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Author: Steve Redhead
Publisher: Columbia University Press
ISBN: 9780231146135
Category : Philosophy
Languages : en
Pages : 244
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Book Description
Jean Baudrillard (1929-2007) was a controversial social and cultural theorist known for his trenchant analyses of media and technological communication. Belonging to the generation of French thinkers that included Gilles Deleuze, Jean-François Lyotard, Michel Foucault, and Jacques Lacan, Baudrillard has at times been vilified by his detractors, but the influence of his work on critical thought and pop culture is impossible to deny (many might recognize his name from The Matrix movies, which claimed to be based on the French theorist's ideas). Steve Redhead takes a fresh look at Baudrillard in relation to the intellectual and political climates in which he wrote. Baudrillard sought to produce a theory of modernity, but the modern world of the 1950s was radically different from the reality of the early twenty-first century. Beginning with Baudrillard's initial publications in the 1960s and concluding with his writings on 9/11 and Abu Ghraib, Redhead guides the reader through Baudrillard's difficult texts and unorthodox views on current issues. He also proposes an original theory of Baudrillard's relation to postmodernism, presenting the theorist's work as "non-postmodernist," after Bruno Latour's concept of "non-modernity." Each section of the Reader includes an extract from one of Baudrillard's writings, prefaced by a short bibliographical introduction that places the piece in context and puts the debate surrounding the theorist into sharp perspective. The conflict over Baudrillard's legacy stems largely from the fact that a comprehensive selection of his writings has yet to be translated and collected into one volume. The Jean Baudrillard Reader provides an expansive and much-needed portrait of the critic's resonant work.
Author: Steve Redhead
Publisher: Columbia University Press
ISBN: 9780231146135
Category : Philosophy
Languages : en
Pages : 244
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Book Description
Jean Baudrillard (1929-2007) was a controversial social and cultural theorist known for his trenchant analyses of media and technological communication. Belonging to the generation of French thinkers that included Gilles Deleuze, Jean-François Lyotard, Michel Foucault, and Jacques Lacan, Baudrillard has at times been vilified by his detractors, but the influence of his work on critical thought and pop culture is impossible to deny (many might recognize his name from The Matrix movies, which claimed to be based on the French theorist's ideas). Steve Redhead takes a fresh look at Baudrillard in relation to the intellectual and political climates in which he wrote. Baudrillard sought to produce a theory of modernity, but the modern world of the 1950s was radically different from the reality of the early twenty-first century. Beginning with Baudrillard's initial publications in the 1960s and concluding with his writings on 9/11 and Abu Ghraib, Redhead guides the reader through Baudrillard's difficult texts and unorthodox views on current issues. He also proposes an original theory of Baudrillard's relation to postmodernism, presenting the theorist's work as "non-postmodernist," after Bruno Latour's concept of "non-modernity." Each section of the Reader includes an extract from one of Baudrillard's writings, prefaced by a short bibliographical introduction that places the piece in context and puts the debate surrounding the theorist into sharp perspective. The conflict over Baudrillard's legacy stems largely from the fact that a comprehensive selection of his writings has yet to be translated and collected into one volume. The Jean Baudrillard Reader provides an expansive and much-needed portrait of the critic's resonant work.
Author: Jean Baudrillard
Publisher: Indiana University Press
ISBN:
Category : Art
Languages : en
Pages : 74
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Book Description
Author: Philip Simpson
Publisher: Taylor & Francis
ISBN: 9780415259750
Category : Art
Languages : en
Pages : 446
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Book Description
This major new collection identifies the critical and theoretical concepts which have been most significant in the study of film and presents a historical and intellectual context for the material examined.
Author: Markham J. Geller
Publisher:
ISBN:
Category : Foreign Language Study
Languages : en
Pages : 352
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Book Description
Everyone knows that all the ills of life, from headaches to athlete's foot and from minor annoyances (like a broken shoelace) to major catastrophes (like a fallen soufflé) are the result of evil demons at work. Call them what you will--gremlins, goblins, imps, afrit, rakshasas, poltergeists, whatever--these supernatural creatures together account for all the world's misfortunes. The ancient Sumerians and their cultural heirs, the Assyrians and Babylonians, knew this as well as anyone, and so they made an extensive collection of incantations to ward off or counteract the effects of evil demons. These incantations were recited by the exorcist (a-sipu), doubtless accompanied by the appropriate ritual, to cast out the demon causing the problem. Indeed, the miraculous cures of Jesus were attributed to casting out demons and he passed this ability on to his disciples (Mark 16:17). So the casting out of demons has a lengthy history in the ancient Near East and continues to this day. There are many demons mentioned in the incantations, but prominent among them is Lilith, who, in her guise as Ardat Lilî or the Maiden Lilith, was the essential Mesopotamian temptress who copulated with men when they were asleep and bore demon children. According to some stories, Lilith was the first wife of Adam, who ran off when she refused to be sugjugated to her husband. The tradition of Lilith continues today with most first wives being considered demons by their ex-husbands. This work of scholarship contains 88 pages of cuneiform text, most of it bilingual Sumerian-Akkadian. It also includes a transliteration and a translation of the text and a glossary to the Sumerian text. The Sumerian glossary gives the Sumerian word or phrase, the Akkadian equivalent used in the text, and the English meaning. A separate index to the Akkadian words in the glossary is provided.
