a modern identity influenced by European museum and exhibition culture. Japan's Imperial Museums were conceived of as national self-representations, and their creation epitomized the Meiji bureaucracy's mission to engage in the international standards and practices of the late nineteenth century. The architecture of the museums, by incorporating Western design elements and construction methods, effectively safeguarded and set off the nation's unique art historical lineage. Western paradigms and expertise, coupled with Japanese resolve and ingenuity, steered the course of the museums' development. Expeditions by high-ranking Japanese officials to Europe and the United States to explore the burgeoning world of art preservation and exhibition, and throughout Japan to inventory important cultural treasures, led to the establishment of the Imperial Museums in the successive imperial cities of Nara, Kyoto, and Tokyo. Over the course of nearly four decades, the English architect Josiah Conder, known as "the father of modern Japanese architecture," and his student Katayama Tokuma, who became the preeminent state architect, designed four main museum buildings to house the national art collection. These buildings articulated the museums' unified mission to preserve and showcase a millennium-long chronology of Japanese art, while reinforcing the distinctive historical and cultural character of their respective cities. This book is the first English-language study of the art, history, and architecture of Japan's Imperial Museums, the predecessors of today's national museums in Tokyo, Kyoto, and Nara. The Imperial Museums of Meiji Japan examines the museums' formative period and highlights cross-cultural influences that enriched and complicated Japan's search for a modern yet historically grounded identity.
Author: Michael Baskett
Publisher: University of Hawaii Press
ISBN: 0824831632
Category : Performing Arts
Languages : en
Pages : 226
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Book Description
"Because imperialism has had such an appalling ideological reputation, we’ve lost sight of its excitement, the breathless anticipation of adventures in far-off lands. The Attractive Empire is a tour de force of enthralling historical scholarship that puts the appeal, and seductions, of imperialism on display, without underestimating its ugly consequences. Like its chosen subject, the book covers an astonishing array of texts, events, people, and issues. The clarity and vividness of the writing make it work effortlessly. Baskett’s organizational skills, narrative, and rhetoric deftly orchestrate a complex subject." —Darrell William Davis, University of New South Wales "Michael Baskett removes imperial Japanese film from its solitary confinement and commandingly analyzes how it functioned internationally. He commits a depth of research rarely found in English-language studies of Japanese cinema, and his mastery of the primary and secondary sources from beyond Japan’s borders distinctly set his book apart from previous scholarship on the subject. Not only is this a work that historians and film scholars will appreciate but also one that I look forward to assigning to undergraduates." —Barak Kushner, Cambridge University Japanese film crews were shooting feature-length movies in China nearly three decades before Akira Kurosawa’s Rashomon (1950) reputedly put Japan on the international film map. Although few would readily associate Japan’s film industry with either imperialism or the domination of world markets, the country’s film culture developed in lock step with its empire, which, at its peak in 1943, included territories from the Aleutians to Australia and from Midway Island to India. With each military victory, Japanese film culture’s sphere of influence expanded deeper into Asia, first clashing with and ultimately replacing Hollywood as the main source of news, education, and entertainment for millions. The Attractive Empire is the first comprehensive examination of the attitudes, ideals, and myths of Japanese imperialism as represented in its film culture. In this stimulating new study, Michael Baskett traces the development of Japanese film culture from its unapologetically colonial roots in Taiwan and Korea to less obvious manifestations of empire such as the semicolonial markets of Manchuria and Shanghai and occupied territories in Southeast Asia. Drawing on a wide range of previously untapped primary sources from public and private archives across Asia, Europe, and the United States, Baskett provides close readings of individual films and trenchant analyses of Japanese assumptions about Asian ethnic and cultural differences. Finally, he highlights the place of empire in the struggle at legislative, distribution, and exhibition levels to wrest the "hearts and minds" of Asian film audiences from Hollywood in the 1930s as well as in Japan’s attempts to maintain that hegemony during its alliance with Nazi Germany and Fascist Italy.
