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Author: Richard Viladesau
Publisher: Oxford University Press
ISBN: 0199884900
Category : Religion
Languages : en
Pages : 322
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Book Description
From the earliest period of its existence, Christianity has been recognized as the "religion of the cross." Some of the great monuments of Western art are representations of the brutal torture and execution of Christ. Despite the horror of crucifixion, we often find such images beautiful. The beauty of the cross expresses the central paradox of Christian faith: the cross of Christ's execution is the symbol of God's victory over death and sin. The cross as an aesthetic object and as a means of devotion corresponds to the mystery of God's wisdom and power manifest in suffering and apparent failure. In this volume, Richard Viladesau seeks to understand the beauty of the cross as it developed in both theology and art from their beginnings until the eve of the renaissance. He argues that art and symbolism functioned as an alternative strand of theological expression -- sometimes parallel to, sometimes interwoven with, and sometimes in tension with formal theological reflection on the meaning of the Crucifixion and its role insalvation history. Using specific works of art to epitomize particular artistic and theological paradigms, Viladesau then explores the contours of each paradigm through the works of representative theologians as well as liturgical, poetic, artistic, and musical sources. The beauty of the cross is examined from Patristic theology and the earliest representations of the Logos on the cross, to the monastic theology of victory and the Romanesque crucified "majesty," to the Anselmian "revolution" that centered theological and artistic attention on the suffering humanity of Jesus, and finally to the breakdown of the high scholastic theology of the redemption in empirically concentrated nominalism and the beginnings of naturalism in art. By examining the relationship between aesthetic and conceptual theology, Viladesau deepens our understanding of the foremost symbol of Christianity. This volume makes an important contribution to an emerging field, breaking new ground in theological aesthetics. The Beauty of the Cross is a valuable resource for scholars, students, and anyone interested in the passion of Christ and its representation.
Author: Richard Viladesau
Publisher: Oxford University Press
ISBN: 0199884900
Category : Religion
Languages : en
Pages : 322
Get Book Here
Book Description
From the earliest period of its existence, Christianity has been recognized as the "religion of the cross." Some of the great monuments of Western art are representations of the brutal torture and execution of Christ. Despite the horror of crucifixion, we often find such images beautiful. The beauty of the cross expresses the central paradox of Christian faith: the cross of Christ's execution is the symbol of God's victory over death and sin. The cross as an aesthetic object and as a means of devotion corresponds to the mystery of God's wisdom and power manifest in suffering and apparent failure. In this volume, Richard Viladesau seeks to understand the beauty of the cross as it developed in both theology and art from their beginnings until the eve of the renaissance. He argues that art and symbolism functioned as an alternative strand of theological expression -- sometimes parallel to, sometimes interwoven with, and sometimes in tension with formal theological reflection on the meaning of the Crucifixion and its role insalvation history. Using specific works of art to epitomize particular artistic and theological paradigms, Viladesau then explores the contours of each paradigm through the works of representative theologians as well as liturgical, poetic, artistic, and musical sources. The beauty of the cross is examined from Patristic theology and the earliest representations of the Logos on the cross, to the monastic theology of victory and the Romanesque crucified "majesty," to the Anselmian "revolution" that centered theological and artistic attention on the suffering humanity of Jesus, and finally to the breakdown of the high scholastic theology of the redemption in empirically concentrated nominalism and the beginnings of naturalism in art. By examining the relationship between aesthetic and conceptual theology, Viladesau deepens our understanding of the foremost symbol of Christianity. This volume makes an important contribution to an emerging field, breaking new ground in theological aesthetics. The Beauty of the Cross is a valuable resource for scholars, students, and anyone interested in the passion of Christ and its representation.
