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Author: Helen Delpar
Publisher: University of Alabama Press
ISBN: 0817308113
Category : History
Languages : en
Pages : 289
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Book Description
The Enormous Vogue of Things Mexican traces the evolution of cultural relations between the United States and Mexico from 1920 to 1935.
Author: Helen Delpar
Publisher: University of Alabama Press
ISBN: 0817308113
Category : History
Languages : en
Pages : 289
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Book Description
The Enormous Vogue of Things Mexican traces the evolution of cultural relations between the United States and Mexico from 1920 to 1935.
Author: W. Warner Wood
Publisher: Indiana University Press
ISBN: 0253351545
Category : Art
Languages : en
Pages : 529
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Book Description
The story behind the international trade in Oaxacan textiles
Author: Leonora Saavedra
Publisher: Princeton University Press
ISBN: 0691169489
Category : Music
Languages : en
Pages : 384
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Book Description
Carlos Chávez (1899–1978) is the central figure in Mexican music of the twentieth century and among the most eminent of all Latin American modernist composers. An enfant terrible in his own country, Chávez was an integral part of the emerging music scene in the United States in the 1920s. His highly individual style—diatonic, dissonant, contrapuntal—addressed both modernity and Mexico's indigenous past. Chávez was also a governmental arts administrator, founder of major Mexican cultural institutions, and conductor and founder of the Orquesta Sinfónica de México. Carlos Chávez and His World brings together an international roster of leading scholars to delve into not only Chávez’s music but also the history, art, and politics surrounding his life and work. Contributors explore Chávez’s vast body of compositions, including his piano music, symphonies, violin concerto, late compositions, and Indianist music. They look at his connections with such artistic greats as Aaron Copland, Miguel Covarrubias, Henry Cowell, Silvestre Revueltas, and Paul Strand. The essays examine New York’s modernist scene, Mexican symphonic music, portraits of Chávez by major Mexican artists of the period, including Diego Rivera and Rufino Tamayo, and Chávez’s impact on El Colegio Nacional. A quantum leap in understanding Carlos Chávez and his milieu, this collection will stimulate further work in Latin American music and culture. The contributors are Ana R. Alonso-Minutti, Amy Bauer, Leon Botstein, David Brodbeck, Helen Delpar, Christina Taylor Gibson, Susana González Aktories, Anna Indych-López, Roberto Kolb-Neuhaus, James Krippner, Rebecca Levi, Ricardo Miranda, Julián Orbón, Howard Pollack, Leonora Saavedra, Antonio Saborit, Stephanie Stallings, and Luisa Vilar Payá. Bard Music Festival 2015: Carlos Chávez and His World Bard College August 7-9 and August 14-16, 2015
Author: Peter Mears
Publisher: University of Texas Press
ISBN: 0292705883
Category : History
Languages : en
Pages : 204
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Book Description
New York in the 1920s and 1930s was a modernist mecca that drew artists, writers, and other creators of culture from around the globe. Two such expatriates were Mexican artist and Renaissance man Miguel Covarrubias and Hungarian photographer Nickolas Muray. Their lifelong friendship gave Muray an entrée into Covarrubias's circle of fellow Mexican artists—Frida Kahlo, Rufino Tamayo, Juan Soriano, Fernando Castillo, Guillermo Meza, Roberto Montenegro, and Rafael Navarro—whose works Muray collected. This outstanding body of Mexican modernist art, now owned by the Harry Ransom Humanities Research Center (HRC) at the University of Texas at Austin, forms the subject of this beautifully illustrated volume. Produced in conjunction with the Ransom Center's exhibition "Miguel Covarrubias: A Certain Clairvoyance," this volume contains color plates of virtually all the items in Nickolas Muray's collection of twentieth-century Mexican art. The majority of the works are by Covarrubias, while the excellent works by the other artists reflect the range of aesthetic shifts and modernist influences of the period in Mexico. Accompanying the plates are five original essays that establish Covarrubias's importance as a modernist impresario as influential in his sphere as Ezra Pound, T. S. Eliot, and Jean Cocteau were in theirs. Likewise, the essays reestablish the significance of Nickolas Muray, whose success as a master of color photography, portraiture, advertising imagery, and commercial illustration has made him difficult to place within the history of photography as a fine art. As a whole, this publication of the Nickolas Muray Collection vividly illustrates the transgression of generic boundaries and the cross-fertilization among artists working in different media, from painting and photography to dance and ethnography, that gave modernism its freshness and energy. It also demonstrates that American modernism was thoroughly infused with a fervor for all things Mexican, of which Covarrubias was a principal proponent, and that Mexican modernists, no less than their American and European counterparts, answered Pound's call to "make it new."
