Author: William Makepeace Thackeray
Publisher: University of Michigan Press
ISBN: 9780472116126
Category : Biography & Autobiography
Languages : en
Pages : 298
Book Description
Engaging lectures on Swift, Pope, Fielding and others by this classic British author
The English Humourists of the Eighteenth Century and Charity and Humour
Author: William Makepeace Thackeray
Publisher: University of Michigan Press
ISBN: 9780472116126
Category : Biography & Autobiography
Languages : en
Pages : 298
Book Description
Engaging lectures on Swift, Pope, Fielding and others by this classic British author
Publisher: University of Michigan Press
ISBN: 9780472116126
Category : Biography & Autobiography
Languages : en
Pages : 298
Book Description
Engaging lectures on Swift, Pope, Fielding and others by this classic British author
The English Humourists of the Eighteenth Century
Author: William Makepeace Thackeray
Publisher:
ISBN:
Category : Authors, English
Languages : en
Pages : 360
Book Description
Publisher:
ISBN:
Category : Authors, English
Languages : en
Pages : 360
Book Description
The English Humourists of the Eighteenth Century
Author: William Makepeace Thackeray
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 326
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 326
Book Description
The English Humourists of the Eighteenth Century
Author: William Makepeace Thackeray
Publisher:
ISBN:
Category : Authors, English
Languages : en
Pages : 346
Book Description
Publisher:
ISBN:
Category : Authors, English
Languages : en
Pages : 346
Book Description
The Oxford Thackeray
Author: William Makepeace Thackeray
Publisher:
ISBN:
Category :
Languages : en
Pages : 712
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 712
Book Description
English Humourists of the 18th Century
Author: William Makepeace Thackeray
Publisher:
ISBN:
Category :
Languages : en
Pages : 494
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 494
Book Description
Humour in the Arts
Author: Vivienne Westbrook
Publisher: Routledge
ISBN: 0429849885
Category : History
Languages : en
Pages : 235
Book Description
This collection demonstrates the usefulness of approaching texts—verbal, visual and aural—through a framework of humour. Contributors offer in-depth discussions of humour in the West within a wider cultural historical context to achieve a coherent, chronological sense of how humour proceeds from antiquity to modernity. Reading humorously reveals the complexity of certain aspects of texts that other reading approaches have so far failed to reveal. Humour in the Arts explores humour as a source of cultural formation that engages with ethical, political, and religious controversies whilst acquainting readers with a wide range of humorous structures and strategies used across Western cultures.
Publisher: Routledge
ISBN: 0429849885
Category : History
Languages : en
Pages : 235
Book Description
This collection demonstrates the usefulness of approaching texts—verbal, visual and aural—through a framework of humour. Contributors offer in-depth discussions of humour in the West within a wider cultural historical context to achieve a coherent, chronological sense of how humour proceeds from antiquity to modernity. Reading humorously reveals the complexity of certain aspects of texts that other reading approaches have so far failed to reveal. Humour in the Arts explores humour as a source of cultural formation that engages with ethical, political, and religious controversies whilst acquainting readers with a wide range of humorous structures and strategies used across Western cultures.
Between Laughter and Satire
Author: Conal Condren
Publisher: Springer Nature
ISBN: 303121739X
Category : Performing Arts
Languages : en
Pages : 240
Book Description
This book explores closely related aspects of the historical study of humour. It challenges much that has been taken for granted in a field of study for which history has been marginal. It disputes the conventional genealogical view that humour theory dates from antiquity and outlines an alternative conceptual history. It critically examines the nostrum that humour is universal. It then explores the methodological difficulties in treating both verbal and non-verbal humour historically, dealing with contextualisation, intentionality, translation and reception. It explores the variable relationships between satire and definition and concludes with a detailed case study from recent history: the iconic Yes Minister and Yes, Prime Minister television comedies. These are commonly seen as realistic, but better understood as presenting popularised theories for satiric and propagandistic effect. Only in their treatment of language can we assess a putative political realism. The satires are often highly perceptive but largely dependent on misleading and inadequate theories of political discourse. Conal Condren is an Emeritus Scientia Professor at UNSW, a member of two Cambridge Colleges and a fellow both of the Australian Academy of the Humanities and The Social Sciences in Australia. He has published widely and principally in early modern intellectual history. Among his books are The Status and Appraisal of Classic Texts; Argument and Authority in Early Modern England; Political Vocabularies: Word Change and the Nature of Politics.
