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Author: Logan J. Connors
Publisher: Oxford University Studies in the Enlightenment
ISBN: 9781789620382
Category : Enlightenment
Languages : en
Pages : 273
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Book Description
The emergence of a theatrical science of man in France, 1660-1740 highlights a radical departure from discussions of dramatic literature and its undergirding rules to a new, relational discourse on the emotional power of theater. Through a diverse cast of religious theaterphobes, government officials, playwrights, art theorists and proto-philosophes, Connors shows the concerted effort in early Enlightenment France to use texts about theater to establish broader theories on emotion, on the enduring psychological and social ramifications of affective moments, and more generally, on human interaction, motivation, and social behavior. This fundamentally anthropological assessment of theater emerged in the works of anti-theatrical religious writers, who argued that emotional response was theater's raison d'être and that it was an efficient venue to learn more about the depravity of human nature. A new generation of pro-theatrical writers shared the anti-theatricalists' intense focus on the emotions of theater, but unlike religious theaterphobes, they did not view emotion as a conduit of sin or as a dangerous, uncontrollable process; but rather, as cognitive-affective moments of feeling and learning. Connors' study explores this reassessment of the theatrical experience which empowered writers to use plays, critiques, and other cultural materials about the stage to establish a theatrical science of man--an early Enlightenment project with aims to study and 'improve' the emotional, social, and political 'health' of eighteenth-century France.
Author: Logan J. Connors
Publisher: Oxford University Studies in the Enlightenment
ISBN: 9781789620382
Category : Enlightenment
Languages : en
Pages : 273
Get Book Here
Book Description
The emergence of a theatrical science of man in France, 1660-1740 highlights a radical departure from discussions of dramatic literature and its undergirding rules to a new, relational discourse on the emotional power of theater. Through a diverse cast of religious theaterphobes, government officials, playwrights, art theorists and proto-philosophes, Connors shows the concerted effort in early Enlightenment France to use texts about theater to establish broader theories on emotion, on the enduring psychological and social ramifications of affective moments, and more generally, on human interaction, motivation, and social behavior. This fundamentally anthropological assessment of theater emerged in the works of anti-theatrical religious writers, who argued that emotional response was theater's raison d'être and that it was an efficient venue to learn more about the depravity of human nature. A new generation of pro-theatrical writers shared the anti-theatricalists' intense focus on the emotions of theater, but unlike religious theaterphobes, they did not view emotion as a conduit of sin or as a dangerous, uncontrollable process; but rather, as cognitive-affective moments of feeling and learning. Connors' study explores this reassessment of the theatrical experience which empowered writers to use plays, critiques, and other cultural materials about the stage to establish a theatrical science of man--an early Enlightenment project with aims to study and 'improve' the emotional, social, and political 'health' of eighteenth-century France.
Author: Logan J. Connors
Publisher:
ISBN: 9781789622751
Category : Literary studies: c 1600 to c 1800
Languages : en
Pages : 296
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Book Description
The emergence of a theatrical science of man in France, 1660-1740 highlights a radical departure from discussions of dramatic literature and its undergirding rules to a new, relational discourse on the emotional power of theater. Through a diverse cast of religious theaterphobes, government officials, playwrights, art theorists and proto-philosophes, Connors shows the concerted effort in early Enlightenment France to use texts about theater to establish broader theories on emotion, on the enduring psychological and social ramifications of affective moments, and more generally, on human interaction, motivation, and social behavior. This fundamentally anthropological assessment of theater emerged in the works of anti-theatrical religious writers, who argued that emotional response was theater's raison d'être and that it was an efficient venue to learn more about the depravity of human nature. A new generation of pro-theatrical writers shared the anti-theatricalists' intense focus on the emotions of theater, but unlike religious theaterphobes, they did not view emotion as a conduit of sin or as a dangerous, uncontrollable process; but rather, as cognitive-affective moments of feeling and learning. Connors' study explores this reassessment of the theatrical experience which empowered writers to use plays, critiques, and other cultural materials about the stage to establish a theatrical science of man--an early Enlightenment project with aims to study and 'improve' the emotional, social, and political 'health' of eighteenth-century France. Logan J. Connors is Associate Professor of Modern Languages and Literatures at the University of Miami. His next research project investigates connections between theater and the military in France and its colonies from 1680 to 1815.
Author: Mordechai Feingold
Publisher: BRILL
ISBN: 9004416870
Category : Business & Economics
Languages : en
Pages : 313
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Book Description
This volume aims to furnish a broader framework for analyzing the scientific and institutional context that gave rise to scientific academies in Europe—including the Accademia del Cimento in Florence; the Royal Society in London; the Académie Royale des Sciences in Paris; and the Academia naturae curiosorum in Schweinfurt. The essays detail the multiple backgrounds that prompted seventeenth-century savants—from Italy to England, and from Poland to Portugal—to establish new forms of scientific organizations, in which to institutionalize collaborative research as well as modes of communication with like-minded individuals and associations.
