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Author: Clément Dirié
Publisher: Rizzoli Publications
ISBN: 2080287605
Category : Design
Languages : en
Pages : 0
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Book Description
This panorama of the best of international contemporary design features emblematic works by the iconic designers of the Galerie kreo. A retrospective of groundbreaking creativity, this volume offers an overview of contemporary design from the innovative Galerie kreo where, for the past twenty years, internationally renowned designers have produced, exhibited, and distributed their works. Founded in 1999 by Clémence and Didier Krzentowski as a place for contemporary designers to experiment, the Paris- and London-based galleries today remain firmly rooted in modernity. Pieces produced with Galerie kreo by the world's most exciting contemporary designers--from Marc Newson, Hella Jongerius, and Jaime Hayon to Virgil Abloh, Konstantin Grcic, and Ronan and Erwan Bouroullec--are presented alongside pivotal moments in design history. An interview with the gallery's founders, an illustrated retrospective of more than one hundred exhibitions, and tributes by Galerie kreo's key companions weave together the story of this unique design laboratory, where a culture of innovation inspires new solutions in form and technique, and where important designers and their emblematic works have charted contemporary-design history.
Author: Clément Dirié
Publisher: Rizzoli Publications
ISBN: 2080287605
Category : Design
Languages : en
Pages : 0
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Book Description
This panorama of the best of international contemporary design features emblematic works by the iconic designers of the Galerie kreo. A retrospective of groundbreaking creativity, this volume offers an overview of contemporary design from the innovative Galerie kreo where, for the past twenty years, internationally renowned designers have produced, exhibited, and distributed their works. Founded in 1999 by Clémence and Didier Krzentowski as a place for contemporary designers to experiment, the Paris- and London-based galleries today remain firmly rooted in modernity. Pieces produced with Galerie kreo by the world's most exciting contemporary designers--from Marc Newson, Hella Jongerius, and Jaime Hayon to Virgil Abloh, Konstantin Grcic, and Ronan and Erwan Bouroullec--are presented alongside pivotal moments in design history. An interview with the gallery's founders, an illustrated retrospective of more than one hundred exhibitions, and tributes by Galerie kreo's key companions weave together the story of this unique design laboratory, where a culture of innovation inspires new solutions in form and technique, and where important designers and their emblematic works have charted contemporary-design history.
Author: Bruce M. Tharp
Publisher: MIT Press
ISBN: 0262546558
Category : Design
Languages : en
Pages : 641
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Book Description
Exploring how design can be used for good—prompting self-reflection, igniting the imagination, and affecting positive social change. Good design provides solutions to problems. It improves our buildings, medical equipment, clothing, and kitchen utensils, among other objects. But what if design could also improve societal problems by prompting positive ideological change? In this book, Bruce and Stephanie Tharp survey recent critical design practices and propose a new, more inclusive field of socially minded practice: discursive design. While many consider good design to be unobtrusive, intuitive, invisible, and undemanding intellectually, discursive design instead targets the intellect, prompting self-reflection and igniting the imagination. Discursive design (derived from “discourse”) expands the boundaries of how we can use design—how objects are, in effect, good(s) for thinking. Discursive Design invites us to see objects in a new light, to understand more than their basic form and utility. Beyond the different foci of critical design, speculative design, design fiction, interrogative design, and adversarial design, Bruce and Stephanie Tharp establish a more comprehensive, unifying vision as well as innovative methods. They not only offer social criticism but also explore how objects can, for example, be used by counselors in therapy sessions, by town councils to facilitate a pre-vote discussions, by activists seeking engagement, and by institutions and industry to better understand the values, beliefs, and attitudes of those whom they serve. Discursive design sparks new ways of thinking, and it is only through new thinking that our sociocultural futures can change.
Author: Anne Bony
Publisher:
ISBN:
Category : Design
Languages : en
Pages : 250
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Book Description
Translated from the French by Judith Hayward.
