Author: Peter Conrad
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 740
Book Description
The Everyman History of English Literature
Everyman In Plain and Simple English
Author: Anonymous
Publisher: BookCaps Study Guides
ISBN: 1629174173
Category : Drama
Languages : en
Pages : 159
Book Description
When it comes to Christian morality tales, most people think of Bunyan's Pilgrim's Progress. Before Pilgrim's Progress, there was The Summoning of Everyman (more commonly known as Everyman); much like Bunyan's classic work, Everyman uses allegorical characters to examine the question of salvation and how man can receive it. The text is present with both the original translation and a modern translation. Please note, this story is also included in the collection “Everyman and Other Old Religious Plays In Plain and Simple English.”
Publisher: BookCaps Study Guides
ISBN: 1629174173
Category : Drama
Languages : en
Pages : 159
Book Description
When it comes to Christian morality tales, most people think of Bunyan's Pilgrim's Progress. Before Pilgrim's Progress, there was The Summoning of Everyman (more commonly known as Everyman); much like Bunyan's classic work, Everyman uses allegorical characters to examine the question of salvation and how man can receive it. The text is present with both the original translation and a modern translation. Please note, this story is also included in the collection “Everyman and Other Old Religious Plays In Plain and Simple English.”
The Complete English Poems
Author: George Herbert
Publisher: Penguin UK
ISBN: 014196586X
Category : Poetry
Languages : en
Pages : 385
Book Description
George Herbert combined the intellectual and the spiritual, the humble and the divine, to create some of the most moving devotional poetry in the English language. His deceptively simple verse uses the ingenious arguments typical of seventeenth-century 'metaphysical' poets, and unusual imagery drawn from musical structures, the natural world and domestic activity to explore a mosaic of Biblical themes. From the wit and wordplay of 'The Pulley' and the formal experimentation of 'Easter Wings' and 'Paradise', to the intense, highly personal relationship between man and God portrayed in 'The Collar' and 'Redemption', the works collected here show the transcendental power of divine love.
Publisher: Penguin UK
ISBN: 014196586X
Category : Poetry
Languages : en
Pages : 385
Book Description
George Herbert combined the intellectual and the spiritual, the humble and the divine, to create some of the most moving devotional poetry in the English language. His deceptively simple verse uses the ingenious arguments typical of seventeenth-century 'metaphysical' poets, and unusual imagery drawn from musical structures, the natural world and domestic activity to explore a mosaic of Biblical themes. From the wit and wordplay of 'The Pulley' and the formal experimentation of 'Easter Wings' and 'Paradise', to the intense, highly personal relationship between man and God portrayed in 'The Collar' and 'Redemption', the works collected here show the transcendental power of divine love.
A History of English Literature
Author: Robert Huntington Fletcher
Publisher: Good Press
ISBN:
Category : History
Languages : en
Pages : 371
Book Description
Robert Huntington Fletcher's book, 'A History of English Literature' offers a comprehensive guide to the evolution of English literature. The book is divided into nine periods, each exploring a unique era and its literary achievements. From the Britons and Anglo-Saxons to the Victorian era, Fletcher provides a detailed analysis of the significant literary movements, trends, and authors. Readers will gain a deeper understanding of the Renaissance, the Romantic movement, the influence of the Middle Ages, and the emergence of modern romanticism.
Publisher: Good Press
ISBN:
Category : History
Languages : en
Pages : 371
Book Description
Robert Huntington Fletcher's book, 'A History of English Literature' offers a comprehensive guide to the evolution of English literature. The book is divided into nine periods, each exploring a unique era and its literary achievements. From the Britons and Anglo-Saxons to the Victorian era, Fletcher provides a detailed analysis of the significant literary movements, trends, and authors. Readers will gain a deeper understanding of the Renaissance, the Romantic movement, the influence of the Middle Ages, and the emergence of modern romanticism.
Everyman
Author: Philip Roth
Publisher: Random House Digital, Inc.
