The Dramatic World of Harold Pinter: Its Basis in Ritual PDF Download
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Author: Katherine H. Burkman
Publisher: Ohio State University Press
ISBN: 0814201466
Category : Ritual in literature
Languages : en
Pages : 200
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Book Description
Author: Katherine H. Burkman
Publisher: Ohio State University Press
ISBN: 0814201466
Category : Ritual in literature
Languages : en
Pages : 200
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Book Description
Author: Saumya Rajan
Publisher: Partridge Publishing
ISBN: 1543702260
Category : Literary Criticism
Languages : en
Pages : 219
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Book Description
The book reconnoiters the New World Order of Postmodernism in five plays The Room (1957), The Birthday Party (1957), The Caretaker (1960), The Homecoming (1965) and Celebration (2000) of Harold Pinter. With culturally structured, incomprehensibly manipulated, dual and fragmented characters, Harold Pinter analyses the ambiguities of political system. It is perhaps the System that forcibly drags Stanley to a world of systems in The Birthday Party. The situation of Ruth in The Homecoming clearly indicates the inevitable grip of this System. The last play Celebration overtly ridicules the very political system we approve of wherein the strategy consultants and the corporate people define the organized mechanism of this SYSTEM! The internalization of power which the power structures of societies and politics possess, appears largely in his plays, providing postmodernism its duality. Pinter offers us a true picture of our postmodernist culture an apocalyptic world at the edge of civilization.
Author: Farah Ali
Publisher: Routledge
ISBN: 1351625551
Category : Performing Arts
Languages : en
Pages : 263
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Book Description
Let down by the uncertainties of memory, language, and their own family units, the characters in Harold Pinter’s plays endure persistent struggles to establish their own identities. Eroding the Language of Freedom re-examines how identity is shaped in these plays, arguing that the characters’ failure to function as active members of society speaks volumes to Pinter’s ideological preoccupation with society’s own inadequacies. Pinter described himself as addressing the state of the world through his plays, and in the linguistic games, emotional balancing acts, and recurring scenarios through which he put his characters, readers and audiences can see how he perceived that world.
Author: Hersh Zeifman
Publisher: Springer
ISBN: 1349108197
Category : Literary Criticism
Languages : en
Pages : 361
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Book Description
This book focuses exclusively on the exciting and provocative plays produced in England in the last two decades. The primary aim of the collection is to celebrate the truly remarkable range of British drama since 1970, by examining the work of fourteen important and representative playwrights. This emphasis on range applies not only to the dramatists chosen for inclusion but to the critics as well - specifically to the diversity of critical methodology demonstrated in their essays.
Author: Gale, Cengage Learning
Publisher: Gale, Cengage Learning
ISBN: 1410344789
Category : Literary Criticism
Languages : en
Pages : 37
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Book Description
A Study Guide for Harold Pinter's "The Dumb Waiter," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.
Author: Guido Almansi
Publisher: Routledge
ISBN: 1000292134
Category : Language Arts & Disciplines
Languages : en
Pages : 107
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Book Description
First published in 1983, Harold Pinter is an original study into the work of one of Britain’s foremost dramatists. The book celebrates Pinter’s elusiveness as a writer. It considers his position as a specifically contemporary writer of the post-modernist tradition, and explores his use of language as a sophisticated means of non-communication, acting as a smokescreen behind which his characters lie. The book presents the language games used by Pinter according to their strategic importance, beginning with his earlier works and suggesting a chronological progression. It also discusses Pinter’s later developments, such as the screenplay for The French Lieutenant’s Woman. Harold Pinter is ideal for anyone with an interest in the work and literary techniques of contemporary writers and dramatists.
Author: Michael Y. Bennett
Publisher: Taylor & Francis
ISBN: 1040001610
Category : Literary Criticism
Languages : en
Pages : 803
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Book Description
The Routledge Companion to Absurdist Literature is the first authoritative and definitive edited collection on absurdist literature. As a field-defining volume, the editor and the contributors are world leaders in this ever-exciting genre that includes some of the most important and influential writers of the twentieth century, including Samuel Beckett, Harold Pinter, Edward Albee, Eugene Ionesco, Jean Genet, and Albert Camus. Ever puzzling and always refusing to be pinned down, this book does not attempt to define absurdist literature, but attempts to examine its major and minor players. As such, the field is indirectly defined by examining its constituent writers. Not only investigating the so-called “Theatre of the Absurd,” this volume wades deeply into absurdist fiction and absurdist poetry, expanding much of our previous sense of what constitutes absurdist literature. Furthermore, long overdue, approximately one-third of the book is devoted to marginalized writers: black, Latin/x, female, LGBTQ+, and non-Western voices.
