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Author:
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Category :
Languages : en
Pages :
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Author:
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ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: B. A. Khan
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 110
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Book Description
Author: H. H. Anniah Gowda
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 392
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Book Description
Author: Thomas Stearns Eliot
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 184
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Book Description
Author: K. S. Misra
Publisher: New Delhi : Vikas Publishing House
ISBN:
Category : Drama
Languages : en
Pages : 384
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Book Description
Author: T. S. Eliot
Publisher: HarperCollins
ISBN: 0547542607
Category : Drama
Languages : en
Pages : 86
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Book Description
T. S. Eliot's most famous drama, a retelling of the murder of the archbishop of Canterbury Murder in the Cathedral, written for the Canterbury Festival in 1935, was one of T. S. Eliot’s first dramatic achievements, and it remains one of the great plays of the century. It takes as its subject matter the martyrdom of Thomas Becket, Archbishop of Canterbury, depicting the events that led to his assassination, in his own cathedral church, by the knights of Henry II in 1170. Like Greek drama, the play’s theme and form are rooted in religion, ritual purgation and renewal, and it was this return to the earliest sources of drama that brought poetry triumphantly back to the English stage at the time. "The theatre is enriched by this poetic play of grave beauty and momentous decision." —The New York Times
Author: B. N. Chaturvedi
Publisher: Gwalior : Kitab Ghar
ISBN:
Category : English drama
Languages : en
Pages : 132
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Book Description
Author: William John Courthope
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 522
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Author: Aristotle
Publisher: Createspace Independent Publishing Platform
ISBN: 9781544217574
Category :
Languages : en
Pages : 82
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Book Description
In it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama - comedy, tragedy, and the satyr play - as well as lyric poetry and epic poetry). They are similar in the fact that they are all imitations but different in the three ways that Aristotle describes: 1. Differences in music rhythm, harmony, meter and melody. 2. Difference of goodness in the characters. 3. Difference in how the narrative is presented: telling a story or acting it out. In examining its "first principles," Aristotle finds two: 1) imitation and 2) genres and other concepts by which that of truth is applied/revealed in the poesis. His analysis of tragedy constitutes the core of the discussion. Although Aristotle's Poetics is universally acknowledged in the Western critical tradition, "almost every detail about his seminal work has aroused divergent opinions."
Author: Mikhail Lermontov: Trans. by Karpovich
Publisher: iUniverse
ISBN: 1475976178
Category : Drama
Languages : en
Pages : 181
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Book Description
The Masquerade, a treasured four-act play by Mikhail Yurievich Lermontov, is a classic work of Russian romanticism. In 1830s St. Petersburg, aristocrat Arbenin and Nina, his wife, attend a masked ball. In a tragic case of mistaken identity, Arbenin convinces himself that his wife is romantically involved with Prince Zvezdich. Arbenin is tragically blinded by jealousy and pride, and then a disaster happens... A celebration and examination of a classic work from the Golden Age of Russian culture, the first poetic translation by Russian American professor Alfred E. Karpovich brings The Masquerade to a new, English-speaking audience. A work of great importance, this drama examines the collision between true love and the societal prejudice of honor and dignity. In translation, it casts an inquisitive eye at the state of human dignity in the twenty-first century. Praise for The Masquerade translation The following is in reference to Dr. Alfred E. Karpovich's translation of the great Russian writer and poet Mikhail Lermontov's play : Masquerade . Thoroughly versed in classical Russian, I am a great admirer of Lermontov's works. I approached the translation with a feeling of skepticism, but was literally knocked over by the translation. Mr. Karpovich's understanding of Lermontov and fine-tuning of the English version are truly amazing. It is my pleasure to give this work the highest possible recommendation (and I hope to see it on stage). Sincerely yours, Nicholas Bobrinskoy GDOOSJ (formerly of Marymount Manhattan College Faculty, NYS; St Peter's College, author of The Golden Age of Russian Literature; Pronounce Russian Correctly and of many articles & Interviews in USA & Russia)