ISBN: 0307280365
Category : Aging
Languages : da
Pages : 192
Book Description
Het leven van een man komt steeds meer te staan in het teken van zijn ouderdomskwalen.
Publisher: Random House Digital, Inc.
ISBN: 0307280365
Category : Aging
Languages : da
Pages : 192
Book Description
Het leven van een man komt steeds meer te staan in het teken van zijn ouderdomskwalen.
ENGLISH LITERATURE ADVANCING THROUGH HISTORY 4 – The Eighteenth Century
Author: Petru Golban
Publisher: Transnational Press London
ISBN: 1801351872
Category : Literary Criticism
Languages : en
Pages : 221
Book Description
It appears that literary work possesses eternal temporal validity due to its autonomous aesthetic value, whereas criticism provides points of view having temporary and transitory significance. Despite such claims, the vector of methodology in our series of books, dealing with the history of English literature, relies on Viktor Shklovsky, T. S. Eliot, Mikhail Bakhtin, and especially Yuri Tynyanov, whose main reasoning would be that literature is a system of dominant, central and peripheral, marginalized elements – to us, “tradition” (centre) versus “innovation” (margin) engaged in a “battle” for supremacy, demarginalization, and the right to form a new literary system – and the development or historical advancement of literature is the substitution of systems. Roman Jakobson and French structuralism, on the whole, later Linda Hutcheon, with her “system” and “constant”, and Bran Nicol with the “dominant”, to say nothing about Itamar Even-Zohar and his theory of polysystem, to a certain extent Julia Kristeva, and even Homi Bhabha – as well as our humble contribution, we would like to believe – maintain Tynyanov’s line of thinking and concepts alive, which have developed and emerged nowadays more like a kind of “neo-formalism”. Focusing on literary practice, applying critical theory and emerging from within our own teaching experience, the books in the present series are theoretical and surveyistic, like a monograph, whereas their more practical and text-oriented aspect should appeal as a student handbook for didactic purposes, in which certain literary works belonging to various writers of different trends, movements, and periods are analysed and compared with regard to their source, form, thematic arrangements, ideas, motifs, character representation strategies, intertextual perspectives, structural or narrative techniques, and other aspects.
Publisher: Transnational Press London
ISBN: 1801351872
Category : Literary Criticism
Languages : en
Pages : 221
Book Description
It appears that literary work possesses eternal temporal validity due to its autonomous aesthetic value, whereas criticism provides points of view having temporary and transitory significance. Despite such claims, the vector of methodology in our series of books, dealing with the history of English literature, relies on Viktor Shklovsky, T. S. Eliot, Mikhail Bakhtin, and especially Yuri Tynyanov, whose main reasoning would be that literature is a system of dominant, central and peripheral, marginalized elements – to us, “tradition” (centre) versus “innovation” (margin) engaged in a “battle” for supremacy, demarginalization, and the right to form a new literary system – and the development or historical advancement of literature is the substitution of systems. Roman Jakobson and French structuralism, on the whole, later Linda Hutcheon, with her “system” and “constant”, and Bran Nicol with the “dominant”, to say nothing about Itamar Even-Zohar and his theory of polysystem, to a certain extent Julia Kristeva, and even Homi Bhabha – as well as our humble contribution, we would like to believe – maintain Tynyanov’s line of thinking and concepts alive, which have developed and emerged nowadays more like a kind of “neo-formalism”. Focusing on literary practice, applying critical theory and emerging from within our own teaching experience, the books in the present series are theoretical and surveyistic, like a monograph, whereas their more practical and text-oriented aspect should appeal as a student handbook for didactic purposes, in which certain literary works belonging to various writers of different trends, movements, and periods are analysed and compared with regard to their source, form, thematic arrangements, ideas, motifs, character representation strategies, intertextual perspectives, structural or narrative techniques, and other aspects.
