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Publisher: BRILL
ISBN: 9004323481
Category : History
Languages : en
Pages : 690
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Book Description
The five Diez albums in Berlin, acquired by Heinrich Friedrich von Diez in Constantinople around 1789, contain more than 400 figurative paintings, drawings, fragments, and calligraphic works originating for the most part from Ilkhanid, Jalayirid, and Timurid workshops. Gonnella, Weis and Rauch unite in this volume 21 essays that analyse their relation to their “parent” albums at the Topkapı Palace or examine specific works by reflecting upon their role in the larger history of book art in Iran. Other essays cover aspects such as the European and Chinese influence on Persianate art, aspects related to material and social culture, and the Ottoman interest in Persianate albums. This book marks an important contribution to the understanding of the development of illustrative imagery in the Persianate world and its later perception. Contributors are: Serpil Bağcı, Barbara Brend, Massumeh Farhad, Julia Gonnella, Claus-Peter Haase, Oliver Hahn, Robert Hillenbrand, Yuka Kadoi, Charles Melville, Gülru Necipoğlu, Bernard O'Kane, Filiz Ҫakır Phillip, Yves Porter, Julian Raby, Christoph Rauch, Simon Rettig, David J. Roxburgh, Karin Rührdanz, Zeren Tanındı, Lâle Uluç, Ching-Ling Wang, and Friederike Weis.
Author:
Publisher: BRILL
ISBN: 9004323481
Category : History
Languages : en
Pages : 690
Get Book Here
Book Description
The five Diez albums in Berlin, acquired by Heinrich Friedrich von Diez in Constantinople around 1789, contain more than 400 figurative paintings, drawings, fragments, and calligraphic works originating for the most part from Ilkhanid, Jalayirid, and Timurid workshops. Gonnella, Weis and Rauch unite in this volume 21 essays that analyse their relation to their “parent” albums at the Topkapı Palace or examine specific works by reflecting upon their role in the larger history of book art in Iran. Other essays cover aspects such as the European and Chinese influence on Persianate art, aspects related to material and social culture, and the Ottoman interest in Persianate albums. This book marks an important contribution to the understanding of the development of illustrative imagery in the Persianate world and its later perception. Contributors are: Serpil Bağcı, Barbara Brend, Massumeh Farhad, Julia Gonnella, Claus-Peter Haase, Oliver Hahn, Robert Hillenbrand, Yuka Kadoi, Charles Melville, Gülru Necipoğlu, Bernard O'Kane, Filiz Ҫakır Phillip, Yves Porter, Julian Raby, Christoph Rauch, Simon Rettig, David J. Roxburgh, Karin Rührdanz, Zeren Tanındı, Lâle Uluç, Ching-Ling Wang, and Friederike Weis.
Author: Gülru Necipoğlu
Publisher: BRILL
ISBN: 9789004103146
Category : Architecture
Languages : en
Pages : 190
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Book Description
Robert B. Mason, 'New Looks at Old Pots: Results of Recent Multidisciplinary Studies of Glazed Ceramics from the Islamic World.' Edward J. Keall, 'Forerunners of Umayyad Art: Sculptural Stone from the Hadramawt.' Avinoam Shalem, 'From Royal Caskets to Relic Containers: Two Ivory Caskets from Burgos and Madrid.' Ethel Sara Wolper, 'The Politics of Patronage: Political Change and the Construction of Dervish Lodges in Sivas.' Robert Ousterhout, 'Ethnic Identity and Cultural Appropriation in Early Ottoman Architecture.' Günkut Akin, 'The Müezzin Mahfili and Pool of the Selimiye Mosque in Edirne.' Derin Terzioğlu, 'The Imperial Circumcision Festival of 1582: An Interpretation.' Serpil Bağci, 'A New Theme of the Shirazi Frontispiece Miniatures: The Divān of Solomon.' David J. Roxburgh, 'Heinrich Friedrich von Diez and His Eponymous Albums: Mss. Diez A. Fols. 70-74.' Lisa Golombek, 'The Gardens of Timur: New Perspectives.' I.I. Notkin, 'Decoding Sixteenth-Century Muqarnas Drawings.'
