Author: Edward Upham
Publisher:
ISBN:
Category : Buddhism
Languages : en
Pages : 420
Book Description
The Mahávansi
Author: Edward Upham
Publisher:
ISBN:
Category : Buddhism
Languages : en
Pages : 420
Book Description
Publisher:
ISBN:
Category : Buddhism
Languages : en
Pages : 420
Book Description
Words and Images
Author: Alfreda Murck
Publisher: Metropolitan Museum of Art
ISBN: 0870996045
Category : Calligraphy, Chinese
Languages : en
Pages : 615
Book Description
In May of 1985, an international symposium was held at The Metropolitan Museum of Art in honor of John M. Crawford, Jr., whose gifts of Chinese calligraphy and painting have constituted a significant addition to the Museum's holdings. Over a three-day period, senior scholars from China, Japan, Taiwan, Europe, and the United States expressed a wide range of perspectives on an issue central to the history of Chinese visual aesthetics: the relationships between poetry, calligraphy, and painting. The practice of integrating the three art forms-known as san-chiieh, or the three perfections-in one work of art emerged during the Sung and Yuan dynasties largely in the context of literati culture, and it has stimulated lively critical discussion ever since. This publication contains twenty-three essays based on the papers presented at the Crawford symposium. Grouped by subject matter in a roughly chronological order, these essays reflect research on topics spanning two millennia of Chinese history. The result is an interdisciplinary exploration of the complex set of relationships between words and images by art historians, literary historians, and scholars of calligraphy. Their findings provide us with a new level of understanding of this rich and complicated subject and suggest further directions for the study of Chinese art history. The essays are accompanied by 255 illustrations, some of which reproduce works rarely published. Chinese characters have been provided throughout the text for artists names, terms, titles of works of art and literature, and important historical figures, as well as for excerpts of selected poetry and prose. A chronology, also containing Chinese characters, and an extensive index contribute to making this book illuminating and invaluable to both the specialist and the layman.
Publisher: Metropolitan Museum of Art
ISBN: 0870996045
Category : Calligraphy, Chinese
Languages : en
Pages : 615
Book Description
In May of 1985, an international symposium was held at The Metropolitan Museum of Art in honor of John M. Crawford, Jr., whose gifts of Chinese calligraphy and painting have constituted a significant addition to the Museum's holdings. Over a three-day period, senior scholars from China, Japan, Taiwan, Europe, and the United States expressed a wide range of perspectives on an issue central to the history of Chinese visual aesthetics: the relationships between poetry, calligraphy, and painting. The practice of integrating the three art forms-known as san-chiieh, or the three perfections-in one work of art emerged during the Sung and Yuan dynasties largely in the context of literati culture, and it has stimulated lively critical discussion ever since. This publication contains twenty-three essays based on the papers presented at the Crawford symposium. Grouped by subject matter in a roughly chronological order, these essays reflect research on topics spanning two millennia of Chinese history. The result is an interdisciplinary exploration of the complex set of relationships between words and images by art historians, literary historians, and scholars of calligraphy. Their findings provide us with a new level of understanding of this rich and complicated subject and suggest further directions for the study of Chinese art history. The essays are accompanied by 255 illustrations, some of which reproduce works rarely published. Chinese characters have been provided throughout the text for artists names, terms, titles of works of art and literature, and important historical figures, as well as for excerpts of selected poetry and prose. A chronology, also containing Chinese characters, and an extensive index contribute to making this book illuminating and invaluable to both the specialist and the layman.
Junior and Elena
Author: Victoria M. Howard
Publisher: AuthorHouse
ISBN: 1524695408
Category : Nature
Languages : en
Pages : 128
Book Description
Junior and Elena is a (horse) love story. It is a true-life story about how an unselfish, compassionate broodmare named Emprize Hanover adopts an orphan colt as her own. The colts dam, Noble Flirt, who was Emprizes best friend, succumbed to giving birth. Although Emprize had foaled a filly of her own several weeks earlier, the mare took the colt and raised him alongside her daughter. The two foals grew up together, forming a strong bond that could never be broken. Through their many adventures and racing careers, the two equine athletes proved that dreams do come true.
