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Author: Carl Zuckmayer
Publisher: Continuum
ISBN:
Category : Drama
Languages : en
Pages : 320
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Book Description
Both works in this volume - a play by Carl Zuckmayer (1896-1977) and an unusual contemporary study of Nazi Germany by Sebastian Haffner (1907-99) - bear testimony to the disturbing events that were to change German history in the aftermath of World War I. The abridged translation of The Devil's General, which was approved by Zuckmayer himself, is about a World War I flier who commits suicide as he comes to realize the unintended havoc he has wrought in his obsession to fly. Sebastian Haffner, whose real name was Raimund Pretzel (which was changed with the publication of Germany: Jekyll and Hyde), remained a controversial journalist all his life, working for both left-wing and right-wing journals. The work excerpted here was written in 1940 when Haffner, reared in a liberal tradition, was in a British detention camp as an enemy alien.
Author: Carl Zuckmayer
Publisher: Continuum
ISBN:
Category : Drama
Languages : en
Pages : 320
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Book Description
Both works in this volume - a play by Carl Zuckmayer (1896-1977) and an unusual contemporary study of Nazi Germany by Sebastian Haffner (1907-99) - bear testimony to the disturbing events that were to change German history in the aftermath of World War I. The abridged translation of The Devil's General, which was approved by Zuckmayer himself, is about a World War I flier who commits suicide as he comes to realize the unintended havoc he has wrought in his obsession to fly. Sebastian Haffner, whose real name was Raimund Pretzel (which was changed with the publication of Germany: Jekyll and Hyde), remained a controversial journalist all his life, working for both left-wing and right-wing journals. The work excerpted here was written in 1940 when Haffner, reared in a liberal tradition, was in a British detention camp as an enemy alien.
Author: Lara Feigel
Publisher: Bloomsbury Publishing
ISBN: 1408845318
Category : Biography & Autobiography
Languages : en
Pages : 602
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Book Description
As the Second World War neared its conclusion, Germany was a nation reduced to rubble: 3.6 million German homes had been destroyed leaving 7.5 million people homeless; an apocalyptic landscape of flattened cities and desolate wastelands. In May 1945 Germany surrendered, and Britain, America, Soviet Russia and France set about rebuilding their zones of occupation. Most urgent for the Allies in this divided, defeated country were food, water and sanitation, but from the start they were anxious to provide for the minds as well as the physical needs of the German people. Reconstruction was to be cultural as well as practical: denazification and re-education would be key to future peace and the arts crucial in modelling alternative, less militaristic, ways of life. Germany was to be reborn; its citizens as well as its cities were to be reconstructed; the mindset of the Third Reich was to be obliterated. When, later that year, twenty-two senior Nazis were put in the dock at Nuremberg, writers and artists including Rebecca West, Evelyn Waugh, John Dos Passos and Laura Knight were there to tell the world about a trial intended to ensure that tyrannous dictators could never again enslave the people of Europe. And over the next four years, many of the foremost writers and filmmakers of their generation were dispatched by Britain and America to help rebuild the country their governments had spent years bombing. Among them, Ernest Hemingway, Martha Gellhorn, Marlene Dietrich, George Orwell, Lee Miller, W.H. Auden, Stephen Spender, Billy Wilder and Humphrey Jennings. The Bitter Taste of Victory traces the experiences of these figures and through their individual stories offers an entirely fresh view of post-war Europe. Never before told, this is a brilliant, important and utterly mesmerising history of cultural transformation.
Author: Carl Eric Scott
Publisher: University Press of Kentucky
ISBN: 081314499X
Category : Political Science
Languages : en
Pages : 275
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Book Description
From its creation in 1950, to the fall of the Berlin Wall in 1989, the German Democratic Republic’s Ministry for State Security closely monitored its nation’s citizens. Known as the Staatssicherheit or Stasi, this organization was regarded as one of the most repressive intelligence agencies in the world. Florian Henckel von Donnersmarck’s 2006 film The Lives of Others (Das Leben der Anderen) has received international acclaim—including an Academy Award, an Independent Spirit Award, and multiple German Film Awards—for its moving portrayal of East German life under the pervasive surveillance of the Stasi. In Totalitarianism on Screen, political theorists Carl Eric Scott and F. Flagg Taylor IV assemble top scholars to analyze the film from philosophical and political perspectives. Their essays confront the nature and legacy of East Germany’s totalitarian government and outline the reasons why such regimes endure. Other than magazine and newspaper reviews, little has been written about The Lives of Others. This volume brings German scholarship on the topic to an English-speaking audience for the first time and explores the issue of government surveillance at a time when the subject is often front-page news. Featuring contributions from German president Joachim Gauck, prominent singer-songwriter Wolf Biermann, journalists Paul Hockenos and Lauren Weiner, and noted scholars Paul Cantor and James Pontuso, Totalitarianism on Screen contributes to the growing scholarship on totalitarianism and will interest historians, political theorists, philosophers, and fans of the film.
