Author: Eldred D. Jones
Publisher: University of Virginia Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 66
Book Description
Before the middle of the sixteenth century, the English derived their ideas of Africa from the Bible and the classical historians. These ancient sources continued to be sited long after English marines had visited Africa but had published accounts of their voyages. These accounts, however, could confuse the true picture since they appeared on the same pages as the legendary accounts of monsters and strange beings that peopled the pages of the classical historians. The sixteenth century reader might have found it difficult to separate the true from the imaginary. This book exploers the view of Africa from Elizabethan England.
The Elizabethan Image of Africa
Author: Eldred D. Jones
Publisher: University of Virginia Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 66
Book Description
Before the middle of the sixteenth century, the English derived their ideas of Africa from the Bible and the classical historians. These ancient sources continued to be sited long after English marines had visited Africa but had published accounts of their voyages. These accounts, however, could confuse the true picture since they appeared on the same pages as the legendary accounts of monsters and strange beings that peopled the pages of the classical historians. The sixteenth century reader might have found it difficult to separate the true from the imaginary. This book exploers the view of Africa from Elizabethan England.
Publisher: University of Virginia Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 66
Book Description
Before the middle of the sixteenth century, the English derived their ideas of Africa from the Bible and the classical historians. These ancient sources continued to be sited long after English marines had visited Africa but had published accounts of their voyages. These accounts, however, could confuse the true picture since they appeared on the same pages as the legendary accounts of monsters and strange beings that peopled the pages of the classical historians. The sixteenth century reader might have found it difficult to separate the true from the imaginary. This book exploers the view of Africa from Elizabethan England.
Images of Englishmen and Foreigners in the Drama of Shakespeare and His Contemporaries
Author: A. J. Hoenselaars
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838634318
Category : Drama
Languages : en
Pages : 366
Book Description
The connection between Renaissance ideas about the character of individual nations and the presentation of stage characters of various nationalities in the drama of Shakespeare and his contemporaries is examined in this volume.
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838634318
Category : Drama
Languages : en
Pages : 366
Book Description
The connection between Renaissance ideas about the character of individual nations and the presentation of stage characters of various nationalities in the drama of Shakespeare and his contemporaries is examined in this volume.
“The” Elizabethan Image of Africa
Author: Eldred Durosimi Jones
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Visualizing Africa in Nineteenth-Century British Travel Accounts
Author: Leila Koivunen
Publisher: Routledge
ISBN: 1135856117
Category : Literary Criticism
Languages : en
Pages : 437
Book Description
This study examines and explains how British explorers visualized the African interior in the latter part of the nineteenth century, providing the first sustained analysis of the process by which this visual material was transformed into the illustrations in popular travel books. At that time, central Africa was, effectively, a blank canvas for Europeans, unknown and devoid of visual representations. While previous works have concentrated on exploring the stereotyped nature of printed imagery of Africa, this study examines the actual production process of images and the books in which they were published in order to demonstrate how, why, and by whom the images were manipulated. Thus, the main focus of the work is not on the aesthetic value of pictures, but in the activities, interaction, and situations that gave birth to them in both Africa and Europe.
Publisher: Routledge
ISBN: 1135856117
Category : Literary Criticism
Languages : en
Pages : 437
Book Description
This study examines and explains how British explorers visualized the African interior in the latter part of the nineteenth century, providing the first sustained analysis of the process by which this visual material was transformed into the illustrations in popular travel books. At that time, central Africa was, effectively, a blank canvas for Europeans, unknown and devoid of visual representations. While previous works have concentrated on exploring the stereotyped nature of printed imagery of Africa, this study examines the actual production process of images and the books in which they were published in order to demonstrate how, why, and by whom the images were manipulated. Thus, the main focus of the work is not on the aesthetic value of pictures, but in the activities, interaction, and situations that gave birth to them in both Africa and Europe.
Early Images of the Americas
Author: Jerry M. Williams
Publisher: University of Arizona Press
ISBN: 0816550808
Category : Social Science
Languages : en
Pages : 354
Book Description
Contributions from anthropology, history, political science, literature, the natural sciences, religion, and philosophy provide a comprehensive overview of the diverse influences America had on Europe. Topics covered include the impact of early botanical and geographic studies on Europe and on the scientific revolution, the structure of indigenous and colonial cultures, and the ideology and ethics of conquest and enslavement. Together, these essays constitute a reevaluation of the images held by the first colonists via new ways of understanding some of the main figures, processes, and events of that era.
Publisher: University of Arizona Press
ISBN: 0816550808
Category : Social Science
Languages : en
Pages : 354
Book Description
Contributions from anthropology, history, political science, literature, the natural sciences, religion, and philosophy provide a comprehensive overview of the diverse influences America had on Europe. Topics covered include the impact of early botanical and geographic studies on Europe and on the scientific revolution, the structure of indigenous and colonial cultures, and the ideology and ethics of conquest and enslavement. Together, these essays constitute a reevaluation of the images held by the first colonists via new ways of understanding some of the main figures, processes, and events of that era.