Publisher: AuthorHouse
ISBN: 1524695408
Category : Nature
Languages : en
Pages : 128
Book Description
Junior and Elena is a (horse) love story. It is a true-life story about how an unselfish, compassionate broodmare named Emprize Hanover adopts an orphan colt as her own. The colts dam, Noble Flirt, who was Emprizes best friend, succumbed to giving birth. Although Emprize had foaled a filly of her own several weeks earlier, the mare took the colt and raised him alongside her daughter. The two foals grew up together, forming a strong bond that could never be broken. Through their many adventures and racing careers, the two equine athletes proved that dreams do come true.
A Philosophy of Luxury
Author: Lambert Wiesing
Publisher: Routledge
ISBN: 0429639716
Category : Literary Criticism
Languages : en
Pages : 195
Book Description
In this thought-provoking book Lambert Wiesing asks simply: What is luxury? Drawing on a fascinating range of examples, he argues that luxury is an aesthetic experience. Unlike experience gained via the senses, such as seeing, hearing or tasting, he argues that luxury is achieved by possessing something – an aspect of philosophy that has been largely neglected. As such, luxury becomes a gesture of individual defiance and a refusal to conform to social expectations of restraint. An increasingly rational and goal-oriented ethos in society makes the appeal of luxury grow even stronger. Drawing on the ideas of philosophers such as Immanuel Kant, Friedrich Schiller, Martin Heidegger and the novelist Ernst Jünger, as well as sociologists such as Thorstein Veblen and Theodor Adorno, A Philosophy of Luxury will be of great interest to those in philosophy, art, cultural studies and literature as well as sociology.
Publisher: Routledge
ISBN: 0429639716
Category : Literary Criticism
Languages : en
Pages : 195
Book Description
In this thought-provoking book Lambert Wiesing asks simply: What is luxury? Drawing on a fascinating range of examples, he argues that luxury is an aesthetic experience. Unlike experience gained via the senses, such as seeing, hearing or tasting, he argues that luxury is achieved by possessing something – an aspect of philosophy that has been largely neglected. As such, luxury becomes a gesture of individual defiance and a refusal to conform to social expectations of restraint. An increasingly rational and goal-oriented ethos in society makes the appeal of luxury grow even stronger. Drawing on the ideas of philosophers such as Immanuel Kant, Friedrich Schiller, Martin Heidegger and the novelist Ernst Jünger, as well as sociologists such as Thorstein Veblen and Theodor Adorno, A Philosophy of Luxury will be of great interest to those in philosophy, art, cultural studies and literature as well as sociology.
Cross-Cultural Design
Author: Pei-Luen Patrick Rau
Publisher: Springer Nature
ISBN: 3031359364
Category : Computers
Languages : en
Pages : 625
Book Description
This three-volume set of CCD 2023, constitutes the refereed proceedings of the 25th International Conference on Cross-Cultural Design, CCD 2023, held as Part of the 24th International Conference, HCI International 2023, which took place in July 2023 in Copenhagen, Denmark. The total of 1578 papers and 396 posters included in the HCII 2023 proceedings volumes was carefully reviewed and selected from 7472 submissions. The papers of CCD 2023, Part I address topics related to service and product design for cultural innovation, design for social change and development, sustainable design methods and practices, and cross-cultural perspectives on design and consumer behavior.
Publisher: Springer Nature
ISBN: 3031359364
Category : Computers
Languages : en
Pages : 625
Book Description
This three-volume set of CCD 2023, constitutes the refereed proceedings of the 25th International Conference on Cross-Cultural Design, CCD 2023, held as Part of the 24th International Conference, HCI International 2023, which took place in July 2023 in Copenhagen, Denmark. The total of 1578 papers and 396 posters included in the HCII 2023 proceedings volumes was carefully reviewed and selected from 7472 submissions. The papers of CCD 2023, Part I address topics related to service and product design for cultural innovation, design for social change and development, sustainable design methods and practices, and cross-cultural perspectives on design and consumer behavior.
