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Author: Bill Loehfelm
Publisher: Picador
ISBN: 9781250181671
Category : Fiction
Languages : en
Pages : 0
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Book Description
With The Devil's Muse, Bill Loehfelm returns with another gripping installment in his “edgy, dangerous, but pulsing with life” (Booklist) Maureen Coughlin series. New Orleans’s toughest female cop tackles her very first Mardi Gras Now that she’s back on the force and her work with the FBI is over, Maureen Coughlin should have a quieter life. Until Mardi Gras rolls around, that is. New Orleans’s biggest and most infamous party, Mardi Gras may be fun for the revelers but it’s hell for the NOPD, who try to keep the peace on streets jam-packed with drunken paradegoers and the thousands of tourists pouring into the city to join the action. With all that chaos, the city becomes a breeding ground for crimes of all shapes and sizes. Maureen’s Mardi Gras night starts with a bang when a man in pink zebra-print tights—and nothing else—runs past and throws himself onto the hood of a moving car. It only gets worse when she hears gunshots over the noise of the crowd. In the midst of the revelry, Maureen and her fellow cops must stabilize the shooting victims and hunt down the shooter, all while grappling with massive crowds, a camera crew intent on capturing the investigation for their YouTube channel, an incompetent on-duty detective, and race relations in a city more likely to mistrust cops than ever. It’s going to be one very long night for Maureen.
Author: Bill Loehfelm
Publisher: Picador
ISBN: 9781250181671
Category : Fiction
Languages : en
Pages : 0
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Book Description
With The Devil's Muse, Bill Loehfelm returns with another gripping installment in his “edgy, dangerous, but pulsing with life” (Booklist) Maureen Coughlin series. New Orleans’s toughest female cop tackles her very first Mardi Gras Now that she’s back on the force and her work with the FBI is over, Maureen Coughlin should have a quieter life. Until Mardi Gras rolls around, that is. New Orleans’s biggest and most infamous party, Mardi Gras may be fun for the revelers but it’s hell for the NOPD, who try to keep the peace on streets jam-packed with drunken paradegoers and the thousands of tourists pouring into the city to join the action. With all that chaos, the city becomes a breeding ground for crimes of all shapes and sizes. Maureen’s Mardi Gras night starts with a bang when a man in pink zebra-print tights—and nothing else—runs past and throws himself onto the hood of a moving car. It only gets worse when she hears gunshots over the noise of the crowd. In the midst of the revelry, Maureen and her fellow cops must stabilize the shooting victims and hunt down the shooter, all while grappling with massive crowds, a camera crew intent on capturing the investigation for their YouTube channel, an incompetent on-duty detective, and race relations in a city more likely to mistrust cops than ever. It’s going to be one very long night for Maureen.
Author: Associate Professor in English Fred Parker
Publisher:
ISBN: 9781602584730
Category :
Languages : en
Pages : 0
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Book Description
Does the Devil lie at the heart of the creative process? In The Devil as Muse, Fred Parker offers an entirely fresh reflection on the age-old question, echoing William Blake's famous statement: the true poet is of the Devil's party. Expertly examining three literary interpretations of the Devil and his influence upon the artist--Milton's Satan in Paradise Lost, the Mephistopheles of Goethe's Faust, and the one who offers daimonic creativity in Thomas Mann's Doctor Faustus--Parker unveils a radical tension between the ethical and the aesthetic. While the Devil is the artist's necessary collaborator and liberating muse, from an ethical standpoint the price paid for such creativity is nothing less damnable than the Faustian pact--and the artist who is creative in that way is seen as accursed, alienated, morally disturbing. In their own different ways, Parker shows, Blake, Byron, and Mann all reflect and acknowledge that tension in their work, and model ways to resolve it through their writing. Linking these literary conceptions with scholarship on the genesis of the historical conception of the Devil and recent work on the role of otherness in creativity, Parker insightfully suggests how creative literature can feel its way back along the processes--both theological and psychological--that lie behind such constructions of the Adversary.