Author: David O'Shaughnessy
Publisher: Cambridge University Press
ISBN: 1108498140
Category : History
Languages : en
Pages : 283
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Book Description
Reveals the contribution of Irish writers to the Georgian English stage; argues that theatre is an important strand of the Irish Enlightenment.
Author: John Gascoigne
Publisher: Cambridge University Press
ISBN: 1107155673
Category : History
Languages : en
Pages : 265
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Book Description
The first historical overview of the partnership between science and the state from the Scientific Revolution to World War II.
Author: Christy L. Pichichero
Publisher: Cornell University Press
ISBN: 1501712292
Category : History
Languages : en
Pages : 228
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Book Description
The Military Enlightenment brings to light a radically new narrative both on the Enlightenment and the French armed forces from Louis XIV to Napoleon. Christy Pichichero makes a striking discovery: the Geneva Conventions, post-traumatic stress disorder, the military "band of brothers," and soldierly heroism all found their antecedents in the eighteenth-century French armed forces. Readers of The Military Enlightenment will be startled to learn of the many ways in which French military officers, administrators, and medical personnel advanced ideas of human and political rights, military psychology, and social justice.
Author: Yann Robert
Publisher: University of Pennsylvania Press
ISBN: 0812250753
Category : Literary Criticism
Languages : en
Pages : 344
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Book Description
For most of the seventeenth and eighteenth centuries, classical dogma and royal censorship worked together to prevent French plays from commenting on, or even worse, reenacting current political and judicial affairs. Criminal trials, meanwhile, were designed to be as untheatrical as possible, excluding from the courtroom live debates, trained orators, and spectators. According to Yann Robert, circumstances changed between 1750 and 1800 as parallel evolutions in theater and justice brought them closer together, causing lasting transformations in both. Robert contends that the gradual merging of theatrical and legal modes in eighteenth-century France has been largely overlooked because it challenges two widely accepted narratives: first, that French theater drifted toward entertainment and illusionism during this period and, second, that the French justice system abandoned any performative foundation it previously had in favor of a textual one. In Dramatic Justice, he demonstrates that the inverse of each was true. Robert traces the rise of a "judicial theater" in which plays denounced criminals by name, even forcing them, in some cases, to perform their transgressions anew before a jeering public. Likewise, he shows how legal reformers intentionally modeled trial proceedings on dramatic representations and went so far as to recommend that judges mimic the sentimental judgment of spectators and that lawyers seek private lessons from actors. This conflation of theatrical and legal performances provoked debates and anxieties in the eighteenth century that, according to Robert, continue to resonate with present concerns over lawsuit culture and judicial entertainment. Dramatic Justice offers an alternate history of French theater and judicial practice, one that advances new explanations for several pivotal moments in the French Revolution, including the trial of Louis XVI and the Terror, by showing the extent to which they were shaped by the period's conflicted relationship to theatrical justice.
Author: Lord Henry Home Kames
Publisher:
ISBN:
Category : Civilization
Languages : en
Pages : 519
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Book Description
"The following work is the substance of various speculations, that occasionally amused the author, and enlivened his leisure-hours. It is not intended for the learned; they are above it: nor for the vulgar; they are below it. It is intended for men, who, equally removed from the corruption of opulence, and from the depression of bodily labour, are bent on useful knowledge; who, even in the delirium of youth, feel the dawn of patriotism, and who in riper years enjoy its meridian warmth. To such men this work is dedicated; and that they may profit by it, is the author's ardent wish, and probably will be while any spirit remains in him to form a wish"--Preface. (PsycINFO Database Record (c) 2008 APA, all rights reserved).
Author: Kevin Salatino
Publisher: Getty Publications
ISBN: 0892364173
Category : Art
Languages : en
Pages : 124
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Book Description
Festivities such as those exalting the court of Louis XIV, the celebration of James II's London coronation, and the commemoration of the peace celebrations of 1749 at The Hague culminated in dazzling pyrotechnical displays. These were in turn reproduced as prints, paintings, and narrative descriptions. This unique book examines the propagandistic and rhetorical functions these printed records came to serve as vehicles of aesthetic, cultural, and emotional significance.
Author: Carey McIntosh
Publisher: BRILL
ISBN: 9004430636
Category : History
Languages : en
Pages : 230
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Book Description
Obsolete old words from seventeenth-century English villages reflect the realities of working-class life, exhausting labor, dirt, bizarre foods, magic, horses, outrageous sexism, feudal duties. New words, first appearing in print 1650–1800, reflect a middle-class culture very different from an earlier courtly culture, interested in money, coffee-houses, and self-fulfillment. The book contains chapters on pre-industrial and middle-class culture, the scientific revolution, and semantic change. They give strong evidence that new words and the new senses of old words played a key role in the British Enlightenment, its links with quantification and natural science, its tendencies towards reorganization and democracy, its redefinitions and revitalizations of women’s roles, social stereotypes, the public sphere, and the very concepts of individualism, sociability, and civilization itself.