Author: Matt Cornish
Publisher: University of Michigan Press
ISBN: 0472037560
Category : Performing Arts
Languages : en
Pages : 263
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Book Description
Since the moment after the fall of the Berlin Wall, important German theater artists have created plays and productions about unification. Some have challenged how German history is written, while others opposed the very act of storytelling. Performing Unification examines how directors, playwrights, and theater groups including Heiner Müller, Frank Castorf, and Rimini Protokoll have represented and misrepresented the past, confronting their nation’s history and collective identity. Matt Cornish surveys German-language history plays from the Baroque period through the documentary theater movement of the 1960s to show how German identity has always been contested, then turns to performances of unification after 1989. Cornish argues that theater, in its structures and its live gestures, on pages, stages, and streets, helps us to understand the past and its effect on us, our relationships with others in our communities, and our futures. Engaging with theater theory from Aristotle through Bertolt Brecht and Hans-Thies Lehmann’s “postdramatic” theater, and with theories of history from Hegel to Walter Benjamin and Hayden White, Performing Unification demonstrates that historiography and dramaturgy are intertwined.
Author:
Publisher:
ISBN:
Category : German philology
Languages : en
Pages : 368
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Book Description
Author: Sebastian Haffner
Publisher: Plunkett Lake Press
ISBN:
Category : Political Science
Languages : en
Pages : 188
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Book Description
In this book written in early 1940 in England, Sebastian Haffner, a recent refugee from Nazi Germany, analyzed Hitler, the Nazis, the German population, and German émigrés. His purpose was to help the Allies wage “psychological warfare” against Nazi Germany, to correct misconceptions about the Nazi regime, and to outline “the foundation of future peace” in Europe. “Sebastian Haffner's book is unmatched as a contemporary analysis of the Third Reich. It is quite remarkable that, writing in 1940, he could produce such acute insights into Hitler’s character and political hold over Germany” — Ian Kershaw “ ... excellent analysis of Germany's ills ... Deutschland, Deutschland, über Alles, according to [Haffner], is no mere musical fantasy but a national mania, a fixation, which is driving the nation, not as some imagine, to a great and noble destiny, but to damnation ... This is a particularly penetrating study of a phenomenon whose like history has, perhaps, not ever been seen before.” — The New York Times (August 1941) “Haffner's clear-sighted analysis, applied mainly to the dissection of his fellow Germans, also annihilates any claim by his contemporaries not to have known about Nazi crimes. The nature of Hitler's regime, he says, was well understood; all that is open to debate is the eagerness with which it was supported ... Apocryphally, Churchill told his cabinet to read this book so that they would understand the Nazi threat. We should do likewise to understand how close we came to ignoring it.” — The Observer “clear-sighted and perspicacious ... This brilliant journalist shows that it was possible to see and to hear and to draw one’s conclusions if one only had the will.” —Süddeutsche Zeitung “An alarm call trying to awaken the British to the unique nature of Hitler and the Nazi regime ... Remarkably prescient” — J. G. Ballard “A powerful and sustained text ... it explodes with rhetorical fireworks. Haffner produces a convincing picture of the Nazis, their numbers, their power and the destructive nihilism that united them” — Giles MacDonogh, BBC History
Author: Fritz Lang
Publisher:
ISBN: 9781578065769
Category : Biography & Autobiography
Languages : en
Pages : 252
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Book Description
A collection of conversations about the filmmaker whose life and work spanned six decades of film history
Author: Gregory Claeys
Publisher: Oxford University Press
ISBN: 0191088617
Category : History
Languages : en
Pages : 569
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Book Description
Dystopia: A Natural History is the first monograph devoted to the concept of dystopia. Taking the term to encompass both a literary tradition of satirical works, mostly on totalitarianism, as well as real despotisms and societies in a state of disastrous collapse, this volume redefines the central concepts and the chronology of the genre and offers a paradigm-shifting understanding of the subject. Part One assesses the theory and prehistory of 'dystopia'. By contrast to utopia, conceived as promoting an ideal of friendship defined as 'enhanced sociability', dystopia is defined by estrangement, fear, and the proliferation of 'enemy' categories. A 'natural history' of dystopia thus concentrates upon the centrality of the passion or emotion of fear and hatred in modern despotisms. The work of Le Bon, Freud, and others is used to show how dystopian groups use such emotions. Utopia and dystopia are portrayed not as opposites, but as extremes on a spectrum of sociability, defined by a heightened form of group identity. The prehistory of the process whereby 'enemies' are demonised is explored from early conceptions of monstrosity through Christian conceptions of the devil and witchcraft, and the persecution of heresy. Part Two surveys the major dystopian moments in twentieth century despotisms, focussing in particular upon Nazi Germany, Stalinism, the Chinese Cultural Revolution, and Cambodia under Pol Pot. The concentration here is upon the political religion hypothesis as a key explanation for the chief excesses of communism in particular. Part Three examines literary dystopias. It commences well before the usual starting-point in the secondary literature, in anti-Jacobin writings of the 1790s. Two chapters address the main twentieth-century texts usually studied as representative of the genre, Aldous Huxley's Brave New World and George Orwell's Nineteen Eighty-Four. The remainder of the section examines the evolution of the genre in the second half of the twentieth century down to the present.
