Author: M. Parker
Publisher: Springer
ISBN: 0230119131
Category : Performing Arts
Languages : en
Pages : 208
Book Description
Drawing on interviews with producers, directors, and scholars, and examining the DVD's supplementary features, this book explores how the format, at its best, combines the enthusiasm of a fan, cinematic nostalgia, and scholarly insight.
The DVD and the Study of Film
Author: M. Parker
Publisher: Springer
ISBN: 0230119131
Category : Performing Arts
Languages : en
Pages : 208
Book Description
Drawing on interviews with producers, directors, and scholars, and examining the DVD's supplementary features, this book explores how the format, at its best, combines the enthusiasm of a fan, cinematic nostalgia, and scholarly insight.
Publisher: Springer
ISBN: 0230119131
Category : Performing Arts
Languages : en
Pages : 208
Book Description
Drawing on interviews with producers, directors, and scholars, and examining the DVD's supplementary features, this book explores how the format, at its best, combines the enthusiasm of a fan, cinematic nostalgia, and scholarly insight.
Film School
Author: Richard D. Pepperman
Publisher:
ISBN: 9781932907414
Category : Cinematography
Languages : en
Pages : 0
Book Description
Watch the best DVD movies to inspire and teach you everything you need to know about being a filmmaker.
Publisher:
ISBN: 9781932907414
Category : Cinematography
Languages : en
Pages : 0
Book Description
Watch the best DVD movies to inspire and teach you everything you need to know about being a filmmaker.
L.A. Rebellion
Author: Allyson Field
Publisher: Univ of California Press
ISBN: 0520960432
Category : Performing Arts
Languages : en
Pages : 483
Book Description
L.A. Rebellion: Creating a New Black Cinema is the first book dedicated to the films and filmmakers of the L.A. Rebellion, a group of African, Caribbean, and African American independent film and video artists that formed at the University of California, Los Angeles, in the 1970s and 1980s. The group—including Charles Burnett, Julie Dash, Haile Gerima, Billy Woodberry, Jamaa Fanaka, and Zeinabu irene Davis—shared a desire to create alternatives to the dominant modes of narrative, style, and practice in American cinema, works that reflected the full complexity of Black experiences. This landmark collection of essays and oral histories examines the creative output of the L.A. Rebellion, contextualizing the group's film practices and offering sustained analyses of the wide range of works, with particular attention to newly discovered films and lesser-known filmmakers. Based on extensive archival work and preservation, this collection includes a complete filmography of the movement, over 100 illustrations (most of which are previously unpublished), and a bibliography of primary and secondary materials. This is an indispensible sourcebook for scholars and enthusiasts, establishing the key role played by the L.A. Rebellion within the histories of cinema, Black visual culture, and postwar art in Los Angeles.
Publisher: Univ of California Press
ISBN: 0520960432
Category : Performing Arts
Languages : en
Pages : 483
Book Description
L.A. Rebellion: Creating a New Black Cinema is the first book dedicated to the films and filmmakers of the L.A. Rebellion, a group of African, Caribbean, and African American independent film and video artists that formed at the University of California, Los Angeles, in the 1970s and 1980s. The group—including Charles Burnett, Julie Dash, Haile Gerima, Billy Woodberry, Jamaa Fanaka, and Zeinabu irene Davis—shared a desire to create alternatives to the dominant modes of narrative, style, and practice in American cinema, works that reflected the full complexity of Black experiences. This landmark collection of essays and oral histories examines the creative output of the L.A. Rebellion, contextualizing the group's film practices and offering sustained analyses of the wide range of works, with particular attention to newly discovered films and lesser-known filmmakers. Based on extensive archival work and preservation, this collection includes a complete filmography of the movement, over 100 illustrations (most of which are previously unpublished), and a bibliography of primary and secondary materials. This is an indispensible sourcebook for scholars and enthusiasts, establishing the key role played by the L.A. Rebellion within the histories of cinema, Black visual culture, and postwar art in Los Angeles.