Author: Anthony Dunne
Publisher: MIT Press
ISBN: 0262019841
Category : Design
Languages : en
Pages : 235
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Book Description
How to use design as a tool to create not only things but ideas, to speculate about possible futures. Today designers often focus on making technology easy to use, sexy, and consumable. In Speculative Everything, Anthony Dunne and Fiona Raby propose a kind of design that is used as a tool to create not only things but ideas. For them, design is a means of speculating about how things could be—to imagine possible futures. This is not the usual sort of predicting or forecasting, spotting trends and extrapolating; these kinds of predictions have been proven wrong, again and again. Instead, Dunne and Raby pose “what if” questions that are intended to open debate and discussion about the kind of future people want (and do not want). Speculative Everything offers a tour through an emerging cultural landscape of design ideas, ideals, and approaches. Dunne and Raby cite examples from their own design and teaching and from other projects from fine art, design, architecture, cinema, and photography. They also draw on futurology, political theory, the philosophy of technology, and literary fiction. They show us, for example, ideas for a solar kitchen restaurant; a flypaper robotic clock; a menstruation machine; a cloud-seeding truck; a phantom-limb sensation recorder; and devices for food foraging that use the tools of synthetic biology. Dunne and Raby contend that if we speculate more—about everything—reality will become more malleable. The ideas freed by speculative design increase the odds of achieving desirable futures.
Author: Patrice Farameh
Publisher: Curated Collection
ISBN: 9780983083191
Category : Skull
Languages : en
Pages : 496
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Book Description
'Skull Style' presents not only one of the most ancient symbols used in the history of mankind but how it is utilized in the most surprising and modern way today. Formerly an emblem of evil and mortality, the skull has been transformed into an avant-garde design element used in the most cutting-edge art, chic interiors and vanguard style of the moment. Whether embellished on costly T-shirts, woven on limited edition chairs, and even encrusted with diamonds sold at an art auction for $100 million, the skull is no longer just a daunting memento of our frail mortality but a contemporary figure of fashion. This book shows how this once morbid trinket of death has been reinvented into the much-desired decoration by the trendsetters of tomorrow.
Author: Anthony Dunne
Publisher: MIT Press
ISBN: 0262318512
Category : Design
Languages : en
Pages : 235
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Book Description
How to use design as a tool to create not only things but ideas, to speculate about possible futures. Today designers often focus on making technology easy to use, sexy, and consumable. In Speculative Everything, Anthony Dunne and Fiona Raby propose a kind of design that is used as a tool to create not only things but ideas. For them, design is a means of speculating about how things could be—to imagine possible futures. This is not the usual sort of predicting or forecasting, spotting trends and extrapolating; these kinds of predictions have been proven wrong, again and again. Instead, Dunne and Raby pose “what if” questions that are intended to open debate and discussion about the kind of future people want (and do not want). Speculative Everything offers a tour through an emerging cultural landscape of design ideas, ideals, and approaches. Dunne and Raby cite examples from their own design and teaching and from other projects from fine art, design, architecture, cinema, and photography. They also draw on futurology, political theory, the philosophy of technology, and literary fiction. They show us, for example, ideas for a solar kitchen restaurant; a flypaper robotic clock; a menstruation machine; a cloud-seeding truck; a phantom-limb sensation recorder; and devices for food foraging that use the tools of synthetic biology. Dunne and Raby contend that if we speculate more—about everything—reality will become more malleable. The ideas freed by speculative design increase the odds of achieving desirable futures.
Author: Barbara Glasner
Publisher: Walter de Gruyter
ISBN: 3034604467
Category : Design
Languages : en
Pages : 320
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Book Description
Designer und Architekten müssen täglich über Farben entscheiden. Aber wie findet man die wegweisende Inspiration? Die passende Farbe? Wie gehen andere Gestalter oder Künstler mit dem Thema um? Unter dem Titel Chroma, dem griechischen Wort für Farbe, gibt der vorliegende Bildband Antwort auf diese Fragen und macht deutlich, dass Farbe eben nicht nur Dekoration ist, sondern eine der zentralen Problemstellungen kreativer Arbeit. Dabei setzt Chroma auf die sinnliche Erfahrung von Farbe, inspiriert und verführt mit außergewöhnlichen Projekten von Industrieprodukten bis Farbfeldmalerei. Das Buch präsentiert sowohl die Arbeiten jüngerer Designer wie Stefan Diez und Arik Levy als auch die berühmter Künstler wie Ellsworth Kelly. Sämtliche Arbeiten sind großformatig dargestellt und in einer Art Farbverlauf den Kapiteln „monochromatic", "multichromatic" und "achromatic" zugeordnet. Das Spektrum umfasst alle erdenklichen Töne und Kombinationen, von leuchtenden, bunten über dezente Farbkompositionen, bis hin zu Schwarz-Weiß-Kontrasten. Ein weiteres Kapitel analysiert die Arbeit herausragender Künstler, Architekten und Designer wie Gerhard Richter, Konstantin Grcic oder Sauerbruch Hutton, die sich in besonderem Maße mit Farbe auseinandersetzen und zu einer charakteristischen Farbwelt gefunden haben. Ein alphabetischer Index liefert Hintergrundinformationen zu den ausgewählten Personen und Studios.
