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Author: Mark Westgarth
Publisher: Routledge
ISBN: 1000050629
Category : Art
Languages : en
Pages : 171
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Book Description
Rather than the customary focus on the activities of individual collectors, The Emergence of the Antique and Curiosity Dealer in Britain 1815–1850: The Commodification of Historical Objects illuminates the less-studied roles played by dealers in the nineteenthcentury antique and curiosity markets. Set against the recent ‘art market turn’ in scholarly literature, this volume examines the role, activities, agency and influence of antique and curiosity dealers as they emerged in the opening decades of the nineteenth century. This study begins at the end of the Napoleonic Wars, when dealers began their wholesale importations of historical objects; it closes during the 1850s, after which the trade became increasingly specialised, reflecting the rise of historical museums such as the South Kensington Museum (V&A). Focusing on the archive of the early nineteenth-century London dealer John Coleman Isaac (c.1803–1887), as well as drawing on a wide range of other archival and contextual material, Mark Westgarth considers the emergence of the dealer in relation to a broad historical and cultural landscape. The emergence of the antique and curiosity dealer was part of the rapid economic, social, political and cultural change of early nineteenth-century Britain, centred around ideas of antiquarianism, the commercialisation of culture and a distinctive and evolving interest in historical objects. This book will be of interest to scholars in art history, histories of collecting, museum and heritage studies and nineteenth-century culture.
Author: Mark Westgarth
Publisher: Routledge
ISBN: 1000050629
Category : Art
Languages : en
Pages : 171
Get Book Here
Book Description
Rather than the customary focus on the activities of individual collectors, The Emergence of the Antique and Curiosity Dealer in Britain 1815–1850: The Commodification of Historical Objects illuminates the less-studied roles played by dealers in the nineteenthcentury antique and curiosity markets. Set against the recent ‘art market turn’ in scholarly literature, this volume examines the role, activities, agency and influence of antique and curiosity dealers as they emerged in the opening decades of the nineteenth century. This study begins at the end of the Napoleonic Wars, when dealers began their wholesale importations of historical objects; it closes during the 1850s, after which the trade became increasingly specialised, reflecting the rise of historical museums such as the South Kensington Museum (V&A). Focusing on the archive of the early nineteenth-century London dealer John Coleman Isaac (c.1803–1887), as well as drawing on a wide range of other archival and contextual material, Mark Westgarth considers the emergence of the dealer in relation to a broad historical and cultural landscape. The emergence of the antique and curiosity dealer was part of the rapid economic, social, political and cultural change of early nineteenth-century Britain, centred around ideas of antiquarianism, the commercialisation of culture and a distinctive and evolving interest in historical objects. This book will be of interest to scholars in art history, histories of collecting, museum and heritage studies and nineteenth-century culture.
Author: David Adelman
Publisher: Taylor & Francis
ISBN: 1040052169
Category : Art
Languages : en
Pages : 337
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Book Description
This study explores the interplay between money, status, politics and art collecting in the public and private lives of members of the wealthy trading classes in Brighton during the period 1840–1914. Chapters focus on the collecting practices of five rich and upwardly mobile Victorians: William Coningham (1815–84), Henry Hill (1813–82), Henry Willett (1823–1905) and Harriet Trist (1816–96) and her husband John Hamilton Trist (1812–91). The book examines the relationship between the wealth of these would-be members of the Brighton bourgeoisie and the social and political meanings of their art collections paid for out of fortunes made from sugar, tailoring, beer and wine. It explores their luxury lifestyles and civic activities including the making of Brighton museum and art gallery, which reflected a paradoxical mix of patrician and liberal views, of aristocratic aspiration and radical rhetoric. It also highlights the centrality of the London art world to their collecting facilitated by the opening of the London to Brighton railway line in 1841. The book will be of interest to scholars working in art history, museum studies and British history.
Author: Irina D. Costache
Publisher: Taylor & Francis
ISBN: 1000898059
Category : Art
Languages : en
Pages : 282
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Book Description
Diversifying the current art historical scholarship, this edited volume presents the untold story of modern art by exposing global voices and perspectives excluded from the privileged and uncontested narrative of “isms.” This volume tells a worldwide story of art with expanded historical narratives of modernism. The chapters reflect on a wide range of issues, topics, and themes that have been marginalized or outright excluded from the canon of modern art. The goal of this book is to be a starting point for understanding modern art as a broad and inclusive field of study. The topics examine diverse formal expressions, innovative conceptual approaches, and various media used by artists around the world and forcefully acknowledge the connections between art, historical circumstances, political environments, and social issues such as gender, race, and social justice. The book will be of interest to scholars working in art history, imperial and colonial history, modernism, and globalization.