The African Americans
Author: Henry Louis Gates, Jr.
Publisher: Hay House, Inc
ISBN: 1401935168
Category : History
Languages : en
Pages : 321
Book Description
The African Americans: Many Rivers to Cross is the companion book to the six-part, six-hour documentary of the same name. The series is the first to air since 1968 that chronicles the full sweep of 500 years of African American history, from the origins of slavery on the African continent and the arrival of the first black conquistador, Juan Garrido, in Florida in 1513, through five centuries of remarkable historic events right up to Barack Obama’s second term as president, when the United States still remains deeply divided by race and class. The book explores these topics in even more detail than possible in the television series, and examines many other fascinating matters as well, guiding readers on an engaging journey through the Black Atlantic world—from Africa and Europe to the Caribbean, Latin America, and the United States—to shed new light on what it has meant, and means, to be an African American. By highlighting the complex internal debates and class differences within the black experience in this country, readers will learn that the African American community, which black abolitionist Martin R. Delany described as a "nation within a nation," has never been a truly uniform entity, and that its members have been debating their differences of opinion and belief from their very first days in this country. The road to freedom for black people in America has not been linear; rather, much like the course of a river, it has been full of loops and eddies, slowing and occasionally reversing current. Ultimately, this book emphasizes the idea that African American history encompasses multiple continents and venues, and must be viewed through a transnational perspective to be fully understood.
Publisher: Hay House, Inc
ISBN: 1401935168
Category : History
Languages : en
Pages : 321
Book Description
The African Americans: Many Rivers to Cross is the companion book to the six-part, six-hour documentary of the same name. The series is the first to air since 1968 that chronicles the full sweep of 500 years of African American history, from the origins of slavery on the African continent and the arrival of the first black conquistador, Juan Garrido, in Florida in 1513, through five centuries of remarkable historic events right up to Barack Obama’s second term as president, when the United States still remains deeply divided by race and class. The book explores these topics in even more detail than possible in the television series, and examines many other fascinating matters as well, guiding readers on an engaging journey through the Black Atlantic world—from Africa and Europe to the Caribbean, Latin America, and the United States—to shed new light on what it has meant, and means, to be an African American. By highlighting the complex internal debates and class differences within the black experience in this country, readers will learn that the African American community, which black abolitionist Martin R. Delany described as a "nation within a nation," has never been a truly uniform entity, and that its members have been debating their differences of opinion and belief from their very first days in this country. The road to freedom for black people in America has not been linear; rather, much like the course of a river, it has been full of loops and eddies, slowing and occasionally reversing current. Ultimately, this book emphasizes the idea that African American history encompasses multiple continents and venues, and must be viewed through a transnational perspective to be fully understood.
Africa in Europe: Antiquity into the age of global expansion
Author: Stefan Goodwin
Publisher: Lexington Books
ISBN: 9780739117262
Category : History
Languages : en
Pages : 264
Book Description
Africa in Europe, in two volumes, is an interdisciplinary work about Europeans that demonstrates fluid boundaries and connections between them and Africans from antiquity until the present. Written by a scholar with expertise that includes anthropology, social history, and international relations, the subject matter of this fascinating work ranges from science to art and invites much new thinking about racism, territoriality, citizenship, and frontiers in a world that is increasingly globalized.
Publisher: Lexington Books
ISBN: 9780739117262
Category : History
Languages : en
Pages : 264
Book Description
Africa in Europe, in two volumes, is an interdisciplinary work about Europeans that demonstrates fluid boundaries and connections between them and Africans from antiquity until the present. Written by a scholar with expertise that includes anthropology, social history, and international relations, the subject matter of this fascinating work ranges from science to art and invites much new thinking about racism, territoriality, citizenship, and frontiers in a world that is increasingly globalized.
White on Black
Author: Jan Nederveen Pieterse
Publisher: Yale University Press
ISBN: 9780300063110
Category : Art
Languages : en
Pages : 264
Book Description
White on Black is a compelling visual history of the development of European and American stereotypes of black people over the last two hundred years. Its purpose is to show the pervasiveness of prejudice against blacks throughout the western world as expressed in stock-in-trade racist imagery and caricature. Reproducing a wide range of illustrations--from engravings and lithographs to advertisements, candy wrappings, biscuit tins, dolls, posters, and comic strips--the book challenges the hidden assumptions of even those who view themselves as unprejudiced. Jan Nederveen Pieterse sets Western images of Africa and blacks in a chronological framework, including representations from medieval times, from the colonial period with its explorers, settlers, and missionaries, from the era of slavery and abolition, and from the multicultural societies of the present day. Pieterse shows that blacks have been routinely depicted throughout the West as servants, entertainers, and athletes, and that particular countries have developed their own comforting black stereotypes about blacks: Sambo and Uncle Tom in the United States, Golliwog in Britain, Bamboula in France, and Black Peter in the Netherlands. Looking at conventional portrayals of blacks in the nursery, in sexual arenas, and in commerce and advertising, Pieterse analyzes the conceptual roots of the stereotypes about them. The images that he presents have a direct and dramatic impact, and they raise questions about the expression of power within popular culture and the force of caricature, humor, and parody as instruments of oppression.
