The Early Popularity of Milton's Minor Poems PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Early Popularity of Milton's Minor Poems PDF full book. Access full book title The Early Popularity of Milton's Minor Poems by George Sherburn. Download full books in PDF and EPUB format.
Author: George Sherburn
Publisher:
ISBN:
Category :
Languages : en
Pages : 60
Get Book Here
Book Description
Author: George Sherburn
Publisher:
ISBN:
Category :
Languages : en
Pages : 60
Get Book Here
Book Description
Author: John Walter Good
Publisher:
ISBN:
Category :
Languages : en
Pages : 318
Get Book Here
Book Description
Author: John Milton
Publisher: CreateSpace
ISBN: 9781505998023
Category :
Languages : en
Pages : 128
Get Book Here
Book Description
"[...]John Milton [...]".
Author: John William Knapp
Publisher: Rowman & Littlefield
ISBN: 1611461618
Category : Literary Criticism
Languages : en
Pages : 271
Get Book Here
Book Description
Fiddled out of Reason is a study of several poems spanning the life and career of Joseph Addison, who, along with John Dryden, Alexander Pope, Ambrose Philips, Isaac Watts, and many British poets of the turn of the eighteenth century, helped to cultivate a broad new current of nonliturgical "hymnic" verse that became immensely popular across that century, though it has eluded critical notice until now. The texts the book examines—Addison's St. Cecilia's Day odes (1692, 1699), his libretto for the opera Rosamond (1707), and a sequence of five hymnic works in The Spectator (1712)—precede by twenty-five years John Wesley's publication of the first hymnal for use in the Church of England. The book argues that "secular" hymnic works such as Addison's emerged alongside religio-political controversies and anxieties about British national identity, morality, and expressions of "enthusiastic" passions. Church and Tory interests largely rejected hymnic verse, claiming it would only "fiddle" unwitting readers "out of their reason" and reignite the dangerous fervor of Revolution-era Nonconformity and Dissent. As is evident from his poetry, Addison, a moderate Whig, ardently opposed this view, arguing that the hymnic could in fact be a portal to national and individual amelioration. After an introductory chapter exploring period conceptions of hymnic poetry and the highly contested term "hymn" itself, the argument proceeds through three sections to trace the hymnic's upward trajectory through Addison's early, mid-period, and mature verse. The book devotes the lion's share of its attention to the last of these three, which includes the five-poem Spectator sequence (a poem from the sequence, "The Spacious Firmament on High," will be familiar to many readers). Indeed, in addition to offering new readings of hymnic works by Dryden and Pope, Fiddled out of Reason provides the first extended critical treatment of these five important poems. Publication of the book coincides with the 300th anniversary of Addison's death and with the appearance of a new Oxford edition of Addison's nonperiodical writings.
Author:
Publisher:
ISBN:
Category : Humanities
Languages : en
Pages : 1528
Get Book Here
Book Description
An author and subject index to publications in fields of anthropology, archaeology and classical studies, economics, folklore, geography, history, language and literature, music, philosophy, political science, religion and theology, sociology and theatre arts.
Author: Harko Gerrit de Maar
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 268
Get Book Here
Book Description
Author: James Edward Tobin
Publisher: Biblo & Tannen Publishers
ISBN: 9780819601889
Category : Literary Criticism
Languages : en
Pages : 204
Get Book Here
Book Description
Author: University of Chicago
Publisher:
ISBN:
Category :
Languages : en
Pages : 488
Get Book Here
Book Description
1897/98 includes summaries for 1891 to 1897.
Author: John T. Shawcross
Publisher: Routledge
ISBN: 1136171037
Category : Literary Criticism
Languages : en
Pages : 512
Get Book Here
Book Description
The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The carefully selected sources range from landmark essays in the history of criticism to journalism and contemporary opinion, and little published documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects. The Collected Critical Heritage set will be available as a set of 68 volumes and the series will also be available in mini sets selected by period (in slipcase boxes) and as individual volumes.
Author: Bruce C. Swaffield
Publisher: Cambridge Scholars Publishing
ISBN: 1443815853
Category : Literary Criticism
Languages : en
Pages : 187
Get Book Here
Book Description
The neoclassic tendency to write about the ruins of Rome was both an attempt to recapture the grandeur of the “golden age” of man and a lament for the passing of a great civilization. John Dyer, who wrote The Ruins of Rome in 1740, was largely responsible for the eighteenth-century revival of a unique subgenre of landscape poetry dealing with ruins of the ancient world. Few poems about the ruins had been written since Antiquités de Rome in 1558 by Joachim Du Bellay. Dyer was one of first neoclassic poets to return to the decaying stones of a past society as a source of poetic inspiration and imagination. He views the relics as monuments of grandeur and greatness, but also of impending death and destruction. While following most of the rules and standards of neoclassicism—that of imitating nature and giving pleasure to a reader—Dyer also includes his personal reactions and emotions in The Ruins of Rome. The work is composed from the position of a poet who serves as interpreter and translator of the subject, a primary characteristic of “prospect” poetry in the eighteenth century. Numerous other writers quickly followed Dyer’s example, including George Keate, William Whitehead and William Parsons. The tendency by these poets to write about the ruins of Rome from a subjective point of view was one of the strongest themes in what Northrop Frye has called the “Age of Sensibility.” Although the renewed interest in Roman ruins lasted well into the nineteenth century, influencing Romantic poets from Lord Byron to William Wordsworth, the evolution of this type of verse was a gradual process: it originated with Du Bellay’s poem, continued through seventeenth-century paintings by Claude Lorrain and Salvator Rosa (along with the later art of Piranesi and Pannini), and reached maturity with the poetic interest in the imagination in the eighteenth century. All of these factors, especially the tendency of poets to record their subjective feelings and insights concerning the ruins, are elements that proved to be instrumental in the eventual development of Romanticism.