A History Of English Literature
Author: William Vaughn Moody
Publisher: Read Books Ltd
ISBN: 1473351081
Category : Literary Criticism
Languages : en
Pages : 597
Book Description
First published in 1902, this volume contains a detailed history of English literature beginning in the Anglo-Saxon Period and ending with contemporary literature. “A History of English Literature” is highly recommended for all students of literature, and it would make for a worthy addition to any collection. Contents include: “The Anglo-Saxon Period”, “The Norman-French Period”, “The Age of Chaucer”, “The Renaissance: Non-Dramatic Literature to the Death of Spenser”, “The Renaissance: Shakespeare”, ‘The Seventeenth Century: Shakespeare’s Contemporaries and Successors in the Drama”, “The Seventeenth Century: Non-dramatic Literature before the Restoration”, etc. Many vintage books such as this are increasingly scarce and expensive. We are republishing this volume now in a modern, high-quality edition complete with the original text and artwork.
Publisher: Read Books Ltd
ISBN: 1473351081
Category : Literary Criticism
Languages : en
Pages : 597
Book Description
First published in 1902, this volume contains a detailed history of English literature beginning in the Anglo-Saxon Period and ending with contemporary literature. “A History of English Literature” is highly recommended for all students of literature, and it would make for a worthy addition to any collection. Contents include: “The Anglo-Saxon Period”, “The Norman-French Period”, “The Age of Chaucer”, “The Renaissance: Non-Dramatic Literature to the Death of Spenser”, “The Renaissance: Shakespeare”, ‘The Seventeenth Century: Shakespeare’s Contemporaries and Successors in the Drama”, “The Seventeenth Century: Non-dramatic Literature before the Restoration”, etc. Many vintage books such as this are increasingly scarce and expensive. We are republishing this volume now in a modern, high-quality edition complete with the original text and artwork.
ENGLISH LITERATURE ADVANCING THROUGH HISTORY 3 – The Seventeenth Century
Author: Petru Golban
Publisher: Transnational Press London
ISBN: 1801350884
Category : Literary Criticism
Languages : en
Pages : 202
Book Description
The present book is third in a series of works which aim to expose the complexity and essence, power and extent of the major periods, movements, trends, genres, authors, and literary texts in the history of English literature. Following this aim, the series will consist of monographs which cover the most important ages and experiences of English literary history, including Anglo-Saxon or Old English period, the Middle Ages, the Renaissance, the Restoration, neoclassicism, romanticism, Victorian Age, and the twentieth-century and contemporary literary backgrounds. The reader of these volumes will acquire the knowledge of literary terminology along with the theoretical and critical perspectives on certain texts and textual typology belonging to different periods, movements, trends, and genres. The reader will also learn about the characteristics and conventions of these literary periods and movements, trends and genres, main writers and major works, and the literary interaction and continuity of the given periods. Apart from an important amount of reference to literary practice, some chapters on these periods include information on their philosophy, criticism, worldview, values, or episteme, in the Foucauldian sense, which means that even though the condition of the creative writing remains as the main concern, it is balanced by a focus on the condition of thought as well as theoretical and critical writing during a particular period. Preface Introduction: Approaching Literary Practice and Studying British Literature in History Preliminaries: Learning Literary Heritage through Critical Tradition or Back to Tynyanov Genre Theory for Poetry The Intellectual Background 1.1 The Period and Its Historical, Social and Cultural Implications 1.2 The Philosophical Advancement of Modernity 1.2.1 Francis Bacon and the “New Method” 1.2.2 The Advancement of Classicism: French Contribution 1.2.3 The Social and Political Philosophy: Thomas Hobbes and Leviathan 1.2.4 Rationalists and Empiricists 1.3 The Idea of Literature as a Critical Concern in the Seventeenth Century 1.3.1 The English “Battle of the Books” or “La Querelle des Anciens et des Modernes” in the European Context 1.3.2 Restoration, John Dryden and Prescribing Neoclassicism The Literary Background 2.1 The British Seventeenth Century and Its Literary Practice 2.2 Metaphysical Poetry, Its Alternatives and Aftermath 2.3 The Puritan Period and Its Literary Expression 2.4 The Restoration Period and Its Literature 2.5 The Picaresque Tradition in European and English Literature Major Literary Voices 3.1 The Metaphysical Poets I: John Donne 3.2 The Metaphysical Poets II: George Herbert 3.3 The Metaphysical Poets III: Andrew Marvell 3.4 John Milton: The Voice of the Century 3.4.1 L’Allegro and Il Penseroso 3.4.2 Lycidas and Sonnets 3.4.3 Paradise Lost and the Epic of Puritanism 3.5 John Dryden and His Critical Theory and Literary Practice Conclusion: The Literature of a Turbulent Age References and Suggestions for Further Reading Index
