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Author:
Publisher:
ISBN:
Category : Gospel music
Languages : en
Pages : 220
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Book Description
Author:
Publisher:
ISBN:
Category : Gospel music
Languages : en
Pages : 220
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Book Description
Author: John Seabrook
Publisher: W. W. Norton & Company
ISBN: 0393241939
Category : Music
Languages : en
Pages : 292
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Book Description
"An utterly satisfying examination of the business of popular music." —Nathaniel Rich, The Atlantic There’s a reason today’s ubiquitous pop hits are so hard to ignore—they’re designed that way. The Song Machine goes behind the scenes to offer an insider’s look at the global hit factories manufacturing the songs that have everyone hooked. Full of vivid, unexpected characters—alongside industry heavy-hitters like Katy Perry, Rihanna, Max Martin, and Ester Dean—this fascinating journey into the strange world of pop music reveals how a new approach to crafting smash hits is transforming marketing, technology, and even listeners’ brains. You’ll never think about music the same way again. A Wall Street Journal Best Business Book
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Category : Music
Languages : en
Pages : 628
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Author:
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ISBN:
Category : Music
Languages : en
Pages : 626
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Book Description
Author: Mark Yoshimoto Nemcoff
Publisher: Glenneyre Press
ISBN: 1934602345
Category : Music
Languages : en
Pages : 144
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Book Description
DIRTY LITTLE SECRETS… Sex, drugs, rock stars, divas, d-bags and previously untold stories about some of the biggest acts in music and the crazy things that have happened behind the scenes. What happens when someone gets murdered in your hotel while you’re on tour? How do you get backstage at a big rock concert? How much drugs were people in the music business really doing in the 70’s and 80’s? Which superstar artist rented out a whole supermarket after hours? Rock legend has it that one newly-minted superstar’s career was killed by a single shot — an sniper’s bullet fired through the lens of a camera and broadcast to an eagerly awaiting public through the magic of music video and the television channel that had become the most powerful pop culture engine in modern history. Finally, the truth can be told about what really happened… and the story is pretty hilarious. From Mark Yoshimoto Nemcoff, author of the acclaimed bestseller Where’s My F*cking Latte? (And Other Stories About Being an Assistant in Hollywood) - featured on TV’s hit ACCESS HOLLYWOOD and E! Entertainment’s SECRET SOCIETIES OF HOLLYWOOD - comes a revealing look at the sometimes shocking, but always entertaining world of popular music, rock stars and the music business as told by the people who have lived it. SPINNING THE RECORD will take you behind-the-scenes in a world few get to see up close and personal like this. If you’ve always wanted a backstage pass, now’s your chance to hear about what really happens when the lights go down. Published as a series of blind items -- No names are named and all sources kept confidential -- but can you guess who’s who?
Author:
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Category : Amusements
Languages : en
Pages : 198
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Book Description
Author: Nicholas Pegg
Publisher: Titan Books (US, CA)
ISBN: 1785655337
Category : Biography & Autobiography
Languages : en
Pages : 1305
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Book Description
The biggest edition yet – expanded and updated with 35,000 words of new material Critically acclaimed in its previous editions, The Complete David Bowie is widely recognized as the foremost source of analysis and information on every facet of Bowie’s career. The A-Z of songs and the day-by-day dateline are the most complete ever published. From the 11-year-old’s skiffle performance at the 18th Bromley Scouts’ Summer Camp in 1958, to the emergence of the legendary lost album Toy in 2011, to his passing in January 2016, The Complete David Bowiediscusses and dissects every last development in rock’s most fascinating career. * The Albums – detailed production history and analysis of every album from 1967 to the present day. * The Songs – hundreds of individual entries reveal the facts and anecdotes behind not just the famous recordings, but also the most obscure of unreleased rarities – from ‘Absolute Beginners’ to ‘Ziggy Stardust’, from ‘Abdulmajid’ to ‘Zion’. * The Tours – set-lists and histories of every live show. * The Actor – a complete guide to Bowie’s career on stage and screen. * Plus – the videos, the BBC radio sessions, the paintings, the Internet and much more.
Author: Jim Tuedio
Publisher: McFarland
ISBN: 0786458283
Category : Music
Languages : en
Pages : 366
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Book Description
This book offers a spirited analysis of the unique improvisational character of Grateful Dead music and its impact on appreciative fans. The 20 essays capture distinct facets of the Grateful Dead phenomenon from a broad range of scholarly angles. The band's trademark synergizing focus is discussed as a function of complex musical improvisation interlaced with the band members' collective assimilation of an impressive range of marginal musical forms and lyrical traditions. These facets are shown to produce a vibrant Deadhead experience, resulting in community influences still morphing in new directions 45 years after the band's initial impact.
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Category : Art
Languages : en
Pages : 802
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Book Description
Author: Christopher Mark
Publisher: Routledge
ISBN: 1317061969
Category : Music
Languages : en
Pages : 289
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Book Description
How does one go about writing the history of musical composition in the late twentieth century when, on the one hand, so much of it seems impossibly fractured and disassociated, and, on the other, there has been so little certainty about what the notion of 'music history' might entail under the critiques of post-modernism? One of the most productive ways forward is to pursue case studies involving single composers whose music reflects several aspects of recent activity. This enables the discussion of broad issues in a relatively focussed way whilst avoiding the pitfalls of traditional narrative histories and the centrifugal tendencies of the relativistic approach that some have called for. The music of the English-born (1943) and Australia-domiciled composer Roger Smalley is ideal material for such a study, because of his involvement with and response to an unusually large number of the myriad concerns and practices of post-1950s composition, including post-serial constructivism; parody; electro-acoustic composition and the electronic modification of conventionally-produced sound; Moment Form; aleatorism; minimalism; the use of non-Western resources (Aboriginal and South-East Asian sonorities); neo-Romanticism; and, arguably, the 'new classicism', as well as a brief flirtation with rock music in the late '60s. Employing an interview with the composer as a kind of cantus firmus, the book - the first extended single-author study of Smalley's music to be published - incorporates critical commentary on the composer's major works in a chronological narrative that engages with broad issues of central relevance to Smalley's generation, such as the process of learning the craft of composition in the early '60s; the motivation behind the adoption of certain technical and aesthetic positions; the effects on technical and aesthetic orientation of both the changing relationships between composer, performer, and audience and technological change; and the distinction betwe
