Author: William Cook
Publisher:
ISBN:
Category : Acting
Languages : en
Pages : 244
Book Description
The Elements of Dramatic Criticism
Author: William Cook
Publisher:
ISBN:
Category : Acting
Languages : en
Pages : 244
Book Description
Publisher:
ISBN:
Category : Acting
Languages : en
Pages : 244
Book Description
Acting Theory and the English Stage, 1700-1830 Volume 3
Author: Lisa Zunshine
Publisher: Routledge
ISBN: 1351577638
Category : Literary Criticism
Languages : en
Pages : 356
Book Description
During the eighteenth century, treatises on the science of elocution, gesture and naturalness abounded. This title draws together a representative selection of the most difficult-to-access texts in the period. It helps cultural historians to examine the place of stagecraft in the eighteenth-century imagination.
Publisher: Routledge
ISBN: 1351577638
Category : Literary Criticism
Languages : en
Pages : 356
Book Description
During the eighteenth century, treatises on the science of elocution, gesture and naturalness abounded. This title draws together a representative selection of the most difficult-to-access texts in the period. It helps cultural historians to examine the place of stagecraft in the eighteenth-century imagination.
Theatres of Feeling
Author: Jean I. Marsden
Publisher: Cambridge University Press
ISBN: 1108476139
Category : Drama
Languages : en
Pages : 237
Book Description
Engaging account of theatregoing in the later eighteenth century that explores how audiences responded emotionally to the performances.
Publisher: Cambridge University Press
ISBN: 1108476139
Category : Drama
Languages : en
Pages : 237
Book Description
Engaging account of theatregoing in the later eighteenth century that explores how audiences responded emotionally to the performances.
A Bibliographical Account of English Theatrical Literature from the Earliest Times to the Present Day
Author: Robert William Lowe
Publisher: Gale Cengage
ISBN:
Category : History
Languages : en
Pages : 408
Book Description
This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.
Publisher: Gale Cengage
ISBN:
Category : History
Languages : en
Pages : 408
Book Description
This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.
Actresses on the Victorian Stage
Author: Gail Marshall
Publisher: Cambridge University Press
ISBN: 9780521620161
Category : Biography & Autobiography
Languages : en
Pages : 268
Book Description
Gail Marshall argues that the professional and personal history of the Victorian actress was largely defined by her negotiation with the sculptural metaphor, and that this was authorized and determined by the Ovidian myth of Pygmalion and Galatea. Drawing on evidence of theatrical fictions, visual representations and popular culture's assimilation of the sculptural image, as well as theatrical productions, she examines some of the manifestations of the sculptural metaphor on the legitimate English stage, and its implications for the actress in the later nineteenth century. Within the legitimate theatre, the 'Galatea-aesthetic' positioned actresses as predominantly visual and sexual commodities whose opportunities for interpretative engagement with their plays were minimal. This dominant aesthetic was effectively challenged only at the end of the century, with the advent of the 'New' drama, and the emergence of a body of autobiographical writings by actresses.
Publisher: Cambridge University Press
ISBN: 9780521620161
Category : Biography & Autobiography
Languages : en
Pages : 268
Book Description
Gail Marshall argues that the professional and personal history of the Victorian actress was largely defined by her negotiation with the sculptural metaphor, and that this was authorized and determined by the Ovidian myth of Pygmalion and Galatea. Drawing on evidence of theatrical fictions, visual representations and popular culture's assimilation of the sculptural image, as well as theatrical productions, she examines some of the manifestations of the sculptural metaphor on the legitimate English stage, and its implications for the actress in the later nineteenth century. Within the legitimate theatre, the 'Galatea-aesthetic' positioned actresses as predominantly visual and sexual commodities whose opportunities for interpretative engagement with their plays were minimal. This dominant aesthetic was effectively challenged only at the end of the century, with the advent of the 'New' drama, and the emergence of a body of autobiographical writings by actresses.
English Tragicomedy
Author: Frank Humphrey Ristine
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 316
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 316
Book Description
Catalogue
Author: Dobell, P.J. & A.E., booksellers, London
Publisher:
ISBN:
Category : Catalogs, Booksellers'
Languages : en
Pages : 40
Book Description
Publisher:
ISBN:
Category : Catalogs, Booksellers'
Languages : en
Pages : 40
Book Description
The London Magazine, Or, Gentleman's Monthly Intelligencer
Author:
Publisher:
ISBN:
Category : English essays
Languages : en
Pages : 650
Book Description
Publisher:
ISBN:
Category : English essays
Languages : en
Pages : 650
Book Description
A Cultural History of Comedy in the Age of Enlightenment
Author: Elizabeth Kraft
Publisher: Bloomsbury Publishing
ISBN: 1350187720
Category : History
Languages : en
Pages : 272
Book Description
This volume highlights the variety of forms comedy took in England, with reference to developments in Europe, particularly France, during the European Enlightenment. It argues that comedy in this period is characterized by wit, satire, and humor, provoking both laughter and sympathetic tears. Comic expression in the Enlightenment reflects continuities and engagements with the comedy of previous eras; it is also noted for new forms and preoccupations engendered by the cultural, philosophical, and political concerns of the time, including democratizing revolutions, increasing secularization, and growing emphasis on individualism. Discussions emphasize the period's stage comedy and acknowledge comic expression in various forms of print media including the emerging literary form we now know as the novel. Contributions from scholars reflect a wide variety of interests in the field of 18th-century studies, and the inclusion of a generous number of illustrations throughout demonstrates that the period's visual culture was also an important part of the Enlightenment comic landscape. Each chapter takes a different theme as its focus: form, theory, praxis, identities, the body, politics and power, laughter and ethics. These eight different approaches to Enlightenment comedy add up to an extensive, synoptic coverage of the subject.
Publisher: Bloomsbury Publishing
ISBN: 1350187720
Category : History
Languages : en
Pages : 272
Book Description
This volume highlights the variety of forms comedy took in England, with reference to developments in Europe, particularly France, during the European Enlightenment. It argues that comedy in this period is characterized by wit, satire, and humor, provoking both laughter and sympathetic tears. Comic expression in the Enlightenment reflects continuities and engagements with the comedy of previous eras; it is also noted for new forms and preoccupations engendered by the cultural, philosophical, and political concerns of the time, including democratizing revolutions, increasing secularization, and growing emphasis on individualism. Discussions emphasize the period's stage comedy and acknowledge comic expression in various forms of print media including the emerging literary form we now know as the novel. Contributions from scholars reflect a wide variety of interests in the field of 18th-century studies, and the inclusion of a generous number of illustrations throughout demonstrates that the period's visual culture was also an important part of the Enlightenment comic landscape. Each chapter takes a different theme as its focus: form, theory, praxis, identities, the body, politics and power, laughter and ethics. These eight different approaches to Enlightenment comedy add up to an extensive, synoptic coverage of the subject.
Acting Theory and the English Stage, 1700-1830 Volume 1
Author: Lisa Zunshine
Publisher: Routledge
ISBN: 1351577689
Category : Literary Criticism
Languages : en
Pages : 691
Book Description
During the eighteenth century, treatises on the science of elocution, gesture and naturalness abounded. This title draws together a representative selection of the most difficult-to-access texts in the period. It helps cultural historians to examine the place of stagecraft in the eighteenth-century imagination.
Publisher: Routledge
ISBN: 1351577689
Category : Literary Criticism
Languages : en
Pages : 691
Book Description
During the eighteenth century, treatises on the science of elocution, gesture and naturalness abounded. This title draws together a representative selection of the most difficult-to-access texts in the period. It helps cultural historians to examine the place of stagecraft in the eighteenth-century imagination.