Author: Emma Lombard
Publisher: Emma Lombard
ISBN: 139372583X
Category : Fiction
Languages : en
Pages : 385
Book Description
Slow-burn historical women’s fiction with a splash of romance—think: the love child of books like Bridgerton mixed with Pirates of the Caribbean. As the first full-length novel in The White Sails Series, DISCERNING GRACE captures the spirit of an independent woman whose feminine lens blows the ordered patriarchal decks of a 19th century tall ship to smithereens. Wilful Grace Baxter, will not marry old Lord Silverton with his salivary incontinence and dead-mouse stink. Discovering she is a pawn in an arrangement between slobbery Silverton and her calculating father, Grace is devastated when Silverton reveals his true callous nature. Refusing this fate, Grace resolves to stow away. Heading to the docks, disguised as a lad to ease her escape, she encounters smooth-talking naval recruiter, Gilly, who lures her aboard HMS Discerning with promises of freedom and exploration in South America. When Grace's big mouth lands her bare-bottomed over a cannon for insubordination, her identity is exposed. The captain wants her back in London but his orders, to chart the icy archipelago of Tierra del Fuego, forbid it. Lieutenant Seamus Fitzwilliam gallantly offers to take Grace off the fretting captain's hands by placing her under his protection. Grace must now win over the crew she betrayed with her secret, while managing her feelings towards her taciturn protector, whose obstinate chivalry stifles her new-found independence. But when Grace disregards Lieutenant Fitzwilliam's warnings about the dangers of the unexplored archipelago, it costs a friend his life and she realises she is not as free as she believes. DISCERNING GRACE is historical women's fiction that will appeal to fans of Claire Fraser from Outlander and Demelza Poldark from Poldark—in other words, fans of feisty historical female leads. It is a B.R.A.G.Medallion Honoree. The White Sails Series complete collection box set features one sassy heroine aboard a ship full of sailors. Prepare for historical romance full of strong alpha males with a trace of vulnerability, superstitious sailors, epic sea adventures that take you from the cobbled streets of London to a tall ship setting, and ultimately a happy ending. If you love a man in uniform, strong women who don’t like being told what to do, fated mates, and happily-ever-afters, hop aboard the boxset of The White Sails Series: - Discerning Grace - Grace on the Horizon - Grace Arising - Christmas at Gilly Downs Also available as audiobooks narrated by Siobhan Waring.
Discerning Grace (The White Sails Series Book 1)
Author: Emma Lombard
Publisher: Emma Lombard
ISBN: 139372583X
Category : Fiction
Languages : en
Pages : 385
Book Description
Slow-burn historical women’s fiction with a splash of romance—think: the love child of books like Bridgerton mixed with Pirates of the Caribbean. As the first full-length novel in The White Sails Series, DISCERNING GRACE captures the spirit of an independent woman whose feminine lens blows the ordered patriarchal decks of a 19th century tall ship to smithereens. Wilful Grace Baxter, will not marry old Lord Silverton with his salivary incontinence and dead-mouse stink. Discovering she is a pawn in an arrangement between slobbery Silverton and her calculating father, Grace is devastated when Silverton reveals his true callous nature. Refusing this fate, Grace resolves to stow away. Heading to the docks, disguised as a lad to ease her escape, she encounters smooth-talking naval recruiter, Gilly, who lures her aboard HMS Discerning with promises of freedom and exploration in South America. When Grace's big mouth lands her bare-bottomed over a cannon for insubordination, her identity is exposed. The captain wants her back in London but his orders, to chart the icy archipelago of Tierra del Fuego, forbid it. Lieutenant Seamus Fitzwilliam gallantly offers to take Grace off the fretting captain's hands by placing her under his protection. Grace must now win over the crew she betrayed with her secret, while managing her feelings towards her taciturn protector, whose obstinate chivalry stifles her new-found independence. But when Grace disregards Lieutenant Fitzwilliam's warnings about the dangers of the unexplored archipelago, it costs a friend his life and she realises she is not as free as she believes. DISCERNING GRACE is historical women's fiction that will appeal to fans of Claire Fraser from Outlander and Demelza Poldark from Poldark—in other words, fans of feisty historical female leads. It is a B.R.A.G.Medallion Honoree. The White Sails Series complete collection box set features one sassy heroine aboard a ship full of sailors. Prepare for historical romance full of strong alpha males with a trace of vulnerability, superstitious sailors, epic sea adventures that take you from the cobbled streets of London to a tall ship setting, and ultimately a happy ending. If you love a man in uniform, strong women who don’t like being told what to do, fated mates, and happily-ever-afters, hop aboard the boxset of The White Sails Series: - Discerning Grace - Grace on the Horizon - Grace Arising - Christmas at Gilly Downs Also available as audiobooks narrated by Siobhan Waring.
