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Author: Federico García Lorca
Publisher: Oxford University Press, USA
ISBN: 9780192839381
Category : Drama
Languages : en
Pages : 306
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Book Description
In his four last plays (Blood Wedding, Yerma, The House of Bernarda Alba, Dona Rosita the Spinster) Federico Garc ́ia Lorca offered his disturbed and disturbing personal vision to Spanish audiences of the 1930s---unready, as he thought them, for the sexual frankness and surreal expression of his more experimental work. The authentic sense of danger of Lorca's theatre is finely conveyed here in John Edmunds's fluent and rhythmic new translations that lend themselves admirably to performance.
Author: Federico García Lorca
Publisher: Oxford University Press, USA
ISBN: 9780192839381
Category : Drama
Languages : en
Pages : 306
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Book Description
In his four last plays (Blood Wedding, Yerma, The House of Bernarda Alba, Dona Rosita the Spinster) Federico Garc ́ia Lorca offered his disturbed and disturbing personal vision to Spanish audiences of the 1930s---unready, as he thought them, for the sexual frankness and surreal expression of his more experimental work. The authentic sense of danger of Lorca's theatre is finely conveyed here in John Edmunds's fluent and rhythmic new translations that lend themselves admirably to performance.
Author: Federico García Lorca
Publisher: Macmillan
ISBN: 0374523320
Category : Drama
Languages : en
Pages : 341
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Book Description
Newly repackaged, three plays by Federico García Lorca In these three plays, Federico García Lorca's acknowledged masterpieces, he searched for a contemporary mode of tragedy and reminded his audience that dramatic poetry—or poetic drama—depends less on formal convention that on an elemental, radical outlook on human life. His images are beautiful and exact, but until now no translator had ever been able to make his characters speak unaffectedly on the American stage. Michael Dewell of the National Repertory Theatre and Carmen Zapata of the Bilingual Foundation of the Arts have created these versions expressly for the stage. The results, both performable and readable, have been thoroughly revised for this edition, which has an introduction by Christopher Maurer, the general editor of the Complete Poetical Works of García Lorca.
Author: Federico García Lorca
Publisher: New Directions Publishing
ISBN: 9780811200929
Category : Drama
Languages : en
Pages : 248
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Book Description
Here in the authorized translation by James Graham-Luján and Richard L. O'Connell, with an illuminating biographical introduction by the poet's brother, Francisco García Lorca, are three tragic dramas by the great modern Spanish poet and playwright which have caught the imagination and won the critical acclaim of the literate world.
Author: Federico García Lorca
Publisher: New Directions Publishing
ISBN: 9780811200905
Category : Drama
Languages : en
Pages : 260
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Book Description
Two additional comedies, published here in book form in English for the first time, are The Billy-Club Puppets -- a guignol-type farce with delicate wit; and The Butterfly's Evil Spell, an "insect comedy" about a beetle-poet who aspires to be a butterfly.
Author: Federico García Lorca
Publisher: Knopf
ISBN: 1524733113
Category : Literary Collections
Languages : en
Pages : 577
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Book Description
For the first time in a quarter century, a major new volume of translations of the beloved poetry of Federico García Lorca, presented in a beautiful bilingual edition The fluid and mesmeric lines of these new translations by the award-winning poet Sarah Arvio bring us closer than ever to the talismanic perfection of the great García Lorca. Poet in Spain invokes the "wild, innate, local surrealism" of the Spanish voice, in moonlit poems of love and death set among poplars, rivers, low hills, and high sierras. Arvio's ample and rhythmically rich offering includes, among other essential works, the folkloric yet modernist Gypsy Ballads, the plaintive flamenco Poem of the Cante Jondo, and the turbulent and beautiful Dark Love Sonnets--addressed to Lorca's homosexual lover--which Lorca was revising at the time of his brutal political murder by Fascist forces in the early days of the Spanish Civil War. Here, too, are several lyrics translated into English for the first time and the play Blood Wedding--also a great tragic poem. Arvio has created a fresh voice for Lorca in English, full of urgency, pathos, and lyricism--showing the poet's work has grown only more beautiful with the passage of time.
Author: Federico García Lorca
Publisher: Farrar, Straus and Giroux
ISBN: 1466898658
Category : Poetry
Languages : en
Pages : 1166
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Book Description
A revised edition of this major writer's complete poetical work And I who was walking with the earth at my waist, saw two snowy eagles and a naked girl. The one was the other and the girl was neither. -from "Qasida of the Dark Doves" Federico García Lorca was the most beloved poet of twentieth-century Spain and one of the world's most influential modernist writers. His work has long been admired for its passionate urgency and haunting evocation of sorrow and loss. Perhaps more persistently than any writer of his time, he sought to understand and accommodate the numinous sources of his inspiration. Though he died at age thirty-eight, he left behind a generous body of poetry, drama, musical arrangements, and drawings, which continue to surprise and inspire. Christopher Maurer, a leading García Lorca scholar and editor, has brought together new and substantially revised translations by twelve poets and translators, placed side by side with the Spanish originals. The seminal volume Poet in New York is also included here in its entirety. This is the most comprehensive collection in English of a poet who—as Maurer writes in his illuminating introduction—"spoke unforgettably of all that most interests us: the otherness of nature, the demons of personal identity and artistic creation, sex, childhood, and death."