Film and Television After DVD
Author: James Bennett
Publisher: Routledge
ISBN: 1135896720
Category : History
Languages : en
Pages : 212
Book Description
Film and Television after DVD argues that DVD technology is part of a shift that heralds a new age for film and television, critically examining the implications of DVD technology for key concerns within the fields of television, film and new media studies.
Publisher: Routledge
ISBN: 1135896720
Category : History
Languages : en
Pages : 212
Book Description
Film and Television after DVD argues that DVD technology is part of a shift that heralds a new age for film and television, critically examining the implications of DVD technology for key concerns within the fields of television, film and new media studies.
How to Read a Film
Author: James Monaco
Publisher: New York : Oxford University Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 568
Book Description
Now thoroughly revised and updated, the book discusses recent breakthroughs in media technology, including such exciting advances as video discs and cassettes, two-way television, satellites, cable and much more.
Publisher: New York : Oxford University Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 568
Book Description
Now thoroughly revised and updated, the book discusses recent breakthroughs in media technology, including such exciting advances as video discs and cassettes, two-way television, satellites, cable and much more.
The Power Filmmaking Kit
Author: Jason Tomaric
Publisher: Taylor & Francis
ISBN: 1136060219
Category : Performing Arts
Languages : en
Pages : 429
Book Description
Think big, spend little! Everything you need to make your movie is in this complete resource kit. The Power Filmmaking Kit is a comprehensive, multimedia book and DVD package that empowers you to produce your own Hollywood-quality movie. Emmy-award winning director Jason Tomaric produced an independent film using only local resources for under $2,000 that not only got picked up for distribution, but is also used as a case study in top film schools. This book shows you how to do the same, regardless of your budget or location. You'll learn how to achieve professional quality on a microbudget, using the resources you have at hand. The book includes: * Coverage of the entire filmmaking process. It's all here, from writing, directing, and cinematography, to acting, editing, and distribution. * Step-by-step instructions, tips, diagrams, charts, and illustrations for how you can make a Hollywood-caliber movie on a next-to-nothing budget with little upfront money and access only to local resources. The DVD includes: * Time and Again, the profitable, award-winning, internationally distributed independent film made for under $2,000 * One hour of video tutorials unveiling how the movie was made...interviews and behind-the-scenes case studies on directing, production, and editing * Complete rough footage from a scene for editing practice * Forms, contracts, and more resources *The Producer's Notebook includes scripts, storyboards, schedules, call sheets, contracts, letters from the producer, camera logs and press kits from "Time and Again." See how the production was scheduled and organized, read the script, follow the storyboards and watch the production unfold from beginning to end. * Blank contracts and forms that you can print out to use on your own film
Publisher: Taylor & Francis
ISBN: 1136060219
Category : Performing Arts
Languages : en
Pages : 429
Book Description
Think big, spend little! Everything you need to make your movie is in this complete resource kit. The Power Filmmaking Kit is a comprehensive, multimedia book and DVD package that empowers you to produce your own Hollywood-quality movie. Emmy-award winning director Jason Tomaric produced an independent film using only local resources for under $2,000 that not only got picked up for distribution, but is also used as a case study in top film schools. This book shows you how to do the same, regardless of your budget or location. You'll learn how to achieve professional quality on a microbudget, using the resources you have at hand. The book includes: * Coverage of the entire filmmaking process. It's all here, from writing, directing, and cinematography, to acting, editing, and distribution. * Step-by-step instructions, tips, diagrams, charts, and illustrations for how you can make a Hollywood-caliber movie on a next-to-nothing budget with little upfront money and access only to local resources. The DVD includes: * Time and Again, the profitable, award-winning, internationally distributed independent film made for under $2,000 * One hour of video tutorials unveiling how the movie was made...interviews and behind-the-scenes case studies on directing, production, and editing * Complete rough footage from a scene for editing practice * Forms, contracts, and more resources *The Producer's Notebook includes scripts, storyboards, schedules, call sheets, contracts, letters from the producer, camera logs and press kits from "Time and Again." See how the production was scheduled and organized, read the script, follow the storyboards and watch the production unfold from beginning to end. * Blank contracts and forms that you can print out to use on your own film
Film Restoration
Author: L. Enticknap
Publisher: Springer
ISBN: 113732872X
Category : Performing Arts
Languages : en
Pages : 253
Book Description
This is the first monograph-length work intended to enable readers with a humanities background and the general public to understand what the processes and techniques of film restoration do and do not involve, attempting to integrate systematically a discussion about related technological and cultural issues.