Author: Associate Professor in English Fred Parker
Publisher:
ISBN: 9781602584730
Category :
Languages : en
Pages : 0
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Book Description
Does the Devil lie at the heart of the creative process? In The Devil as Muse, Fred Parker offers an entirely fresh reflection on the age-old question, echoing William Blake's famous statement: the true poet is of the Devil's party. Expertly examining three literary interpretations of the Devil and his influence upon the artist--Milton's Satan in Paradise Lost, the Mephistopheles of Goethe's Faust, and the one who offers daimonic creativity in Thomas Mann's Doctor Faustus--Parker unveils a radical tension between the ethical and the aesthetic. While the Devil is the artist's necessary collaborator and liberating muse, from an ethical standpoint the price paid for such creativity is nothing less damnable than the Faustian pact--and the artist who is creative in that way is seen as accursed, alienated, morally disturbing. In their own different ways, Parker shows, Blake, Byron, and Mann all reflect and acknowledge that tension in their work, and model ways to resolve it through their writing. Linking these literary conceptions with scholarship on the genesis of the historical conception of the Devil and recent work on the role of otherness in creativity, Parker insightfully suggests how creative literature can feel its way back along the processes--both theological and psychological--that lie behind such constructions of the Adversary.
Author: Jason P. Coy
Publisher: University of Virginia Press
ISBN: 0813944082
Category : History
Languages : en
Pages : 240
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Book Description
In early modern Germany, soothsayers known as wise women and men roamed the countryside. Fixtures of village life, they identified thieves and witches, read palms, and cast horoscopes. German villagers regularly consulted these fortune-tellers and practiced divination in their everyday lives. Jason Phillip Coy brings their enchanted world to life by examining theological discourse alongside archival records of prosecution for popular divination in Thuringia, a diverse region in central Germany divided into a patchwork of princely territories, imperial cities, small towns, and rural villages. Popular divination faced centuries of elite condemnation, as the Lutheran clergy attempted to suppress these practices in the wake of the Reformation and learned elites sought to eradicate them during the Enlightenment. As Coy finds, both of these reform efforts failed, and divination remained a prominent feature of rural life in Thuringia until well into the nineteenth century. The century after 1550 saw intense confessional conflict accompanied by widespread censure and disciplinary measures, with prominent Lutheran theologians and demonologists preaching that divination was a demonic threat to the Christian community and that soothsayers deserved the death penalty. Rulers, however, refused to treat divination as a capital crime, and the populace continued to embrace it alongside official Christianity in troubled times. The Devil’s Art highlights the limits of Reformation-era disciplinary efforts and demonstrates the extent to which reformers’ efforts to inculcate new cultural norms relied upon the support of secular authorities and the acquiescence of parishioners. Negotiation, accommodation, and local resistance blunted official reform efforts and ensured that occult activities persisted and even flourished in Germany into the modern era, surviving Reformation-era preaching and Enlightenment-era ridicule alike. Studies in Early Modern German History
Author: Auryn Hadley
Publisher:
ISBN: 9781985624016
Category :
Languages : en
Pages : 508
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Book Description
I always imagined Death's final kiss would be cold. It wasn't. Four years later, I can still remember the exact shade of his skin: a blue so pale it looked like moonlight. I dream of his touch. Mostly, I paint the man under the heavy cowl, including those perfect lips which ruined mine for anyone else. I'm obsessed with him. The doctors say he's nothing more than a hallucination caused by a mixture of head trauma and emergency pain medications. I think he's a really sexy figment of my imagination. I mean, who besides an artist would dream up the Grim Reaper for their hero?Now, something's changed and my drawings are taking on a life of their own. As if college wasn't hard enough, trying to keep this a secret is going to be impossible. Keeping my sanity might be worse. And that's not the worst of my problems.Death is back. He wants another kiss.And he's not alone.The Kiss of Death is a 156,000 word, full-length novel with NO cliffhanger ending. This is a Reverse Harem series which includes multiple love interests, some m/m themes, and graphic scenes of sex, violence, and language. Be warned: everything you thought you knew about the world, religion, and death will be pulled apart, twisted around, and put back together in ways you will not expect.
Author: Piers Anthony
Publisher: Harper Collins
ISBN: 0380752859
Category : Fiction
Languages : en
Pages : 340
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Book Description
The Man Who Would Be Satan Parry was a gifted musician and an apprentice in the arts of White Magic. But his life of sweet promise went disastrously awry following the sudden, violent death of his beloved Jolie. Led down the twisted path of wickedness and depravity by Lilah the harlot demoness, Parry thrived -- first as a sorceror, then as a monk, and finally as a feared inquisitor. But it wasn't until his mortal flame was extinguished that Parry found his true calling -- as the Incarnation of Evil. And, at the gates of Hell, he prepared to wage war on the master himself -- Lucifer, the dark lord -- with dominion over the infernal realms the ultimate prize!