Author: Bruno De Nicola
Publisher: BRILL
ISBN: 9004314725
Category : History
Languages : en
Pages : 360
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Book Description
The Mongols’ Middle East: Continuity and Transformation in Ilkhanid Iran offers a collection of academic articles that investigate different aspects of Mongol rule in 13th- and 14th-century Iran. Sometimes treated only as part of the larger Mongol Empire, the volume focuses on the Ilkhanate (1258-1335) with particular reference to its relations with its immediate neighbours. It is divided into four parts, looking at the establishment, the internal and external dynamics of the realm, and its end. The different chapters, covering several topics that have received little attention before, aim to contribute to a better understanding of Mongol rule in the Middle East and its role in the broader medieval Eurasian world and its links with China. With contributions by: Reuven Amitai, Michal Biran, Bayarsaikhan Dashdondog, Bruno De Nicola, Florence Hodous, Boris James, Aptin Khanbaghi, Judith Kolbas, George Lane, Timothy May, Charles Melville, Esther Ravalde, Karin Rührdanz
Author: Linda Komaroff
Publisher: Metropolitan Museum of Art
ISBN: 1588390713
Category : Art, Ilkhanid
Languages : en
Pages : 338
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Book Description
Komaroff (curator of Islamic Art, Los Angeles County Museum of Art) and Carboni (curator of Islamic Art, Metropolitan Museum of Art) produced this fine catalog to accompany a major show of Ilkhanid (as the Mongol dynasty was called after conversion to Islam) art exhibited at the authors' museums in New York and Los Angeles in 2002-2003. Most of the manuscripts, metalwork, textiles, ceramics, and other finely decorated objects were created in Iran. Many objects are also included from the Yuan Dynasty in China, during which the Mongols ruled. Eight full-length essays are built around the objects of the exhibition and other works, all depicted in color. The essays describe the history, culture, courtly life, artistic exchanges, religious art, arts of the book, and creation of a new visual language. Distributed by Yale U. Press. Annotation copyrighted by Book News, Inc., Portland, OR
Author: David J. Roxburgh
Publisher: Yale University Press
ISBN: 9780300103250
Category : Art
Languages : en
Pages : 404
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Book Description
This groundbreaking book examines portable art collections assembled in the courts of Greater Iran in the fifteenth and sixteenth centuries. Made for members of the royal families or ruling elites, albums were created to preserve and display art, yet they were conceptualized in different ways. David Roxburgh, a leading expert on Persian albums and the art of the book, discusses this diversity and demonstrates convincingly that to look at the practice of album making is to open a vista to a culture of thought about the Persian art tradition. The book considers the album’s formal and physical properties, assembly, and content, as well as the viewer’s experience. Focusing on seven albums created during the Timurid and Safavid dynasties, Roxburgh reconstructs the history and development of this codex form and uses the works of art to explore notions of how art and aesthetics were conceived in Persian court culture. Generously illustrated with over 175 images, many rare and previously unpublished, the book offers a range of new insights into Persian visual culture as well as Islamic art history.
Author: Janine Droese
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111321460
Category : Art
Languages : en
Pages : 302
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Book Description
Manuscript albums are oftentimes contradictory objects: ephemeral yet monumental, coherent yet inviting change. Collecting items made by others, owners form their albums as representations of their selves, their worlds, and their traditions. The volume's contributors - who come from musicology, European history, English literary studies, and Islamic art history - explore a set of these challenging manuscripts while addressing questions of manuscript studies through their respective disciplinary lenses. The albums under investigation range from Early Modern Stammbücher, or alba amicorum, to albums assembled jointly by nineteenth-century cultural elites, and from muraqqaʿs of the Persianate world to English and North American friendship albums, including some kept by women. This book is the first contribution to the comparative study of manuscript albums, focusing on their materiality and analysing the practices of all those involved in making and using them. Moreover, the collection introduces this hard-to-grasp type of written artefact to the field of cross-disciplinary manuscript studies and suggests albums as a touchstone for manuscriptological theories and terminologies.
