The Development of 17th-century French Vocal Ornamentation and Its Influence Upon Late Baroque Ornamentation-practice: The development of 17th-century French vocal ornamentation and its influence upon late baroque ornamentation-practice PDF Download
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Author: Austin B. Caswell
Publisher:
ISBN:
Category : Vocal music
Languages : en
Pages :
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Book Description
Author: Austin B. Caswell
Publisher:
ISBN:
Category : Vocal music
Languages : en
Pages :
Get Book Here
Book Description
Author: Austin B. Caswell
Publisher:
ISBN:
Category : Vocal music
Languages : en
Pages :
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Book Description
Author: Austin B. Caswell
Publisher:
ISBN:
Category : Embellishment (Vocal music)
Languages : en
Pages : 326
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Book Description
Author: Austin B. Caswell
Publisher:
ISBN:
Category : Vocal music
Languages : en
Pages :
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Book Description
Author: Austin B. Caswell
Publisher:
ISBN:
Category : Embellishment (Vocal music)
Languages : en
Pages :
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Book Description
Author: Austin B. Jr.. Caswell
Publisher:
ISBN:
Category :
Languages : en
Pages : 1330
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Book Description
Author: Bénigne de Bacilly
Publisher:
ISBN:
Category : Singing
Languages : en
Pages :
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Author:
Publisher:
ISBN:
Category : Singing, French
Languages : en
Pages : 0
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Book Description
Author: Frederick Neumann
Publisher: Princeton University Press
ISBN: 0691213348
Category : Music
Languages : en
Pages : 644
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Book Description
Ornaments play an enormous role in the music of the seventeenth and eighteenth centuries, and ambiguities in their notation (as well as their frequent omission in the score) have left doubt as to how composers intended them to be interpreted. Frederick Neumann, himself a violinist and conductor, questions the validity of the rigid principles applied to their performance. In this controversial work, available for the first time in paperback, he argues that strict constraints are inconsistent with the freedom enjoyed by musicians of the period. The author takes an entirely new look at ornamentation, and particularly that of J. S. Bach. He draws on extensive research in England, France, Germany, Italy, and the United States to show that prevailing interpretations are based on inadequate evidence. These restrictive interpretations have been far-reaching in their effect on style. By questioning them, this work continues to stimulate a reorientation in our understandiing of Baroque and post-Baroque music.
Author: Catherine Gordon-Seifert
Publisher: Indiana University Press
ISBN: 0253000858
Category : Music
Languages : en
Pages : 409
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Book Description
Simple songs or airs, in which a male poetic voice either seduces or excoriates a female object, were an influential vocal genre of the French Baroque era. In this comprehensive and interdisciplinary study, Catherine Gordon-Seifert analyzes the style of airs, which was based on rhetorical devices of lyric poetry, and explores the function and meaning of airs in French society, particularly the salons. She shows how airs deployed in both text and music an encoded language that was in sensuous contrast to polite society's cultivation of chaste love, strict gender roles, and restrained discourse.