Publisher: Springer
ISBN: 113732872X
Category : Performing Arts
Languages : en
Pages : 253
Book Description
This is the first monograph-length work intended to enable readers with a humanities background and the general public to understand what the processes and techniques of film restoration do and do not involve, attempting to integrate systematically a discussion about related technological and cultural issues.
Resilient
Author: Sheridan Voysey
Publisher: Our Daily Bread Publishing
ISBN: 1627074244
Category : Religion
Languages : en
Pages : 347
Book Description
Proverbs 4:23 tells us, “Guard your heart above all else, for it determines the course of your life.” Sheridan Voysey believes that if you have a heart for God, you can build a solid foundation to withstand life’s storms. Using the Sermon on the Mount as a starting point, Voysey delivers 90 readings that help you recalibrate your heart to that of Jesus—who lived out everything He preached. Resilient: Your Invitation to a Jesus-Shaped Life encourages you to live boldly in the midst of life’s challenges, with Jesus’ example as the driving force.
Publisher: Our Daily Bread Publishing
ISBN: 1627074244
Category : Religion
Languages : en
Pages : 347
Book Description
Proverbs 4:23 tells us, “Guard your heart above all else, for it determines the course of your life.” Sheridan Voysey believes that if you have a heart for God, you can build a solid foundation to withstand life’s storms. Using the Sermon on the Mount as a starting point, Voysey delivers 90 readings that help you recalibrate your heart to that of Jesus—who lived out everything He preached. Resilient: Your Invitation to a Jesus-Shaped Life encourages you to live boldly in the midst of life’s challenges, with Jesus’ example as the driving force.
The DVD Revolution
Author: Aaron Barlow
Publisher: Bloomsbury Publishing USA
ISBN: 0313024537
Category : Performing Arts
Languages : en
Pages : 198
Book Description
The introduction of the DVD marked the beginning of one of history's most successful technological innovations, and capped a 75-year development of home-viewing possibilities. Never before have film fans had access in their living rooms to something so remarkably close to the theatrical experience. In addition, because a DVD can hold much more than a single movie, it has allowed films to be marketed with a variety of extras, sparking both a new packaging industry and greater interest on the part of home viewers. This book provides an examination of the DVD's impact, both on home viewing and on film study. From film fan culture through filmmaker commentaries, from special editions to a look at where the format will go from here, author Aaron Barlow offers the first-ever exploration of this explosive new entertainment phenomenon. As the DVD becomes the popular vehicle of record for films, it is also becoming a unique and unprecedented way for the interested viewer to learn more about filmmaking than has ever been possible before. Because of its ability to reproduce the dimensions and quality of the celluloid image, film fans and scholars can have practically perfect reproductions of classic and contemporary films at their disposal. Not only will this book be of interest to the burgeoning population of DVD fans and collectors, but it will provide insights that should be of interest to both students of popular culture and of film.
