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Author: John O'Keeffe
Publisher:
ISBN:
Category :
Languages : en
Pages : 480
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Book Description
Author: John O'Keeffe
Publisher:
ISBN:
Category :
Languages : en
Pages : 480
Get Book Here
Book Description
Author: John O'Keeffe
Publisher:
ISBN:
Category :
Languages : en
Pages : 480
Get Book Here
Book Description
Author: John O'Keeffe
Publisher:
ISBN:
Category : Civilization, Modern
Languages : en
Pages : 814
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Book Description
Author: John O'Keeffe
Publisher:
ISBN:
Category :
Languages : en
Pages : 870
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Book Description
Author: John O'Keeffe
Publisher:
ISBN:
Category :
Languages : en
Pages : 448
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Book Description
Author: Paul Baines
Publisher: John Wiley & Sons
ISBN: 1444390082
Category : Literary Criticism
Languages : en
Pages : 689
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Book Description
The Wiley-Blackwell Encyclopedia of Eighteenth-Century Writers and Writing1660-1789 features coverage of the lives and works of almost 500 notable writers based in the British Isles from the return of the British monarchy in 1660 until the French Revolution of 1789. Broad coverage of writers and texts presents a new picture of 18th-century British authorship Takes advantage of newly expanded eighteenth-century canon to include significantly more women writers and labouring-class writers than have traditionally been studied Draws on the latest scholarship to more accurately reflect the literary achievements of the long eighteenth century
Author: John O'Keeffe
Publisher: Cambridge University Press
ISBN: 1108034896
Category : Biography & Autobiography
Languages : en
Pages : 443
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Book Description
A two-volume memoir published in 1826 by an Irish playwright renowned for his comic operas and farces.
Author: Catherine Burroughs
Publisher: Taylor & Francis
ISBN: 1000815986
Category : Performing Arts
Languages : en
Pages : 745
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Book Description
The Routledge Anthology of Women's Theatre Theory and Dramatic Criticism is the first wide-ranging anthology of theatre theory and dramatic criticism by women writers. Reproducing key primary documents contextualized by short essays, the collection situates women’s writing within, and also reframes the field’s male-defined and male-dominated traditions. Its collection of documents demonstrates women’s consistent and wide-ranging engagement with writing about theatre and performance and offers a more expansive understanding of the forms and locations of such theoretical and critical writing, dealing with materials that often lie outside established production and publication venues. This alternative tradition of theatre writing that emerges allows contemporary readers to form new ways of conceptualizing the field, bringing to the fore a long-neglected, vibrant, intelligent, deeply informed, and expanded canon that generates a new era of scholarship, learning, and artistry. The Routledge Anthology of Women's Theatrical Theory and Dramatic Criticism is an important intervention into the fields of Theatre and Performance Studies, Literary Studies, and Cultural History, while adding new dimensions to Feminist, Gender and Sexuality Studies.
Author: Jane Wessel
Publisher: University of Michigan Press
ISBN: 047222025X
Category : Performing Arts
Languages : en
Pages : 229
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Book Description
In 1710, England’s first copyright law gave authors the ability to own their works, but it was not until 1833 that literary property law was extended to protect dramatic performance. Between these dates, generations of playwrights grappled for control over their intellectual property in a cultural and legal environment that treated print differently from performance. As ownership became a central concern for many, actors fought to possess their dramatic parts exclusively, playwrights struggled to control and profit from repeat performances of their works, and managers tried to gain a monopoly over the performance of profitable plays. Owning Performance follows the careers of some of the 18th century’s most influential playwrights, actors, and theater managers as they vied for control over the period’s most popular shows. Without protection for dramatic literary property, these figures developed creative extra-legal strategies for controlling the performance of drama—quite literally performing their ownership. Their various strategies resulted in a culture of ephemerality, with many of the period’s most popular works existing only in performance and manuscript copies. Author Jane Wessel explores how playwrights and actors developed strategies for owning their works and how, in turn, theater managers appropriated these strategies, putting constant pressure on artists to innovate. Owning Performance reveals the wide-reaching effects of property law on theatrical culture, tracing a turn away from print that affected the circulation, preservation, and legacy of 18th century drama.
Author: J. Batchelor
Publisher: Springer
ISBN: 0230508200
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
Dress, Distress and Desire explores representations of sartorial experience in eighteenth-century literature. Batchelor's study brings together for the first time canonical and non-canonical texts including novels, conduct books and women's magazines to investigate the pressures that the growth of the fashion market placed on conceptions of female virtue and propriety. It shows how dress dispelled the sentimental myth that the body acted as a moral index and enabled the women reader to resist some of sentimental literature's more prescriptive advice.