Publisher: Emma Lombard
ISBN: 139372583X
Category : Fiction
Languages : en
Pages : 385
Book Description
Slow-burn historical women’s fiction with a splash of romance—think: the love child of books like Bridgerton mixed with Pirates of the Caribbean. As the first full-length novel in The White Sails Series, DISCERNING GRACE captures the spirit of an independent woman whose feminine lens blows the ordered patriarchal decks of a 19th century tall ship to smithereens. Wilful Grace Baxter, will not marry old Lord Silverton with his salivary incontinence and dead-mouse stink. Discovering she is a pawn in an arrangement between slobbery Silverton and her calculating father, Grace is devastated when Silverton reveals his true callous nature. Refusing this fate, Grace resolves to stow away. Heading to the docks, disguised as a lad to ease her escape, she encounters smooth-talking naval recruiter, Gilly, who lures her aboard HMS Discerning with promises of freedom and exploration in South America. When Grace's big mouth lands her bare-bottomed over a cannon for insubordination, her identity is exposed. The captain wants her back in London but his orders, to chart the icy archipelago of Tierra del Fuego, forbid it. Lieutenant Seamus Fitzwilliam gallantly offers to take Grace off the fretting captain's hands by placing her under his protection. Grace must now win over the crew she betrayed with her secret, while managing her feelings towards her taciturn protector, whose obstinate chivalry stifles her new-found independence. But when Grace disregards Lieutenant Fitzwilliam's warnings about the dangers of the unexplored archipelago, it costs a friend his life and she realises she is not as free as she believes. DISCERNING GRACE is historical women's fiction that will appeal to fans of Claire Fraser from Outlander and Demelza Poldark from Poldark—in other words, fans of feisty historical female leads. It is a B.R.A.G.Medallion Honoree. The White Sails Series complete collection box set features one sassy heroine aboard a ship full of sailors. Prepare for historical romance full of strong alpha males with a trace of vulnerability, superstitious sailors, epic sea adventures that take you from the cobbled streets of London to a tall ship setting, and ultimately a happy ending. If you love a man in uniform, strong women who don’t like being told what to do, fated mates, and happily-ever-afters, hop aboard the boxset of The White Sails Series: - Discerning Grace - Grace on the Horizon - Grace Arising - Christmas at Gilly Downs Also available as audiobooks narrated by Siobhan Waring.