Publisher: Yale University Press
ISBN: 9780300063110
Category : Art
Languages : en
Pages : 264
Book Description
White on Black is a compelling visual history of the development of European and American stereotypes of black people over the last two hundred years. Its purpose is to show the pervasiveness of prejudice against blacks throughout the western world as expressed in stock-in-trade racist imagery and caricature. Reproducing a wide range of illustrations--from engravings and lithographs to advertisements, candy wrappings, biscuit tins, dolls, posters, and comic strips--the book challenges the hidden assumptions of even those who view themselves as unprejudiced. Jan Nederveen Pieterse sets Western images of Africa and blacks in a chronological framework, including representations from medieval times, from the colonial period with its explorers, settlers, and missionaries, from the era of slavery and abolition, and from the multicultural societies of the present day. Pieterse shows that blacks have been routinely depicted throughout the West as servants, entertainers, and athletes, and that particular countries have developed their own comforting black stereotypes about blacks: Sambo and Uncle Tom in the United States, Golliwog in Britain, Bamboula in France, and Black Peter in the Netherlands. Looking at conventional portrayals of blacks in the nursery, in sexual arenas, and in commerce and advertising, Pieterse analyzes the conceptual roots of the stereotypes about them. The images that he presents have a direct and dramatic impact, and they raise questions about the expression of power within popular culture and the force of caricature, humor, and parody as instruments of oppression.
Shakespeare on Masculinity
Author: Robin Headlam Wells
Publisher: Cambridge University Press
ISBN: 0521662044
Category : Drama
Languages : en
Pages : 263
Book Description
Reviews Shakespeare's view of masculinity through The Tempest, Hamlet, Othello, Macbeth and others.
Publisher: Cambridge University Press
ISBN: 0521662044
Category : Drama
Languages : en
Pages : 263
Book Description
Reviews Shakespeare's view of masculinity through The Tempest, Hamlet, Othello, Macbeth and others.
Speaking of the Moor
Author: Emily C. Bartels
Publisher: University of Pennsylvania Press
ISBN: 0812200292
Category : Literary Criticism
Languages : en
Pages : 261
Book Description
Selected by Choice magazine as an Outstanding Academic Title "Speak of me as I am," Othello, the Moor of Venice, bids in the play that bears his name. Yet many have found it impossible to speak of his ethnicity with any certainty. What did it mean to be a Moor in the early modern period? In the late sixteenth and early seventeenth centuries, when England was expanding its reach across the globe, the Moor became a central character on the English stage. In The Battle of Alcazar, Titus Andronicus, Lust's Dominion, and Othello, the figure of the Moor took definition from multiple geographies, histories, religions, and skin colors. Rather than casting these variables as obstacles to our—and England's—understanding of the Moor's racial and cultural identity, Emily C. Bartels argues that they are what make the Moor so interesting and important in the face of growing globalization, both in the early modern period and in our own. In Speaking of the Moor, Bartels sets the early modern Moor plays beside contemporaneous texts that embed Moorish figures within England's historical record—Richard Hakluyt's Principal Navigations, Queen Elizabeth's letters proposing the deportation of England's "blackamoors," and John Pory's translation of The History and Description of Africa. Her book uncovers the surprising complexity of England's negotiation and accommodation of difference at the end of the Elizabethan era.
Publisher: University of Pennsylvania Press
ISBN: 0812200292
Category : Literary Criticism
Languages : en
Pages : 261
Book Description
Selected by Choice magazine as an Outstanding Academic Title "Speak of me as I am," Othello, the Moor of Venice, bids in the play that bears his name. Yet many have found it impossible to speak of his ethnicity with any certainty. What did it mean to be a Moor in the early modern period? In the late sixteenth and early seventeenth centuries, when England was expanding its reach across the globe, the Moor became a central character on the English stage. In The Battle of Alcazar, Titus Andronicus, Lust's Dominion, and Othello, the figure of the Moor took definition from multiple geographies, histories, religions, and skin colors. Rather than casting these variables as obstacles to our—and England's—understanding of the Moor's racial and cultural identity, Emily C. Bartels argues that they are what make the Moor so interesting and important in the face of growing globalization, both in the early modern period and in our own. In Speaking of the Moor, Bartels sets the early modern Moor plays beside contemporaneous texts that embed Moorish figures within England's historical record—Richard Hakluyt's Principal Navigations, Queen Elizabeth's letters proposing the deportation of England's "blackamoors," and John Pory's translation of The History and Description of Africa. Her book uncovers the surprising complexity of England's negotiation and accommodation of difference at the end of the Elizabethan era.