Publisher: Springer Nature
ISBN: 303121739X
Category : Performing Arts
Languages : en
Pages : 240
Book Description
This book explores closely related aspects of the historical study of humour. It challenges much that has been taken for granted in a field of study for which history has been marginal. It disputes the conventional genealogical view that humour theory dates from antiquity and outlines an alternative conceptual history. It critically examines the nostrum that humour is universal. It then explores the methodological difficulties in treating both verbal and non-verbal humour historically, dealing with contextualisation, intentionality, translation and reception. It explores the variable relationships between satire and definition and concludes with a detailed case study from recent history: the iconic Yes Minister and Yes, Prime Minister television comedies. These are commonly seen as realistic, but better understood as presenting popularised theories for satiric and propagandistic effect. Only in their treatment of language can we assess a putative political realism. The satires are often highly perceptive but largely dependent on misleading and inadequate theories of political discourse. Conal Condren is an Emeritus Scientia Professor at UNSW, a member of two Cambridge Colleges and a fellow both of the Australian Academy of the Humanities and The Social Sciences in Australia. He has published widely and principally in early modern intellectual history. Among his books are The Status and Appraisal of Classic Texts; Argument and Authority in Early Modern England; Political Vocabularies: Word Change and the Nature of Politics.
Mark Twain, Unsanctified Newspaper Reporter
Author: James Edward Caron
Publisher: University of Missouri Press
ISBN: 0826266274
Category : Biography & Autobiography
Languages : en
Pages : 464
Book Description
Before Mark Twain became a national celebrity with his best-selling The Innocents Abroad, he was just another struggling writer perfecting his craft-but already "playin' hell" with the world. In the first book in more than fifty years to examine the initial phase of Samuel Clemens's writing career, James Caron draws on contemporary scholarship and his own careful readings to offer a fresh and comprehensive perspective on those early years-and to challenge many long-standing views of Mark Twain's place in the tradition of American humor. Tracing the arc of Clemens's career from self-described "unsanctified newspaper reporter" to national author between 1862 and 1867, Caron reexamines the early and largely neglected writings-especially the travel letters from Hawaii and the letters chronicling Clemens's trip from California to New York City. Caron connects those sets of letters with comic materials Clemens had already published, drawing on all known items from this first phase of his career-even the virtually forgotten pieces from the San Francisco Morning Call in 1864-to reveal how Mark Twain's humor was shaped by the sociocultural context and how it catered to his audience's sensibilities while unpredictably transgressing its standards. Caron reveals how Sam Clemens's contemporaries, notably Charles Webb, provided important comic models, and he shows how Clemens not only adjusted to but also challenged the guidelines of the newspapers and magazines for which he wrote, evolving as a comic writer who transmuted personal circumstances into literary art. Plumbing Mark Twain's cultural significance, Caron draws on anthropological insights from Victor Turner and others to compare the performative aspects of Clemens's early work to the role of ritual clowns in traditional societies Brimming with fresh insights into such benchmarks as "Our Fellow Savages of the Sandwich Islands" and "Jim Smiley and His Jumping Frog," this book is a gracefully written work that reflects both patient research and considered judgment to chart the development of an iconic American talent. Mark Twain, Unsanctified Newspaper Reporter should be required reading for all serious scholars of his work, as well as for anyone interested in the interplay between artistic creativity and the literary marketplace.
