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Author: Ayon Maharaj
Publisher: Bloomsbury Publishing
ISBN: 1441152032
Category : Philosophy
Languages : en
Pages : 231
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Book Description
This study examines how key figures in the German aesthetic tradition - Kant, Schelling, Friedrich Schlegel, Hegel, and Adorno - attempted to think through the powers and limits of art in post-Enlightenment modernity. Ayon Maharaj argues that the aesthetic speculations of these thinkers provide the conceptual resources for a timely dialectical defense of “aesthetic agency”- art's capacity to make available uniquely valuable modes of experience that escape the purview of Enlightenment scientific rationality. Blending careful philosophical analysis with an intellectual historian's attention to the broader cultural resonance of philosophical arguments, Maharaj has two interrelated aims. He provides challenging new interpretations of the aesthetic philosophies of Kant, Schelling, Schlegel, Hegel, and Adorno by focusing on aspects of their thought that have been neglected or misunderstood in Anglo-American and German scholarship. He demonstrates that their subtle investigations into the nature and scope of aesthetic agency have far-reaching implications for contemporary discourse on the arts. The Dialectics of Aesthetic Agency is an important and original contribution to scholarship on the German aesthetic tradition and to the broader field of aesthetics.
Author: Ayon Maharaj
Publisher: Bloomsbury Publishing
ISBN: 1441152032
Category : Philosophy
Languages : en
Pages : 231
Get Book Here
Book Description
This study examines how key figures in the German aesthetic tradition - Kant, Schelling, Friedrich Schlegel, Hegel, and Adorno - attempted to think through the powers and limits of art in post-Enlightenment modernity. Ayon Maharaj argues that the aesthetic speculations of these thinkers provide the conceptual resources for a timely dialectical defense of “aesthetic agency”- art's capacity to make available uniquely valuable modes of experience that escape the purview of Enlightenment scientific rationality. Blending careful philosophical analysis with an intellectual historian's attention to the broader cultural resonance of philosophical arguments, Maharaj has two interrelated aims. He provides challenging new interpretations of the aesthetic philosophies of Kant, Schelling, Schlegel, Hegel, and Adorno by focusing on aspects of their thought that have been neglected or misunderstood in Anglo-American and German scholarship. He demonstrates that their subtle investigations into the nature and scope of aesthetic agency have far-reaching implications for contemporary discourse on the arts. The Dialectics of Aesthetic Agency is an important and original contribution to scholarship on the German aesthetic tradition and to the broader field of aesthetics.
Author: Ayon Maharaj
Publisher: A&C Black
ISBN: 144118693X
Category : Philosophy
Languages : en
Pages : 241
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Book Description
This study examines how key figures in the German aesthetic tradition - Kant, Schelling, Friedrich Schlegel, Hegel, and Adorno - attempted to think through the powers and limits of art in post-Enlightenment modernity. Ayon Maharaj argues that the aesthetic speculations of these thinkers provide the conceptual resources for a timely dialectical defense of “aesthetic agency”- art's capacity to make available uniquely valuable modes of experience that escape the purview of Enlightenment scientific rationality. Blending careful philosophical analysis with an intellectual historian's attention to the broader cultural resonance of philosophical arguments, Maharaj has two interrelated aims. He provides challenging new interpretations of the aesthetic philosophies of Kant, Schelling, Schlegel, Hegel, and Adorno by focusing on aspects of their thought that have been neglected or misunderstood in Anglo-American and German scholarship. He demonstrates that their subtle investigations into the nature and scope of aesthetic agency have far-reaching implications for contemporary discourse on the arts. The Dialectics of Aesthetic Agency is an important and original contribution to scholarship on the German aesthetic tradition and to the broader field of aesthetics.