Author: Martin Hengel
Publisher: Augsburg Fortress Publishing
ISBN:
Category : Religion
Languages : en
Pages : 160
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Book Description
In a comprehensive and detailed survey on its remarkably widespread employment in the Roman empire, Dr. Hengel examines the way in which "the most vile death of the cross" was regarded in the Greek-speaking world and particularly in Roman-occupied Palestine. His conclusions bring out more starkly than ever the offensiveness of the Christian message: Jesus not only died an unspeakably cruel death, he underwent the most contemptible abasement that could be imagined. So repugnant was the gruesome reality, that a natural tendency prevails to blunt, remove, or deomesticate its scandalous impact. Yet any discussion of a "theology of the cross" must be preceded by adequate comprehension of both the nature and extent of this scandal.
Author: Fleming Rutledge
Publisher: Wm. B. Eerdmans Publishing
ISBN: 0802875343
Category : Religion
Languages : en
Pages : 695
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Book Description
Few treatments of the death of Jesus Christ have made a point of accounting for the gruesome, degrading, public manner of his death by crucifixion, a mode of execution so loathsome that the ancient Romans never spoke of it in polite society. Rutledge probes all the various themes and motifs used by the New Testament evangelists and apostolic writers to explain the meaning of the cross of Christ. She shows how each of the biblical themes contributes to the whole, with the Christus Victor motif and the concept of substitution sharing pride of place along with Irenaeus's recapitulation model.
Author: Robert Henkes
Publisher: McFarland
ISBN: 9780786414994
Category : Art
Languages : en
Pages : 184
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Book Description
The crucifixion of Christ has been richly portrayed by countless artists for hundreds of years, but it was European Renaissance styles and painters such as Kurz, Benjamin West and John Valentine Haidt that first informed American artists of the possibilities for depicting the crucifixion. This work features artists living and working in America from the mid-18th to the 21st century who depicted the crucifixion of Christ in their artwork. The 19th century saw painters like Julian Russell Story, John Singer Sargent, Vassili Verestchagin and Fred Holland break from the Renaissance tradition of the 18th century to begin a religious art revolution. The 20th century saw painters like Thomas Eakins and George Bellows continuing the traditions of the 19th until the Realist style became dominant, which lasted until the latter part of the century and the rise of Abstract Expressionism and a number of experimental styles such as Op, Pop, and Super-realism.
Author:
Publisher: Canongate Books
ISBN: 0857860976
Category : Bibles
Languages : en
Pages : 73
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Book Description
The earliest of the four Gospels, the book portrays Jesus as an enigmatic figure, struggling with enemies, his inner and external demons, and with his devoted but disconcerted disciples. Unlike other gospels, his parables are obscure, to be explained secretly to his followers. With an introduction by Nick Cave.
Author: William Thomas Stead
Publisher:
ISBN:
Category : Holy Week
Languages : en
Pages : 236
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Book Description
Author: John Dominic Crossan
Publisher: Wipf and Stock Publishers
ISBN: 1556358199
Category : Religion
Languages : en
Pages : 455
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Book Description
In this revolutionary work, John Dominic Crossan reveals that the Passion and Resurrection Narratives in the four canonical Gospels are radical revisions of an earlier Gospel account. He argues boldly that the apocryphal Gospel of Peter, discovered in the grave of a Christian monk in Egypt circa 1886, contains the earliest version of the death, burial, and resurrection of Jesus. He describes how the authors of the four Gospels revised the early account of how their revision predominated as Roman authority grew. Lacking in the revision, he suggests, is the very heart of the earlier Passion: its depiction of Jesus' death as the consummation of Israel's pain and the resurrection as the vindication of Israel's faith.