Speaking the Other Self
Author: Jeanne Campbell Reesman
Publisher: University of Georgia Press
ISBN: 0820337986
Category : Literary Criticism
Languages : en
Pages : 350
Book Description
Exploring a variety of writers over an array of time periods, subject matter, race and ethnicity, sexual preference, tradition, genre, and style, this volume represents the fruits of the dramatic and celebrated growth of the study of American women writers today. From established figures such as Harriet Beecher Stowe, Edith Wharton, Willa Cather, and Katherine Ann Porter to emerging voices including early American novelist Tabitha Tenney; the first African American novelist, Harriet E. Wilson; modern dramatist Sophie Treadwell; and contemporaries such as Sandra Cisneros, Grace Paley, and June Jordan, the essays present fresh approaches and furnish a wealth of illustrations for the multiple selves created and addressed in women's writing. These selves intersect and connect to embody a multiethnic rhetoric of the “self” that is uniquely feminine and uniquely American. Calling attention to their “American feminist rhetoric,” Jeanne Campbell Reesman identifies many connections among different feminist, poststructuralist, narratological, and comparativist strategies. The voices of Speaking the Other Self well represent the inner and outer, speaking and hearing, center and frame in women's writing in America, their intersections constructing an ongoing conversation, a borderland of new possibilities—a borderland with no borders, no barriers to thought and response and change, no end of possible voices and selves.
Publisher: University of Georgia Press
ISBN: 0820337986
Category : Literary Criticism
Languages : en
Pages : 350
Book Description
Exploring a variety of writers over an array of time periods, subject matter, race and ethnicity, sexual preference, tradition, genre, and style, this volume represents the fruits of the dramatic and celebrated growth of the study of American women writers today. From established figures such as Harriet Beecher Stowe, Edith Wharton, Willa Cather, and Katherine Ann Porter to emerging voices including early American novelist Tabitha Tenney; the first African American novelist, Harriet E. Wilson; modern dramatist Sophie Treadwell; and contemporaries such as Sandra Cisneros, Grace Paley, and June Jordan, the essays present fresh approaches and furnish a wealth of illustrations for the multiple selves created and addressed in women's writing. These selves intersect and connect to embody a multiethnic rhetoric of the “self” that is uniquely feminine and uniquely American. Calling attention to their “American feminist rhetoric,” Jeanne Campbell Reesman identifies many connections among different feminist, poststructuralist, narratological, and comparativist strategies. The voices of Speaking the Other Self well represent the inner and outer, speaking and hearing, center and frame in women's writing in America, their intersections constructing an ongoing conversation, a borderland of new possibilities—a borderland with no borders, no barriers to thought and response and change, no end of possible voices and selves.
Interviewing for Education and Social Science Research
Author: Carolyn Lunsford Mears
Publisher: Springer
ISBN: 0230623778
Category : Education
Languages : en
Pages : 231
Book Description
This volume introduces a fresh approach to research using a narrator-centred method, which provides a means for researchers to access the often hidden human responses about a situation so that those who make decisions and write policy may become better informed about the true impact of their actions on the individuals involved.
Publisher: Springer
ISBN: 0230623778
Category : Education
Languages : en
Pages : 231
Book Description
This volume introduces a fresh approach to research using a narrator-centred method, which provides a means for researchers to access the often hidden human responses about a situation so that those who make decisions and write policy may become better informed about the true impact of their actions on the individuals involved.
Economic Woman
Author: Deanna K. Kreisel
Publisher: University of Toronto Press
ISBN: 1442694157
Category : Literary Criticism
Languages : en
Pages : 329
Book Description
The ways in which women are portrayed in Victorian novels can provide important insights into how people of the day thought about political economy, and vice versa. In Economic Woman, Deanna K. Kreisel innovatively shows how images of feminized sexuality in novels by George Eliot and Thomas Hardy reflected widespread contemporary anxieties about the growth of capitalism. Economic Woman is the first book to address directly the links between classical political economy and gender in the novel. Examining key works by Eliot and Hardy, including The Mill on the Floss and Tess of the d’Urbervilles, Kreisel investigates the meaning of two female representations: the ‘economic woman,’ who embodies idealized sexual restraint and wise domestic management, and the degraded prostitute, characterized by sexual excess and economic turmoil. Kreisel effectively integrates economic thought with literary analysis to contribute to an ongoing and lively scholarly discussion.