Author: Gail Day
Publisher: Columbia University Press
ISBN: 023152062X
Category : Philosophy
Languages : en
Pages : 321
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Book Description
Representing a new generation of theorists reaffirming the radical dimensions of art, Gail Day launches a bold critique of late twentieth-century art theory and its often reductive analysis of cultural objects. Exploring core debates in discourses on art, from the New Left to theories of "critical postmodernism" and beyond, Day counters the belief that recent tendencies in art fail to be adequately critical. She also challenges the political inertia that results from these conclusions. Day organizes her defense around critics who have engaged substantively with emancipatory thought and social process: T. J. Clark, Manfredo Tafuri, Fredric Jameson, Benjamin H. D. Buchloh, and Hal Foster, among others. She maps the tension between radical dialectics and left nihilism and assesses the interpretation and internalization of negation in art theory. Chapters confront the claim that exchange and equivalence have subsumed the use value of cultural objects and with it critical distance and interrogate the proposition of completed nihilism and the metropolis put forward in the politics of Italian operaismo. Day covers the debates on symbol and allegory waged within the context of 1980s art and their relation to the writings of Walter Benjamin and Paul de Man. She also examines common conceptions of mediation, totality, negation, and the politics of anticipation. A necessary unsettling of received wisdoms, Dialectical Passions recasts emancipatory reflection in aesthetics, art, and architecture.
Author: Lee Konstantinou
Publisher: Harvard University Press
ISBN: 0674969472
Category : Literary Criticism
Languages : en
Pages :
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Book Description
Lee Konstantinou examines irony in American literary and political life, showing how it migrated from the countercultural margins of the 1950s to the 1980s mainstream. Along the way, irony was absorbed into postmodern theory and ultimately become a target of recent writers who have moved beyond its limitations with a practice of “postirony.”
Author: Caleb J. Basnett
Publisher: University of Toronto Press
ISBN: 1487541465
Category : Political Science
Languages : en
Pages : 216
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Book Description
Built upon the principle that divides and elevates humans above other animals, humanism is the cornerstone of a worldview that sanctifies inequality and threatens all animal life. Adorno, Politics, and the Aesthetic Animal analyses this state of affairs and suggests an alternative – a way for humanity to make itself into a new kind of animal. Theodor W. Adorno has been accused of leading critical theory into a blind alley, divorced from practical social and political concerns. In Adorno, Politics, and the Aesthetic Animal, Caleb J. Basnett argues that by placing the problem of the human/animal distinction at the centre of Adorno’s thought, we discover a new Adorno, one whose critique of domination is in dialogue with classic concerns of political thought forged by Aristotle, including questions of humanist political education and the role of art. Through a close reading of primary sources, Basnett identifies the principal conceptual structure entwined with the understanding of human life as antagonistic to other animals, and outlines how forms of aesthetic experience disrupt this problematic concept in favour of a reconceptualization of what we call human. His analysis displaces the centrality of the human and attempts to open up a space for its transformation, both in terms of how humans relate to each other and in how humans relate to other animals.
Author: Richard A. Jones
Publisher: UPA
ISBN: 0761866817
Category : History
Languages : en
Pages : 278
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Book Description
Postmodern Racial Dialectics is a collection of ten essays on African American philosophy. Addressing issues as disparate as why there are no graduate programs in philosophy at the more than one hundred traditionally black colleges and universities in the U.S.—to conceptions of Black utopianism—to the nature of postmodern revolutions, these essays are beyond the bounds of traditional racial discourse. The essays are dialectical in the sense that they are conversations between personal histories, between ideologies, and between changing ways that the races talk to one another. The book is postmodern in that it is beyond modernity’s linear logic. Postmodern Racial Dialectics is also a political entreaty for African Americans to be wary of conventional ways of thinking, and to begin thinking transgressively beyond narrowly prescribed conceptions from both sides of the color line.
