Author: Fred Lewis Pattee
Publisher:
ISBN:
Category : American fiction
Languages : en
Pages : 408
Book Description
The Development of the American Short Story
Author: Fred Lewis Pattee
Publisher:
ISBN:
Category : American fiction
Languages : en
Pages : 408
Book Description
Publisher:
ISBN:
Category : American fiction
Languages : en
Pages : 408
Book Description
A Short History of the Short Story
Author: Gulnaz Fatma
Publisher: Loving Healing Press
ISBN: 1615991662
Category : Literary Criticism
Languages : en
Pages : 46
Book Description
Worldwide Appreciation of the Short Story Form Spans Cultures and Centuries! In this concise volume, Gulnaz Fatma traces the short story from its origins in fables, ancient poetry, and tales such as "The Arabian Nights," to its modern form in the early American stories of Irving, Poe, and Hawthorne, and then through the twentieth century and throughout the world. The elements of what makes a short story are presented along with a discussion of the difficulties in defining the genre. The short story's relation to the novel as well as its uniqueness as its own form are deftly presented. While the American and European traditions of the short story take up much of this book, the final chapter is a thorough presentation of the short story's development in India. Anyone interested in the short story--teachers, students, writers, and readers--will find this volume informative, thoughtful, and a welcome addition to our understanding of one of literature's most dynamic forms. Gulnaz Fatma is an Indian writer and author. She is a research scholar in the Department of English at Aligarh Muslim University in Aligarh, India. "As a fiction writer who has also taught the short story form, I was impressed by the thoroughness and insight presented in this concise book. Fatma's broad exploration of the short story form is backed by numerous supporting examples and her chapter on the short story in India will introduce many readers to that country's own literary gems." --Tyler R. Tichelaar, Ph.D. and author of the award-winning "Narrow Lives" From the World Voices Series www.ModernHistoryPress.com Literary Criticism: Short Stories Literary Criticism: Asian - General
Publisher: Loving Healing Press
ISBN: 1615991662
Category : Literary Criticism
Languages : en
Pages : 46
Book Description
Worldwide Appreciation of the Short Story Form Spans Cultures and Centuries! In this concise volume, Gulnaz Fatma traces the short story from its origins in fables, ancient poetry, and tales such as "The Arabian Nights," to its modern form in the early American stories of Irving, Poe, and Hawthorne, and then through the twentieth century and throughout the world. The elements of what makes a short story are presented along with a discussion of the difficulties in defining the genre. The short story's relation to the novel as well as its uniqueness as its own form are deftly presented. While the American and European traditions of the short story take up much of this book, the final chapter is a thorough presentation of the short story's development in India. Anyone interested in the short story--teachers, students, writers, and readers--will find this volume informative, thoughtful, and a welcome addition to our understanding of one of literature's most dynamic forms. Gulnaz Fatma is an Indian writer and author. She is a research scholar in the Department of English at Aligarh Muslim University in Aligarh, India. "As a fiction writer who has also taught the short story form, I was impressed by the thoroughness and insight presented in this concise book. Fatma's broad exploration of the short story form is backed by numerous supporting examples and her chapter on the short story in India will introduce many readers to that country's own literary gems." --Tyler R. Tichelaar, Ph.D. and author of the award-winning "Narrow Lives" From the World Voices Series www.ModernHistoryPress.com Literary Criticism: Short Stories Literary Criticism: Asian - General
The South African Short Story in English, 1920-2010
Author: Marta Fossati
Publisher: Oxford University Press
ISBN: 0198910991
Category : Literary Criticism
Languages : en
Pages : 289
Book Description
Through detailed close readings alongside investigations into the history of print culture, Marta Fossati traces the development of the South African short story in English from the late 1920s to the first decade of the twenty-first century. She examines a selection of short stories by important Black South African writers (Rolfes and Herbert Dhlomo, Peter Abrahams, Can Themba, Alex La Guma, Mtutuzeli Matshoba, Ahmed Essop, and Zoë Wicomb) with an alertness to the dialogue between ethics and aesthetics performed by these texts. This new history of Black short fiction problematises and interrogates the often-polarised readings of Black literature in South Africa that can be torn between notions of literariness, protest, and journalism. Due to material constraints, short fiction in South Africa circulated first and foremost through local print media, which Fossati analyses in detail to show the cross-fertilisation between journalism and the short story. While rooted in the South African context, the short stories considered also hold a translocal dimension, allowing us to explore the ethical and aesthetic practice of intertextuality. These are writings that complicate the aesthetics/ethics binary, generic classifications, and the categories of the literary and the political. Theoretically eclectic in its approach, although largely underpinned by a narratological analysis, The South African Short Story in English, 1920-2010: When Aesthetics Meets Ethics offers a fresh perspective on the South African short story in English, spotlighting several hitherto marginalised figures in South African literary studies.
