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Author: Christopher Hitchens
Publisher: Verso
ISBN: 9781859842201
Category : Art
Languages : en
Pages : 164
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Book Description
The Elgin Marbles, designed and executed by Phidias to adorn the Parthenon, are some of the most beautiful sculptures of ancient Greece. In 1801 Lord Elgin, then British ambassador to the Turkish government in Athens, had pieces of the frieze sawn off and removed to Britain, where they remain, igniting a storm of controversy which has continued to the present day. In the first full-length work on this fiercely debated issue, Christopher Hitchens recounts the history of these precious sculptures and forcefully makes the case for their return to Greece. Drawing out the artistic, moral, legal and political perspectives of the argument, Hitchens's eloquent prose makes The Elgin Marbles an invaluable contribution to one of the most important cultural controversies of our times.
Author: Christopher Hitchens
Publisher: Verso
ISBN: 9781859842201
Category : Art
Languages : en
Pages : 164
Get Book Here
Book Description
The Elgin Marbles, designed and executed by Phidias to adorn the Parthenon, are some of the most beautiful sculptures of ancient Greece. In 1801 Lord Elgin, then British ambassador to the Turkish government in Athens, had pieces of the frieze sawn off and removed to Britain, where they remain, igniting a storm of controversy which has continued to the present day. In the first full-length work on this fiercely debated issue, Christopher Hitchens recounts the history of these precious sculptures and forcefully makes the case for their return to Greece. Drawing out the artistic, moral, legal and political perspectives of the argument, Hitchens's eloquent prose makes The Elgin Marbles an invaluable contribution to one of the most important cultural controversies of our times.
Author: Dorothy King
Publisher: Hutchinson Publishing Group
ISBN: 9780091800130
Category : Classical antiquities
Languages : en
Pages : 0
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Book Description
Oxbow says: This book's author does not shy away from expressing her opinions on the destruction of ancient sites in Greece and her belief that the Elgin Marbles are best left in the care of the British Museum, or at least for the time being.
Author: Ian Dennis Jenkins
Publisher: Harvard University Press
ISBN: 9780674026926
Category : Art
Languages : en
Pages : 152
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Book Description
The Parthenon sculptures in the British Museum are unrivaled examples of classical Greek art, an inspiration to artists and writers since their creation in the fifth century bce. A superb visual introduction to these wonders of antiquity, this book offers a photographic tour of the most famous of the surviving sculptures from ancient Greece, viewed within their cultural and art-historical context. Ian Jenkins offers an account of the history of the Parthenon and its architectural refinements. He introduces the sculptures as architecture--pediments, metopes, Ionic frieze--and provides an overview of their subject matter and possible meaning for the people of ancient Athens. Accompanying photographs focus on the pediment sculptures that filled the triangular gables at each end of the temple; the metopes that crowned the architrave surmounting the outer columns; and the frieze that ran around the four sides of the building, inside the colonnade. Comparative images, showing the sculptures in full and fine detail, bring out particular features of design and help to contrast Greek ideas with those of other cultures. The book further reflects on how, over 2,500 years, the cultural identity of the Parthenon sculptures has changed. In particular, Jenkins expands on the irony of our intimate knowledge and appreciation of the sculptures--a relationship far more intense than that experienced by their ancient, intended spectators--as they have been transformed from architectural ornaments into objects of art.
Author: Christopher Hitchens
Publisher: Verso Books
ISBN: 1786631822
Category : Social Science
Languages : en
Pages : 201
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Book Description
A fascinating history of an art world scandal—the seizure and sale of Ancient Greek sculptures to the British Museum—and a passionate cry for their return to the Parthenon in Athens. The Parthenon Marbles (formerly known as the Elgin Marbles), designed and executed by Pheidias to adorn the Parthenon, are perhaps the greatest of all classical sculptures. In 1801, Lord Elgin, then ambassador to the Turkish government, had chunks of the frieze sawn off and shipped to England, where they were subsequently seized by Parliament and sold to the British Museum to help pay off his debts. This scandal, exacerbated by the inept handling of the sculptures by their self-appointed guardians, remains unresolved to this day. In his fierce, eloquent account of a shameful piece of British imperial history, Christopher Hitchens makes the moral, artistic, legal, and political case for re-unifying the Parthenon frieze in Athens. The opening of the New Acropolis Museum emphatically trumps the British Museum’s long-standing (if always questionable) objection that there is nowhere in Athens to house the Parthenon Marbles. With contributions by Nadine Gordimer and Professor Charalambos Bouras, The Parthenon Marbles will surely end all arguments about where these great treasures belong, and help bring a two-centuries-old disgrace to a just conclusion.
