The English Theatre

The English Theatre PDF Author:
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 402

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Book Description

The English Theatre

The English Theatre PDF Author:
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 402

Get Book Here

Book Description


The Cambridge Companion to Medieval English Theatre

The Cambridge Companion to Medieval English Theatre PDF Author: Richard Beadle
Publisher: Cambridge University Press
ISBN: 1139827928
Category : Literary Criticism
Languages : en
Pages : 402

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Book Description
The drama of the English Middle Ages is perennially popular with students and theatre audiences alike, and this is an updated edition of a book which has established itself as a standard guide to the field. The Cambridge Companion to Medieval English Theatre, second edition continues to provide an authoritative introduction and an up-to-date, illustrated guide to the mystery cycles, morality drama and saints' plays which flourished from the late fourteenth to the mid-sixteenth centuries. The book emphasises regional diversity in the period and engages with the literary and particularly the theatrical values of the plays. Existing chapters have been revised and updated where necessary, and there are three entirely new chapters, including one on the cultural significance of early drama. A thoroughly revised reference section includes a guide to scholarship and criticism, an enlarged classified bibliography and a chronological table.

Theatre of the Book, 1480-1880

Theatre of the Book, 1480-1880 PDF Author: Julie Stone Peters
Publisher: Oxford University Press, USA
ISBN: 9780199262168
Category : Literary Criticism
Languages : en
Pages : 516

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Book Description
This volume explores the impact of printing on the European theatre in the period 1480-1880 and shows that the printing press played a major part in the birth of modern theatre.

A Doll's House, Part 2 (TCG Edition)

A Doll's House, Part 2 (TCG Edition) PDF Author: Lucas Hnath
Publisher: Theatre Communications Group
ISBN: 1559368977
Category : Drama
Languages : en
Pages : 121

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Book Description
“Smart, funny and utterly engrossing…This unexpectedly rich sequel reminds us that houses tremble and sometimes fall when doors slam, and that there are living people within, who may be wounded or lost…Mr. Hnath has a deft hand for combining incongruous elements to illuminating ends.” —Ben Brantley, New York Times It has been fifteen years since Nora Helmer slammed the door on her stifling domestic life, when a knock comes at that same door. It is Nora, and she has returned with an urgent request. What will her sudden return mean to those she left behind? Lucas Hnath’s funny, probing, and bold play is both a continuation of Ibsen’s complex exploration of traditional gender roles, as well as a sharp contemporary take on the struggles inherent in all human relationships across time.

Staging Conventions in Medieval English Theatre

Staging Conventions in Medieval English Theatre PDF Author: Philip Butterworth
Publisher: Cambridge University Press
ISBN: 1139991949
Category : Literary Criticism
Languages : en
Pages : 285

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Book Description
How was medieval English theatre performed? Many of the modern theatrical concepts and terms used today to discuss the nature of medieval English theatre were never used in medieval times. Concepts and terms such as character, characterisation, truth and belief, costume, acting style, amateur, professional, stage directions, effects and special effects are all examples of post-medieval terms that have been applied to the English theatre. Little has been written about staging conventions in the performance of medieval English theatre and the identity and value of these conventions has often been overlooked. In this book, Philip Butterworth analyses dormant evidence of theatrical processes such as casting, doubling of parts, rehearsing, memorising, cueing, entering, exiting, playing, expounding, prompting, delivering effects, timing, hearing, seeing and responding. All these concerns point to a very different kind of theatre to the naturalistic theatre produced today.

The 39 Steps

The 39 Steps PDF Author:
Publisher: Samuel French, Inc.
ISBN: 0573697140
Category : Drama
Languages : en
Pages : 113

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Book Description
"Adapted by Patrick Barlow from the novel by John Buchan; from the movie of Alfred Hitchcock licensed by ITV Global Entertainment Limited; and an original concept by Nobby Dimon and Simon Corble."

The Cambridge History of British Theatre

The Cambridge History of British Theatre PDF Author: Jane Milling
Publisher: Cambridge University Press
ISBN: 0521650682
Category : English drama
Languages : en
Pages : 574

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Book Description
Publisher Description

The English Theatre

The English Theatre PDF Author: Allardyce Nicoll
Publisher: Praeger
ISBN:
Category : Performing Arts
Languages : en
Pages : 296

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Book Description
Professor Nicoll's book is a rewritten and much enlarged version of his little study, The English Stage published in 1928.

Medieval English Theatre 43

Medieval English Theatre 43 PDF Author: Meg Twycross
Publisher: D. S. Brewer
ISBN: 9781843846307
Category :
Languages : en
Pages : 192

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Book Description


English Theatre in Transition 1881-1914

English Theatre in Transition 1881-1914 PDF Author: James Woodfield
Publisher: Routledge
ISBN: 1317389433
Category : Performing Arts
Languages : en
Pages : 224

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Book Description
Originally published in 1984. The turn of the nineteenth and twentieth centuries was a time of considerable change in the English theatre. Victorian attitudes were shocked or shattered by the new drama of Ibsen; the major figure of George Bernard Shaw dominated the period; theatre censorship was the subject of a long and furious contest; and staging conventions changed from the spectacular stylings of Irving and Beerbohm Tree to the masking and statuesque styles of Isadora Duncan and the inner realism of Stanislavsky. This book traces the activities of the leading figures in the English theatre, notably William Archer who introduced Ibsen to this country and who became one of the main promoters of the idea of a National Theatre. Other personalities discussed include Harley Granville Barker, particularly his association with Shaw at the Court Theatre and his part in campaigns against censorship and for changes in the staging of Shakespeare, and Edward Gordon Craig, whose rebellion against the Victorian theatre took and anti-realist direction. This is a stimulating account of the background to the modern English theatre which can only increase appreciation of its standard and variety.