Barbarous Play PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Barbarous Play PDF full book. Access full book title Barbarous Play by Lara Bovilsky. Download full books in PDF and EPUB format.
Author: Lara Bovilsky
Publisher: U of Minnesota Press
ISBN: 0816649642
Category : Social Science
Languages : en
Pages : 231
Get Book Here
Book Description
"Exploring the similar underpinnings of early modern and contemporary ideas of difference, this book examines the English Renaissance understandings of race as depicted in drama. Reading plays by Shakespeare, Marlow, Webster, and Middleton, Lara Bovilskyoffers case studies of how racial meanings are generated by narratives of boundary crossing--especially miscegenation, religious conversion, class transgression, and moral and physical degeneracy. In the process, she reveals the parallels between the period's conceptions of race and gender"--From publisher description.
Author: Lara Bovilsky
Publisher: U of Minnesota Press
ISBN: 0816649642
Category : Social Science
Languages : en
Pages : 231
Get Book Here
Book Description
"Exploring the similar underpinnings of early modern and contemporary ideas of difference, this book examines the English Renaissance understandings of race as depicted in drama. Reading plays by Shakespeare, Marlow, Webster, and Middleton, Lara Bovilskyoffers case studies of how racial meanings are generated by narratives of boundary crossing--especially miscegenation, religious conversion, class transgression, and moral and physical degeneracy. In the process, she reveals the parallels between the period's conceptions of race and gender"--From publisher description.
Author: Anthony Gerard Barthelemy
Publisher: LSU Press
ISBN: 9780807124857
Category : Drama
Languages : en
Pages : 236
Get Book Here
Book Description
Anthony Barthelemy considers the influence of English political, social, and theatrical history on the depiction of black characters on the English stage from 1589 to 1695. He shows that almost without exception blackness was associated with treachery, evil, and ugliness. Barthelemy's central focus is on black characters that appeared in mimetic drama, but he also examines two nonmimetic subgenres: court masques and lord mayors' pageants.The most common black character was the villainous Moor. Known for his unbridled libido and criminal behavior, the Moor was, Barthelemy contends, the progenitor of the stereotypical black in today's world. To account for the historical development of his character, Barthelemy provides an extended etymological study of the word Moor and a discussion of the received tradition that made blackness a signifier of evil and sin. In analyzing the theatrical origins of the Moor, Barthelemy discusses the medieval dramatic tradition in England that portrayed the devil and the damned as black men. Variations of the stereotype, the honest Moor and the Moorish waiting woman, are also examined.In addition to black characters, Barthelemy considers native Americans and white North Africans because they were also called Moors. Analyzing know nonblack, non-Christian men were characterized provides an opportunity to understand how important blackness was in the depiction of Africans.Two works, Peele's The Battle of Alcazar and Southerne's Oroonoko, frame Barthelemy's study, because they constitute important milestones in the dramatic representation of blacks. Peele's Alcazar put on the mimetic stage the first black Moor of any dramatic significance, and Sotherne's Oroonoko was the first play to have an African slave as its hero. Among the other plays considered are Keker's Lust Dominion, Heywood's The Fair Maid of the West, Beaumont and Fletcher's The Knight of Malta, Marston's Wonder of Women, and Shakespeare's Titus Andronicus and Othello. In his provocative study of Othello, Barthelemy shows how stereotypical attitudes about blacks are initially reversed and how Othello is eventually trapped into acting in accordance with the stereotype.The first work to study the depiction of blacks in the drama of this period in a complete cultural context, Black Face, Maligned Race will be informative for anyone interested in the stereotypical representation of blacks in literature.
Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 420
Get Book Here
Book Description
Issues for Feb. 1957-July 1959 include a Checklist of the Vatican manuscript codices available for consultation at the Knights of Columbus Vatican Film Library at St. Louis University, pts. 1-8.
Author: Paul Werstine
Publisher: Cambridge University Press
ISBN: 1107020425
Category : Drama
Languages : en
Pages : 447
Get Book Here
Book Description
This book argues for editing Shakespeare's plays in a new way, without pretending to distinguish authorial from theatrical versions.
Author: David Lindley
Publisher: Routledge
ISBN: 1135082162
Category : Literary Criticism
Languages : en
Pages : 257
Get Book Here
Book Description
David Lindley re-examines the murder trials of Frances Howard and the historical representations of her as `wife, a witch, a murderess and a whore', challenging the assumptions that have constructed her as a model of female villainy.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 164
Get Book Here
Book Description
Author: Frederick Kiefer
Publisher: University of Delaware Press
ISBN: 9780874135954
Category : Drama
Languages : en
Pages : 394
Get Book Here
Book Description
Playwrights also made extraordinary use of metaphors involving the written and printed word to describe the workings of the mind and the interaction of people.
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1070
Get Book Here
Book Description
Author: Ton Hoenselaars
Publisher: Cambridge University Press
ISBN: 1107494338
Category : Literary Criticism
Languages : en
Pages : 327
Get Book Here
Book Description
While Shakespeare's popularity has continued to grow, so has the attention paid to the work of his contemporaries. The contributors to this Companion introduce the distinctive drama of these playwrights, from the court comedies of John Lyly to the works of Richard Brome in the Caroline era. With chapters on a wide range of familiar and lesser-known dramatists, including Thomas Kyd, Christopher Marlowe, Ben Jonson, John Webster, Thomas Middleton and John Ford, this book devotes particular attention to their personal and professional relationships, occupational rivalries and collaborations. Overturning the popular misconception that Shakespeare wrote in isolation, it offers a new perspective on the most impressive body of drama in the history of the English stage.
Author: Ralph Berry
Publisher: Routledge
ISBN: 1317370937
Category : Literary Criticism
Languages : en
Pages : 172
Get Book Here
Book Description
This book, first published in 1985, explores the consciousness and the experience of Shakespeare’s audience. First describing the stage’s physical impact, Ralph Berry then goes on to explore the social or tribal consciousness of the audience in certain plays. The title finishes by examining the masque – the salient form of the Jacobean theatre. This title will be of interest to students of literature and theatre studies.