Author: Nicholas Zurbrugg, B.A, D.Phil
Publisher: SAGE
ISBN: 9781446230572
Category : Photography
Languages : en
Pages : 202
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Book Description
This bookoffers a major reappraisal of Jean Baudrillard's thoughts on the image, radical illusion and media culture. Here for the first time, through a number of highly accessible interviews and recent essays, Baudrillard introduces what he calls the stunning clarity' of the photographic, and fascinatingly outlines his present thoughts on urban reality, aesthetics, virtual reality and new media technologies, in the light of his practice as a photographer. The book is illustrated with eight colour plates of Baudrillard's photographs and includes a number of provocative and illuminating responses to his recent writings from noted Baudrillard scholars. It also includes a definitive bibliography of critical responses to Baudrillard's writings on media culture, art and photography.
Author: Peter Buse
Publisher: Manchester University Press
ISBN: 9780719057229
Category : Drama
Languages : en
Pages : 228
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Book Description
Peter Buse illuminates the relationship between modern British drama and contemporary critical and cultural theory. He demonstrates how theory allows fresh insights into familiar drama, pairing well-known plays with classic theory texts. The theoretical text is more than applied to the dramatic text, instead Buse shows how they reflect on each other. Drama + Theory provides not only provides new interpretations of popular plays, but of the theoretical texts as well.
Author: Arthur Asa Berger
Publisher: Rowman Altamira
ISBN: 9780759103146
Category : Literary Criticism
Languages : en
Pages : 148
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Book Description
In this volume, the author brings together key concepts written by postmodernisms leading figures: Lyotard, Baudrillard, Jameson and others. Followed by his own commentary written in concise, easy to understand language, this book should be invaluable to students and professors alike who will find Berger's style refreshing. Organised in 50 segments, the subjects run the gamut from James Joyce to Disney culture to punk music. Berger weaves these seemingly diverse topics together, exploring and exposing postmodernism and its appearance in popular culture.
Author: Jimena Canales
Publisher: Princeton University Press
ISBN: 0691186073
Category : Science
Languages : en
Pages : 416
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Book Description
How scientists through the ages have conducted thought experiments using imaginary entities—demons—to test the laws of nature and push the frontiers of what is possible Science may be known for banishing the demons of superstition from the modern world. Yet just as the demon-haunted world was being exorcized by the enlightening power of reason, a new kind of demon mischievously materialized in the scientific imagination itself. Scientists began to employ hypothetical beings to perform certain roles in thought experiments—experiments that can only be done in the imagination—and these impish assistants helped scientists achieve major breakthroughs that pushed forward the frontiers of science and technology. Spanning four centuries of discovery—from René Descartes, whose demon could hijack sensorial reality, to James Clerk Maxwell, whose molecular-sized demon deftly broke the second law of thermodynamics, to Darwin, Einstein, Feynman, and beyond—Jimena Canales tells a shadow history of science and the demons that bedevil it. She reveals how the greatest scientific thinkers used demons to explore problems, test the limits of what is possible, and better understand nature. Their imaginary familiars helped unlock the secrets of entropy, heredity, relativity, quantum mechanics, and other scientific wonders—and continue to inspire breakthroughs in the realms of computer science, artificial intelligence, and economics today. The world may no longer be haunted as it once was, but the demons of the scientific imagination are alive and well, continuing to play a vital role in scientists' efforts to explore the unknown and make the impossible real.
Author: David Jasper
Publisher: Wipf and Stock Publishers
ISBN: 1606088351
Category : Religion
Languages : en
Pages : 181
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Book Description
Canonical criticism is not a recognized branch of biblical studies--granting new focus to questions of the authority and truth of the scriptural writings. Developed within a critical sense of the dominant historical-critical tone of biblical studies, canonical criticism as it has been pursued by the American scholars Brevard S. Childs and James A. Sanders stands as witness to the theological necessity of a more literary approach to the Bible. This book both criticizes the canonical enterprise, and takes it much further into readings of the canon from the perspective not only of literature, but also art, and in particular the biblical art of Rembrandt. In addition, it remains acutely conscious of the contemporary environment of our reading within the political concerns of feminist criticism, popular absorption in film and the narratives of the screen, and finally the crisis, or crises, which characterize the so-called postmodern condition. What emerges is at once highly critical of traditional strategies of canonization, and at the same time constructive and concerned to recover the Bible for our own time in readings which move outside the limited academic concerns of the biblical critic or the institutions of the church and religious community.
Author: Piotr Cieplak
Publisher: Springer
ISBN: 1137579889
Category : Photography
Languages : en
Pages : 232
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Book Description
This book explores how photography and documentary film have participated in the representation of the 1994 genocide in Rwanda and its aftermath. This in-depth analysis of professional and amateur photography and the work of Rwandan and international filmmakers offers an insight into not only the unique ability of images to engage with death, memory and the need for evidence, but also their helplessness and inadequacy when confronted with the enormity of the event. Focusing on a range of films and photographs, the book tests notions of truth, evidence, record and witnessing – so often associated with documentary practice – in the specific context of Rwanda and the wider representational framework of African conflict and suffering. Death, Image, Memory is an inquiry into the multiple memorial and evidentiary functions of images that transcends the usual investigations into whether photography and documentary film can reliably attest to the occurrence and truth of an event.