Author: Bram Stoker
Publisher: BoD - Books on Demand
ISBN: 2322152277
Category : Fiction
Languages : en
Pages : 690
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Book Description
The Gothic Trilogy : Dracula, Frankenstein, Dr. Jekyll and Mr. Hyde (unabridged versions) in one volume ! Three Classic Gothic Novels in One Book only ! 1) Dracula, 2) Frankenstein, 3) Dr. Jekyll and Mr. Hyde --all three classics complete and unabridged versions by Bram Stoker, Mary Shelley and Robert Louis Stevenson. 1) Dracula is an 1897 Gothic horror novel by Irish author Bram Stoker. It introduced the character of Count Dracula, and established many conventions of subsequent vampire fantasy. The novel tells the story of Dracula's attempt to move from Transylvania to England so that he may find new blood and spread the undead curse, and of the battle between Dracula and a small group of men and a woman led by Professor Abraham Van Helsing. Dracula has been assigned to many literary genres including vampire literature, horror fiction, the gothic novel, and invasion literature. The novel has spawned numerous theatrical, film, and television interpretations. 2) Frankenstein; or, The Modern Prometheus is a novel written by English author Mary Shelley (1797-1851) that tells the story of Victor Frankenstein, a young scientist who creates a hideous, sapient creature in an unorthodox scientific experiment. Frankenstein is infused with elements of the Gothic novel and the Romantic movement. At the same time, it is an early example of science fiction. Brian Aldiss has argued that it should be considered the first true science fiction story because, in contrast to previous stories with fantastical elements resembling those of later science fiction, the central character "makes a deliberate decision" and "turns to modern experiments in the laboratory" to achieve fantastic results. It has had a considerable influence in literature and popular culture and spawned a complete genre of horror stories, films and plays. 3) Strange Case of Dr Jekyll and Mr Hyde is a gothic novella by Scottish author Robert Louis Stevenson, first published in 1886. The work is also known as The Strange Case of Dr Jekyll and Mr Hyde, Dr Jekyll and Mr Hyde, or simply Jekyll & Hyde. It is about a London legal practitioner named Gabriel John Utterson who investigates strange occurrences between his old friend, Dr Henry Jekyll, and the evil Edward Hyde. The novella's impact is such that it has become a part of the language, with the phrase "Jekyll and Hyde" entering the vernacular to refer to people with an unpredictably dual nature: usually very good, but sometimes shockingly evil.
Author: Bram Stoker
Publisher: Xist Publishing
ISBN: 168195740X
Category : Fiction
Languages : en
Pages : 838
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Book Description
Read the Original Halloween Spooky Stories This Classic Horror Collection is the ultimate book bundle for readers of classic gothic, vampire, horror and science fiction. Each masterful novel in this collection has inspired numerous adaptations, re-imaginings, and even whole genres of fiction. This collection contains: • Dracula by Bram Stoker • Frankenstein by Mary Shelley • The Legend of Sleepy Hollow by Washington Irving • The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson • The Island of Dr. Moreau by H.G. Wells This Classic Horror Collection has been professionally formatted for e-readers and includes a linked table of contents. We hope you’ll share this book with your friends, neighbors and colleagues and can’t wait to hear what you have to say about it.