Author: Christopher Hitchens
Publisher: Hill & Wang
ISBN: 9780809041893
Category : Art
Languages : en
Pages : 137
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Book Description
Traces the history of the Parthenon, explains how and why its sculptures and friezes were taken to Britain, and discusses the arguments for returning them
Author: B. F. Cook
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 84
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Book Description
The Parthenon sculptures collected by Lord Elgin nearly 200 years ago rank amongst the highest achievements of mankind. Since they went on display in the British Museum in 1817, artists, scholars, poets and millions of visitors have stood before them in wonder. This book tells their story, beginning in the fifth century BC when the Parthenon was built in Athens. The author explains what the sculptures represent, who made them and how they fitted into the grand design of the temple. He describes their gradual destruction by religious zealots, beseiging Venetians and other vandals before Lord Elgin brought them to the safety of London.
Author: Susan Nagel
Publisher: Harper Collins
ISBN: 0060545542
Category : Art
Languages : en
Pages : 320
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Book Description
Filled with romance, danger, and scandal, Mistress of the Elgin Marbles is the intriguing story of Mary Nisbet, the Countess of Elgin -- one of the most influential women of the Romantic era whose exploits enriched world culture immeasurably. The richest heiress in Scotland and the wife of accomplished diplomat Thomas Bruce, the 7th Earl of Elgin, she traveled to Turkey when Elgin was appointed the Ambassador Extraordinaire to the Ottoman Empire -- a journey that would change history. Interweaving extensive details gleaned from primary sources and excerpts from the countess's own letters, Susan Nagel draws a vivid portrait of this formidable woman who helped bring the smallpox vaccine to the Middle East, financed the removal and safe passage to England of classical marbles from the Parthenon, and struck a deal with Napoleon that no politician could have accomplished. Yet, as Nagel shows, those achievements were overshadowed by scandal when Mary's passionate affair with her husband's best friend flamed into the most lurid and salacious divorce trial in London's history. Lively and informative, this is an engrossing story of an astonishing woman who both defined and shaped an era.
Author: Patricia Vigderman
Publisher: Mad Creek Books
ISBN: 9780814254585
Category : Architecture
Languages : en
Pages : 195
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Book Description
Ruminates on ancient remains and antiquities, illuminating an important element of contemporary cultural life: the dynamic between loss and delight.
Author: Geoffrey Robertson
Publisher: Biteback Publishing
ISBN: 1785905422
Category : Art
Languages : en
Pages : 321
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Book Description
The biggest question in the world of art and culture concerns the return of property taken without consent. Throughout history, conquerors or colonial masters have taken artefacts from subjugated peoples, who now want them returned from museums and private collections in Europe and the USA. The controversy rages on over the Elgin Marbles, and has been given immediacy by figures such as France's President Macron, who says he will order French museums to return hundreds of artworks acquired by force or fraud in Africa, and by British opposition leader Jeremy Corbyn, who has pledged that a Labour government would return the Elgin Marbles to Greece. Elsewhere, there is a debate in Belgium about whether the Africa Museum, newly opened with 120,000 items acquired mainly by armed forces in the Congo, should close. Although there is an international convention dated 1970 that deals with the restoration of artefacts stolen since that time, there is no agreement on the rules of law or ethics which should govern the fate of objects forcefully or lawlessly acquired in previous centuries. Who Owns History? delves into the crucial debate over the Elgin Marbles, but also offers a system for the return of cultural property based on human rights law principles that are being developed by the courts. It is not a legal text, but rather an examination of how the past can be experienced by everyone, as well as by the people of the country of origin.
Author: John Merryman
Publisher: Springer
ISBN:
Category : Law
Languages : en
Pages : 488
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Book Description
This book begins with a critical reexamination of the rival Greek and British claims to the Elgin Marbles. That case study identifies the questions that still dominate the growing international debate about cultural property policy and are explored in subsequent essays: Why do people care about cultural property? Is cultural nationalism a sound organizing principle for dealing with cultural property questions? Or is it a relic of 19th century romanticism, kept alive by the power of Byron's poetry? How can cultural nationalism be rationalized with the idea that works of art and antiquities are 'the cultural heritage of all mankind?' What alternative ways are there of thinking about cultural property policy and law? The author examines in particular the law and policy relating to cultural property export controls and the evolution and development of the 1995 UNIDROIT Convention on the Return of Stolen and Illegally Exported Cultural Property. In the second part of the book the author addresses a number of contemporary art law issues in essays on counterfeit art, the moral rights of artists, the artist's resale right (droit de suite), the litigation over the Mark Rothko estate, and problems of museum trustee negligence, conflict of interests, and misuse of inside information. The author, a Professor of Art Law at Stanford University, is a leading international figure in cultural property and art law circles.
