Author: Friedrich Nietzsche
Publisher: U of Minnesota Press
ISBN: 1937561267
Category : Philosophy
Languages : en
Pages : 50
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Book Description
Before the world knew of the thinker who “philosophizes with a hammer,” there was a young, passionate thinker who was captivated by the two forces found within Greek art: Dionysus and Apollo. In this essay, which was the forerunner to his groundbreaking book The Birth of Tragedy, The Dionysian Vision of the World provides an unparalleled look into the philosophical mind of one of Europe’s greatest and provocative intellects at the beginning of his philosophical interrogation on the subject of art. “While dreaming is the game man plays with reality as an individual, the visual artist (in the larger sense) plays a game with dreaming.” This is the Dionysian vision of the world.
Author: Friedrich Wilhelm Nietzsche
Publisher:
ISBN:
Category : Philosophy, German
Languages : en
Pages : 452
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Book Description
Author: Peter Durno Murray
Publisher: Walter de Gruyter
ISBN: 9783110166019
Category : Philosophy
Languages : en
Pages : 344
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Book Description
Explores the development of an affirmative ethics or morality in Nietzsche's work, and attempts to demonstrate that this process is that of an increasingly complicated articulation of the encounter with otherness. Pays particular attention to the fundamental premise of Nietzsche's The Birth of Tragedy: that a Dionysian ground of pleasure underlies all meaning-creation. Analyzes how Nietzsche adapted the imagery of Greek Dionysianism to describe a contradictory world of joy and suffering in which joy is fundamental. This contradictory relationship is found to be present in Greek thinkers who propound the metaphysics of the Mysteries.
Author: Rose Pfeffer
Publisher: Bucknell University Press
ISBN: 9780838710692
Category : Philosophy
Languages : en
Pages : 308
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Book Description
Author: Alain Daniélou
Publisher: Simon and Schuster
ISBN: 1620550237
Category : Religion
Languages : en
Pages : 211
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Book Description
Shiva and Dionysus are the Hindu and Greek gods of magical power, intoxication, ecstatic sexuality, and transcendence who initiate us into communion with the creative forces of life. Revealing the earliest sources of the traditions of Shiva and Dionysus, Alain Danielou reconstructs the fabric of our ancient relationship with creation, vividly relating practices that were observed from the Indus Valley to the coasts of Portugal at least six thousand years ago.
Author: Rallie Murray
Publisher: BRILL
ISBN: 9004398155
Category : Social Science
Languages : en
Pages : 211
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Book Description
Our world has become inundated with images of a reality in which ‘evil’ thrives, and ‘good’ seems to be a naïve, utopian fantasy. ‘Good’ is reserved for superheroes and children’s stories, while the ‘real world’ is driven by greed, violence, and hatred. If we are so consumed with evil, then is there any point to writing about it? Perhaps the more important question is ‘why should we ever stop writing about it?’. Towards that end, this volume is intended to act as a catalyst to an ongoing destabilization of mental (philosophical) and social (political, historical) regimes of ‘evil’ in thought and practice. It is compiled with the intention of saying something new about a very old topic, as a reminder that this is an unfinished conversation which stretches back millennia and has a deeply tangible impact on the worlds within which we live today. Contributors are Peter Brian Barry, Lima Bhuiyan, Diedra L. Clay, Zachary J. Goldberg, Sophia Kanaouti, Stefanie Schnitzer Mills, Rallie Murray, Asli Tekinay and Claudio Vescia Zanini.
Author: Julian Young
Publisher: Cambridge University Press
ISBN: 1107049857
Category : Philosophy
Languages : en
Pages : 263
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Book Description
The ten essays that comprise this volume wrestle with the tension between the individual and the community in Nietzsche's philosophy.
Author: Friedrich Nietzsche
Publisher: The Floating Press
ISBN: 1776673174
Category : Literary Criticism
Languages : en
Pages : 172
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Book Description
This classic work of creative criticism from German philosopher Friedrich Nietzsche argues that ancient Greek drama represents the highest form of art ever produced. In the first section of the book, Nietzsche presents an in-depth analysis of Athenian tragedy and its many merits. In the second section, Nietzsche contrasts the refinement of classical tragedy with what he regards as the cultural wasteland of the nineteenth-century.
Author: Yulia Ustinova
Publisher: Routledge
ISBN: 1351581260
Category : History
Languages : en
Pages : 459
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Book Description
‘Our greatest blessings come to us by way of mania, provided it is given us by divine gift,’ – says Socrates in Plato’s Phaedrus. Certain forms of alteration of consciousness, considered to be inspired by supernatural forces, were actively sought in ancient Greece. Divine mania comprises a fascinating array of diverse experiences: numerous initiates underwent some kind of alteration of consciousness during mystery rites; sacred officials and inquirers attained revelations in major oracular centres; possession states were actively sought; finally, some thinkers, such as Pythagoras and Socrates, probably practiced manipulation of consciousness. These experiences, which could be voluntary or involuntary, intense or mild, were interpreted as an invasive divine power within one’s mind, or illumination granted by a super-human being. Greece was unique in its attitude to alteration of consciousness. From the perspective of individual and public freedom, the prominent position of the divine mania in Greek society reflects its acceptance of the inborn human proclivity to experience alteration of consciousness, interpreted in positive terms as god-sent. These mental states were treated with cautious respect, and in contrast to the majority of complex societies, ancient and modern, were never suppressed or pushed to the cultural and social periphery.
Author: Simon Critchley
Publisher: Vintage
ISBN: 0307950484
Category : Literary Criticism
Languages : en
Pages : 290
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Book Description
The figure of Hamlet haunts our culture like the Ghost haunts him. Arguably, no literary work, not even the Bible, is more familiar to us than Shakespeare’s Hamlet. Everyone knows at least six words from the play; often people know many more. Yet the play—Shakespeare’s longest—is more than “passing strange” and becomes deeply unfamiliar when considered closely. Reading Hamlet alongside other writers, philosophers, and psychoanalysts—Carl Schmitt, Walter Benjamin, Freud, Lacan, Nietzsche, Melville, and Joyce—Simon Critchley and Jamieson Webster consider the political context and stakes of Shakespeare’s play, its relation to religion, the movement of desire, and the incapacity to love.