Author: Jason Miller
Publisher: Columbia University Press
ISBN: 0231554095
Category : Philosophy
Languages : en
Pages : 125
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Book Description
In both politics and art in recent decades, there has been a dramatic shift in emphasis on representation of identity. Liberal ideals of universality and individuality have given way to a concern with the visibility and recognition of underrepresented groups. Modernist and postmodernist celebrations of disruption and subversion have been challenged by the view that representation is integral to social change. Despite this convergence, neither political nor aesthetic theory has given much attention to the increasingly central role of art in debates and struggles over cultural identity in the public sphere. Connecting Hegelian aesthetics with contemporary cultural politics, Jason Miller argues that both the aesthetic and political value of art are found in the reflexive self-awareness that artistic representation enables. The significance of art in modern life is that it shows us both the particular element in humanity as well as the human element in particularity. Just as Hegel asks us to acknowledge how different historical and cultural contexts produce radically different experiences of art, identity-based art calls on its audiences to situate themselves in relation to perspectives and experiences potentially quite remote—or even inaccessible—from their own. Miller offers a timely response to questions such as: How does contemporary art’s politics of perception contest liberal notions of deliberative politics? How does the cultural identity of the artist relate to the representations of cultural identity in their work? How do we understand and evaluate identity-based art aesthetically? Discussing a wide range of works of art and popular culture—from Antigone to Do the Right Thing and The Wire—this book develops a new conceptual framework for understanding the representation of cultural identity that affirms art’s capacity to effect social change.
Author: Beverley Best
Publisher: SAGE
ISBN: 1526455625
Category : Social Science
Languages : en
Pages : 2702
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Book Description
The SAGE Handbook of Frankfurt School Critical Theory expounds the development of critical theory from its founding thinkers to its contemporary formulations in an interdisciplinary setting. It maps the terrain of a critical social theory, expounding its distinctive character vis-a-vis alternative theoretical perspectives, exploring its theoretical foundations and developments, conceptualising its subject matters both past and present, and signalling its possible future in a time of great uncertainty. Taking a distinctively theoretical, interdisciplinary, international and contemporary perspective on the topic, this wide-ranging collection of chapters is arranged thematically over three volumes: Volume I: Key Texts and Contributions to a Critical Theory of Society Volume II: Themes Volume III: Contexts This Handbook is essential reading for scholars and students in the field, showcasing the scholarly rigor, intellectual acuteness and negative force of critical social theory, past and present.
Author: Michael Wayne
Publisher: Bloomsbury Publishing
ISBN: 1472505115
Category : Philosophy
Languages : en
Pages : 238
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Book Description
Is Kant really the 'bourgeois' philosopher that his advocates and opponents take him to be? In this bold and original re-thinking of Kant, Michael Wayne argues that with his aesthetic turn in the Third Critique, Kant broke significantly from the problematic philosophical structure of the Critique of Pure Reason. Through his philosophy of the aesthetic Kant begins to circumnavigate the dualities in his thought. In so doing he shows us today how the aesthetic is a powerful means for imagining our way past the apparent universality of contemporary capitalism. Here is an unfamiliar Kant: his concepts of beauty and the sublime are reinterpreted as attempts to socialise the aesthetic while Wayne reconstructs the usually hidden genealogy between Kant and important Marxist concepts such as totality, dialectics, mediation and even production. In materialising Kant's philosophy, this book simultaneously offers a Marxist defence of creativity and imagination grounded in our power to think metaphorically and in Kant's concept of reflective judgment. Wayne also critiques aspects of Marxist cultural theory that have not accorded the aesthetic the relative autonomy and specificity which it is due. Discussing such thinkers as Adorno, Bourdieu, Colletti, Eagleton, Lukács, Ranciére and others, Red Kant: Aesthetics, Marxism and the Third Critique presents a new reading of Kant's Third Critique that challenges Marxist and mainstream assessments of Kant alike.
Author: Mojca Kuplen
Publisher: Bloomsbury Publishing
ISBN: 1350289531
Category : Philosophy
Languages : en
Pages : 209
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Book Description
Mojca Kuplen connects 18th-century German aesthetics to contemporary theories of self-knowledge in order to highlight the unique cognitive value of art. She does this through revisiting Kant's account of aesthetic ideas, and demonstrating how works of art can increase our understanding of abstract concepts whilst promoting self-knowledge. Addressing some of the most fundamental questions in contemporary aesthetics and philosophy of art, this study covers the value and importance of art, the relationship between art and beauty, the role of knowledge in art and the criteria for artistic excellence. It offers an insight into problems related to the apprehension of meaning and the cognitive processing of abstract representations that have been of interest to contemporary cognitive science. Kant's Aesthetic Cognitivism presents these arguments in a lucid and wide-ranging engagement with the history of aesthetics and current academic debates to understand what art is and why it is valuable.