Publisher: University of Toronto Press
ISBN: 1442694157
Category : Literary Criticism
Languages : en
Pages : 329
Book Description
The ways in which women are portrayed in Victorian novels can provide important insights into how people of the day thought about political economy, and vice versa. In Economic Woman, Deanna K. Kreisel innovatively shows how images of feminized sexuality in novels by George Eliot and Thomas Hardy reflected widespread contemporary anxieties about the growth of capitalism. Economic Woman is the first book to address directly the links between classical political economy and gender in the novel. Examining key works by Eliot and Hardy, including The Mill on the Floss and Tess of the d’Urbervilles, Kreisel investigates the meaning of two female representations: the ‘economic woman,’ who embodies idealized sexual restraint and wise domestic management, and the degraded prostitute, characterized by sexual excess and economic turmoil. Kreisel effectively integrates economic thought with literary analysis to contribute to an ongoing and lively scholarly discussion.
The Metahistory of Western Knowledge in the Modern Era
Author: Mark E. Blum
Publisher: Anthem Press
ISBN: 1785277006
Category : Social Science
Languages : en
Pages : 393
Book Description
The book is a study of the evolving history of knowledge in the arts and sciences in the modern era – from 1648 through the present. Modernism is treated as an epoch with evolving disciplines whose articulated problems of a time and the inquiry methods to address them, develop in a coordinated manner, given a mutual awareness. When one organizes the development of knowledge over periods of years, and gives it an appellation such as “Modernism,” the organization of facts is guided by concepts and values discerned throughout these periods. These facts of knowledge development share sufficient understandings to be called an “era,” or an “epoch,” or other terms that insist on the shared aspects of those years. One can call such an effort a “metahistory,” in that what is tracked is not merely a knowledge that is political, economic, ideological, sociological, or scientific, but an overview that tracks the respective conceptual developments of the fields in how they have changed and augmented their problem formulations, inquiry methods, and explanatory conceptions over time.
Publisher: Anthem Press
ISBN: 1785277006
Category : Social Science
Languages : en
Pages : 393
Book Description
The book is a study of the evolving history of knowledge in the arts and sciences in the modern era – from 1648 through the present. Modernism is treated as an epoch with evolving disciplines whose articulated problems of a time and the inquiry methods to address them, develop in a coordinated manner, given a mutual awareness. When one organizes the development of knowledge over periods of years, and gives it an appellation such as “Modernism,” the organization of facts is guided by concepts and values discerned throughout these periods. These facts of knowledge development share sufficient understandings to be called an “era,” or an “epoch,” or other terms that insist on the shared aspects of those years. One can call such an effort a “metahistory,” in that what is tracked is not merely a knowledge that is political, economic, ideological, sociological, or scientific, but an overview that tracks the respective conceptual developments of the fields in how they have changed and augmented their problem formulations, inquiry methods, and explanatory conceptions over time.
Language and Gender in American Fiction
Author: Elsa Nettels
Publisher: University of Virginia Press
ISBN: 9780813917245
Category : Language Arts & Disciplines
Languages : en
Pages : 230
Book Description
Between January 1880 and December 1889, Harper's Monthly Magazine published 263 works of fiction; half of these were written by women. Judging by the popularity of contemporary mass-circulation magazines. women writers of the late nineteenth century enjoyed equal opportunity in the world of commercial publishing. Yet although they wrote best-sellers and won prizes, the institutions that keep writers and their reputations alive chose not to sustain these writers, and few are familiar today; Sarah Orne Jewett, Mary Wilkins Freeman, Willa Cather, Edith Wharton. Elsa Nettels suggests that this lack of parity is not surprising in a culture that for centuries has used" masculine" to describe all things strong and dominant, while "feminine" has signified weakness and inferiority. In Victorian America, the relation of literary style to gender became of increasing interest as women writers became ever more prominent. In the influential magazines of the late nineteenth century -- Harper's, Century, Scribner's, Atlantic Monthly, Cosmopolitan, and Ladies' Home Journal -- writers directly or implicitly reflected society's views of the sexes and the proper roles of men and women. In this intelligent and accessible book, the author examines how William Dean Howells, Henry James, Edith Wharton, and Willa Cather helped both to perpetuate and to subvert Victorian America's ideology of language and gender. All had fruitful careers as novelists, editors, and critics, and she demonstrates that each was in a unique position to affect popular language and gender stereotypes. To gauge their responses to the pervasive assumptions held by the magazines that published them, Nettels traces how these writersdefined "masculine" and "feminine" in their works, how they characterized women's speech and language, how they distinguished male and female discourse, and where they invested authority in matters of usage. Taking into account others engaged in the Victorian construction of gender such as grammarians, linguists, sociologists, and writers on etiquette, Nettels offers a compelling look at the cultural perpetuation of ideologies, as well as fascinating scholarship on four authors who manipulated social mores to establish their place in American literature.