Publisher: Bloomsbury Publishing USA
ISBN: 0313024537
Category : Performing Arts
Languages : en
Pages : 198
Book Description
The introduction of the DVD marked the beginning of one of history's most successful technological innovations, and capped a 75-year development of home-viewing possibilities. Never before have film fans had access in their living rooms to something so remarkably close to the theatrical experience. In addition, because a DVD can hold much more than a single movie, it has allowed films to be marketed with a variety of extras, sparking both a new packaging industry and greater interest on the part of home viewers. This book provides an examination of the DVD's impact, both on home viewing and on film study. From film fan culture through filmmaker commentaries, from special editions to a look at where the format will go from here, author Aaron Barlow offers the first-ever exploration of this explosive new entertainment phenomenon. As the DVD becomes the popular vehicle of record for films, it is also becoming a unique and unprecedented way for the interested viewer to learn more about filmmaking than has ever been possible before. Because of its ability to reproduce the dimensions and quality of the celluloid image, film fans and scholars can have practically perfect reproductions of classic and contemporary films at their disposal. Not only will this book be of interest to the burgeoning population of DVD fans and collectors, but it will provide insights that should be of interest to both students of popular culture and of film.
Social TV
Author: Cory Barker
Publisher: Univ. Press of Mississippi
ISBN: 149684095X
Category : Performing Arts
Languages : en
Pages : 274
Book Description
On March 15, 2011, Donald Trump changed television forever. The Comedy Central Roast of Trump was the first major live broadcast to place a hashtag in the corner of the screen to encourage real-time reactions on Twitter, generating more than 25,000 tweets and making the broadcast the most-watched Roast in Comedy Central history. The #trumproast initiative personified the media and tech industries’ utopian vision for a multi-screen and communal live TV experience. In Social TV: Multi-Screen Content and Ephemeral Culture, author Cory Barker reveals how the US television industry promised—but failed to deliver—a social media revolution in the 2010s to combat the imminent threat of on-demand streaming video. Barker examines the rise and fall of Social TV across press coverage, corporate documents, and an array of digital ephemera. He demonstrates that, despite the talk of disruption, the movement merely aimed to exploit social media to reinforce the value of live TV in the modern attention economy. Case studies from broadcast networks to tech start-ups uncover a persistent focus on community that aimed to monetize consumer behavior in a transitionary industry period. To trace these unfulfilled promises and flopped ideas, Barker draws upon a unique mix of personal Social TV experiences and curated archives of material that were intentionally marginalized amid pivots to the next big thing. Yet in placing this now-forgotten material in recent historical context, Social TV shows how the era altered how the industry pursues audiences. Multi-screen campaigns have shifted away from a focus on live TV and toward all-day “content” streams. The legacy of Social TV, then, is the further embedding of media and promotional material onto every screen and into every moment of life.
Publisher: Univ. Press of Mississippi
ISBN: 149684095X
Category : Performing Arts
Languages : en
Pages : 274
Book Description
On March 15, 2011, Donald Trump changed television forever. The Comedy Central Roast of Trump was the first major live broadcast to place a hashtag in the corner of the screen to encourage real-time reactions on Twitter, generating more than 25,000 tweets and making the broadcast the most-watched Roast in Comedy Central history. The #trumproast initiative personified the media and tech industries’ utopian vision for a multi-screen and communal live TV experience. In Social TV: Multi-Screen Content and Ephemeral Culture, author Cory Barker reveals how the US television industry promised—but failed to deliver—a social media revolution in the 2010s to combat the imminent threat of on-demand streaming video. Barker examines the rise and fall of Social TV across press coverage, corporate documents, and an array of digital ephemera. He demonstrates that, despite the talk of disruption, the movement merely aimed to exploit social media to reinforce the value of live TV in the modern attention economy. Case studies from broadcast networks to tech start-ups uncover a persistent focus on community that aimed to monetize consumer behavior in a transitionary industry period. To trace these unfulfilled promises and flopped ideas, Barker draws upon a unique mix of personal Social TV experiences and curated archives of material that were intentionally marginalized amid pivots to the next big thing. Yet in placing this now-forgotten material in recent historical context, Social TV shows how the era altered how the industry pursues audiences. Multi-screen campaigns have shifted away from a focus on live TV and toward all-day “content” streams. The legacy of Social TV, then, is the further embedding of media and promotional material onto every screen and into every moment of life.