Understanding Materials
Author: Colin Humphreys
Publisher: CRC Press
ISBN: 1000724964
Category : Technology & Engineering
Languages : en
Pages : 419
Book Description
This is a very special book for two reasons. First, it is a tribute to Professor Sir Peter Hirsch from his students, colleagues and friends. Second, it is a collection of specially written review articles by world-class scientists that take the readers from the origins of modem materials science through to the cutting edge of the subject in the twenty- first century. The book will be a valuable resource for all researchers in materials science, particularly those specialising in electron microscopy and diffraction, and in the mechanical properties of materials. The front and back covers of this book are coloured images of historic electron micrographs depicting the first observation in the world of moving dislocations. The pictures were taken by Mike Whelan, then a research student of Peter Hirsch. The image on the front cover is before some dislocations have moved, and the back cover image is after the movement. See if you can spot the difference! This book had its genesis in a symposium organised by Mike Goringe, John Hutchison and myself to mark the retirement of Peter Hirsch from the Isaac Wolfson Chair of Metallurgy at Oxford. This symposium brought together a large number of Peter's former students and colleagues. Some of the most distinguished of these have now written the chapters in this book. The opening chapter, by Professor Ugo Valdre, provides a fascinating biographical sketch of Peter Hirsch from his early career in Cambridge to his retirement in Oxford. It contains many illuminating insights into the personality of Peter, both as a scientist and as a man. The next two chapters focus on the development of electron microscopy and diffraction. Professor Mike Whelan gives an eye-witness account of the seminal early work of Peter and his colleagues at Cambridge on the first observation of dislocations and their movements, using trans-mission electron microscopy. Professor Archie Howie extends this account to the present day, describing nanometer-scale resolution in scanning electron microscopes and atomic scale resolution in the scanning tunnelling microscope.
Publisher: CRC Press
ISBN: 1000724964
Category : Technology & Engineering
Languages : en
Pages : 419
Book Description
This is a very special book for two reasons. First, it is a tribute to Professor Sir Peter Hirsch from his students, colleagues and friends. Second, it is a collection of specially written review articles by world-class scientists that take the readers from the origins of modem materials science through to the cutting edge of the subject in the twenty- first century. The book will be a valuable resource for all researchers in materials science, particularly those specialising in electron microscopy and diffraction, and in the mechanical properties of materials. The front and back covers of this book are coloured images of historic electron micrographs depicting the first observation in the world of moving dislocations. The pictures were taken by Mike Whelan, then a research student of Peter Hirsch. The image on the front cover is before some dislocations have moved, and the back cover image is after the movement. See if you can spot the difference! This book had its genesis in a symposium organised by Mike Goringe, John Hutchison and myself to mark the retirement of Peter Hirsch from the Isaac Wolfson Chair of Metallurgy at Oxford. This symposium brought together a large number of Peter's former students and colleagues. Some of the most distinguished of these have now written the chapters in this book. The opening chapter, by Professor Ugo Valdre, provides a fascinating biographical sketch of Peter Hirsch from his early career in Cambridge to his retirement in Oxford. It contains many illuminating insights into the personality of Peter, both as a scientist and as a man. The next two chapters focus on the development of electron microscopy and diffraction. Professor Mike Whelan gives an eye-witness account of the seminal early work of Peter and his colleagues at Cambridge on the first observation of dislocations and their movements, using trans-mission electron microscopy. Professor Archie Howie extends this account to the present day, describing nanometer-scale resolution in scanning electron microscopes and atomic scale resolution in the scanning tunnelling microscope.
Coverscaping
Author: Asbjørn Grønstad
Publisher: Museum Tusculanum Press
ISBN: 8763507749
Category : Art
Languages : en
Pages : 212
Book Description
Focusing on the semiotics, poetics, and rhetoric of album covers, Coverscaping gives a serious study of this neglected art form. Working from the assumption that record sleeves may be found to represent a visual genre in its own right, the essays in this book engage in various ways with the analysis of what one might call the pictorial component of recorded music. The contributions, from scholars in many different fields, run the whole gamut from close readings of individual covers to more theoretical or philosophical explorations of the aesthetic nature and artistic value of album covers.
Publisher: Museum Tusculanum Press
ISBN: 8763507749
Category : Art
Languages : en
Pages : 212
Book Description
Focusing on the semiotics, poetics, and rhetoric of album covers, Coverscaping gives a serious study of this neglected art form. Working from the assumption that record sleeves may be found to represent a visual genre in its own right, the essays in this book engage in various ways with the analysis of what one might call the pictorial component of recorded music. The contributions, from scholars in many different fields, run the whole gamut from close readings of individual covers to more theoretical or philosophical explorations of the aesthetic nature and artistic value of album covers.