Author: Emine Fetvacı
Publisher: Princeton University Press
ISBN: 0691194254
Category : Art
Languages : en
Pages : 610
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Book Description
The first study of album-making in the Ottoman empire during the seventeenth century, demonstrating the period’s experimentation, eclecticism, and global outlook The Album of the World Emperor examines an extraordinary piece of art: an album of paintings, drawings, calligraphy, and European prints compiled for the Ottoman sultan Ahmed I (r. 1603–17) by his courtier Kalender Paşa (d. 1616). In this detailed study of one of the most important works of seventeenth-century Ottoman art, Emine Fetvacı uses the album to explore questions of style, iconography, foreign inspiration, and the very meaning of the visual arts in the Islamic world. The album’s thirty-two folios feature artworks that range from intricate paper cutouts to the earliest examples of Islamic genre painting, and contents as eclectic as Persian and Persian-influenced calligraphy, studies of men and women of different ethnicities and backgrounds, depictions of popular entertainment and urban life, and European prints depicting Christ on the cross that in turn served as models for apocalyptic Ottoman paintings. Through the album, Fetvacı sheds light on imperial ideals as well as relationships between court life and popular culture, and shows that the boundaries between Ottoman art and the art of Iran and Western Europe were much more porous than has been assumed. Rather than perpetuating the established Ottoman idiom of the sixteenth century, the album shows that this was a time of openness to new models, outside sources, and fresh forms of expression. Beautifully illustrated and featuring all the folios of the original seventy-page album, The Album of the World Emperor revives a neglected yet significant artwork to demonstrate the distinctive aesthetic innovations of the Ottoman court.
Author: Anne F. Broadbridge
Publisher: Cambridge University Press
ISBN: 1108592333
Category : History
Languages : en
Pages : 367
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Book Description
How did women contribute to the rise of the Mongol Empire while Mongol men were conquering Eurasia? This book positions women in their rightful place in the otherwise well-known story of Chinggis Khan (commonly known as Genghis Khan) and his conquests and empire. Examining the best known women of Mongol society, such as Chinggis Khan's mother, Hö'elün, and senior wife, Börte, as well as those who were less famous but equally influential, including his daughters and his conquered wives, we see the systematic and essential participation of women in empire, politics and war. Anne F. Broadbridge also proposes a new vision of Chinggis Khan's well-known atomized army by situating his daughters and their husbands at the heart of his army reforms, looks at women's key roles in Mongol politics and succession, and charts the ways the descendants of Chinggis Khan's daughters dominated the Khanates that emerged after the breakup of the Empire in the 1260s.
Author: Mohamad Reza Ghiasian
Publisher: BRILL
ISBN: 9004377220
Category : History
Languages : en
Pages : 359
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Book Description
In Lives of the Prophets: The Illustrations to Hafiz-i Abru’s “Assembly of Chronicles” Mohamad Reza Ghiasian analyses two extant copies of the Majmaʿ al-tawarikh produced for the Timurid ruler Shahrukh (r. 1405–1447). The first manuscript is kept in Topkapı Palace and the second is widely dispersed. Codicological analysis of these manuscripts not only allows a better understanding of Hafiz-i Abru’s contributions to rewriting earlier history, but has served to identify the existence of a previously unrecognised copy of the Jamiʿ al-tawarikh produced at Rashid al-Din’s scriptorium. Through a meticulous close reading of both text and image, Mohamad Reza Ghiasian convincingly proves that numerous paintings of the dispersed manuscript were painted over the text before its dispersal in the early twentieth century.
Author: Mika Natif
Publisher: BRILL
ISBN: 900437499X
Category : History
Languages : en
Pages : 332
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Book Description
In Mughal Occidentalism, Mika Natif elucidates the meaningful and complex ways in which Mughal artists engaged with European art and techniques from the 1580s-1630s. Using visual and textual sources, this book argues that artists repurposed Christian and Renaissance visual idioms to embody themes from classical Persian literature and represent Mughal policy, ideology and dynastic history. A reevaluation of illustrated manuscripts and album paintings incorporating landscape scenery, portraiture, and European objects demonstrates that the appropriation of European elements was highly motivated by Mughal concerns. This book aims to establish a better understanding of cross-cultural exchange from the Mughal perspective by emphasizing the agency of local artists active in the workshops of Emperors Akbar and Jahangir.
