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Author: Richard Sperber
Publisher: Bucknell University Press
ISBN: 1611487005
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
Edgar Allan Poe, Charles Baudelaire, and Walter Benjamin have shown that flanerie is anything but an aimless stroll. Walking through London, Paris, and Berlin entailed engagements with the latest modernity. Thought-provoking, exhilarating, and at times terrifying: flanerie adjusted to and documented the mobility of modernity, its aesthetic possibilities and social risks. Antonio Muñoz Molina is one of several contemporary authors who have closely coupled the development of their literary characters to urban perambulations. Their biographic growth, cultural and social adaptations, as well as epistemological insights are so dependent on flanerie that his late twentieth and early twenty-first-century texts warrant the designation flaneur literature. Muñoz Molina has also contributed to the current decentralization of flaneur literature from Paris to smaller cities, including Spanish cities like Granada, Córdoba, and San Sebastián. Reflecting on Poe, Baudelaire, and Benjamin in these cities, his characters update and revise the canon of flaneur literature, stretching its discursive boundaries. This study examines not only the mobility of his characters but also draws attention to intercultural aspects of his flaneur literature which lie both in a uniquely Spanish perspective on flanerie as well as in engagements with cultural otherness. Walking through a Moroccan city or through Chinatown in New York, Muñoz Molina’s characters broaden the Eurocentric horizon of canonical flaneur literature and the modernist one of his Spanish flaneur precursor, Federico García Lorca, whose portrait of New York is revisited in Muñoz Molina’s longest flaneur text. National and literary boundaries blur as intercultural urban spaces transform his characters into transnational subjects. This study traces the author’s struggle with this globalization: a residual rural nostalgia straddles uneasily with forays into filmic flanerie, a form of spectatorship that renders the flaneur newly mobile in the mass-mediatized environments of postmodernity. If Muñoz Molina is generally regarded as an incisive chronicler of Spain’s transition from Francoism to democracy and an attentive memorialist of the Spanish Civil War, this study bases its portrait of a much more globally engaged Muñoz Molina in his characters’ movements from Spain into the urban centers of Euro-American postmodernity and its northern African periphery.
Author: Richard Sperber
Publisher: Bucknell University Press
ISBN: 1611487005
Category : Literary Criticism
Languages : en
Pages : 288
Get Book Here
Book Description
Edgar Allan Poe, Charles Baudelaire, and Walter Benjamin have shown that flanerie is anything but an aimless stroll. Walking through London, Paris, and Berlin entailed engagements with the latest modernity. Thought-provoking, exhilarating, and at times terrifying: flanerie adjusted to and documented the mobility of modernity, its aesthetic possibilities and social risks. Antonio Muñoz Molina is one of several contemporary authors who have closely coupled the development of their literary characters to urban perambulations. Their biographic growth, cultural and social adaptations, as well as epistemological insights are so dependent on flanerie that his late twentieth and early twenty-first-century texts warrant the designation flaneur literature. Muñoz Molina has also contributed to the current decentralization of flaneur literature from Paris to smaller cities, including Spanish cities like Granada, Córdoba, and San Sebastián. Reflecting on Poe, Baudelaire, and Benjamin in these cities, his characters update and revise the canon of flaneur literature, stretching its discursive boundaries. This study examines not only the mobility of his characters but also draws attention to intercultural aspects of his flaneur literature which lie both in a uniquely Spanish perspective on flanerie as well as in engagements with cultural otherness. Walking through a Moroccan city or through Chinatown in New York, Muñoz Molina’s characters broaden the Eurocentric horizon of canonical flaneur literature and the modernist one of his Spanish flaneur precursor, Federico García Lorca, whose portrait of New York is revisited in Muñoz Molina’s longest flaneur text. National and literary boundaries blur as intercultural urban spaces transform his characters into transnational subjects. This study traces the author’s struggle with this globalization: a residual rural nostalgia straddles uneasily with forays into filmic flanerie, a form of spectatorship that renders the flaneur newly mobile in the mass-mediatized environments of postmodernity. If Muñoz Molina is generally regarded as an incisive chronicler of Spain’s transition from Francoism to democracy and an attentive memorialist of the Spanish Civil War, this study bases its portrait of a much more globally engaged Muñoz Molina in his characters’ movements from Spain into the urban centers of Euro-American postmodernity and its northern African periphery.