Publisher: University of Virginia Press
ISBN: 9780813917245
Category : Language Arts & Disciplines
Languages : en
Pages : 230
Book Description
Between January 1880 and December 1889, Harper's Monthly Magazine published 263 works of fiction; half of these were written by women. Judging by the popularity of contemporary mass-circulation magazines. women writers of the late nineteenth century enjoyed equal opportunity in the world of commercial publishing. Yet although they wrote best-sellers and won prizes, the institutions that keep writers and their reputations alive chose not to sustain these writers, and few are familiar today; Sarah Orne Jewett, Mary Wilkins Freeman, Willa Cather, Edith Wharton. Elsa Nettels suggests that this lack of parity is not surprising in a culture that for centuries has used" masculine" to describe all things strong and dominant, while "feminine" has signified weakness and inferiority. In Victorian America, the relation of literary style to gender became of increasing interest as women writers became ever more prominent. In the influential magazines of the late nineteenth century -- Harper's, Century, Scribner's, Atlantic Monthly, Cosmopolitan, and Ladies' Home Journal -- writers directly or implicitly reflected society's views of the sexes and the proper roles of men and women. In this intelligent and accessible book, the author examines how William Dean Howells, Henry James, Edith Wharton, and Willa Cather helped both to perpetuate and to subvert Victorian America's ideology of language and gender. All had fruitful careers as novelists, editors, and critics, and she demonstrates that each was in a unique position to affect popular language and gender stereotypes. To gauge their responses to the pervasive assumptions held by the magazines that published them, Nettels traces how these writersdefined "masculine" and "feminine" in their works, how they characterized women's speech and language, how they distinguished male and female discourse, and where they invested authority in matters of usage. Taking into account others engaged in the Victorian construction of gender such as grammarians, linguists, sociologists, and writers on etiquette, Nettels offers a compelling look at the cultural perpetuation of ideologies, as well as fascinating scholarship on four authors who manipulated social mores to establish their place in American literature.
Growing Up with Vampires
Author: Simon Bacon
Publisher: McFarland
ISBN: 1476633878
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
Vampire narratives are generally thought of as adult or young adult fare, yet there is a long history of their appearance in books, film and other media meant for children. They emerge as expressions of anxiety about change and growing up but sometimes turn out to be new best friends who highlight the beauty of difference and individuality. This collection of new essays examines the history of vampires in 20th and 21st century Western popular media marketed to preteens and explores their significance and symbolism.
Publisher: McFarland
ISBN: 1476633878
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
Vampire narratives are generally thought of as adult or young adult fare, yet there is a long history of their appearance in books, film and other media meant for children. They emerge as expressions of anxiety about change and growing up but sometimes turn out to be new best friends who highlight the beauty of difference and individuality. This collection of new essays examines the history of vampires in 20th and 21st century Western popular media marketed to preteens and explores their significance and symbolism.