Author: Yael Zarhy-Levo
Publisher: University of Iowa Press
ISBN: 1587297795
Category : Drama
Languages : en
Pages : 305
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Book Description
Today's successful plays and playwrights achieve their prominence not simply because of their intrinsic merit but because of the work of mediators, who influence the whole trajectory of a playwright's or a theatre company's career. Critics and academic writers are primarily considered the makers of reputations, but funding organizations and various media agents as well as artistic directors, producers, and directors also pursue separate agendas in shaping the reputations of theatrical works. In The Making of Theatrical Reputations Yael Zarhy-Levo demonstrates the processes through which these mediatory practices by key authority figures situate theatrical companies and playwrights within cultural and historical memory. To reveal how these authorizing powers-that-be promote theatrical events, companies, and playwrights, Zarhy-Levo presents four detailed case studies that reflect various angles of the modern London theatre. In the case of the English Stage Company's production of John Osborne's Look Back in Anger, she centers on a specific event. She then focuses on the trajectory of a single company, the Theatre Workshop, particularly through its first decade at the Theatre Royal, Stratford East, London. Next, she explores the career of the dramatist John Arden, especially its first ten years, in part drawing upon an interview with Arden and his wife, actress and playwright Margaretta D'Arcy, before turning to her fourth study: the playwright Harold Pinter's shifting reputation throughout the different phases of his career. Zarhy-Levo's accounts of these theatrical events, companies, and playwrights through the prism of mediation bring fresh insights to these landmark productions and their creators.
Author: William Hutchings
Publisher: SIU Press
ISBN: 9780809314614
Category : Drama
Languages : en
Pages : 232
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Book Description
This is the first comprehensive play-by-play analysis of the drama of David Storey, one of the most acclaimed and innovative, sometimes controversial, writers in the British theatre since World War II. Grouping the plays according to theme, Hutchings demonstrates that the central focus in the drama of David Storey is the devaluation of traditional rituals in contemporary life and the disintegration of the family. A playwright attuned to the poetry in the ordinary, to the profundity, subtle eloquence, and dramatic tension in the mundane, Storey explores the ways people cope, or fail to cope, with complexity, with uncertainty, with constant, bewildering flux. He writes about groups—families (In Celebration, The Farm), rugby teams (The Changing Room), and construction crews (The Contractor). In his plays, individuals seek to overcome isolation and integrate themselves into a significant assemblage that transcends the self. Hutchings notes that Storey frequently deals with working-class parents who cannot "understand their grown children’s anxieties, their discontentedness with life, their unstable marriages, and their inability to enjoy the benefits of the education and advantages they labored so hard for so many years to provide." Storey understands and sympathizes with parents who have paid to educate their children out of their own spheres. He saw it happen in his own family, knew the disapproval of his father: "What else could my father think when, nearing sixty, he came home each day from the pit exhausted, shattered by fatigue, to find me—a young man ideally physically equipped to do the job which now left him totally prostrated—painting a picture of flowers, or writing a poem about a cloud. There was, and there is, no hope of reconciliation." Hutchings supplements his thematic analysis of Storey’s plays by interweaving into his text 90 percent of a major interview with the playwright, the only such comprehensive interview in existence. Storey, who believes that readers "ought to be chary of all interviews," discusses alleged literary influences on his work, the current state of British theatre, and his reactions to critics. He also provides insight into various productions and performances in his work.
Author: Kimball King
Publisher: Routledge
ISBN: 1136521194
Category : Performing Arts
Languages : en
Pages : 402
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Book Description
This comprehensive collection gathers critical essays on the major works of the foremost American and British playwrights of the 20th century, written by leading figures in drama/performance studies.