Publisher: University of Missouri Press
ISBN: 0826266274
Category : Biography & Autobiography
Languages : en
Pages : 464
Book Description
Before Mark Twain became a national celebrity with his best-selling The Innocents Abroad, he was just another struggling writer perfecting his craft-but already "playin' hell" with the world. In the first book in more than fifty years to examine the initial phase of Samuel Clemens's writing career, James Caron draws on contemporary scholarship and his own careful readings to offer a fresh and comprehensive perspective on those early years-and to challenge many long-standing views of Mark Twain's place in the tradition of American humor. Tracing the arc of Clemens's career from self-described "unsanctified newspaper reporter" to national author between 1862 and 1867, Caron reexamines the early and largely neglected writings-especially the travel letters from Hawaii and the letters chronicling Clemens's trip from California to New York City. Caron connects those sets of letters with comic materials Clemens had already published, drawing on all known items from this first phase of his career-even the virtually forgotten pieces from the San Francisco Morning Call in 1864-to reveal how Mark Twain's humor was shaped by the sociocultural context and how it catered to his audience's sensibilities while unpredictably transgressing its standards. Caron reveals how Sam Clemens's contemporaries, notably Charles Webb, provided important comic models, and he shows how Clemens not only adjusted to but also challenged the guidelines of the newspapers and magazines for which he wrote, evolving as a comic writer who transmuted personal circumstances into literary art. Plumbing Mark Twain's cultural significance, Caron draws on anthropological insights from Victor Turner and others to compare the performative aspects of Clemens's early work to the role of ritual clowns in traditional societies Brimming with fresh insights into such benchmarks as "Our Fellow Savages of the Sandwich Islands" and "Jim Smiley and His Jumping Frog," this book is a gracefully written work that reflects both patient research and considered judgment to chart the development of an iconic American talent. Mark Twain, Unsanctified Newspaper Reporter should be required reading for all serious scholars of his work, as well as for anyone interested in the interplay between artistic creativity and the literary marketplace.
Sacred Tears
Author: Fred Kaplan
Publisher: Open Road Media
ISBN: 1480409812
Category : Literary Criticism
Languages : en
Pages : 112
Book Description
DIVAn absorbing study of the evolution of sentiment in Victorian life and literature/divDIV What is sentimentality, and where did it come from? For acclaimed scholar and biographer Fred Kaplan, the seeds were planted by the British moral philosophers of the eighteenth century. The Victorians gained from them a theory of human nature, a belief in the innateness of benevolent moral instincts; sentiment, in turn, emerged as a set of shared moral feelings in opposition to both scientific realism and the more ego-driven energies of Romanticism. Sacred Tears investigates the profound ways in which seminal writers Charles Dickens, William Makepeace Thackeray, and Thomas Carlyle were influenced by the philosophies of David Hume and Adam Smith, and by novelists of the same period. Exploring sentiment in its original context—one often forgotten or overlooked—Kaplan’s study is a stimulating fusion of intellectual history and literary criticism, and holds no small importance for questions of art and morality as they exist today./div
Publisher: Open Road Media
ISBN: 1480409812
Category : Literary Criticism
Languages : en
Pages : 112
Book Description
DIVAn absorbing study of the evolution of sentiment in Victorian life and literature/divDIV What is sentimentality, and where did it come from? For acclaimed scholar and biographer Fred Kaplan, the seeds were planted by the British moral philosophers of the eighteenth century. The Victorians gained from them a theory of human nature, a belief in the innateness of benevolent moral instincts; sentiment, in turn, emerged as a set of shared moral feelings in opposition to both scientific realism and the more ego-driven energies of Romanticism. Sacred Tears investigates the profound ways in which seminal writers Charles Dickens, William Makepeace Thackeray, and Thomas Carlyle were influenced by the philosophies of David Hume and Adam Smith, and by novelists of the same period. Exploring sentiment in its original context—one often forgotten or overlooked—Kaplan’s study is a stimulating fusion of intellectual history and literary criticism, and holds no small importance for questions of art and morality as they exist today./div