Author: Rabbi Jason Sobel
Publisher: Thomas Nelson
ISBN: 0785240071
Category : Religion
Languages : en
Pages : 224
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Book Description
Are you settling for half the story? Highlighting connections that have been hidden from non-Jewish eyes, Rabbi Jason Sobel will connect the dots between the Old and New Testament, helping you see the Bible with clarity as God intended. Most people—even people of faith—do not understand how the Bible fits together. Too many Christians accept half an inheritance, content to embrace merely the New Testament, while Jewish people may often experience the same by embracing only the Old Testament. But God has an intricate plan and purpose for both the Old and the New. In Mysteries of the Messiah, Rabbi Jason Sobel reveals the many connections in Scripture hidden in plain sight. Known for his emphatic declaration “but there’s more!” he guides us in seeing the passion and purpose of the Messiah. Mysteries of the Messiah: Uncovers connections between the Old and New Testaments Connects the dots for readers with details about Jesus, the Torah, and biblical characters Written with the unique perspective of a rabbi with an evangelical theological degree No matter how many times you have read the Bible, Mysteries of the Messiah will bring fresh perspective and insight. God’s Word, written by many people over thousands of years, is not a random selection of people and stories. Rabbi Jason Sobel connects the dots and helps us see with clarity what God intended.
Author: Tovia Singer
Publisher:
ISBN: 9780996091329
Category :
Languages : en
Pages : 428
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Book Description
Explore the Jewish and Christian Scriptures with the world renowned Bible scholar and expert on Jewish evangelism, Rabbi Tovia Singer. This new two-volume work, Let's Get Biblical! Why Doesn't Judaism Accept the Christian Messiah?, takes the reader on an eye-opening journey through timeless passages in Tanach, and answers a pressing question: Why doesn't Judaism accept the Christian messiah? Are the teachings conveyed in the New Testament compatible with ageless prophecies in the Jewish Scriptures? Rabbi Singer's fascinating new work clearly illustrates why the core doctrines of the Church are utterly incompatible with the cornerstone principles expressed by the Prophets of Israel, and are opposed by the most cherished tenets conveyed in the Jewish Scriptures. Moreover, this book demonstrates how the Church systematically and deliberately altered the Jewish Scriptures in order to persuade potential converts that Jesus is the promised Jewish messiah. To accomplish this feat, Christian "translators" manipulated, misquoted, mistranslated, and even fabricated verses in the Hebrew Scriptures so that these texts appear to be speaking about Jesus. This exhaustive book probes and illuminates this thought-provoking subject. Tragically, over the past two millennia, the church's faithful have been completely oblivious to this Bible-tampering because virtually no Christian can read or understand the Hebrew Scriptures in its original language. Since time immemorial, earnest parishioners blindly and utterly depended upon manmade Christian "translations" of the "Old Testament" in order to understand the "Word of God." Understandably, churchgoers are deeply puzzled by the Jewish rejection of their religion's claims. They wonder aloud why Jewish people, who are reared since childhood in the Holy Tongue, and are the bearers and protectors of the sacred Oracles of God, do not accept Jesus as their messiah. How can such an extraordinary people dismiss such an extraordinary claim? Are they just plain stubborn? Let's Get Biblical thoroughly answers these nagging, age-old questions.
Author: Richard Viladesau
Publisher: Oxford University Press
ISBN: 0199714770
Category : Religion
Languages : en
Pages : 366
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Book Description
This is a sequel to Richard Viladesau's well-received study, The Beauty of the Cross: The Passion of Christ in Theology and the Arts from the Catacombs to the Eve of the Renaissance. It continues his project of presenting theological history by using art as both an independent religious or theological "text" and as a means of understanding the cultural context for academic theology. Viladesau argues that art and symbolism function as alternative strands of theological expression sometimes parallel to, sometimes interwoven with, and sometimes in tension with formal theological reflection on the meaning of crucifixion and its role in salvation history. This book examines the two great revolutionary movements that gave birth to the modern West: the Renaissance and the Protestant Reformation. This period was eventful for both theology and art, and thus particularly fruitful for Viladesau's project. Using individual works of art, over sixty of which are reproduced in this book, to epitomize particular artistic and theological models, he explores the contours of each paradigm through the works of representative theologians as well as liturgical, poetic, artistic, and musical sources. To name a few examples, the theologies of Savonarola, Luther, Calvin, and the Council of Trent, are examined in correlation to the new situation of art in the era of Fra Angelico, Leonardo, Michelangelo, Dürer, Cranach, and the Mannerists. In this book, Viladesau continues to deepen our understanding of the foremost symbol of Christianity.