Dynamis of the Image
Author: Emmanuel Alloa
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110530546
Category : Art
Languages : en
Pages : 394
Book Description
Images are not neutral conveyors of messages shipped around the globe to achieve globalized spectatorship. They are powerful forces that elicit very diverse responses and can resist new visual hegemonies of our global world. Bringing together case studies from the field of media, art, politics, religion, anthropology and science, this volume breaks new ground by reflecting on the very power of images beyond their medial exploitation. The contributions by Hans Belting, Susan Buck-Morss, Georges Didi-Huberman, W.J.T. Mitchell, and Ticio Escobar among others testify that globalization does not necessarily equal homogenization, and that images can open up alternative ways of picturing what is to come.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110530546
Category : Art
Languages : en
Pages : 394
Book Description
Images are not neutral conveyors of messages shipped around the globe to achieve globalized spectatorship. They are powerful forces that elicit very diverse responses and can resist new visual hegemonies of our global world. Bringing together case studies from the field of media, art, politics, religion, anthropology and science, this volume breaks new ground by reflecting on the very power of images beyond their medial exploitation. The contributions by Hans Belting, Susan Buck-Morss, Georges Didi-Huberman, W.J.T. Mitchell, and Ticio Escobar among others testify that globalization does not necessarily equal homogenization, and that images can open up alternative ways of picturing what is to come.
Napoli/New York/Hollywood
Author: Giuliana Muscio
Publisher: Fordham University Press
ISBN: 0823279405
Category : Performing Arts
Languages : en
Pages : 384
Book Description
Napoli/New York/Hollywood is an absorbing investigation of the significant impact that Italian immigrant actors, musicians, and directors—and the southern Italian stage traditions they embodied—have had on the history of Hollywood cinema and American media, from 1895 to the present day. In a unique exploration of the transnational communication between American and Italian film industries, media or performing arts as practiced in Naples, New York, San Francisco, and Los Angeles, this groundbreaking book looks at the historical context and institutional film history from the illuminating perspective of the performers themselves—the workers who lend their bodies and their performance culture to screen representations. In doing so, the author brings to light the cultural work of families and generations of artists that have contributed not only to American film culture, but also to the cultural construction and evolution of “Italian-ness” over the past century. Napoli/New York/Hollywood offers a major contribution to our understanding of the role of southern Italian culture in American cinema, from the silent era to contemporary film. Using a provocative interdisciplinary approach, the author associates southern Italian culture with modernity and the immigrants’ preservation of cultural traditions with innovations in the mode of production and in the use of media technologies (theatrical venues, music records, radio, ethnic films). Each chapter synthesizes a wealth of previously under-studied material and displays the author’s exceptional ability to cover transnational cinematic issues within an historical context. For example, her analysis of the period from the end of World War I until the beginning of sound in film production in the end of the 1920s, delivers a meaningful revision of the relationship between Fascism and American cinema, and Italian emigration. Napoli/New York/Hollywood examines the careers of those Italian performers who were Italian not only because of their origins but because their theatrical culture was Italian, a culture that embraced high and low, tragedy and comedy, music, dance and even acrobatics, naturalism, and improvisation. Their previously unexplored story—that of the Italian diaspora’s influence on American cinema—is here meticulously reconstructed through rich primary sources, deep archival research, extensive film analysis, and an enlightening series of interviews with heirs to these traditions, including Francis Coppola and his sister Talia Shire, John Turturro, Nancy Savoca, James Gandolfini, David Chase, Joe Dante, and Annabella Sciorra.
