The English tradition : modern studies in English history. 2. Since 1714 PDF Download
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Author: Norman F. Cantor
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 374
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Book Description
Author: Norman F. Cantor
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 374
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Book Description
Author: Norman F. Cantor
Publisher: New York : Macmillan
ISBN:
Category : Great Britain
Languages : en
Pages : 388
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Book Description
V. 1. To 1714 -- v. 2. Since 1714.
Author: Norman Frank Cantor
Publisher:
ISBN:
Category :
Languages : en
Pages : 374
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Book Description
Author: Michael S. Werthman
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Norman F. Cantor
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 0
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Book Description
Author: Norman F.. Cantor
Publisher:
ISBN:
Category :
Languages : en
Pages : 764
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Book Description
![The English Tradition. Modern Studies in English History. Edited by Norman F. Cantor and Michael S. Werthman. [By Various Authors.]. PDF](https://books.google.com/books/content/images/frontcover/1qL8MgEACAAJ?fife=w80-h100)
Author: Norman Frank CANTOR (and WERTHMAN (Michael S.))
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Norman F. Cantor
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 446
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Book Description
V. 1. To 1714 -- v. 2. Since 1714.
Author: Robert Bucholz
Publisher: John Wiley & Sons
ISBN: 1118697251
Category : History
Languages : en
Pages : 473
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Book Description
The second edition of this bestselling narrative history has been revised and expanded to reflect recent scholarship. The book traces the transformation of England during the Tudor-Stuart period, from feudal European state to a constitutional monarchy and the wealthiest and most powerful nation on Earth. Written by two leading scholars and experienced teachers of the subject, assuming no prior knowledge of British history Provides student aids such as maps, illustrations, genealogies, and glossary This edition reflects recent scholarship on Henry VIII and the Civil War Extends coverage of the Reformations, the Rump and Barebone's Parliament, Cromwellian settlement of Ireland, and the European, Scottish, and Irish contexts of the Restoration and Revolution of 1688-9 Includes a new section on women’s roles and the historiography of women and gender Click here for more discussion and debate on the authors’ blogspot: http://earlymodernengland.blogspot.com/ [Wiley disclaims all responsibility and liability for the content of any third-party websites that can be linked to from this website. Users assume sole responsibility for accessing third-party websites and the use of any content appearing on such websites. Any views expressed in such websites are the views of the authors of the content appearing on those websites and not the views of Wiley or its affiliates, nor do they in any way represent an endorsement by Wiley or its affiliates.]
Author: Robert Hornback
Publisher: DS Brewer
ISBN: 1843843560
Category : Drama
Languages : en
Pages : 260
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Book Description
From the late-medieval period through to the seventeenth century, English theatrical clowns carried a weighty cultural significance, only to have it stripped from them, sometimes violently, by the close of the Renaissance when the famed "license" of fooling was effectively revoked. This groundbreaking survey of clown traditions in the period looks both at their history, and reveals their hidden cultural contexts and legacies; it has far-reaching implications not only for our general understanding of English clown types, but also their considerable role in defining social, religious and racial boundaries. It begins with an exploration of previously un-noted early representations of blackness in medieval psalters, cycle plays, and Tudor interludes, arguing that they are emblematic of folly and ignorance rather than of evil. Subsequent chapters show how protestants at Cambridge and at court, during the reigns of Henry VIII and Edward, patronised a clownish, iconoclastic Lord of Misrule; look at the Elizabethan puritan stage clown; and move on to a provocative reconsideration of the Fool in King Lear, drawing completely fresh conclusions. Finally, the epilogue points to the satirical clowning which took place surreptitiously in the Interregnum, and the (sometimes violent) end of "licensed" folly. Professor ROBERT HORNBACK teaches in the Departments of Literature and Theatre at Oglethorpe University.
