Author: Brenna Katz Clarke
Publisher: Ann Arbor, Mich. : UMI Research Press
ISBN:
Category : Drama
Languages : en
Pages : 248
Book Description
The Emergence of the Irish Peasant Play at the Abbey Theatre
Author: Brenna Katz Clarke
Publisher: Ann Arbor, Mich. : UMI Research Press
ISBN:
Category : Drama
Languages : en
Pages : 248
Book Description
Publisher: Ann Arbor, Mich. : UMI Research Press
ISBN:
Category : Drama
Languages : en
Pages : 248
Book Description
The Abbey Theatre
Author: E. H. Mikhail
Publisher: Rowman & Littlefield
ISBN: 9780389206163
Category : Drama
Languages : en
Pages : 302
Book Description
The present work is a composite biography that provides a forum to most of those who have been associated with the Abbey Theatre from the beginning to the present time: actresses, actors, playwrights, men of letters, producers, directors, stage carpenters, house electricians, and supporters of the theatre. It is hoped that the method used in this book will give a different impression from that of previous histories of the Theatre, and on balance probably a truer one.
Publisher: Rowman & Littlefield
ISBN: 9780389206163
Category : Drama
Languages : en
Pages : 302
Book Description
The present work is a composite biography that provides a forum to most of those who have been associated with the Abbey Theatre from the beginning to the present time: actresses, actors, playwrights, men of letters, producers, directors, stage carpenters, house electricians, and supporters of the theatre. It is hoped that the method used in this book will give a different impression from that of previous histories of the Theatre, and on balance probably a truer one.
Shakespeare and Twentieth-Century Irish Drama
Author: Rebecca Steinberger
Publisher: Routledge
ISBN: 1351149261
Category : Literary Criticism
Languages : en
Pages : 204
Book Description
Exploring the influence of Shakespeare on drama in Ireland, the author examines works by two representative playwrights: Sean O'Casey (1880-1964) and Brian Friel (1929-). Shakespeare's plays, grounded in history, nationalism, and imperialism, are resurrected, rewritten, and reinscribed in twentieth-century Irish drama, while Irish plays, in turn, historicize the Subject/Object relationship of England and Ireland. In particular, the author argues, Irish dramatists' appropriations of Shakespeare were both a reaction to the language of domination and a means to support their revision of the Irish as Subject. This study reveals that Shakespeare's plays embody an empathy for the Irish Other. As she investigates Shakespeare's commiseration with marginalized peoples and the anticolonial underpinnings in his texts, the author situates Shakespeare between the English discourse that claims him and the Irish discourse that assimilates him.
Publisher: Routledge
ISBN: 1351149261
Category : Literary Criticism
Languages : en
Pages : 204
Book Description
Exploring the influence of Shakespeare on drama in Ireland, the author examines works by two representative playwrights: Sean O'Casey (1880-1964) and Brian Friel (1929-). Shakespeare's plays, grounded in history, nationalism, and imperialism, are resurrected, rewritten, and reinscribed in twentieth-century Irish drama, while Irish plays, in turn, historicize the Subject/Object relationship of England and Ireland. In particular, the author argues, Irish dramatists' appropriations of Shakespeare were both a reaction to the language of domination and a means to support their revision of the Irish as Subject. This study reveals that Shakespeare's plays embody an empathy for the Irish Other. As she investigates Shakespeare's commiseration with marginalized peoples and the anticolonial underpinnings in his texts, the author situates Shakespeare between the English discourse that claims him and the Irish discourse that assimilates him.
The Urban Plays of the Early Abbey Theatre
Author: Elizabeth Mannion
Publisher: Syracuse University Press
ISBN: 0815653042
Category : Drama
Languages : en
Pages : 240
Book Description
Ireland’s Abbey Theatre was founded in 1904. Under the guidance of W. B. Yeats and Lady Augusta Gregory it became instrumental to the success of many of the leading Irish playwrights and actors of the early twentieth century. Conventional wisdom holds that the playwright Sean O’Casey was the first to offer a new vision of Irish authenticity in the people and struggles of inner-city Dublin in his groundbreaking trilogy The Shadow of a Gunman, The Plough and the Stars, and Juno and the Paycock. Challenging this view, Mannion argues that there was an established tradition of urban plays within the Abbey repertoire that has long been overlooked by critics. She seeks to restore attention to a lesser-known corpus of Irish urban plays, specifically those that appeared at the Abbey Theatre from the theatre’s founding until 1951, when the original theatre was destroyed by fire. Mannion illustrates distinct patterns within this Abbey urban genre and considers in particular themes of poverty, gender, and class. She provides historical context for the plays and considers the figures who helped shape the Abbey and this urban subset of plays. With detailed analysis of box office records and extensive appendixes of cast members and production schedules, this book offers a rich source of archival material as well as a fascinating revision to the story of this celebrated institution.
Publisher: Syracuse University Press
ISBN: 0815653042
Category : Drama
Languages : en
Pages : 240
Book Description
Ireland’s Abbey Theatre was founded in 1904. Under the guidance of W. B. Yeats and Lady Augusta Gregory it became instrumental to the success of many of the leading Irish playwrights and actors of the early twentieth century. Conventional wisdom holds that the playwright Sean O’Casey was the first to offer a new vision of Irish authenticity in the people and struggles of inner-city Dublin in his groundbreaking trilogy The Shadow of a Gunman, The Plough and the Stars, and Juno and the Paycock. Challenging this view, Mannion argues that there was an established tradition of urban plays within the Abbey repertoire that has long been overlooked by critics. She seeks to restore attention to a lesser-known corpus of Irish urban plays, specifically those that appeared at the Abbey Theatre from the theatre’s founding until 1951, when the original theatre was destroyed by fire. Mannion illustrates distinct patterns within this Abbey urban genre and considers in particular themes of poverty, gender, and class. She provides historical context for the plays and considers the figures who helped shape the Abbey and this urban subset of plays. With detailed analysis of box office records and extensive appendixes of cast members and production schedules, this book offers a rich source of archival material as well as a fascinating revision to the story of this celebrated institution.