Anonymous Prophets and Archetypal Kings
Author: Paul Hedley Jones
Publisher: Bloomsbury Publishing
ISBN: 0567695271
Category : Religion
Languages : en
Pages : 271
Book Description
Paul Hedley Jones presents a coherent reading of 1 Kings 13 that is attentive to literary, historical and theological concerns. Beginning with a summary and evaluation of Karl Barth's overtly theological exposition of the chapter – as set out in his Church Dogmatics – Jones explores how this analysis was received and critiqued by Barth's academic peers, who focused on very different questions, priorities and methods. By highlighting substantive material in the text for further investigation, Jones sheds light on a range of hermeneutical issues that support exegetical work unseen, and additionally provides a wider scope of opinion into the conversation by reviewing the work of other scholars whose methods and priorities also diverge from those of Barth and his contemporaries. After evaluating four additional in-depth readings of 1 Kings 13, Jones presents a more theoretical discussion about perceived dichotomies in biblical studies that tend to surface regularly in methodological debates. This volume culminates with Jones' original exposition of the chapter, which offers an interpretation that reads 1 Kings 13 as a narrative analogy, where the figure of Josiah functions as a hermeneutical key to understanding the dynamics of the story.
Publisher: Bloomsbury Publishing
ISBN: 0567695271
Category : Religion
Languages : en
Pages : 271
Book Description
Paul Hedley Jones presents a coherent reading of 1 Kings 13 that is attentive to literary, historical and theological concerns. Beginning with a summary and evaluation of Karl Barth's overtly theological exposition of the chapter – as set out in his Church Dogmatics – Jones explores how this analysis was received and critiqued by Barth's academic peers, who focused on very different questions, priorities and methods. By highlighting substantive material in the text for further investigation, Jones sheds light on a range of hermeneutical issues that support exegetical work unseen, and additionally provides a wider scope of opinion into the conversation by reviewing the work of other scholars whose methods and priorities also diverge from those of Barth and his contemporaries. After evaluating four additional in-depth readings of 1 Kings 13, Jones presents a more theoretical discussion about perceived dichotomies in biblical studies that tend to surface regularly in methodological debates. This volume culminates with Jones' original exposition of the chapter, which offers an interpretation that reads 1 Kings 13 as a narrative analogy, where the figure of Josiah functions as a hermeneutical key to understanding the dynamics of the story.
Privacy
Author: Patricia Meyer Spacks
Publisher: University of Chicago Press
ISBN: 0226768619
Category : Literary Criticism
Languages : en
Pages : 251
Book Description
Today we consider privacy a right to be protected. But in eighteenth-century England, privacy was seen as a problem, even a threat. Women reading alone and people hiding their true thoughts from one another in conversation generated fears of uncontrollable fantasies and profound anxieties about insincerity. In Privacy, Patricia Meyer Spacks explores eighteenth-century concerns about privacy and the strategies people developed to avoid public scrutiny and social pressure. She examines, for instance, the way people hid behind common rules of etiquette to mask their innermost feelings and how, in fact, people were taught to employ such devices. She considers the erotic overtones that privacy aroused in its suppression of deeper desires. And perhaps most important, she explores the idea of privacy as a societal threat—one that bred pretense and hypocrisy in its practitioners. Through inspired readings of novels by Defoe, Richardson, Fielding, and Sterne, along with a penetrating glimpse into diaries, autobiographies, poems, and works of pornography written during the period, Spacks ultimately shows how writers charted the imaginative possibilities of privacy and its social repercussions. Finely nuanced and elegantly conceived, Spacks's new work will fascinate anyone who has relished concealment or mourned its recent demise.