Publisher: Fordham University Press
ISBN: 0823279405
Category : Performing Arts
Languages : en
Pages : 384
Book Description
Napoli/New York/Hollywood is an absorbing investigation of the significant impact that Italian immigrant actors, musicians, and directors—and the southern Italian stage traditions they embodied—have had on the history of Hollywood cinema and American media, from 1895 to the present day. In a unique exploration of the transnational communication between American and Italian film industries, media or performing arts as practiced in Naples, New York, San Francisco, and Los Angeles, this groundbreaking book looks at the historical context and institutional film history from the illuminating perspective of the performers themselves—the workers who lend their bodies and their performance culture to screen representations. In doing so, the author brings to light the cultural work of families and generations of artists that have contributed not only to American film culture, but also to the cultural construction and evolution of “Italian-ness” over the past century. Napoli/New York/Hollywood offers a major contribution to our understanding of the role of southern Italian culture in American cinema, from the silent era to contemporary film. Using a provocative interdisciplinary approach, the author associates southern Italian culture with modernity and the immigrants’ preservation of cultural traditions with innovations in the mode of production and in the use of media technologies (theatrical venues, music records, radio, ethnic films). Each chapter synthesizes a wealth of previously under-studied material and displays the author’s exceptional ability to cover transnational cinematic issues within an historical context. For example, her analysis of the period from the end of World War I until the beginning of sound in film production in the end of the 1920s, delivers a meaningful revision of the relationship between Fascism and American cinema, and Italian emigration. Napoli/New York/Hollywood examines the careers of those Italian performers who were Italian not only because of their origins but because their theatrical culture was Italian, a culture that embraced high and low, tragedy and comedy, music, dance and even acrobatics, naturalism, and improvisation. Their previously unexplored story—that of the Italian diaspora’s influence on American cinema—is here meticulously reconstructed through rich primary sources, deep archival research, extensive film analysis, and an enlightening series of interviews with heirs to these traditions, including Francis Coppola and his sister Talia Shire, John Turturro, Nancy Savoca, James Gandolfini, David Chase, Joe Dante, and Annabella Sciorra.
Plotting to Stop the British Slave Trade
Author: Jane Aptekar Reeve
Publisher: AuthorHouse
ISBN: 1728396263
Category : Biography & Autobiography
Languages : en
Pages : 709
Book Description
This is an innovative biography about an adventurous, game-changing traveller in Africa during the West’s ‘Enlightenment’ period (when the American and French Revolutions occurred). James Bruce was not what he seemed to be. I can now reveal that although he was notorious in his own day for a variety of interesting reasons (including his alleged theft of his assistant’s art-work), he was basically an espionage agent working with a clique of powerful, mostly British, persons whose secret agenda was: to eradicate slaving. Bruce undertook a ‘subversive’ mission to investigate slave trafficking across the Mediterranean and Red Seas as well as the Atlantic in order to support his friends’ drive to destroy the principal source of their own country’s wealth. This was achieved in 1807. Like Bruce himself, in my book I address neglected aspects of the ancient habit of slavery and the related abuse of —particularly —women. Bruce’s Travels (1790) is a delightful —although massive —read. Therefore I sketch the geo-historical and faith background to Bruce’s work, convey the ‘feel’ of his book, and add to the known facts of his life a great deal of newly discovered material. This includes the international range of Bruce’s friends and collaborators, from Rome to Cairo to Bethlehem in the newly constituted U.S.A. Change is agonisingly slow to take hold. It was possibly because Bruce ‘only’ wrote about Africa that he has been trivialised, and his biography has never previously been fully responsibly researched.
Publisher: AuthorHouse
ISBN: 1728396263
Category : Biography & Autobiography
Languages : en
Pages : 709
Book Description
This is an innovative biography about an adventurous, game-changing traveller in Africa during the West’s ‘Enlightenment’ period (when the American and French Revolutions occurred). James Bruce was not what he seemed to be. I can now reveal that although he was notorious in his own day for a variety of interesting reasons (including his alleged theft of his assistant’s art-work), he was basically an espionage agent working with a clique of powerful, mostly British, persons whose secret agenda was: to eradicate slaving. Bruce undertook a ‘subversive’ mission to investigate slave trafficking across the Mediterranean and Red Seas as well as the Atlantic in order to support his friends’ drive to destroy the principal source of their own country’s wealth. This was achieved in 1807. Like Bruce himself, in my book I address neglected aspects of the ancient habit of slavery and the related abuse of —particularly —women. Bruce’s Travels (1790) is a delightful —although massive —read. Therefore I sketch the geo-historical and faith background to Bruce’s work, convey the ‘feel’ of his book, and add to the known facts of his life a great deal of newly discovered material. This includes the international range of Bruce’s friends and collaborators, from Rome to Cairo to Bethlehem in the newly constituted U.S.A. Change is agonisingly slow to take hold. It was possibly because Bruce ‘only’ wrote about Africa that he has been trivialised, and his biography has never previously been fully responsibly researched.