Author: Ian Jared Miller
Publisher: University of California Press
ISBN: 0520377524
Category : History
Languages : en
Pages : 352
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Book Description
It is widely known that such Western institutions as the museum, the university, and the penitentiary shaped Japan’s emergence as a modern nation-state. Less commonly recognized is the role played by the distinctly hybrid institution—at once museum, laboratory, and prison—of the zoological garden. In this eye-opening study of Japan’s first modern zoo, Tokyo’s Ueno Imperial Zoological Gardens, opened in 1882, Ian Jared Miller offers a refreshingly unconventional narrative of Japan’s rapid modernization and changing relationship with the natural world. As the first zoological garden in the world not built under the sway of a Western imperial regime, the Ueno Zoo served not only as a staple attraction in the nation’s capital—an institutional marker of national accomplishment—but also as a site for the propagation of a new “natural” order that was scientifically verifiable and evolutionarily foreordained. As the Japanese empire grew, Ueno became one of the primary sites of imperialist spectacle, a microcosm of the empire that could be traveled in the course of a single day. The meaning of the zoo would change over the course of Imperial Japan’s unraveling and subsequent Allied occupation. Today it remains one of Japan’s most frequently visited places. But instead of empire in its classic political sense, it now bespeaks the ambivalent dominion of the human species over the natural environment, harkening back to its imperial roots even as it asks us to question our exploitation of the planet’s resources.
Author: Kaoru Ueda
Publisher:
ISBN: 9780817924645
Category : Japan
Languages : en
Pages : 188
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Book Description
Japan's Meiji Restoration brought swift changes through Japanese adoption of Western-style modernization and imperial expansion. Fanning the Flames brings together a range of scholarly essays and collected materials from the Hoover Institution Library & Archives detailing how Japanese propaganda played an active role in fostering national identity and mobilizing grassroots participation in the country's transformation and wartime activities, starting with the First Sino-Japanese War to the end of World War II.
Author: A. Hotta-Lister
Publisher: Routledge
ISBN: 1134251181
Category : Social Science
Languages : en
Pages : 281
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Book Description
The rapid development of Japan at the turn of the last century, including the defeat of Russia in 1904-5, intrigued the western Imperial powers, but also aroused reactions of contempt and suspicion. Britain was the most important of the powers upon which Japan earnestly wished to impress herself to mitigate the rising tide of anti-Japanese sentiment. An exhibition in London, therefore, was seen as a timely event by the Meiji Government to advance Japanese agendas in political, economic and educational terms. This is the first major study of this remarkable venture, fully reviewed and documented, and concerned principally with the Japanese side of the story.
Author: Noriko Aso
Publisher: Duke University Press
ISBN: 0822399717
Category : History
Languages : en
Pages : 316
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Book Description
In the late nineteenth century, Japan's new Meiji government established museums to showcase a national aesthetic heritage. Inspired by Western museums and expositions, these institutions were introduced by government officials hoping to spur industrialization and self-disciplined public behavior, and to cultivate an "imperial public" loyal to the emperor. Japan's network of museums expanded along with its colonies. By the mid-1930s, the Japanese museum system had established or absorbed institutions in Taiwan, Korea, Sakhalin, and Manchuria. Not surprising, colonial subjects' views of Japanese imperialism differed from those promulgated by the Japanese state. Meanwhile, in Japan, philanthropic and commercial museums were expanding, revising, and even questioning the state-sanctioned aesthetic canon. Public Properties describes how museums in Japan and its empire contributed to the reimagining of state and society during the imperial era, despite vigorous disagreements about what was to be displayed, how, and by whom it was to be seen.
Author: Andrew Gordon
Publisher: Univ of California Press
ISBN: 0520913302
Category : History
Languages : en
Pages : 381
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Book Description
Labor and Imperial Democracy in Prewar Japan examines the political role played by working men and women in prewar Tokyo and offers a reinterpretation of the broader dynamics of Japan's prewar political history. Gordon argues that such phenomena as riots, labor disputes, and union organizing can best be understood as part of an early twentieth-century movement for "imperial democracy" shaped by the nineteenth-century drive to promote capitalism and build a modern nation and empire. When the propertied, educated leaders of this movement gained a share of power in the 1920s, they disagreed on how far to go toward incorporating working men and women into an expanded body politic. For their part, workers became ambivalent toward working within the imperial democratic system. In this context, the intense polarization of laborers and owners during the Depression helped ultimately to destroy the legitimacy of imperial democracy. Gordon suggests that the thought and behavior of Japanese workers both reflected and furthered the intense concern with popular participation and national power that has marked Japan's modern history. He points to a post-World War II legacy for imperial democracy in both the organization of the working class movement and the popular willingness to see GNP growth as an index of national glory. Importantly, Gordon shows how historians might reconsider the roles of tenant farmers, students, and female activists, for example, in the rise and transformation of imperial democracy.
