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Author: Morgan Adamson
Publisher: U of Minnesota Press
ISBN: 1452957835
Category : Performing Arts
Languages : en
Pages : 317
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Book Description
An integrated look at the political films of the 1960s and ’70s and how the New Left transformed cinema A timely reassessment of political film culture in the 1960s and ’70s, Enduring Images examines international cinematic movements of the New Left in light of sweeping cultural and economic changes of that era. Looking at new forms of cinematic resistance—including detailed readings of particular films, collectives, and movements—Morgan Adamson makes a case for cinema’s centrality to the global New Left. Enduring Images details how student, labor, anti-imperialist, Black Power, and second-wave feminist movements broke with auteur cinema and sought to forge local and international solidarities by producing political essay films, generating new ways of being and thinking in common. Adamson produces a comparative and theoretical account of New Left cinema that engages with discussions of work, debt, information, and resistance. Enduring Images argues that the cinemas of the New Left are sites to examine, through the lens of struggle, the reshaping of global capitalism during the pivotal moment in which they were made, while at the same time exploring how these movements endure in contemporary culture and politics. Including in-depth discussions of Third Cinema in Argentina, feminist cinema in Italy, Newsreel movements in the United States, and cybernetics in early video, Enduring Images is an essential examination of the political films of the 1960s and ’70s.
Author: Morgan Adamson
Publisher: U of Minnesota Press
ISBN: 1452957835
Category : Performing Arts
Languages : en
Pages : 317
Get Book Here
Book Description
An integrated look at the political films of the 1960s and ’70s and how the New Left transformed cinema A timely reassessment of political film culture in the 1960s and ’70s, Enduring Images examines international cinematic movements of the New Left in light of sweeping cultural and economic changes of that era. Looking at new forms of cinematic resistance—including detailed readings of particular films, collectives, and movements—Morgan Adamson makes a case for cinema’s centrality to the global New Left. Enduring Images details how student, labor, anti-imperialist, Black Power, and second-wave feminist movements broke with auteur cinema and sought to forge local and international solidarities by producing political essay films, generating new ways of being and thinking in common. Adamson produces a comparative and theoretical account of New Left cinema that engages with discussions of work, debt, information, and resistance. Enduring Images argues that the cinemas of the New Left are sites to examine, through the lens of struggle, the reshaping of global capitalism during the pivotal moment in which they were made, while at the same time exploring how these movements endure in contemporary culture and politics. Including in-depth discussions of Third Cinema in Argentina, feminist cinema in Italy, Newsreel movements in the United States, and cybernetics in early video, Enduring Images is an essential examination of the political films of the 1960s and ’70s.
Author: Paul Fazekas
Publisher: AuthorHouse
ISBN: 1438944861
Category : Soldiers
Languages : en
Pages : 274
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Book Description
Paul Fazekas was drafted into the U.S. Army in 1969 at nineteen years of age. He served as a rifleman with the First Air Cavalry Division (Airmobile) and the 11th Light Infantry Brigade during his one-year tour of Vietnam. His book examines the personal cost of war suffered by combat veterans throughout their lifetime after they return.
Author: Michael Forrester
Publisher: Routledge
ISBN: 1134709552
Category : Psychology
Languages : en
Pages : 224
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Book Description
Psychology of the Image outlines a theoretical framework bringing together the semiotic concepts developed by Charles Peirce, the sociological insights of Ervin Goffman and the psychoanalytic ideas of Jacques Lacan. Image studies in fashion, advertising, photography, film studies and psychology have been influenced by these theorists in significant ways. The framework presented helps the reader understand how these ideas relate to the study of different domains of the image: the internal imagery of dreams, external images such as the photograph and image processes which span both contexts, e.g., images we have about ourselves. The topics discussed are organised into three themes. The first considers mental imagery, including sound and dreams. The second addresses the interdependent nature of internal and external images, e.g., the gendered self and social identity. In the third theme, attention turns to external images including television, film, photography, the computer and the internet. Psychology of the Image will be of interest to undergraduates, postgraduates, lecturers and researchers in the fields of psychology, media studies and sociology.
Author: Nigel Jonathan Spivey
Publisher: Univ of California Press
ISBN: 9780520230224
Category : Art
Languages : en
Pages : 280
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Book Description
Sebastians pierced with arrows, self-portraits of the aging Rembrandt, and the tortured art of Vincent van Gogh. Exploring the tender, complex rapport between art and pain, Spivey guides us through the twentieth-century photographs of casualties of war, Edvard Munch's The Scream, and back to the recorded horrors of the Holocaust.".
Author: Øyvind Vågnes
Publisher: University of Texas Press
ISBN: 0292742584
Category : Performing Arts
Languages : en
Pages : 224
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Book Description
Winner, Peter C. Rollins Book Award, 2012 As the fiftieth anniversary of the Kennedy assassination approaches, the traumatic aspects of the tragedy continue to haunt our perceptions of the 1960s. One reason for this lies in the home movie of the incident filmed by Abraham Zapruder, a bystander who became one of the twentieth century's most important accidental documentarians. The first book devoted exclusively to the topic, Zaprudered traces the journey of the film and its effect on the world's collective imagination. Providing insightful perspective as an observer of American culture, Norwegian media studies scholar Øyvind Vågnes begins by analyzing three narratives that are projections of Zapruder's images: performance group Ant Farm's video The Eternal Frame, Don DeLillo's novel Underworld, and an episode from Seinfeld. Subsequent topics he investigates include Dealey Plaza's Sixth Floor Museum, Zoran Naskovski's installation Death in Dallas, assassin video games, and other artifacts of the ways in which the footage has made a lasting impact on popular culture and the historical imagination. Vågnes also explores the role of other accidental documentarians, such as those who captured scenes of 9/11. Zapruder's footage has never yielded a conclusive account of what happened in Dealey Plaza. Zaprudered thoroughly examines both this historical enigma and its indelible afterimages in our collective imagination.