Author: Laura Hernández-Ehrisman
Publisher: University of New Mexico Press
ISBN: 0826343112
Category : History
Languages : en
Pages : 248
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Book Description
The story of how the multicultural identity of San Antonio, Texas, has been shaped and polished through its annual fiesta since the late nineteenth century.
Author: Jürgen Buchenau
Publisher: U of Nebraska Press
ISBN: 149623698X
Category :
Languages : en
Pages : 341
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Book Description
Author: Zuzana M. Pick
Publisher: University of Texas Press
ISBN: 0292774257
Category : Performing Arts
Languages : en
Pages : 265
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Book Description
With a cast ranging from Pancho Villa to Dolores del Río and Tina Modotti, Constructing the Image of the Mexican Revolution demonstrates the crucial role played by Mexican and foreign visual artists in revolutionizing Mexico's twentieth-century national iconography. Investigating the convergence of cinema, photography, painting, and other graphic arts in this process, Zuzana Pick illuminates how the Mexican Revolution's timeline (1910–1917) corresponds with the emergence of media culture and modernity. Drawing on twelve foundational films from Que Viva Mexico! (1931–1932) to And Starring Pancho Villa as Himself (2003), Pick proposes that cinematic images reflect the image repertoire produced during the revolution, often playing on existing nationalist themes or on folkloric motifs designed for export. Ultimately illustrating the ways in which modernism reinvented existing signifiers of national identity, Constructing the Image of the Mexican Revolution unites historicity, aesthetics, and narrative to enrich our understanding of Mexicanidad.
Author: Gilbert M. Joseph
Publisher: Duke University Press
ISBN: 1478022973
Category : History
Languages : en
Pages : 584
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Book Description
The Mexico Reader is a vivid and comprehensive guide to muchos Méxicos—the many varied histories and cultures of Mexico. Unparalleled in scope, it covers pre-Columbian times to the present, from the extraordinary power and influence of the Roman Catholic Church to Mexico’s uneven postrevolutionary modernization, from chronic economic and political instability to its rich cultural heritage. Bringing together over eighty selections that include poetry, folklore, photo essays, songs, political cartoons, memoirs, journalism, and scholarly writing, this volume highlights the voices of everyday Mexicans—indigenous peoples, artists, soldiers, priests, peasants, and workers. It also includes pieces by politicians and foreign diplomats; by literary giants Octavio Paz, Gloria Anzaldúa, and Carlos Fuentes; and by and about revolutionary leaders Pancho Villa and Emiliano Zapata. This revised and updated edition features new selections that address twenty-first-century developments, including the rise of narcopolitics, the economic and personal costs of the United States’ mass deportation programs, the political activism of indigenous healers and manufacturing workers, and the impact of the COVID-19 pandemic. The Mexico Reader is an essential resource for travelers, students, and experts alike.
Author: Cheryl Ganz
Publisher: University of Illinois Press
ISBN: 9780252071973
Category : Art
Languages : en
Pages : 172
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Book Description
Exploring the untold stories of Hull-House arts programs in the 1920s and 1930s and the pottery program at the commercial Hull-House Kilns, Pots of Promise also addresses the story of Mexicans in Chicago and the history of Hull-House in the years when Jane Addams increasingly turned her attention beyond the settlement house she had co-founded. This book is the first on the Hull-House Kilns; it examines Mexicans in the Hull-House colonia, Chicago's largest Mexican settlement. Pots of Promise includes 131 color and black-and-white photographs, many of them previously unpublished, and four essays: "Bringing Art to Life: The Practice of Art at Hull-House" by Peggy Glowacki; "Incorporating Reform and Religion: Mexican Immigrants, Hull-House, and the Church" by David A. Badillo; "Shaping Clay, Shaping Lives: The Hull-House Kilns" by Cheryl R. Ganz; and "Forging a Mexican National Identity in Chicago: Mexican Migrants and Hull-House" by Rick A. L pez.
Author: Gilbert M. Joseph
Publisher: Duke University Press
ISBN: 9780822327189
Category : History
Languages : en
Pages : 534
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Book Description
DIVThe first cultural history of post-1940s Mexico to relate issues of representation and meaning to questions of power; it includes essays on popular music, unions, TV, tourism, cinema, wrestling, and illustrated magazines./div
