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Author: Constantine Henry Phipps Marquess of Normanby
Publisher:
ISBN:
Category :
Languages : en
Pages : 338
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Book Description
Author: Constantine Henry Phipps Marquess of Normanby
Publisher:
ISBN:
Category :
Languages : en
Pages : 338
Get Book Here
Book Description
Author: Constantine Henry Phipps Marquess of Normanby
Publisher:
ISBN:
Category : English fiction
Languages : en
Pages : 320
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Book Description
![The English in Italy [by C.H. Phipps]. PDF](https://books.google.com/books/content/images/frontcover/Sh4GAAAAQAAJ?fife=w80-h100)
Author: Constantine Henry Phipps (1st marq. of Normanby.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 332
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Book Description
Author: Constantine Henry Phipps Marquess of Normanby
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: George B. Parks
Publisher: Ed. di Storia e Letteratura
ISBN:
Category : English Travellers (Nomadic people)
Languages : en
Pages : 722
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Book Description
Author: Constantine Henry Phipps of Normanby
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Olga Ragusa
Publisher: Courier Corporation
ISBN: 9780486252766
Category : Foreign Language Study
Languages : en
Pages : 80
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Book Description
This language-learning system offers the chance to quickly and efficiently develop the practical Italian needed for travel. 2 CDs with 90 minutes of material feature phrases and sentences spoken first in English and then in Italian, followed by a pause for repetition. The accompanying 80-page manual contains each word and phrase on the CDs.
Author: Constantine Henry Phipps Normanby
Publisher: Forgotten Books
ISBN: 9780483666832
Category : Biography & Autobiography
Languages : en
Pages : 320
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Book Description
Excerpt from The English in Italy, Vol. 1 of 3 As the author has thought it neces sary to preface the work with this sort of protest, he may as well take the opportunity of adding, that he lays claim to no merit of invention for the incidents contained in the following pages, they being almost altogether the fruits of observation, during a residence of several years in the Peninsula. The pencil of the writer, he declares, has been confined to sketches from the lab;amd.fl'hmmfimafionluwmuhauzand there superadded her colouring, it has merely been to the decking forth, not to the superseding of truth. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: William Demby
Publisher: Univ. Press of Mississippi
ISBN: 1617030864
Category : Fiction
Languages : en
Pages : 237
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Book Description
After several years of silence and seclusion in Beetlecreek’s black quarter, a carnival worker named Bill Trapp befriends Johnny Johnson, a Pittsburgh teenager living with relatives in Beetlecreek. Bill is white. Johnny is black. Both are searching for acceptance, something that will give meaning to their lives. Bill tries to find it through good will in the community. Johnny finds it in the Nightriders, a local gang. David Diggs, the boy’s dispirited uncle, aspires to be an artist but has to settle for sign painting. David and Johnny’s new friendship with Bill kindles hope that their lives will get better. David’s marriage has failed; his wife’s shallow faith serves as her outlet from racial and financial oppression. David’s unhappy routine is broken by Edith Johnson’s return to Beetlecreek, but this relationship will be no better than his loveless marriage. Bill’s attempts to unify black and white children with a community picnic is a disaster. A rumor scapegoats him as a child molester, and Beetlecreek is titillated by the imagined crimes. This novel portraying race relations in a remote West Virginia town has been termed an existential classic. “It would be hard,” said The New Yorker, “to give Mr. Demby too much praise for the skill with which he has maneuvered the relationships in this book.” During the 1960s Arna Bontemps wrote, “Demby’s troubled townsfolk of the West Virginia mining region foreshadow present dilemmas. The pressing and resisting social forces in this season of our discontent and the fatal paralysis of those of us unable or unwilling to act are clearly anticipated with the dependable second sight of a true artist.” First published in 1950, Beetlecreek stands as a moving condemnation of provincialism and fundamentalism. Both a critique of racial hypocrisy and a new direction for the African American novel, it occupies fresh territory that is neither the ghetto realism of Richard Wright nor the ironic modernism of Ralph Ellison. Even after fifty years, more or less, William Demby said in 1998, “It still seems to me that Beetlecreek is about the absence of symmetry in human affairs, the imperfectability of justice the tragic inevitability of mankind’s inhumanity to mankind.”
Author: C. P Brand
Publisher: Cambridge University Press
ISBN: 0521247292
Category : History
Languages : en
Pages : 313
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Book Description
A fashionable and well-informed interest in Italy was a feature of English intellectual life in the first half of the 19th century. Most cultured people could read Italian and knew something of Italian literature. Young ladies learned to sing in Italian, whilst young gentlemen completed their education with a tour in Italy. Painters went there to make copies from Raphael; architects to sketch the Graeco-Roman ruins. Men of letters in particular found themselves drawn to Italy and much Romantic literature reflects this interest; many works owe their origin to Italian literature. In this book, which was originally published in 1957, Dr Brand traces the growth and decline of the social fashion which made Italy the goal of so many cultured Englishmen. He examines in particular the extent and significance of Italy's fascination for the English romantic writers, and traces the effects of the fashion in music, painting, architecture and political affairs.
