Author: Franz Werfel
Publisher:
ISBN:
Category :
Languages : en
Pages : 162

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Author: Franz 1890-1945 Werfel
Publisher: Hassell Street Press
ISBN: 9781014744920
Category :
Languages : en
Pages : 166

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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author: Stephen Hinton
Publisher: Univ of California Press
ISBN: 0520271777
Category : Biography & Autobiography
Languages : en
Pages : 586

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“This book, the first scholarly consideration of Weill’s complete output of stage works, is without doubt the most important critical study of the composer’s oeuvre to date in any language. Hinton’s scholarship is superior and his insights original and illuminating. The product of several decades of engagement with Weill’s works, their sources and reception, as well as the secondary literature, the book is a stunning achievement. Brilliantly conceived and executed, it will take its place as one of the cornerstones of Weill studies.”—Kim H. Kowalke, University of Rochester and President, Kurt Weill Foundation for Music “In Weill’s Musical Theater: Stages of Reform, Stephen Hinton reminds us that Kurt Weill was always a revolutionary. The composer’s insistent dedication to a provocative, constantly evolving lyric theater that spoke directly to audiences meant that Weill remained as controversial as he was popular. The celebrity that endeared him to Broadway made him anathema in Berlin. Some sixty years after Weill’s death, Hinton is finally able to demonstrate the consistent brilliance, theatrical power, and coherence of a composer who revolutionized every genre he touched (or used) and whose collaborators read as a who’s who of twentieth-century theater.” —David Savran, author of Highbrow/Lowdown: Theater, Jazz, and the Making of the New Middle Class "Stephen Hinton presents us with an image of Weill that is at once monumental yet still alive. A truly Protean figure, Weill is not an easy man to grasp in his totality; Brecht once wrote that a man thrown into water will have to develop webbed feet, and as a refugee from Nazi Germany, Weill had to become a cultural amphibian. But in Weill's Musical Theater we see the composer from every angle: through the gaze of countless critics and reviewers, through Weill's own eyes, and finally through the filter of Hinton's judicious, focused prose. This account will stand."—Daniel Albright, author of Untwisting the Serpent: Modernism in Music, Literature, and Other Arts

Author: Hans Wagener
Publisher: Univ of South Carolina Press
ISBN: 9780872498839
Category : Literary Criticism
Languages : en
Pages : 216

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Describes the life & work of the Austrian poet & novelist who heralded the German Expressionist movement in 1911, wrote some of Europe's most widely read novels in the 1930s, & enjoyed popular success in the 1940s with the film adaptations of his best-selling novels.

Author: Franz 1890-1945 Werfel
Publisher: Hassell Street Press
ISBN: 9781013413766
Category :
Languages : en
Pages : 168

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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author: Ralph Melnick
Publisher: Wayne State University Press
ISBN: 0814345034
Category : Social Science
Languages : en
Pages : 642

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Book Description
Lewisohn's efforts would later bear fruit in the Jewish renewal movement of the next generation.

Author: Jonathan C. Friedman
Publisher: Routledge
ISBN: 1136447296
Category : History
Languages : en
Pages : 433

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Book Description
The major objective of this collection of 28 essays is to analyze the trends, musical formats, and rhetorical devices used in popular music to illuminate the human condition. By comparing and contrasting musical offerings in a number of countries and in different contexts from the 19th century until today, The Routledge History of Social Protest in Popular Music aims to be a probing introduction to the history of social protest music, ideal for popular music studies and history and sociology of music courses.

Author: Harold I. Saperstein
Publisher: Lexington Books
ISBN: 9780739102596
Category : History
Languages : en
Pages : 394

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Book Description
Harold I. Saperstein served as rabbi of Temple Emanu-El of Lynbrook, N.Y., from 1933 until his retirement in 1980. The specific contours of his career reflect a sustained effort to use the pulpit of this suburban temple to communicate a Jewish perspective based on personal encounters with great issues of the day-including the rise of Nazism and the Holocaust, the civil rights era, the McCarthy era, and other turning points in American history. The fifty-two sermons in this book have been selected, introduced, and annotated by Marc Saperstein, whose award-winning books on the history of Jewish preaching have established him as a leading expert on this subject. No other book illustrates as effectively the value of the sermon as a resource for understanding the challenges faced by American Jews at some of the most dramatic moments in the turbulent history of this century.

Author: Ralph Melnick
Publisher: Wayne State University Press
ISBN: 9780814326923
Category : Biography & Autobiography
Languages : en
Pages : 786

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Book Description
An imposing literary figure in America and Europe during the first half of the twentieth century, Ludwig Lewisohn (1882-1955) struggled with feelings of alienation in Christian America that were gradually resolved by his developing Jewish identity, a process reflected in hundreds of works of fiction, literary analysis, and social criticism. A friend and associate of Sinclair Lewis, James Joyce, Thomas Mann, Paul Robeson, Edward G. Robinson, Theodore Dreiser, H. L. Mencken, Stephen Wise, Maurice Samuel, and a host of others, Lewisohn impacted the intellectual, cultural, religious, and political worlds of two continents. This first volume, chronicling his life until 1934, is followed by a second volume that portrays Lewisohn's last decades as an outspoken opponent of Nazi Germany, a leading promoter of Jewish rescue and resettlement in Palestine, a member of Brandeis University's first faculty, and one of the earliest voices advocating Jewish renewal in America. Born in Berlin, Lewisohn moved with his family in 1890 to South Carolina. Identified by others as a Jew, he remained an outsider throughout his youth. As a graduate student at Columbia University, warnings that a Jew could not secure a position teaching English forced him to abandon his studies. The Broken Snare (1908), Lewisohn's story of a young woman's acceptance of her deepest thoughts and desires, paralleled his own reaction to this isolation. Attacking the social mores of his age, the novel was judged as scandalous by critics. In time Lewisohn became a notable scholar and translator of German and French literature, teaching at Wisconsin and Ohio State. Following his mother's death in 1914, he began to explore the Jewish life he had rejected, and by 1920 became a Zionist committed to fighting assimilation. Accusatory and inflammatory, his memoir Up Stream (1922) struck at the very heart of American culture and society, and caused great controversy and lasting enmity. As strong emotional influences, the women in Lewisohn's life-his mother and four wives-helped to frame his life and work. Believing himself liberated by the woman he declared his "spiritual wife" while legally married to another, he proclaimed the artist's right to freedom in The Creative Life (1924), abandoned his editorship at The Nation, and fled to Europe. Lewisohn's fictionalized account of his failed marriage, The Case of Mr. Crump (1926), once again attacked the empty morality of this world and won Sigmund Freud's praise as the greatest psychological novel of the century. A creator of one of Paris's leading salons, Lewisohn ended his leisurely writer's life in 1934 to awaken America to the growing Nazi threat. Poised to face the unfinished marital battle at home, but anxious to engage in the coming struggle for Jewish survival and the future of Western civilization, he set sail, unsure of what lay ahead.

Author: Lore Barbara Foltin
Publisher:
ISBN:
Category :
Languages : en
Pages : 120

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