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Author: Jacob Isager
Publisher: Routledge
ISBN: 1135085803
Category : History
Languages : en
Pages : 257
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Book Description
Pliny sketches a theory of advancing moral decline and extravagance, in the course of which he gives a detailed account of six centuries of classical art and a fascinating sketch of the world of the rich Roman collector. Isager's is the first full treatment of this subject for over a hundred years.
Author: Jacob Isager
Publisher: Routledge
ISBN: 1135085803
Category : History
Languages : en
Pages : 257
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Book Description
Pliny sketches a theory of advancing moral decline and extravagance, in the course of which he gives a detailed account of six centuries of classical art and a fascinating sketch of the world of the rich Roman collector. Isager's is the first full treatment of this subject for over a hundred years.
Author: Pliny (the Elder.)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 370
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Book Description
Author: Pliny (the Elder.)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 396
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Book Description
"Preface to the first American edition and select bibliography, 1896-1966, by Raymond V. Schoder":p. [A]-Y.
Author: Pliny (the Elder.)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 252
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Book Description
Author: Gaius Plinius Secundus
Publisher:
ISBN:
Category :
Languages : en
Pages : 252
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Book Description
Author: Caius Plinius Secundus
Publisher:
ISBN:
Category :
Languages : en
Pages : 252
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Book Description
Author: Gaio Plinio Secondo
Publisher:
ISBN:
Category : Art, Classical
Languages : en
Pages : 252
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Book Description
Author: Gaius Plinius Secundus
Publisher: Forgotten Books
ISBN: 9780331773453
Category : Art
Languages : en
Pages : 356
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Book Description
Excerpt from The Elder Pliny's Chapters on the History of Art Pliny. With ready generosity, however, Dr. Urlichs offered me at once for my own book a number of his notes, which we agreed should be printed in square brackets and marked with his initials H. L. U. Subsequently, however, Dr. Urlichs informed me, to my regret and surprise, that the present edition would block the way for his own; accordingly, since he had given us notes, whose value is undeniable, we acceded to his request that his name should be placed as a third on our title-page. In fairness to Dr. Urlichs, I should add that his contributions and his responsibility begin and end with the notes that bear his initials. Besides those scholars who have given me constant and special help, I have to thank Mr. A. S. Murray, M. S. Reinao/z, and Professor wz'z/zelzn Klein for many friendly hints, Mr. Bern/zard Berenson for helping me to a better understanding of passages concerned with the technique of art, and Director G. Von Laubmann for the singular privi leges accorded to me as a reader in the Royal Library at Munich. Above all am I beholden to my friend Miss K. 7ex-bla/ae, not only for undertaking the translation, but for her liberality in allowing certain readings to be printed, of whose soundness she was not fully convinced. She has also found time, amid the arduous tasks imposed by College lecturing, to compile both Indices, and to assist in the revision of the book throughout. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Plinius Secundus
Publisher:
ISBN: 9781729649893
Category :
Languages : en
Pages : 342
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Book Description
The Elder Pliny's Chapters on the History of Art
Author: Sarah Blake McHam
Publisher:
ISBN: 9780300186031
Category : Art
Languages : en
Pages : 450
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Book Description
Pliny's Natural History (A.D. 77-79) served as an indispensable guide to and exemplar of the ideals of art for Renaissance artists, patrons, and theorists. Bearing the imprimatur of antiquity, the Natural History gave permission to do art on a grand scale, to value it, and to see it as an incomparable source of prestige and pleasure. In Pliny and the Artistic Culture of the Italian Renaissance, Sarah Blake McHam surveys Pliny's influence, from Petrarch, the first figure to recognize Pliny's relevance to understanding the history of Greek art and its reception by the Romans, to Vasari and late 16th-century theorists. McHam charts the historiography of Latin and Italian manuscripts and early printed copies of the Natural History to trace the dissemination of its contents to artists from Donatello and Ghiberti to Michelangelo and Titian. Meanwhile, benefactors commissioned works intended to emulate the prototypes Pliny described, aligning themselves with the great patrons of antiquity. This is a richly illustrated, comprehensive reference work of social history, myth making, iconography, theory, and criticism.