Author: Federico García Lorca
Publisher: New Directions Publishing
ISBN: 9780811208819
Category : Drama
Languages : en
Pages : 100
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Book Description
Federico Garcia Lorca called The Public "the best thing I've written for the theater." Yet, he acknowledged, "this is for the theater years from now." Now, half a century later, The Public and another of Lorca's most daring works, Play without a Title, are available in English translation for the first time. Surrealism, folk theater, poetry, vivid costumes, black humor--in the The Public, dramatic traditions are ransacked to develop themes as timely in the 1980s as they were taboo when Lorca was writing: if Romeo were a man of thirty and Juliet a boy of fifteen, would their passion be any less authentic? No, says a young observer of the play within the play, "I who climb the mountain twice each day and, when I finish studying, tend an enormous herd of bulls that I've got to struggle with and overpower at every instant, I don't have time to think about whether Juliet's a man or a woman or a child, but only to observe that I like her with such a joyous desire." In both The Public and Play without a Title, the player himself is of as much consequence as the role he plays. The fierce, stark Play without a Title, with its cast of Author, Prompter, Stagehand in the wings, and hecklers in the gallery, clearly heralds developments in today's avant-garde theater. It also reflects the violence of the times in which it was written. As Carlos Bauer notes in his introduction, neither of the plays in this volume was complete in 1936, when Lorca was assassinated by Franco's forces. Still, both have here the unity and grace of finished tours de force.
Author: Federico García Lorca
Publisher:
ISBN: 9781986116565
Category :
Languages : en
Pages : 300
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Book Description
Lorca wrote more than a dozen plays, of which these later four, created in the 1930's, are the best known and most popular. Written to support the 'theatre of social action', while travelling with a touring company through rural Spain, the plays employ simple but poetic language, strong passionate speech, and intense moments of action or emotion, to convey the claustrophobic life of the people. Lorca wrote: 'Theatre is a school of tears and laughter, a forum for liberty, where people can question obsolete or erroneous social norms, and explain through living characters the eternal modes of the human heart.' While exploring the stifling aspects of contemporary life for both the rural poor and the isolated individual, his plays also challenged the conventional roles of women in society, and allowed him to express, indirectly, his frustrations with attitudes to sexuality and homo-eroticism which affected him personally, and may have contributed to his subsequent persecution within Spain and his death.
Author: Federico GarciI a Lorca
Publisher: eBook Partnership
ISBN: 1907587829
Category : Poetry
Languages : en
Pages : 180
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Book Description
Federico Garcia Lorca wrote the Gypsy Ballads between 1924 and 1927. When the book was published it caused a sensation in the literary world. Drawing on the traditional Spanish ballad form, Lorca described his Romancero Gitano as 'the poem of Andalucia...A book that hardly expresses visible Andalusia at all, but where hidden Andalucia trembles'. Seeking to relate the nature of his proud and troubled region of Spain, he drew on a traditional gypsy form; yet the homely, unpretentious style of these poems barely disguises the undercurrents of conflicted identity never far from Lorca's work. This bilingual edition, translated by Jane Duran and Glora Garcia Lorca, is illuminated by photos and illustrations of and by Lorca, his own reflections on the poems and introductory notes by leading Lorca scholars: insights into the Romancero and the history of the Spanish ballad form by Andres Soria Olmedo; notes on the dedications by Manuel Fernandez-Montesinos; Lorca's 1935 lecture; and an introduction by Professor Christopher Maurer to the problems and challenges faced by translators of Lorca.
Author: Andrés Pérez-Simón
Publisher: Routledge
ISBN: 1000766578
Category : Literary Criticism
Languages : en
Pages : 154
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Book Description
Baroque Lorca: An Archaist Playwright for the New Stage defines Federico García Lorca’s trajectory in the theater as a lifelong search for an audience. It studies a wide range of dramatic writings that Lorca created for the theater, in direct response to the conditions of his contemporary industry, and situates the theory and praxis of his theatrical reform in dialogue with other modernist renovators of the stage. This book makes special emphasis on how Lorca engaged with the tradition of Spanish Baroque, in particular with Cervantes and Calderón, to break away from the conventions of the illusionist stage. The five chapters of the book analyze Lorca’s different attempts to change the dynamics of the Spanish stage from 1920 to his assassination in 1936: His initial incursions in the arenas of symbolist and historical drama (The Butterfly’s Evil Spell, Mariana Pineda); his interest in puppetry (The Billy-Club Puppets and In the Frame of Don Cristóbal) and the two ‘human’ farces The Shoemaker’s Prodigious Wife and The Love of Don Perlimplín and Belisa in the Garden; the central piece in his project of ‘impossible’ theater (The Public); his most explicitly political play, one that takes the violence to the spectators’ seats (The Dream of Life); and his three plays adopting, an altering, the contemporary formula of ‘rural drama’ (Blood Wedding, Yerma and The House of Bernarda Alba). Chapter 5 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.