Author: Lee Jackson
Publisher: Yale University Press
ISBN: 0300275056
Category : History
Languages : en
Pages : 295
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Book Description
The intriguing history of Dickens’s London, showing how tourists have reimagined and reinvented the Dickensian metropolis for more than 150 years “Jackson paints a vivid and detailed picture of the city as it was. . . . Dickens, who was no stranger to the instructive and comedic joys of pedantry, would surely have approved.”—Ann Alicia Garza, Times Literary Supplement Tourists have sought out the landmarks, streets, and alleys of Charles Dickens’s London ever since the death of the world-renowned author. Late Victorians and Edwardians were obsessed with tracking down the locations—dubbed “Dickensland”—that famously featured in his novels. But his fans were faced with a city that was undergoing rapid redevelopment, where literary shrines were far from sacred. Over the following century, sites connected with Dickens were demolished, relocated, and reimagined. Lee Jackson traces the fascinating history of Dickensian tourism, exploring both real Victorian London and a fictional city shaped by fandom, tourism, and heritage entrepreneurs. Beginning with the late nineteenth century, Jackson investigates key sites of literary pilgrimage and their relationship with Dickens and his work, revealing hidden, reinvented, and even faked locations. From vanishing coaching inns to submerged riverside stairs, hidden burial grounds to apocryphal shops, Dickensland charts the curious history of an imaginary world.
Author:
Publisher: BRILL
ISBN: 9004541063
Category : Art
Languages : en
Pages : 535
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Book Description
This is the first thorough investigation of the Brummer brothers’ remarkable career as dealers in antiques, curiosities and modernism in Paris and New York over six decades (1906-1964). A dozen specialists aggregate their expertise to explore extant dealer records and museum archives, parse the wide-ranging Brummer stock, and assess how objects were sourced, marketed, labelled, restored, and displayed. The research provides insights into emerging collecting fields as they crystallised, at the crossroads between market and museum. It questions the trope of the tastemaker; the translocation of material culture, and the dealers’ prolific relationships with illustrious collectors, curators, scholars, artists, and fellow dealers.
Author: Peter N. Lindfield
Publisher: Oxbow Books
ISBN: 1789257948
Category : Social Science
Languages : en
Pages : 169
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Book Description
The Henry VII and Elizabeth of York marriage bed, rediscovered in 2010, is an exceptional piece of late medieval English royal furniture: no other equivalent example of secular domestic furniture is known to have survived, and, indeed, precious little woodwork from this period remains outside of ecclesiastical settings. As a tour-de-force of medieval royal woodwork, the bed offers an unprecedented insight into elite domestic furniture from this period. Since its rediscovery, the bed has been subjected to a wide array of investigation by furniture specialists, medieval historians, design historians and scientists. Emerging from a decade-long multidisciplinary research project, this book is the first sustained account of the bed: it shows how numerous disciplines covering the arts and conservation sciences can be brought together to assess and interpret such rare historic survivals. Broken down into thematic chapters, the book explores the bed’s form and structure, context, iconography, wood, paint, physical history, provenance - including its curious reproduction by George Shaw in Victorian England - and relationship with known surviving Tudor furniture, as well as Georgian and Victorian Gothic Revival beds. Although thought to be a nineteenth-century fake, this book presents historical, archival and scientific evidence to show, beyond doubt, the bed’s late medieval age. While grounded upon research presented at a 2019 conference funded by the Institute of Conservation and held at the Victoria and Albert Museum in London, the book incorporates additional historical and scientific discoveries made since the conference. Written by a range of scientists, historians and specialist researchers, this volume is a multi-disciplinary work of immeasurable value to readers from numerous disciplines.