Author: Richard Sperber
Publisher:
ISBN: 9781611487015
Category :
Languages : en
Pages : 274
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Book Description
Edgar Allan Poe, Charles Baudelaire, and Walter Benjamin have shown that flanerie is anything but an aimless stroll. Walking through London, Paris, and Berlin entailed engagements with the latest modernity. Thought-provoking, exhilarating, and at times terrifying, flanerie adjusted to and documented the mobility of modernity, its aesthetic possibilities, and social risks. Antonio Muñoz Molina is one of the several contemporary authors who have closely coupled the development of their literary characters to urban preambulations. Their biographic growth, cultural and social adaptions, as well as epistemological insights, are do dependent on flanerie that his life twentieth- and early twenty-first-century texts warrant the designation flaneur literature from Paris to smaller cities, including Spanish cities like Granada, Córdoba, and San Sebastian. Reflecting on Poe, Baudelaire, and Benjamin in these cities, his characters update and revise the canon of flaneur literature, stretching its discursive boundaries. This study examines not only the mobility of his characters but also draws attention to intercultural aspects of his flaneur literature which lie both in a uniquely Spanish perspective on flanerie as well as in often precarious encounters with cultural otherness. Walking through a Moroccan city or through Chinatown in New York, Muñoz Molina's characters broaden the Eurocentric horizon of canonical flaneur literature and the modernist one of his Spanish flaneur precursor, Frederico García Lorca, whose portrait of New York is revisited in Muñoz Molina's longest flanuer text. If Muñoz is generally regarded as an incisive chronicler of Spain's transition from Francoism to democracy and an attractive memorialist of the Spanish Civil War, this study bases its portrait of a much more globally engaged Muñoz Molina in his characters' movements from Spain into the urban centers of Euro-American postmodernity and its northern African periphery. -- from back cover
Author: Bécquer Seguín
Publisher: Harvard University Press
ISBN: 0674294807
Category : Literary Criticism
Languages : en
Pages : 309
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Book Description
“The Op-Ed Novel not only elegantly recounts a vital intellectual and cultural history of post-Franco Spain. Carefully exploring the careers of Spain’s most eminent writers, it demonstrates, too, the osmotic links between political journalism and literary fiction—salutary reading in the English-speaking countries, where politics and literature are still regarded as strangers to each other.”—Pankaj Mishra, author of Run and Hide A new history of contemporary Spanish fiction through the prism of novelists’ newspaper columns. Public intellectuals come in many different stripes, but most of them gain a following at least in part from their writing, whether in the form of magazine articles, newspaper columns, or full-length nonfiction. A few—James Baldwin and Joan Didion are celebrated examples—start out as novelists before turning to the rough-and-tumble of current affairs. In The Op-Ed Novel, Bécquer Seguín undertakes the first book-length study of how contemporary literature is shaped by opinion journalism, focusing on fiction writers who took to the papers in post-Franco Spain and became stewards of their country’s cultural, economic, and political future. Following Spain’s transition to democracy in the late 1970s and early 1980s, internationally acclaimed novelists such as Javier Cercas, Antonio Muñoz Molina, and Javier Marías seized the opportunity to populate the opinion pages of the newly legal free press. The Op-Ed Novel analyzes how the argumentative styles and preoccupations of their columns in El País, Spain’s most widely read daily, bled into their fiction. These and other authors used their novels to settle scores with fellow intellectuals, make speculative historical claims, and advance partisan political projects. At the same time, their literary technique greatly invigorated opinion journalism. A lively guide to the terroir of contemporary Spanish literature, The Op-Ed Novel offers a bird’s-eye view of both the post-Franco intellectual climate and the changing role of the novelist in public life.
Author: Ian Ellison
Publisher: Springer Nature
ISBN: 3030954471
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
This book is the first comparative study of novels by Patrick Modiano, W. G. Sebald, and Antonio Muñoz Molina. Drawing on many literary figures, movements, and traditions, from the Spanish Golden Age, to German Romanticism, to French philosophy, via Jewish modernist literature, Ian Ellison offers a fresh perspective on European fiction published around the turn of the millennium. Reflecting on what makes European fiction European, this book examines how certain novels understand themselves to be culturally and historically late, expressing a melancholy awareness of how the past and present are irreconcilable. Within this framework, however, it considers how backwards-facing, tradition-oriented self-consciousness, burdened by a sense of exhaustion in European culture and the violence of its past, may yet suggest the potential for re-enchantment in the face of obsolescence.