Publisher: University of Chicago Press
ISBN: 0226768619
Category : Literary Criticism
Languages : en
Pages : 251
Book Description
Today we consider privacy a right to be protected. But in eighteenth-century England, privacy was seen as a problem, even a threat. Women reading alone and people hiding their true thoughts from one another in conversation generated fears of uncontrollable fantasies and profound anxieties about insincerity. In Privacy, Patricia Meyer Spacks explores eighteenth-century concerns about privacy and the strategies people developed to avoid public scrutiny and social pressure. She examines, for instance, the way people hid behind common rules of etiquette to mask their innermost feelings and how, in fact, people were taught to employ such devices. She considers the erotic overtones that privacy aroused in its suppression of deeper desires. And perhaps most important, she explores the idea of privacy as a societal threat—one that bred pretense and hypocrisy in its practitioners. Through inspired readings of novels by Defoe, Richardson, Fielding, and Sterne, along with a penetrating glimpse into diaries, autobiographies, poems, and works of pornography written during the period, Spacks ultimately shows how writers charted the imaginative possibilities of privacy and its social repercussions. Finely nuanced and elegantly conceived, Spacks's new work will fascinate anyone who has relished concealment or mourned its recent demise.
Castration Desire
Author: Robinson Murphy
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Literary Criticism
Languages : en
Pages : 136
Book Description
Theorizes an alternative form of masculinity in global literature that is less egocentric and more sustainable, both in terms of gendered and environmental power dynamics. Contemporary novelists and filmmakers like Kazuo Ishiguro (Japanese-British), Emma Donoghue (Irish-Canadian), Michael Ondaatje (Sri Lankan-Canadian), Bong Joon-ho (South Korean) and J.M. Coetzee (South African-Australian) are emblematic of a transnational phenomenon that Robinson Murphy calls “castration desire.” That is, these artists present privileged characters who nonetheless pursue their own diminishment. In promulgating through their characters a less egocentric mode of thinking and acting, these artists offer a blueprint for engendering a more other-oriented global relationality. Murphy proposes that, in addition to being an ethical prerogative, castration desire's “less is more” model of relationality would make life livable where veritable suicide is our species' otherwise potential fate. “Castration desire” thus offers an antidote to rapacious extractivism, with the ambition of instilling a sustainable model for thinking and acting on an imminently eco-apocalyptic earth. In providing a fresh optic through which to read a diversity of text-types, Castration Desire helps define where literary criticism is now and where it is headed. Castration Desire additionally extends and develops a zeitgeist currently unfolding in critical theory. It brings Leo Bersani's concept “psychic utopia” together with Judith Butler's “radical egalitarianism,” but transports their shared critique of phallic individualization into the environmental humanities. In doing so, this book builds a new framework for how gender studies intersects with environmental studies.
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Literary Criticism
Languages : en
Pages : 136
Book Description
Theorizes an alternative form of masculinity in global literature that is less egocentric and more sustainable, both in terms of gendered and environmental power dynamics. Contemporary novelists and filmmakers like Kazuo Ishiguro (Japanese-British), Emma Donoghue (Irish-Canadian), Michael Ondaatje (Sri Lankan-Canadian), Bong Joon-ho (South Korean) and J.M. Coetzee (South African-Australian) are emblematic of a transnational phenomenon that Robinson Murphy calls “castration desire.” That is, these artists present privileged characters who nonetheless pursue their own diminishment. In promulgating through their characters a less egocentric mode of thinking and acting, these artists offer a blueprint for engendering a more other-oriented global relationality. Murphy proposes that, in addition to being an ethical prerogative, castration desire's “less is more” model of relationality would make life livable where veritable suicide is our species' otherwise potential fate. “Castration desire” thus offers an antidote to rapacious extractivism, with the ambition of instilling a sustainable model for thinking and acting on an imminently eco-apocalyptic earth. In providing a fresh optic through which to read a diversity of text-types, Castration Desire helps define where literary criticism is now and where it is headed. Castration Desire additionally extends and develops a zeitgeist currently unfolding in critical theory. It brings Leo Bersani's concept “psychic utopia” together with Judith Butler's “radical egalitarianism,” but transports their shared critique of phallic individualization into the environmental humanities. In doing so, this book builds a new framework for how gender studies intersects with environmental studies.