Author: Louise Schouwenberg
Publisher:
ISBN: 9783960982548
Category : Art and design
Languages : en
Pages : 200
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Book Description
Design theorist Louise Schouwenberg examines the meaning and agency of things as mediators between people and world, both within everyday life and the museum context.Moreover, she questions the market's obsession with novelty in design, and searches for answers how to distinguish novelty for the sake of novelty from true cultural innovation in design, of which a museum archive testifies.The themes, examples and images are chosen in close consultation with designer Hella Jongerius.Graphic design by Irma Boom.Published on the occasion of the exhibition, Die Neue Sammlung/Beyond The New at The Design Museum, Pinakothek der Moderne, Munich (10 November 2017 - 16 September 2018).
Author: Anthony Dunne
Publisher: MIT Press
ISBN: 0262548682
Category : Design
Languages : en
Pages : 239
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Book Description
How to use design as a tool to create not only things but ideas, to speculate about possible futures. Today designers often focus on making technology easy to use, sexy, and consumable. In Speculative Everything, Anthony Dunne and Fiona Raby propose a kind of design that is used as a tool to create not only things but ideas. For them, design is a means of speculating about how things could be—to imagine possible futures. This is not the usual sort of predicting or forecasting, spotting trends and extrapolating; these kinds of predictions have been proven wrong, again and again. Instead, Dunne and Raby pose “what if” questions that are intended to open debate and discussion about the kind of future people want (and do not want). Speculative Everything offers a tour through an emerging cultural landscape of design ideas, ideals, and approaches. Dunne and Raby cite examples from their own design and teaching and from other projects from fine art, design, architecture, cinema, and photography. They also draw on futurology, political theory, the philosophy of technology, and literary fiction. They show us, for example, ideas for a solar kitchen restaurant; a flypaper robotic clock; a menstruation machine; a cloud-seeding truck; a phantom-limb sensation recorder; and devices for food foraging that use the tools of synthetic biology. Dunne and Raby contend that if we speculate more—about everything—reality will become more malleable. The ideas freed by speculative design increase the odds of achieving desirable futures.
Author: Mateo Kries
Publisher:
ISBN: 9783931936068
Category :
Languages : en
Pages : 319
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Book Description
Konstantin Grcic ist einer der wichtigsten Designer unserer Zeit. Seine Entwürfe verbinden industrielle Ästhetik mit experimentellen, künstlerischen Elementen, sie sind ernsthaft und funktional, sperrig und teilweise irritierend. Manche von Grcics Designs, etwa der »Chair_One± (2004) oder die Leuchte »Mayday± (1999), gelten bereits heute als Designklassiker. Mit »Konstantin Grcic – Panorama± präsentiert das Vitra Design Museum die bislang größte Einzelausstellung zu Grcic und seinem Werk. Eigens für die Ausstellung hat Grcic mehrere raumgreifende Installationen entwickelt, die seine persönlichen Visionen für das Leben von morgen darlegen: ein Wohninterieur, ein Designatelier und einen Stadtraum. Sie zeigen fiktive Szenarien, konfrontieren den Betrachter mit den Inspirationen, Herausforderungen und Fragen des Designers und stellen Grcics Entwürfe in einen größeren gesell-schaftlichen Zusammenhang. Höhepunkt dieser Inszenierungen ist ein 30 Meter langes Panoramabild, das eine Architekturlandschaft der Zukunft zeigt.0Ein vierter Ausstellungsbereich richtet einen konzentrierten Blick auf die tägliche Arbeit von Konstantin Grcic. Hier werden viele seiner Produkte, aber auch Prototypen, Zeichnungen und Hintergrundinformationen gezeigt, ergänzt um Fundstücke, Alltagsgegenstände und Werke anderer Gestalter, die Grcic inspiriert haben – von einer alten Teekanne und einem frühen Apple-Computer bis hin zu Werken von Marcel Duchamp, Gerrit Rietveld oder Enzo Mari. Mit dem Wechsel der Perspektiven zwischen dem großen und dem kleinen Zusammenhang zeigt die Ausstellung, dass Design für Grcic nicht nur Problemlösung ist, sondern ein assoziativer Umgang mit Bildern, Zufällen, Brüchen und Entdeckungen.0Exhibition: Vitra Design Museum, Weil am Rhein, Germany (22.3.-14.9.2014) / Z33, Hasselt, Belgium (1.2.-24.5.2015).