Author: Raquel Vega-Durán
Publisher: Bucknell University Press
ISBN: 1611487412
Category : Literary Criticism
Languages : en
Pages : 306
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Book Description
Emigrant Dreams, Immigrant Borders: Migrants, Transnational Encounters, and Identity in Spain offers a new approach to the cultural history of contemporary Spain, examining the ways in which Spain’s own self-conceptions are changing and multiplying in response to migrants from Latin America and Africa. In the last twenty-five years, Spain has gone from being a country of net emigration to one in which immigrants make up nearly 12 percent of the population. This rapid growth has made migrants increasingly visible in both mass media and in Spanish visual and literary culture. This book examines the origins of media discourses on immigration and takes the analysis of contemporary Spanish culture as its primary framework, while also drawing insights from sociology and history. Emigrant Dreams, Immigrant Borders introduces readers to a wide range of recent films, journals, novels, photography, paintings, and music to reconsider contemporary Spain through its varied encounters with migrants. It follows the stages of the migrant’s own journey, beginning outside Spanish territory, continuing across the border (either at the barbed-wire fences of Ceuta and Melilla or the waters of the Atlantic or the Strait of Gibraltar), and then considers what happens to migrants after they arrive and settle in Spain. Each chapter analyzes one of these stages in order to illustrate the complexity of contemporary Spanish identity. This examination of Spanish culture shows how Spain is evolving into a new space of imagination, one that can no longer be defined without the migrant—a space in which there is no unified identity but rather a new self-understanding is being born. Vega-Durán both places Spain in a larger European context and draws attention to some of the features that, from a comparative perspective, make the Spanish case interesting and often unique. She argues that Spain cannot be understood today outside the Transatlantic and Mediterranean spaces (both real and imaginary) where Spaniards and migrants meet. Emigrant Dreams, Immigrant Borders offers a timely study of present-day Spain, and makes an original contribution to the vibrant debates about multiculturalism and nation-formation that are taking
Author: William J. Nichols
Publisher: Rowman & Littlefield
ISBN: 1611476313
Category : Literary Criticism
Languages : en
Pages : 371
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Book Description
Toward a Cultural Archive of la Movida revisits the cultural and social milieu in which laMovida, an explosion of artistic production in the late 1970s and early 1980s, was articulated discursively, aesthetically, socially, and politically. We connect this experience with a broader national and international context that takes it beyond the city of Madrid and outside the borders of Spain. This collection of essays links the political and social undertakings of this cultural period with youth movements in Spain and other international counter-cultural or underground movements. Moving away from biographical experiences or the identification of further participants and works that belong to laMovida, the articles collected in this volume situate this movement within the political and social development of post-Franco Spain. Finally, it also offers a reading of recent politically motivated recoveries of this cultural phenomenon through exhibitions, state sponsored documentaries, musicals, or tourist itineraries. The perception of Spain as representative of a successful dual transition from dictatorship to democracy and free market capitalism created a “Spanish model” that has been emulated in countries like Portugal, Argentina, Chile and Hungary, all formerly ruled by totalitarian regimes. While social scientists study the promises, contradictions and failures of the Spanish Transición—especially on issues of memory, repression, and (the lack of) reconciliation —our approach from the humanities offers another vantage point to a wider discussion of an unfinished chapter in recent Spanish history by focusing on laMovida as the “cultural archive” whose cultural transitions parallel the political and economic ones. The transgressive, urban nature of this movement demonstrated an overt desire, especially among Spanish youth, to reach onto a global arena emulating the punk and new wave aesthetic of such cities as London, New York, Paris, and Berlin. Art, design, film, music, fashion during this period helped to forge a sense of a modern urban identity in Spain that also reflected the tensions between modernity and tradition, global forces and local values, international mass media technology and regional customs.
Author: Olga Bezhanova
Publisher: Bucknell University Press
ISBN: 1611488370
Category : Literary Criticism
Languages : en
Pages : 219
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Book Description
The book explores novels, essays and poetry published by Spanish writers in response to the global economic crisis that began in 2008. Spain has been experiencing the crisis in a particularly painful way, and the artistic response to these traumatic events has been powerful and abundant. The literature of the crisis is pointing to the probability that the crisis is not a temporary problem that will be resolved once and for all if correct economic measures are taken. To the contrary, there is every reason to believe that the losses in long-term employment, the growing precariousness of work, the increased economic insecurity, the citizens' disillusionment with the capacity of democratic governments to withstand the pressures of global capital, the erosion of the welfare state, and the explosive growth in inequality that we associate with the crisis are not likely to be reversed. Spanish artists are exploring the reasons behind Spain's particularly painful experience of the crisis and, at the same time, are placing the suffering that the crisis is causing in Spain within the context of global developments that are ensuring its durability. Essays by Antonio Muñoz Molina and Lucía Etxebarria, novels by Rafael Chirbes, Luis García Montero, Benjamín Prado, and Belén Gopegui, and poetry by the artists who contributed to the collections titled En legítima defensa. Poetas en tiempos de crisis and Marca(da) España. Retrato poético de una sociedad en crisis point to the necessity of expanding our vision of the crisis from the purely financial to a broader definition that will include the changes the crisis augurs for the areas of human existence that lie outside the strictly economic realm.