The Oxford Handbook of Modern Irish Theatre
Author: Nicholas Grene
Publisher: Oxford University Press
ISBN: 0191016349
Category : Literary Criticism
Languages : en
Pages : 952
Book Description
The Oxford Handbook of Modern Irish Theatre provides the single most comprehensive survey of the field to be found in a single volume. Drawing on more than forty contributors from around the world, the book addresses a full range of topics relating to modern Irish theatre from the late nineteenth-century to the most recent works of postdramatic devised theatre. Ireland has long had an importance in the world of theatre out of all proportion to the size of the country, and has been home to four Nobel Laureates (Yeats, Shaw, and Beckett; Seamus Heaney, while primarily a poet, also wrote for the stage). This collection begins with the influence of melodrama, and looks at arguably the first modern Irish playwright, Oscar Wilde, before moving into a series of considerations of the Abbey Theatre, and Irish modernism. Arranged chronologically, it explores areas such as women in theatre, Irish-language theatre, and alternative theatres, before reaching the major writers of more recent Irish theatre, including Brian Friel and Tom Murphy, and their successors. There are also individual chapters focusing on Beckett and Shaw, as well as a series of chapters looking at design, acting, and theatre architecture. The book concludes with an extended survey of the critical literature on the field. In each chapter, the author does not simply rehearse accepted wisdom; all of the contributors push the boundaries of their respective fields, so that each chapter is a significant contribution to scholarship in its own right.
Publisher: Oxford University Press
ISBN: 0191016349
Category : Literary Criticism
Languages : en
Pages : 952
Book Description
The Oxford Handbook of Modern Irish Theatre provides the single most comprehensive survey of the field to be found in a single volume. Drawing on more than forty contributors from around the world, the book addresses a full range of topics relating to modern Irish theatre from the late nineteenth-century to the most recent works of postdramatic devised theatre. Ireland has long had an importance in the world of theatre out of all proportion to the size of the country, and has been home to four Nobel Laureates (Yeats, Shaw, and Beckett; Seamus Heaney, while primarily a poet, also wrote for the stage). This collection begins with the influence of melodrama, and looks at arguably the first modern Irish playwright, Oscar Wilde, before moving into a series of considerations of the Abbey Theatre, and Irish modernism. Arranged chronologically, it explores areas such as women in theatre, Irish-language theatre, and alternative theatres, before reaching the major writers of more recent Irish theatre, including Brian Friel and Tom Murphy, and their successors. There are also individual chapters focusing on Beckett and Shaw, as well as a series of chapters looking at design, acting, and theatre architecture. The book concludes with an extended survey of the critical literature on the field. In each chapter, the author does not simply rehearse accepted wisdom; all of the contributors push the boundaries of their respective fields, so that each chapter is a significant contribution to scholarship in its own right.
The Cambridge Companion to Twentieth-Century Irish Drama
Author: Shaun Richards
Publisher: Cambridge University Press
ISBN: 9780521008730
Category : Drama
Languages : en
Pages : 308
Book Description
Publisher Description
Publisher: Cambridge University Press
ISBN: 9780521008730
Category : Drama
Languages : en
Pages : 308
Book Description
Publisher Description
Imperialism and Theatre
Author: J. Ellen Gainor
Publisher: Psychology Press
ISBN: 9780415106412
Category : Language Arts & Disciplines
Languages : en
Pages : 284
Book Description
First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Psychology Press
ISBN: 9780415106412
Category : Language Arts & Disciplines
Languages : en
Pages : 284
Book Description
First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
The Cambridge Companion to J. M. Synge
Author: P. J. Mathews
Publisher: Cambridge University Press
ISBN: 0521110106
Category : Drama
Languages : en
Pages : 215
Book Description
Introduces students to the work of one of Ireland's most important playwrights.
Publisher: Cambridge University Press
ISBN: 0521110106
Category : Drama
Languages : en
Pages : 215
Book Description
Introduces students to the work of one of Ireland's most important playwrights.
Ireland, Memory and Performing the Historical Imagination
Author: Mary P. Caulfield
Publisher: Springer
ISBN: 1137362189
Category : Performing Arts
Languages : en
Pages : 221
Book Description
This book explores the performance of Irish collective memories and forgotten histories. It proposes an alternative and more comprehensive criterion of Irish theatre practices. These practices can be defined as the 'rejected', contested and undervalued plays and performativities that are integral to Ireland's political and cultural landscapes.
Publisher: Springer
ISBN: 1137362189
Category : Performing Arts
Languages : en
Pages : 221
Book Description
This book explores the performance of Irish collective memories and forgotten histories. It proposes an alternative and more comprehensive criterion of Irish theatre practices. These practices can be defined as the 'rejected', contested and undervalued plays and performativities that are integral to Ireland's political and cultural landscapes.
George Fitzmaurice
Author: Fiona Brennan
Publisher: Peter Lang
ISBN: 9781904505167
Category : Biography & Autobiography
Languages : en
Pages : 224
Book Description
Exploration of the life and work of Irish playwright, George Fitzmaurice
Publisher: Peter Lang
ISBN: 9781904505167
Category : Biography & Autobiography
Languages : en
Pages : 224
Book Description
Exploration of the life and work of Irish playwright, George Fitzmaurice