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Author: Michael Jaffe
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Michael Jaffe
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Michael Jaffé
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 128
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Book Description
Author: Wayne Franits
Publisher: Routledge
ISBN: 135154621X
Category : Art
Languages : en
Pages : 599
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Book Description
Despite the tremendous number of studies produced annually in the field of Dutch art over the last 30 years or so, and the strong contemporary market for works by Dutch masters of the period as well as the public's ongoing fascination with some of its most beloved painters, until now there has been no comprehensive study assessing the state of research in the field. As the first study of its kind, this book is a useful resource for scholars and advanced students of seventeenth-century Dutch art, and also serves as a springboard for further research. Its 19 chapters, divided into three sections and written by a team of internationally renowned art historians, address a wide variety of topics, ranging from those that might be considered "traditional" to others that have only drawn scholarly attention comparatively recently.
Author: J. Paul Getty Museum
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 380
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Book Description
Author: Nicholas Turner
Publisher: Getty Publications
ISBN: 0892364807
Category : Art
Languages : en
Pages : 346
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Book Description
V. 3 betr. u. a. Hans Jakob Plepp.
Author: Christopher Baker
Publisher: Routledge
ISBN: 1351571591
Category : Art
Languages : en
Pages : 270
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Book Description
Prints and drawings have been keenly collected in Europe since at least the early sixteenth century. Relatively modest in price, they offered artists, amateurs and collectors of a systematic turn of mind the opportunity to put together holdings with a wide representation of different hands, schools and types of subject. Prints and drawings are traditionally treated separately, but their collecting is shown here to raise many interrelated issues. Employing a wide range of methodologies, the essays in this volume offer a number of innovative investigations into the collecting, perception, classication and display of works on paper.
Author: Rembrandt Harmenszoon van Rijn
Publisher: Getty Publications
ISBN: 0892369787
Category : Art
Languages : en
Pages : 292
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Book Description
"Rembrandt was the most famous painter of the Dutch Golden Age, and the opportunity to work in his studio attracted young artists for nearly four decades, until the artist's death in 1669. This catalogue explores the workings of Rembrandt's studio in the form of drawings made by the master himself and fifteen of his pupils. Rembrandt and his students would often depict the same subject matter as an exercise and make drawings of the same nude models. In his later years, Rembrandt also made sketching trips outside Amsterdam to create his innovative landscapes of the Dutch countryside. His students followed this example, sometimes depicting the same sites." "Organized chronologically, Drawings by Rembrandt and His Pupils: Telling the Difference is a groundbreaking study that presents more than forty works by Rembrandt and related works by his pupils. It explores the scholarship of recent decades that has brought new and more systematic criteria to bear on determining the authenticity of Rembrandt drawings, and defines the styles of his pupils and followers with ever-greater precision. In so doing, this volume demystifies the sometimes-baffling exercise known as connoisseurship and seeks to re-enact the daily practices that Rembrandt used to teach his students and bring them to artistic maturity." "This is an essential book for anyone interested in the Dutch Golden Age or the lives and careers of Rembrandt and the artists in his immediate circle. A major exhibition of these drawings will be on view at the J. Paul Getty Museum from December 8, 2009, to February 28, 2010." --Book Jacket.
Author: Christopher White
Publisher: Royal Collection Trust
ISBN:
Category : Art
Languages : en
Pages : 440
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Book Description
The catalog opens with a detailed account of the growth of the collection from the early Stuarts to the reign of Queen Victoria. Particular attention is given to Charles I's close relations with Rubens, and since later members of the royal family also made important acquisitions, the full range of Rubens' practice is covered by the catalog: there are works entirely by his hand as well as works carried out with known collaborators or with the help of his studio. An outstanding group of genre paintings by David Teniers the Younger is examined and illustrated, and paintings by Jan Brueghel, Gonzalez Coques, Frans Francken, Frans Snyders, Karl Philips Spierincks and Jan Wildens round out the collection.
Author: Stijn Alsteens
Publisher: Metropolitan Museum of Art
ISBN: 1588393070
Category : Drawing
Languages : en
Pages : 326
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Book Description
"The works from the Bonna Collection are illustrated in color, and whenever possible, at their actual sizes. They are arranged chronologically by the artist's date of birth and are grouped according to the main artistic schools. This volume is introduced by an interview with Jean Bonna by George Goldner. Each drawing is then described in an entry, many of which have comparative illustrations that shed further light on individual works."--BOOK JACKET.
Author: William W. Robinson
Publisher: Yale University Press
ISBN: 0300208049
Category : Art
Languages : en
Pages : 414
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Book Description
This superb book presents 100 notable examples from the Harvard Art Museums’ distinguished collection of Dutch, Flemish, and Netherlandish drawings from the 16th to 18th century. Featuring such masters as Pieter Bruegel the Elder, Peter Paul Rubens, and Rembrandt van Rijn, the volume showcases beautiful color illustrations accompanied by insightful commentary on prevalent styles and techniques. Genres that define this artistic period—landscape, scenes of everyday life, portraiture, and still life—are explored in detail. The book also presents the results of new conservation and technical study, including infrared analysis and scientific examinations of drawing materials. This revelatory new research has allowed previously illegible underdrawings and inscriptions in many of the artworks to surface for the first time, shedding light on longstanding mysteries of production and provenance.