Author: Thomas C. Neal
Publisher: Bucknell University Press
ISBN: 1611488311
Category : Literary Criticism
Languages : en
Pages : 205
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Book Description
How did literary discourse about empire contribute to discussions about the implications of modernity and progress in eighteenth-century Spain? Writing the Americas seeks to answer this question by examining how novels, plays and short stories imagined and contested core notions about enlightened knowledge. Expanding upon recent transatlantic and postcolonial approaches to Spain's Enlightenment that have focused mostly on historiographical and scientific texts, this book disputes the long-standing perception of the Spanish Enlightenment as an "imitative" movement best defined best by its similarities with French and British contexts. Instead, through readings of major and minor texts by authors such as José Cadalso, Gaspar Melchor Jovellanos, Pedro Montengón and José María Blanco White, Writing the Americas argues that literary texts advanced a unique exploration of the compatibility between supposed universal principles and local histories, one which often diverged noticeably from dominant trends and patterns in Enlightenment thought elsewhere. The authors studied often drew directly from Spain's own imperial experiences to submit prevailing ideas about culture, commerce, education and political organization to scrutiny. Writing the Americas provides a new critical lens through which to reexamine the aesthetic and political content of eighteenth-century Spanish cultural production. While in the past, much of the debate about whether Spanish neoclassicism was "modern" literature has centered on formalistic qualities or romantic notions of "originality" or "subjectivity," ultimately, Writing the Americas locates the modernity of these literary works within the very ideological tensions they display towards the prevailing intellectual trends of the time. The interdisciplinary content and approach of Writing the Americas make it a valuable resource for a broad range of scholars including specialists in eighteenth-century and modern Hispanic literature and culture, colonial Hispanic literature and culture, transatlantic American studies, European Enlightenment studies, and modernity studies.
Author: Daniel Lorca
Publisher: Lexington Books
ISBN: 1498522661
Category : Literary Criticism
Languages : en
Pages : 169
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Book Description
This book explains how Cervantes took advantage of neo-stoicism and skepticism to remove the authority of the romances of chivalry, which was a popular genre during his time. It also explains why his strategy, which would have been instantly recognizable during the period, is no longer effective: our current moral systems are significantly different from the moral systems that were influential during Cervantes’s time, and consequently, what used to be self-evident is no longer the case. Therefore, this book may be useful to the literary critic interested in the philosophical foundations of Don Quijote, to the moral philosopher interested in the differences between pre-enlightenment virtue-ethics and current moral systems, and also in the field of the history of ideas. Don Quijote offers a unique opportunity to observe changes in moral thinking throughout time because it is a universal book, discussed extensively throughout out the centuries, and therefore the on-going discussion offers strong evidence to discover how morality has changed, and continues to change, through time.
Author: Sarah Leggott
Publisher: Bucknell University Press
ISBN: 161148667X
Category : Literary Criticism
Languages : en
Pages : 169
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Book Description
Memory, War, and Dictatorship in Recent Spanish Fiction by Women analyzes five novels by women writers that present women’s experiences during and after the Spanish Civil War and Franco dictatorship, highlighting the struggles of female protagonists of different ages to confront an unresolved individual and collective past. It discusses the different narrative models and strategies used in these works and the ways in which they engage with their political and historical context, particularly in the light of campaigns for the so-called recovery of historical memory in Spain (the “memory boom”) and in the broader context of memory and trauma studies. The novels that are examined in this book are Dulce Chacón’s La voz dormida (2002), Rosa Regàs’s Luna lunera (1999), Josefina Aldecoa’s La fuerza del destino (1997), Carme Riera’s La mitad del alma (2005), and Almudena Grandes’s El corazón helado (2007). These works all highlight the multiple nature of memories and histories and demonstrate the complex ways in which the past impacts on the present. This book also considers the extent to which the memories represented in these five novels are inflected by gender and informed by the gender politics of twentieth-century and contemporary Spain.