Publisher: Oxford University Press
ISBN: 0198910991
Category : Literary Criticism
Languages : en
Pages : 289
Book Description
Through detailed close readings alongside investigations into the history of print culture, Marta Fossati traces the development of the South African short story in English from the late 1920s to the first decade of the twenty-first century. She examines a selection of short stories by important Black South African writers (Rolfes and Herbert Dhlomo, Peter Abrahams, Can Themba, Alex La Guma, Mtutuzeli Matshoba, Ahmed Essop, and Zoë Wicomb) with an alertness to the dialogue between ethics and aesthetics performed by these texts. This new history of Black short fiction problematises and interrogates the often-polarised readings of Black literature in South Africa that can be torn between notions of literariness, protest, and journalism. Due to material constraints, short fiction in South Africa circulated first and foremost through local print media, which Fossati analyses in detail to show the cross-fertilisation between journalism and the short story. While rooted in the South African context, the short stories considered also hold a translocal dimension, allowing us to explore the ethical and aesthetic practice of intertextuality. These are writings that complicate the aesthetics/ethics binary, generic classifications, and the categories of the literary and the political. Theoretically eclectic in its approach, although largely underpinned by a narratological analysis, The South African Short Story in English, 1920-2010: When Aesthetics Meets Ethics offers a fresh perspective on the South African short story in English, spotlighting several hitherto marginalised figures in South African literary studies.
The South in the Building of the Nation: History of southern fiction, ed. by E. Mims
Author: Franklin Lafayette Riley
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 550
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 550
Book Description
Love and Hydrogen
Author: Jim Shepard
Publisher: Vintage
ISBN: 0307426718
Category : Fiction
Languages : en
Pages : 297
Book Description
I’ve been a problem baby, a lousy son, a distant brother, an off-putting neighbor, a piss-poor student, a worrisome seatmate, an unreliable employee, a bewildering lover, a frustrating confidante and a crappy husband. Among the things I do pretty well at this point I’d have to list darts, re-closing Stay-Fresh boxes, and staying out of the way. This is the self-eulogy offered early on by the unwilling hero of the opening story in this collection, a dazzling array of work in short fiction from a master of the form. The stories in Love and Hydrogen—familiar to readers from publications ranging from McSweeney’s to The New Yorker to Harper’s to Tin House—encompass in theme and compassion what an ordinary writer would seem to need several lifetimes to imagine. A frustrated wife makes use of an enterprising illegal-gun salesman to hold her husband hostage; two hapless adult-education students botch their attempts at rudimentary piano but succeed in a halting, awkward romance; a fascinated and murderous Creature welcomes the first human visitors to his Black Lagoon; and in the title story, the stupefyingly huge airship Hindenburg flies to its doom, representing in 1937 mankind's greatest yearning as well as its titanic failure. Generous in scope and astonishing in ambition, Shepard’s voice never falters; the virtuosity of Love and Hydrogen cements his reputation as, in the words of Rick Bass, “a passionate writer with a razor-sharp wit and an elephantine heart”—in short, one of the most powerful talents at work today.
Publisher: Vintage
ISBN: 0307426718
Category : Fiction
Languages : en
Pages : 297
Book Description
I’ve been a problem baby, a lousy son, a distant brother, an off-putting neighbor, a piss-poor student, a worrisome seatmate, an unreliable employee, a bewildering lover, a frustrating confidante and a crappy husband. Among the things I do pretty well at this point I’d have to list darts, re-closing Stay-Fresh boxes, and staying out of the way. This is the self-eulogy offered early on by the unwilling hero of the opening story in this collection, a dazzling array of work in short fiction from a master of the form. The stories in Love and Hydrogen—familiar to readers from publications ranging from McSweeney’s to The New Yorker to Harper’s to Tin House—encompass in theme and compassion what an ordinary writer would seem to need several lifetimes to imagine. A frustrated wife makes use of an enterprising illegal-gun salesman to hold her husband hostage; two hapless adult-education students botch their attempts at rudimentary piano but succeed in a halting, awkward romance; a fascinated and murderous Creature welcomes the first human visitors to his Black Lagoon; and in the title story, the stupefyingly huge airship Hindenburg flies to its doom, representing in 1937 mankind's greatest yearning as well as its titanic failure. Generous in scope and astonishing in ambition, Shepard’s voice never falters; the virtuosity of Love and Hydrogen cements his reputation as, in the words of Rick Bass, “a passionate writer with a razor-sharp wit and an elephantine heart”—in short, one of the most powerful talents at work today.