Author: Jean Strouse
Publisher: Farrar, Straus and Giroux
ISBN: 0374615683
Category : Art
Languages : en
Pages : 252
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Book Description
Jean Strouse captures the dramas, mysteries, intrigues, and tragedies surrounding John Singer Sargent's portraits of the Wertheimer family. Jean Strouse’s Family Romance: John Singer Sargent and the Wertheimers looks at twelve portraits of one English family painted by the expatriate American artist at the height of his career—and at the intersections of all these lives with the sparkle and strife of the Edwardian age. In commissioning this grand series of paintings, Asher Wertheimer, an eminent London art dealer of German-Jewish descent, became Sargent’s greatest private patron and close friend. The Wertheimers worked with Rothschilds and royals, plutocrats and dukes—as did Sargent. Asher left most of his Sargent portraits to the National Gallery in London, a gift that elicited censure as well as praise: it was a new thing for a family of Jews to appear alongside the Anglo-Saxon aristocrats and dignitaries painted by earlier masters. Strouse’s account, set primarily in England around the turn of the twentieth century, takes in the declining fortunes of the British aristocracy and the dramatic rise of new power and wealth on both sides of the Atlantic. It travels back through hundreds of years to the Habsburg court in Vienna and forward to fascist Italy in the 1930s. Its depictions of Sargent, his sitters, their friendships and circles, and the portraits themselves light up a period that saw tumultuous social change and the birth of the modern art market. Sargent brilliantly portrayed these transformations, in which the Wertheimers were key players. Family Romance brings their interwoven stories fully to life for the first time.
Author: Helen Glaister
Publisher: Taylor & Francis
ISBN: 1000644278
Category : Art
Languages : en
Pages : 188
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Book Description
This book explores the relationship between collecting Chinese ceramics, interior design and display in Britain through the eyes of collectors, designers and tastemakers during the years leading to, during and following the Second World War. The Ionides Collection of European style Chinese export porcelain forms the nucleus of this study – defined by its design hybridity – offering insights into the agency of Chinese porcelain in diverse contexts, from seventeenth-century Batavia to twentieth-century Britain, raising questions about notions of Chineseness, Britishness, and identity politics across time and space. Through the biographies of the collectors, this book highlights the role of collecting Chinese art objects, particularly porcelain, in the construction of individual and group identities. Social networks linking the Ionides to agents and dealers, auctioneers, and museum specialists bring into focus the dynamics of collecting during this period, the taste of the Ionides and their self-fashioning as collectors. The book will be of interest to scholars working in the fields of art history, history of collections, interior design, Chinese studies, and material culture studies.
Author: Jon Stobart
Publisher: Routledge
ISBN: 1317199502
Category : Business & Economics
Languages : en
Pages : 620
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Book Description
Retail history is a rich, cross-disciplinary field that demonstrates the centrality of retailing to many aspects of human experience, from the provisioning of everyday goods to the shaping of urban environments; from earning a living to the construction of identity. Over the last few decades, interest in the history of retail has increased greatly, spanning centuries, extending to all areas of the globe, and drawing on a range of disciplinary perspectives. By offering an up-to-date, comprehensive thematic, spatial and chronological coverage of the history of retailing, this Companion goes beyond traditional narratives that are too simplistic and Euro-centric and offers a vibrant survey of this field. It is divided into four broad sections: 1) Contexts, 2) Spaces and places, 3) People, processes and practices and 4) Geographical variations. Chapters are written in an analytical and synthetic manner, accessible to the general reader as well as challenging for specialists, and with an international perspective. This volume is an important resource to a wide range of readers, including marketing and management specialists, historians, geographers, economists, sociologists and urban planners.
Author: Abigail Harrison Moore
Publisher: Bloomsbury Publishing
ISBN: 1441178503
Category : History
Languages : en
Pages : 241
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Book Description
In 1922, Adolphe Shrager having made his fortune during the First World War, approached the London dealer Basil Dighton for advice on purchasing antique furniture. Dighton sold him about five hundred items but shortly afterwards Shrager discovered that one of his 'collector's pieces' was judged to be a fake and grossly over-priced, and he sued. The trial, held in early 1923, became a cause celebre, but it can be viewed as a case study of a much wider set of social and cultural concerns: the fact that Shrager lost both the first trial and the appeal, despite demonstrating on numerous occasions that he had a clear case against Dighton, raises questions of race, prejudice and class, where the establishment closed ranks against Shrager, the nouveau riche Jew and alleged war profiteer. This book - the first on the Shrager Dighton case - is the result of the author's original archival research.