Publisher: Transnational Press London
ISBN: 1801350884
Category : Literary Criticism
Languages : en
Pages : 202
Book Description
The present book is third in a series of works which aim to expose the complexity and essence, power and extent of the major periods, movements, trends, genres, authors, and literary texts in the history of English literature. Following this aim, the series will consist of monographs which cover the most important ages and experiences of English literary history, including Anglo-Saxon or Old English period, the Middle Ages, the Renaissance, the Restoration, neoclassicism, romanticism, Victorian Age, and the twentieth-century and contemporary literary backgrounds. The reader of these volumes will acquire the knowledge of literary terminology along with the theoretical and critical perspectives on certain texts and textual typology belonging to different periods, movements, trends, and genres. The reader will also learn about the characteristics and conventions of these literary periods and movements, trends and genres, main writers and major works, and the literary interaction and continuity of the given periods. Apart from an important amount of reference to literary practice, some chapters on these periods include information on their philosophy, criticism, worldview, values, or episteme, in the Foucauldian sense, which means that even though the condition of the creative writing remains as the main concern, it is balanced by a focus on the condition of thought as well as theoretical and critical writing during a particular period. Preface Introduction: Approaching Literary Practice and Studying British Literature in History Preliminaries: Learning Literary Heritage through Critical Tradition or Back to Tynyanov Genre Theory for Poetry The Intellectual Background 1.1 The Period and Its Historical, Social and Cultural Implications 1.2 The Philosophical Advancement of Modernity 1.2.1 Francis Bacon and the “New Method” 1.2.2 The Advancement of Classicism: French Contribution 1.2.3 The Social and Political Philosophy: Thomas Hobbes and Leviathan 1.2.4 Rationalists and Empiricists 1.3 The Idea of Literature as a Critical Concern in the Seventeenth Century 1.3.1 The English “Battle of the Books” or “La Querelle des Anciens et des Modernes” in the European Context 1.3.2 Restoration, John Dryden and Prescribing Neoclassicism The Literary Background 2.1 The British Seventeenth Century and Its Literary Practice 2.2 Metaphysical Poetry, Its Alternatives and Aftermath 2.3 The Puritan Period and Its Literary Expression 2.4 The Restoration Period and Its Literature 2.5 The Picaresque Tradition in European and English Literature Major Literary Voices 3.1 The Metaphysical Poets I: John Donne 3.2 The Metaphysical Poets II: George Herbert 3.3 The Metaphysical Poets III: Andrew Marvell 3.4 John Milton: The Voice of the Century 3.4.1 L’Allegro and Il Penseroso 3.4.2 Lycidas and Sonnets 3.4.3 Paradise Lost and the Epic of Puritanism 3.5 John Dryden and His Critical Theory and Literary Practice Conclusion: The Literature of a Turbulent Age References and Suggestions for Further Reading Index
ENGLISH LITERATURE ADVANCING THROUGH HISTORY 1 - Old English (Anglo-Saxon) and Medieval Periods
Author: Petru Golban
Publisher: Transnational Press London
ISBN: 1912997940
Category : Literary Collections
Languages : en
Pages : 153
Book Description
It appears that literary work possesses eternal temporal validity due to its autonomous aesthetic value, whereas criticism provides points of view having temporary and transitory significance. Despite such claims, the vector of methodology in our series of books, dealing with the history of English literature, relies on Viktor Shklovsky, T. S. Eliot, Mikhail Bakhtin, and especially Yuri Tynyanov, whose main reasoning would be that literature is a system of dominant, central and peripheral, marginalized elements – to us, “tradition” (centre) versus “innovation” (margin) engaged in a “battle” for supremacy, demarginalization, and the right to form a new literary system – and the development or historical advancement of literature is the substitution of systems. Roman Jakobson and French structuralism, on the whole, later Linda Hutcheon, with her “system” and “constant”, and Bran Nicol with the “dominant”, to say nothing about Itamar Even-Zohar and his theory of polysystem, to a certain extent Julia Kristeva, and even Homi Bhabha – as well as our humble contribution, by means of the books in the present series, we would like to believe – maintain Tynyanov’s line of thinking and concepts alive, which have developed and emerged nowadays more like a kind of “neo-formalism”.
