Author: Dante Alighieri
Publisher:
ISBN:
Category :
Languages : en
Pages : 358
Book Description
The Divine Comedy
Author: Dante Alighieri
Publisher:
ISBN:
Category :
Languages : en
Pages : 358
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 358
Book Description
The Divine Comedy of Dante Alighieri: Paradiso
Author: Dante Alighieri
Publisher:
ISBN:
Category : Poetry
Languages : it
Pages : 516
Book Description
Publisher:
ISBN:
Category : Poetry
Languages : it
Pages : 516
Book Description
The Vision of Hell
Author: Dante Alighieri
Publisher:
ISBN:
Category : Devil in art
Languages : en
Pages : 398
Book Description
Publisher:
ISBN:
Category : Devil in art
Languages : en
Pages : 398
Book Description
Dante's Divine Comedy
Author: Dante Alighieri
Publisher:
ISBN:
Category :
Languages : it
Pages : 490
Book Description
Publisher:
ISBN:
Category :
Languages : it
Pages : 490
Book Description
The Divine Comedy: Inferno. 2 v
Author: Dante Alighieri
Publisher:
ISBN:
Category : Heaven
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Heaven
Languages : en
Pages : 0
Book Description
The Divine Comedy: Inferno (2 v.)
Author: Dante Alighieri
Publisher: Princeton University Press
ISBN: 9780691018966
Category : Heaven
Languages : en
Pages : 396
Book Description
Publisher: Princeton University Press
ISBN: 9780691018966
Category : Heaven
Languages : en
Pages : 396
Book Description
The Aeneid Workbook - Old Western Culture
Author: Callihan Wesley
Publisher:
ISBN: 9780989702867
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9780989702867
Category :
Languages : en
Pages :
Book Description
Reading Dante
Author: Giuseppe Mazzotta
Publisher: Yale University Press
ISBN: 0300191359
Category : Literary Criticism
Languages : en
Pages : 313
Book Description
divdivA towering figure in world literature, Dante wrote his great epic poem Commedia in the early fourteenth century. The work gained universal acclaim and came to be known as La Divina Commedia, or The Divine Comedy. Giuseppe Mazzotta brings Dante and his masterpiece to life in this exploration of the man, his cultural milieu, and his endlessly fascinating works.div /DIVdivBased on Mazzotta’s highly popular Yale course, this book offers a critical reading of The Divine Comedy and selected other works by Dante. Through an analysis of Dante’s autobiographical Vita nuova, Mazzotta establishes the poetic and political circumstances of The Divine Comedy. He situates the three sections of the poem—Inferno, Purgatory, Paradise—within the intellectual and social context of the late Middle Ages, and he explores the political, philosophical, and theological topics with which Dante was particularly concerned./DIV/DIV/DIV
Publisher: Yale University Press
ISBN: 0300191359
Category : Literary Criticism
Languages : en
Pages : 313
Book Description
divdivA towering figure in world literature, Dante wrote his great epic poem Commedia in the early fourteenth century. The work gained universal acclaim and came to be known as La Divina Commedia, or The Divine Comedy. Giuseppe Mazzotta brings Dante and his masterpiece to life in this exploration of the man, his cultural milieu, and his endlessly fascinating works.div /DIVdivBased on Mazzotta’s highly popular Yale course, this book offers a critical reading of The Divine Comedy and selected other works by Dante. Through an analysis of Dante’s autobiographical Vita nuova, Mazzotta establishes the poetic and political circumstances of The Divine Comedy. He situates the three sections of the poem—Inferno, Purgatory, Paradise—within the intellectual and social context of the late Middle Ages, and he explores the political, philosophical, and theological topics with which Dante was particularly concerned./DIV/DIV/DIV
The Divine Comedy
Author: Dante Alighieri
Publisher: Penguin
ISBN: 1101608382
Category : Poetry
Languages : en
Pages : 831
Book Description
This beautiful hardcover edition–containing all three cantos, Inferno, Purgatorio, and Paradiso–includes an introduction by Nobel Prize-winning poet Eugenio Montale, a chronology, notes, and a bibliography. Also included are forty-two drawings selected from Botticelli's marvelous late-fifteenth-century series of illustrations. The Divine Comedy begins in a shadowed forest on Good Friday in the year 1300. It proceeds on a journey that, in its intense recreation of the depths and the heights of human experience, has become the key with which Western civilization has sought to unlock the mystery of its own identity. Allen Mandelbaum’s astonishingly Dantean translation, which captures so much of the life of the original, renders whole for us the masterpiece of that genius whom our greatest poets have recognized as a central model for all poets. Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Everyman’s Library Classics include an introduction, a select bibliography, and a chronology of the author's life and times.
Publisher: Penguin
ISBN: 1101608382
Category : Poetry
Languages : en
Pages : 831
Book Description
This beautiful hardcover edition–containing all three cantos, Inferno, Purgatorio, and Paradiso–includes an introduction by Nobel Prize-winning poet Eugenio Montale, a chronology, notes, and a bibliography. Also included are forty-two drawings selected from Botticelli's marvelous late-fifteenth-century series of illustrations. The Divine Comedy begins in a shadowed forest on Good Friday in the year 1300. It proceeds on a journey that, in its intense recreation of the depths and the heights of human experience, has become the key with which Western civilization has sought to unlock the mystery of its own identity. Allen Mandelbaum’s astonishingly Dantean translation, which captures so much of the life of the original, renders whole for us the masterpiece of that genius whom our greatest poets have recognized as a central model for all poets. Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Everyman’s Library Classics include an introduction, a select bibliography, and a chronology of the author's life and times.
The Undivine Comedy
Author: Teodolinda Barolini
Publisher: Princeton University Press
ISBN: 1400820766
Category : Literary Criticism
Languages : en
Pages : 369
Book Description
Accepting Dante's prophetic truth claims on their own terms, Teodolinda Barolini proposes a "detheologized" reading as a global new approach to the Divine Comedy. Not aimed at excising theological concerns from Dante, this approach instead attempts to break out of the hermeneutic guidelines that Dante structured into his poem and that have resulted in theologized readings whose outcomes have been overdetermined by the poet. By detheologizing, the reader can emerge from this poet's hall of mirrors and discover the narrative techniques that enabled Dante to forge a true fiction. Foregrounding the formal exigencies that Dante masked as ideology, Barolini moves from the problems of beginning to those of closure, focusing always on the narrative journey. Her investigation--which treats such topics as the visionary and the poet, the One and the many, narrative and time--reveals some of the transgressive paths trodden by a master of mimesis, some of the ways in which Dante's poetic adventuring is indeed, according to his own lights, Ulyssean.
Publisher: Princeton University Press
ISBN: 1400820766
Category : Literary Criticism
Languages : en
Pages : 369
Book Description
Accepting Dante's prophetic truth claims on their own terms, Teodolinda Barolini proposes a "detheologized" reading as a global new approach to the Divine Comedy. Not aimed at excising theological concerns from Dante, this approach instead attempts to break out of the hermeneutic guidelines that Dante structured into his poem and that have resulted in theologized readings whose outcomes have been overdetermined by the poet. By detheologizing, the reader can emerge from this poet's hall of mirrors and discover the narrative techniques that enabled Dante to forge a true fiction. Foregrounding the formal exigencies that Dante masked as ideology, Barolini moves from the problems of beginning to those of closure, focusing always on the narrative journey. Her investigation--which treats such topics as the visionary and the poet, the One and the many, narrative and time--reveals some of the transgressive paths trodden by a master of mimesis, some of the ways in which Dante's poetic adventuring is indeed, according to his own lights, Ulyssean.