Author: Emmanuel Alloa
Publisher: Columbia University Press
ISBN: 0231547579
Category : Philosophy
Languages : en
Pages : 290
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Book Description
Images have always stirred ambivalent reactions. Yet whether eliciting fascinated gazes or iconoclastic repulsion from their beholders, they have hardly ever been seen as true sources of knowledge. They were long viewed as mere appearances, placeholders for the things themselves or deceptive illusions. Today, the traditional critique of the spectacle has given way to an unconditional embrace of the visual. However, we still lack a persuasive theoretical account of how images work. Emmanuel Alloa retraces the history of Western attitudes toward the visual to propose a major rethinking of images as irreplaceable agents of our everyday engagement with the world. He examines how ideas of images and their powers have been constructed in Western humanities, art theory, and philosophy, developing a novel genealogy of both visual studies and the concept of the medium. Alloa reconstructs the earliest Western media theory—Aristotle’s concept of the diaphanous milieu of vision—and the significance of its subsequent erasure in the history of science. Ultimately, he argues for a historically informed phenomenology of images and visual media that explains why images are not simply referential depictions, windows onto the world. Instead, images constantly reactivate the power of appearing. As media of visualization, they allow things to appear that could not be visible except in and through these very material devices.
Author: Trân Duc Thao
Publisher: Springer Science & Business Media
ISBN: 9400962363
Category : Philosophy
Languages : en
Pages : 220
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Book Description
Tran Duc Thao, a wise and learned scientist and an eminent Marxist philoso pher, begins this treatise on the origins of language and consciousness with a question: "One of the principal difficulties of the problem of the origin of consciousness is the exact determination of its beginnings. Precisely where must one draw the line between the sensori-motor psychism of animals and the conscious psychism that we see developing in man?" And then he cites Karl Marx's famous passage about 'the bee and the architect' from Capital: ... what distinguishes the worst architect from the best of bees is this, that the architect raises his structure in the imagination before he erects it in reality. At the end of every labor process, we get a result that already existed in the imagination of the laborer at its commencement. (Capital, Vol. I, p. 178, tr. Moore and Aveling) Thao follows this immediately with a second question: "But is this the most elementary form of consciousness?" Thus the conundrum concerning the origins of consciousness is posed as a circle: if human consciousness pre supposes representation (of the external reality, of mental awareness, of actions, of what it may), and if this consciousness emerges first with the activity of production using tools, and if the production of tools itself pre supposes representation - that is, with an image of what is to be produced in the mind of the producer - then the conditions for the origins of human
Author: Gita Wolf
Publisher:
ISBN: 9789380340180
Category : Bible stories, English
Languages : en
Pages : 0
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Book Description
Retells the biblical tale of Noah's ark through an Indian adaptation that features scroll-painting-style illustrations.
Author: Anandi Ramamurthy
Publisher: Manchester University Press
ISBN: 1526118572
Category : History
Languages : en
Pages : 251
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Book Description
The first book to provide an historical survey of images of black people in advertising during the colonial period. Analyses the various conflicting, and changing ideologies of colonialism and racism in British advertising. Reveals the historical and production context of many well known advertising icons, as well as the specific commercial interests that various companies' images projected. Provides a chronological understanding of changing colonial ideologies in relation to advertising, while each chapter explores images produced to sell specific products, such as soap, cocoa, tea and tobacco.
Author: Henry P. Stapp
Publisher: Springer Science & Business Media
ISBN: 3540896546
Category : Science
Languages : en
Pages : 305
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Book Description
"Scientists other than quantum physicists often fail to comprehend the enormity of the conceptual change wrought by quantum theory in our basic conception of the nature of matter," writes Henry Stapp. Stapp is a leading quantum physicist who has given particularly careful thought to the implications of the theory that lies at the heart of modern physics. In this book, which contains several of his key papers as well as new material, he focuses on the problem of consciousness and explains how quantum mechanics allows causally effective conscious thought to be combined in a natural way with the physical brain made of neurons and atoms. The book is divided into four sections. The first consists of an extended introduction. Key foundational and somewhat more technical papers are included in the second part, together with a clear exposition of the "orthodox" interpretation of quantum mechanics. The third part addresses, in a non-technical fashion, the implications of the theory for some of the most profound questions that mankind has contemplated: How does the world come to be just what it is and not something else? How should humans view themselves in a quantum universe? What will be the impact on society of the revised scientific image of the nature of man? The final part contains a mathematical appendix for the specialist and a glossary of important terms and ideas for the interested layman. This third edition has been significantly expanded with two new chapters covering the author's most recent work.
