Author: Peter Robert Lynan
Publisher:
ISBN:
Category : Concertos (Keyboard instrument)
Languages : en
Pages : 290
Book Description
The English Keyboard Concerto in the Eighteenth Century
Author: Peter Robert Lynan
Publisher:
ISBN:
Category : Concertos (Keyboard instrument)
Languages : en
Pages : 290
Book Description
Publisher:
ISBN:
Category : Concertos (Keyboard instrument)
Languages : en
Pages : 290
Book Description
Eighteenth-Century Keyboard Music
Author: Robert Marshall
Publisher: Routledge
ISBN: 1135887756
Category : Music
Languages : en
Pages : 431
Book Description
First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Routledge
ISBN: 1135887756
Category : Music
Languages : en
Pages : 431
Book Description
First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
The German Unaccompanied Keyboard Concerto in the Early Eighteenth Century Including Works of Walther, Bach, and Their Contemporaries
Author: Sarah Elizabeth Hanks
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
English Eighteenth-century Concertos
Author: Owain Tudor Edwards
Publisher:
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 298
Book Description
The repertory he cites is virtually unknown, says Edwards, and was written by equally unknown composers, most of whom never rose above local fame and none of whom made a fortune. He lists sources, concertos for various solo instruments, works by publisher, information about lost concertos, and the work of the prolific composers such as Charles Avison and William Corbell.
Publisher:
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 298
Book Description
The repertory he cites is virtually unknown, says Edwards, and was written by equally unknown composers, most of whom never rose above local fame and none of whom made a fortune. He lists sources, concertos for various solo instruments, works by publisher, information about lost concertos, and the work of the prolific composers such as Charles Avison and William Corbell.
The Keyboard Concerto in London Society, 1760-1790
Author: Zaide Elisabeth Pixley
Publisher:
ISBN:
Category : Concerto
Languages : en
Pages : 770
Book Description
Publisher:
ISBN:
Category : Concerto
Languages : en
Pages : 770
Book Description
Keyboard Instruments in Eighteenth-century Vienna
Author: C. R. F. Maunder
Publisher: Oxford University Press
ISBN: 9780198166375
Category : Music
Languages : en
Pages : 298
Book Description
Although eighteenth-century Viennese keyboard music, especially by such composers as Haydn, Mozart, and Beethoven, is among the most popular ever written, there has been surprisingly little serious research into the instruments for which it was composed. This book fills that gap. Based on evidence from primary source material, much of it previously undiscovered or neglected, Maunder traces the history and development of the various keyboard instruments available in Vienna throughout the eighteenth century--harpsichords, clavichords, and pianos--and their use by composers and performers.
Publisher: Oxford University Press
ISBN: 9780198166375
Category : Music
Languages : en
Pages : 298
Book Description
Although eighteenth-century Viennese keyboard music, especially by such composers as Haydn, Mozart, and Beethoven, is among the most popular ever written, there has been surprisingly little serious research into the instruments for which it was composed. This book fills that gap. Based on evidence from primary source material, much of it previously undiscovered or neglected, Maunder traces the history and development of the various keyboard instruments available in Vienna throughout the eighteenth century--harpsichords, clavichords, and pianos--and their use by composers and performers.
Music in Eighteenth-Century Britain
Author: David Wyn Jones
Publisher: Routledge
ISBN: 1351557416
Category : Music
Languages : en
Pages : 333
Book Description
This collection of essays by some of the leading scholars in the field looks at various aspects of musical life in eighteenth-century Britain. The significant roles played by institutions such as the Freemasons and foreign embassy chapels in promoting music making and introducing foreign styles to English music are examined, as well as the influence exerted by individuals, both foreign and British. The book covers the spectrum of British music, both sacred and secular, and both cosmopolitan and provincial. In doing so it helps to redress the picture of eighteenth-century British music which has previously portrayed Handel and London as its primary constituents.
Publisher: Routledge
ISBN: 1351557416
Category : Music
Languages : en
Pages : 333
Book Description
This collection of essays by some of the leading scholars in the field looks at various aspects of musical life in eighteenth-century Britain. The significant roles played by institutions such as the Freemasons and foreign embassy chapels in promoting music making and introducing foreign styles to English music are examined, as well as the influence exerted by individuals, both foreign and British. The book covers the spectrum of British music, both sacred and secular, and both cosmopolitan and provincial. In doing so it helps to redress the picture of eighteenth-century British music which has previously portrayed Handel and London as its primary constituents.
The Eighteenth-century English Organ Concerto After Handel
Author: Grady Ellis Coyle
Publisher:
ISBN:
Category : Concerto
Languages : en
Pages : 152
Book Description
Publisher:
ISBN:
Category : Concerto
Languages : en
Pages : 152
Book Description
Music in Eighteenth-Century England
Author: Charles Cudworth
Publisher: Cambridge University Press
ISBN: 9780521235259
Category : Music
Languages : en
Pages : 298
Book Description
The essays in this book are devoted to the social and intellectual background of eighteenth-century music.
Publisher: Cambridge University Press
ISBN: 9780521235259
Category : Music
Languages : en
Pages : 298
Book Description
The essays in this book are devoted to the social and intellectual background of eighteenth-century music.
The Cambridge History of Eighteenth-Century Music
Author: Simon P. Keefe
Publisher: Cambridge University Press
ISBN: 9780521663199
Category : Music
Languages : en
Pages : 816
Book Description
The eighteenth century arguably boasts a more remarkable group of significant musical figures, and a more engaging combination of genres, styles and aesthetic orientations than any century before or since, yet huge swathes of its musical activity remain under-appreciated. This History provides a comprehensive survey of eighteenth-century music, examining little-known repertories, works and musical trends alongside more familiar ones. Rather than relying on temporal, periodic and composer-related phenomena to structure the volume, it is organized by genre; chapters are grouped according to the traditional distinctions of music for the church, music for the theatre and music for the concert room that conditioned so much thinking, activity and output in the eighteenth century. A valuable summation of current research in this area, the volume also encourages the readers to think of eighteenth-century music less in terms of overtly teleological developments than of interacting and mutually stimulating musical cultures and practices.
Publisher: Cambridge University Press
ISBN: 9780521663199
Category : Music
Languages : en
Pages : 816
Book Description
The eighteenth century arguably boasts a more remarkable group of significant musical figures, and a more engaging combination of genres, styles and aesthetic orientations than any century before or since, yet huge swathes of its musical activity remain under-appreciated. This History provides a comprehensive survey of eighteenth-century music, examining little-known repertories, works and musical trends alongside more familiar ones. Rather than relying on temporal, periodic and composer-related phenomena to structure the volume, it is organized by genre; chapters are grouped according to the traditional distinctions of music for the church, music for the theatre and music for the concert room that conditioned so much thinking, activity and output in the eighteenth century. A valuable summation of current research in this area, the volume also encourages the readers to think of eighteenth-century music less in terms of overtly teleological developments than of interacting and mutually stimulating musical cultures and practices.