Publisher: Transnational Press London
ISBN: 1912997940
Category : Literary Collections
Languages : en
Pages : 153
Book Description
It appears that literary work possesses eternal temporal validity due to its autonomous aesthetic value, whereas criticism provides points of view having temporary and transitory significance. Despite such claims, the vector of methodology in our series of books, dealing with the history of English literature, relies on Viktor Shklovsky, T. S. Eliot, Mikhail Bakhtin, and especially Yuri Tynyanov, whose main reasoning would be that literature is a system of dominant, central and peripheral, marginalized elements – to us, “tradition” (centre) versus “innovation” (margin) engaged in a “battle” for supremacy, demarginalization, and the right to form a new literary system – and the development or historical advancement of literature is the substitution of systems. Roman Jakobson and French structuralism, on the whole, later Linda Hutcheon, with her “system” and “constant”, and Bran Nicol with the “dominant”, to say nothing about Itamar Even-Zohar and his theory of polysystem, to a certain extent Julia Kristeva, and even Homi Bhabha – as well as our humble contribution, by means of the books in the present series, we would like to believe – maintain Tynyanov’s line of thinking and concepts alive, which have developed and emerged nowadays more like a kind of “neo-formalism”.
Everyman
Author: Anonymous
Publisher:
ISBN: 9781420978001
Category : Drama
Languages : en
Pages : 26
Book Description
Written in Middle English during the Tudor period, "Everyman" is the most famous example of the medieval morality play. Popular in Europe during the 15th and 16th century, morality plays were allegorical dramas in which the protagonists are met with the personifications of personal attributes and tasked with choosing either a good and godly life or evil. "Everyman" is the archetypal morality play, as the main character, Everyman, represents all of mankind. God, frustrated with the wicked and greedy, sends Death to Everyman and summons him to account for his misdeeds and sins. It was believed that God tallied all of one's good and evil deeds in life and then one must provide an accounting before God upon one's death. During Everyman's pilgrimage to God, he meets many characters, such as Fellowship, Good Deeds, and Knowledge. Everyman asks them all to join him in his journey so that he may improve his reckoning before God. In the end, it is only Good Deeds that stays with him before God and helps Everyman find salvation and eternal life. This edition is printed on premium acid-free paper.
Publisher:
ISBN: 9781420978001
Category : Drama
Languages : en
Pages : 26
Book Description
Written in Middle English during the Tudor period, "Everyman" is the most famous example of the medieval morality play. Popular in Europe during the 15th and 16th century, morality plays were allegorical dramas in which the protagonists are met with the personifications of personal attributes and tasked with choosing either a good and godly life or evil. "Everyman" is the archetypal morality play, as the main character, Everyman, represents all of mankind. God, frustrated with the wicked and greedy, sends Death to Everyman and summons him to account for his misdeeds and sins. It was believed that God tallied all of one's good and evil deeds in life and then one must provide an accounting before God upon one's death. During Everyman's pilgrimage to God, he meets many characters, such as Fellowship, Good Deeds, and Knowledge. Everyman asks them all to join him in his journey so that he may improve his reckoning before God. In the end, it is only Good Deeds that stays with him before God and helps Everyman find salvation and eternal life. This edition is printed on premium acid-free paper.