The Do-it-yourself handbook for keyboard playing PDF Download
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Author: Edward J. Shanaphy
Publisher: Shacor, Inc.
ISBN: 9780943748009
Category : Music
Languages : en
Pages : 280
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Book Description
Author: Edward J. Shanaphy
Publisher: Shacor, Inc.
ISBN: 9780943748009
Category : Music
Languages : en
Pages : 280
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Book Description
Author: Chuan C. Chang
Publisher:
ISBN: 9781523287222
Category :
Languages : en
Pages : 272
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Book Description
This is the first book that teaches piano practice methods systematically, based on mylifetime of research, and containing the teachings of Combe, material from over 50 pianobooks, hundreds of articles, and decades of internet research and discussions with teachersand pianists. Genius skills are identified and shown to be teachable; learning piano can raiseor lower your IQ. Past widely taught methods based on false assumptions are exposed;substituting them with efficient practice methods allows students to learn piano and obtainthe necessary education to navigate in today's world and even have a second career. See http://www.pianopractice.org/
Author: Ben Parker
Publisher:
ISBN: 9781908707147
Category : Music
Languages : en
Pages : 50
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Book Description
The perfect introduction to the electronic keyboard, and ideal for the absolute beginner getting started with their first instrument. With absolutely no musical knowledge required, this simple yet comprehensive guide is perfect for adults and children alike.
Author: Edward J. Shanaphy
Publisher: Ekay Music
ISBN:
Category : Music
Languages : en
Pages : 364
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Book Description
Author: Bert Konowitz
Publisher: Alfred Music Publishing
ISBN: 9780739000199
Category : Music
Languages : en
Pages : 84
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Book Description
Learn to play jazz at the keyboard and open up a brand new world of musical knowledge with this exciting method from Alfred. Students of all ages can continue their journey to a lifetime of musical enjoyment. By following the step-by-step set of instructions, you will learn all about jazz and blues scales, progressions, walking bass, latin jazz, jazz ballads and how to read from a fake book. You will gain insight by learning from jazz masters from every era---including swing, be-bop, jazz-rock, fusion and beyond. With its chords symbols, mini music lessons and modern jazz techniques, this book will allow you to become a jazz master in your own right. The accompanying CD features examples of the pieces in the book with background arrangements by a live jazz combo, a helpful resource for play-along and practice. Be your own teacher, and let Alfred be your resource every step of the way.
Author: Peter Gelling
Publisher: Koala Publications
ISBN: 9781864692372
Category : Music
Languages : en
Pages : 216
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Book Description
Keyboardskole.
Author:
Publisher:
ISBN:
Category : Organ (Musical instrument)
Languages : en
Pages : 392
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Book Description
Author: Lawrence A. Buckler
Publisher: Xlibris Corporation
ISBN: 1469142023
Category : Music
Languages : en
Pages : 201
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Book Description
Any musician who composes or transcribes music or who plays accompaniment to a soloist will have a need to know what the chords are for the accompaniment. There are also occasions when the published chords to a piece are in error, and there is a need to know how to recognize and correct them. Simply put, the process of harmonizing chords to melody is all about identifying chord tones and intervals in a melody and determining the chords they imply. The decision to survey the literature on harmonizing chords was made because no single textbook on harmony could be found that extensively treated the subject. Of the scores of textbooks referenced herein, each one would touch upon or tell only part of the story. What was obviously needed was a book that gathered all the relevant materials in one place and outlined a practical procedure for harmonizing a melody. This document attempts to do this. The word harmonization as used here refers to the process of finding appropriate chords to accompany a melody. Hence, when we harmonize a melody, we create a chord accompaniment for it. The most beautiful melody may be ruined by a poor and inappropriate chord accompaniment, or a poor melody can be made interesting by an apt chord accompaniment. The intended purpose of this work is to provide suitable accompaniment chords only to a given melody in lead sheet format. The piece could then be performed by musicians playing the melody and chords together. This could be done either by two musicians, a soloist, and an accompanist or by a keyboard player who would play both melody and chords. It is not intended that a harmonizing bass line or other harmonizing voices be added to the given melody. It is also a primary purpose of this work to enable the transformation of raw melody into diatonic music by harmonizing only diatonic chords to it.
Author:
Publisher:
ISBN:
Category : Electronic musical instruments
Languages : en
Pages : 852
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Book Description
Author: Mark Stryker
Publisher: University of Michigan Press
ISBN: 0472125915
Category : Music
Languages : en
Pages : 359
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Book Description
Jazz from Detroit explores the city’s pivotal role in shaping the course of modern and contemporary jazz. With more than two dozen in-depth profiles of remarkable Detroit-bred musicians, complemented by a generous selection of photographs, Mark Stryker makes Detroit jazz come alive as he draws out significant connections between the players, eras, styles, and Detroit’s distinctive history. Stryker’s story starts in the 1940s and ’50s, when the auto industry created a thriving black working and middle class in Detroit that supported a vibrant nightlife, and exceptional public school music programs and mentors in the community like pianist Barry Harris transformed the city into a jazz juggernaut. This golden age nurtured many legendary musicians—Hank, Thad, and Elvin Jones, Gerald Wilson, Milt Jackson, Yusef Lateef, Donald Byrd, Tommy Flanagan, Kenny Burrell, Ron Carter, Joe Henderson, and others. As the city’s fortunes change, Stryker turns his spotlight toward often overlooked but prescient musician-run cooperatives and self-determination groups of the 1960s and ’70s, such as the Strata Corporation and Tribe. In more recent decades, the city’s culture of mentorship, embodied by trumpeter and teacher Marcus Belgrave, ensured that Detroit continued to incubate world-class talent; Belgrave protégés like Geri Allen, Kenny Garrett, Robert Hurst, Regina Carter, Gerald Cleaver, and Karriem Riggins helped define contemporary jazz. The resilience of Detroit’s jazz tradition provides a powerful symbol of the city’s lasting cultural influence. Stryker’s 21 years as an arts reporter and critic at the Detroit Free Press are evident in his vivid storytelling and insightful criticism. Jazz from Detroit will appeal to jazz aficionados, casual fans, and anyone interested in the vibrant and complex history of cultural life in Detroit.
