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Author: Amelia Faye Rauser
Publisher: Associated University Presse
ISBN: 9780874139860
Category : Art
Languages : en
Pages : 168
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Book Description
"This book is the first to examine the meaning encoded in the very form of caricature, and to explain its rise as a consequence of the emergence of modernity, especially the modern self."--BOOK JACKET.
Author: Amelia Faye Rauser
Publisher: Associated University Presse
ISBN: 9780874139860
Category : Art
Languages : en
Pages : 168
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Book Description
"This book is the first to examine the meaning encoded in the very form of caricature, and to explain its rise as a consequence of the emergence of modernity, especially the modern self."--BOOK JACKET.
Author: Selwyn Brinton
Publisher:
ISBN:
Category : Caricatures and cartoons
Languages : en
Pages : 144
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Book Description
Author: Katherine W. Hart
Publisher: Dartmouth College
ISBN:
Category : Art
Languages : en
Pages : 54
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Book Description
Author: David Francis Taylor
Publisher: Yale University Press
ISBN: 0300235593
Category : Literary Criticism
Languages : en
Pages : 379
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Book Description
This engaging study explores how the works of Shakespeare, Milton, Swift, and others were taken up by caricaturists as a means of helping the eighteenth-century British public make sense of political issues, outrages, and personalities. The first in-depth exploration of the relationship between literature and visual satire in this period, David Taylor’s book explores how great texts, seen through the lens of visual parody, shape how we understand the political world. It offers a fascinating, novel approach to literary history.
Author: Temi Odumosu
Publisher: Harvey Miller
ISBN: 9781909400504
Category : Africans
Languages : en
Pages : 0
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Book Description
"This book explores how people of African descent were represented in English caricature across the eighteenth century. It examines how the politics and morality of the transatlantic slave trade were negotiated through visual humor, and studies the ways in which prejudice was articulated in rude design."--Publisher's description.
Author: Diana Donald
Publisher: Paul Mellon Ctr for Studies
ISBN: 9780300071788
Category : Art
Languages : en
Pages : 248
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Book Description
A study of history and satire in cartoons of the late eighteenth century.
Author: Vic Gatrell
Publisher: Bloomsbury Publishing USA
ISBN: 0802716024
Category : History
Languages : en
Pages : 720
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Book Description
Drawing upon the satirical prints of the eighteenth century, the author explores what made Londoners laugh and offers insight into the origins of modern attitudes toward sex, celebrity, and ridicule.
Author: David S. Alexander
Publisher: St. Martin's Press
ISBN:
Category : Art
Languages : en
Pages : 196
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Book Description
This book marks the rediscovery, in the bicentenary year of his death in 1798, of a master of the burlesque, the caricaturist Richard Newton, who was soon forgotten, in part because of the bawdy nature of many of his prints. From the age of fourteen until his early death at twenty-one, this young Londoner etched a stream of hilarious satires of royalty, politicians, greedy churchmen, actresses and courtesans. Most of his prints were published by William Holland, a man of literary tastes who wrote the clever dialogues on many of the prints; some of Newton's most fascinating prints are those of Holland and fellow prisoners in Newgate where Holland was imprisoned for his radical activities in 1793-4. The book contains a checklist of three hundred single sheet prints by Newton; sixty are illustrated in colour, together with four of his watercolours.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages :
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Book Description
Author: Simon Dickie
Publisher: University of Chicago Press
ISBN: 0226146189
Category : History
Languages : en
Pages : 382
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Book Description
A rollicking review of popular culture in 18th century Britain this text turns away from sentimental and polite literature to focus instead on the jestbooks, farces, comic periodicals variety shows and minor comic novels that portray a society in which no subject was taboo and political correctness unimagined.