Author: Neil Forsyth
Publisher: Princeton University Press
ISBN: 1400825237
Category : Literary Criticism
Languages : en
Pages : 394
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Book Description
The Satan of Paradise Lost has fascinated generations of readers. This book attempts to explain how and why Milton's Satan is so seductive. It reasserts the importance of Satan against those who would minimize the poem's sympathy for the devil and thereby make Milton orthodox. Neil Forsyth argues that William Blake got it right when he called Milton a true poet because he was "of the Devils party" even though he set out "to justify the ways of God to men." In seeking to learn why Satan is so alluring, Forsyth ranges over diverse topics--from the origins of evil and the relevance of witchcraft to the status of the poetic narrator, the epic tradition, the nature of love between the sexes, and seventeenth-century astronomy. He considers each of these as Milton introduces them: as Satanic subjects. Satan emerges as the main challenge to Christian belief. It is Satan who questions and wonders and denounces. He is the great doubter who gives voice to many of the arguments that Christianity has provoked from within and without. And by rooting his Satanic reading of Paradise Lost in Biblical and other sources, Forsyth retrieves not only an attractive and heroic Satan but a Milton whose heretical energies are embodied in a Satanic character with a life of his own.
Author: Bill Loehfelm
Publisher: Macmillan + ORM
ISBN: 142996880X
Category : Fiction
Languages : en
Pages : 334
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Book Description
With The Devil She Knows, Bill Loehfelm has written a pitch-black thriller in a fresh, compulsively readable voice, with pages that turn themselves. This is the real deal: a breakout novel by a writer whom Publishers Weekly has praised for his "superb prose and psychological insights." Life isn't panning out for Maureen Coughlin. At twenty-nine, the tough-skinned Staten Island native's only excitement comes from . . . well, not much. A fresh pack of American Spirits, maybe, or a discreet dash of coke before work. If something doesn't change soon, she'll end up a "lifer" at the Narrows, the faux-swank bar where she works one long night after another. But just like the island, the Narrows has its seamy side. After work one night, Maureen walks in on a tryst between her co-worker Dennis and Frank Sebastian, a silver-haired politico. When Sebastian demands her silence, Maureen is more than happy to forget what she's seen—until Dennis turns up dead on the train tracks the next morning. The murder sends Maureen careening out of her stultifying routine and into fast-deepening trouble. Soon she's on the run through the seedy underbelly of the borough, desperate to stop Sebastian before Dennis's fate becomes her own.
Author: Phillip Margulies
Publisher: Houghton Mifflin Harcourt
ISBN: 9780618717170
Category : History
Languages : en
Pages : 228
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Book Description
Featuring five famous trials, this book examines the way our right to a fair trial can be threatened, when people are tempted to abandon their principles in the name of safety. Trials included are the Salem Witch Trials, the Haymarket Affair Trial, the Scopes "Monkey" Trial, the trial of Alger Hiss, and the trial of Zacarias Moussaoui--the latter not yet covered extensively in any book.
Author: Gaj Trifković
Publisher: University Press of Kentucky
ISBN: 1949668118
Category : History
Languages : en
Pages : 471
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Book Description
The Second World War in Yugoslavia is notorious for the brutal struggle between the armed forces of the Third Reich and the communist-led Partisans. Less known is the fact that the two sides negotiated prisoner exchanges throughout the war. Under extraordinary circumstances, these early communications evolved into a formal exchange agreement centered on the creation of a neutral zone—quite possibly the only such area in occupied Europe—where prisoners were regularly exchanged until late April 1945, saving thousands of lives. The leadership on both sides used these points of contact to hold secret political talks, for which they were nearly branded as traitors by their superiors in Berlin and Moscow. Parleying with the Devil is the first comprehensive analysis of prisoner exchanges and the attendant contacts between the German occupation authorities and the Yugoslav Partisans. Trifković argues that prisoner exchange had a decisive influence on prisoner of war policies on both sides and helped reduce the levels of violence for which this theater of war became infamous. Parleying with the Devil reveals that these points of contact, contrary to some claims, did not lead to collusion between these two parties against other Yugoslav factions or the Western Allies.