The Postcolonial Short Story
Author: Maggie Awadalla
Publisher: Springer
ISBN: 1137292083
Category : Literary Criticism
Languages : en
Pages : 190
Book Description
This book puts the short story at the heart of contemporary postcolonial studies and questions what postcolonial literary criticism may be. Focusing on short fiction between 1975 and today – the period in which critical theory came to determine postcolonial studies – it argues for a sophisticated critique exemplified by the ambiguity of the form.
Publisher: Springer
ISBN: 1137292083
Category : Literary Criticism
Languages : en
Pages : 190
Book Description
This book puts the short story at the heart of contemporary postcolonial studies and questions what postcolonial literary criticism may be. Focusing on short fiction between 1975 and today – the period in which critical theory came to determine postcolonial studies – it argues for a sophisticated critique exemplified by the ambiguity of the form.
Rain and Other South Sea Stories
Author: W. Somerset Maugham
Publisher: Courier Corporation
ISBN: 0486114198
Category : Fiction
Languages : en
Pages : 178
Book Description
The clash between a missionary and a prostitute, "Rain" is among this master storyteller's most famous tales. Additional selections include "Macintosh," "The Fall of Edward Barnard," "The Pool," and other compelling stories of life in the tropics.
Publisher: Courier Corporation
ISBN: 0486114198
Category : Fiction
Languages : en
Pages : 178
Book Description
The clash between a missionary and a prostitute, "Rain" is among this master storyteller's most famous tales. Additional selections include "Macintosh," "The Fall of Edward Barnard," "The Pool," and other compelling stories of life in the tropics.
University of North Carolina Extension Bulletin
Author: University of North Carolina (1793-1962) University extension division
Publisher:
ISBN:
Category :
Languages : en
Pages : 60
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 60
Book Description
Reports and Resolutions of the General Assembly of the State of South Carolina
Author: South Carolina
Publisher:
ISBN:
Category : South Carolina
Languages : en
Pages : 1400
Book Description
The early years include principally resolutions, with few reports.
Publisher:
ISBN:
Category : South Carolina
Languages : en
Pages : 1400
Book Description
The early years include principally resolutions, with few reports.
The Oral-Style South African Short Story in English
Author: Craig MacKenzie
Publisher: BRILL
ISBN: 900449037X
Category : Literary Criticism
Languages : en
Pages : 238
Book Description
This study deals with a particular kind of short story in South African English literature - a kind of story variously called the fireside tale, tall tale, skaz narrative or (the term used here) the 'oral-style' story. Most famously exemplified in the Oom Schalk Lourens narratives of Herman Charles Bosman, the oral-style story has its roots in the hunting tale and camp-fire yarn of the nineteenth century and has dozens of exponents in South African literature, most of them long forgotten. Here this neglect has been addressed. A.W. Drayson's Tales at the Outspan (1862) provides a point of departure, and is followed by discussions of works by William Charles Scully, Percy FitzPatrick, Ernest Glanville, Perceval Gibbon, Francis Carey Slater, Pauline Smith, and Aegidius Jean Blignaut, all of whom used the oral-style story genre. In the work of Herman Charles Bosman, however, the South African oral-style story comes into its own. In his Oom Schalk Lourens figure is invested all of the complexity and 'double-voicedness' that was latent - and largely dormant - in the earlier works. Bosman demonstrates his sophistication particularly in his metafictional use of the oral-style story. The study concludes with a discussion of the use of oral forms in the work of more recent black writers - among them Bessie Head, Mtutuzeli Matshoba, and Njabulo Ndebele.
Publisher: BRILL
ISBN: 900449037X
Category : Literary Criticism
Languages : en
Pages : 238
Book Description
This study deals with a particular kind of short story in South African English literature - a kind of story variously called the fireside tale, tall tale, skaz narrative or (the term used here) the 'oral-style' story. Most famously exemplified in the Oom Schalk Lourens narratives of Herman Charles Bosman, the oral-style story has its roots in the hunting tale and camp-fire yarn of the nineteenth century and has dozens of exponents in South African literature, most of them long forgotten. Here this neglect has been addressed. A.W. Drayson's Tales at the Outspan (1862) provides a point of departure, and is followed by discussions of works by William Charles Scully, Percy FitzPatrick, Ernest Glanville, Perceval Gibbon, Francis Carey Slater, Pauline Smith, and Aegidius Jean Blignaut, all of whom used the oral-style story genre. In the work of Herman Charles Bosman, however, the South African oral-style story comes into its own. In his Oom Schalk Lourens figure is invested all of the complexity and 'double-voicedness' that was latent - and largely dormant - in the earlier works. Bosman demonstrates his sophistication particularly in his metafictional use of the oral-style story. The study concludes with a discussion of the use of oral forms in the work of more recent black writers - among them Bessie Head, Mtutuzeli Matshoba, and Njabulo Ndebele.