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Author: W. Hall Harris
Publisher: BRILL
ISBN: 9789004103108
Category : Religion
Languages : en
Pages : 248
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Book Description
This volume examines early Jewish and Christian imagery to demonstrate that the most probable interpretation of Christ's descent in Ephesians 4:9-10 refers to the descent of the Spirit at Pentecost subsequent to the ascent mentioned in Ephesians 4:8. The central portion of the book deals with the ascent-descent imagery associating Ps. 68:19 with Moses as found in Targum Psalms, the rabbinic literature, and other early sources. The section dealing with rabbinic interpretations of Ps. 68:19 is of particular importance demonstrating an approach for dating elements found in the later rabbinic tradition. The theological innovation of the author of Ephesians in identifying the ascended Christ as the Spirit who descended at Pentecost is highlighted as the best explanation of this difficult passage.
Author: W. Hall Harris
Publisher: BRILL
ISBN: 9789004103108
Category : Religion
Languages : en
Pages : 248
Get Book Here
Book Description
This volume examines early Jewish and Christian imagery to demonstrate that the most probable interpretation of Christ's descent in Ephesians 4:9-10 refers to the descent of the Spirit at Pentecost subsequent to the ascent mentioned in Ephesians 4:8. The central portion of the book deals with the ascent-descent imagery associating Ps. 68:19 with Moses as found in Targum Psalms, the rabbinic literature, and other early sources. The section dealing with rabbinic interpretations of Ps. 68:19 is of particular importance demonstrating an approach for dating elements found in the later rabbinic tradition. The theological innovation of the author of Ephesians in identifying the ascended Christ as the Spirit who descended at Pentecost is highlighted as the best explanation of this difficult passage.
Author: Matthew Y. Emerson
Publisher: InterVarsity Press
ISBN: 0830870539
Category : Religion
Languages : en
Pages : 277
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Book Description
The descent of Jesus Christ to the dead has been a fundamental tenet of the Christian faith, as indicated by its inclusion in both the Apostles' and Athanasian Creeds. But it has also been the subject of suspicion and scrutiny, especially from evangelicals. Led by the mystery and wonder of Holy Saturday, Matthew Emerson offers an exploration of the biblical, historical, theological, and practical implications of the descent.
Author: Samuel D Renihan
Publisher:
ISBN:
Category :
Languages : en
Pages : 232
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Book Description
Where was Christ's soul between his death and resurrection? Was it in heaven? Did it descend to the dead? This book answers that question, in two parts. The first half of the book is dedicated to exegesis, looking at what the Scriptures tell us about this important issue. The second half of the book is dedicated to historical sources relating to the doctrine of the descent in Protestant Churches in the sixteenth and seventeenth centuries.
Author: Fleming Rutledge
Publisher: Wm. B. Eerdmans Publishing
ISBN: 0802847323
Category : Religion
Languages : en
Pages : 695
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Book Description
Few treatments of the death of Jesus Christ have made a point of accounting for the gruesome, degrading, public manner of his death by crucifixion, a mode of execution so loathsome that the ancient Romans never spoke of it in polite society. Rutledge probes all the various themes and motifs used by the New Testament evangelists and apostolic writers to explain the meaning of the cross of Christ. She shows how each of the biblical themes contributes to the whole, with the Christus Victor motif and the concept of substitution sharing pride of place along with Irenaeus's recapitulation model.
Author: Grayson Perry
Publisher: Penguin
ISBN: 1524705306
Category : Social Science
Languages : en
Pages : 162
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Book Description
What does it mean to be male in the 21st Century? Award-winning artist Grayson Perry explores what masculinity is: from sex to power, from fashion to career prospects, and what it could become—with illustrations throughout. In this witty and necessary new book, artist Grayson Perry trains his keen eye on the world of men to ask, what sort of man would make the world a better place? What would happen if we rethought the macho, outdated version of manhood, and embraced a different ideal? In the current atmosphere of bullying, intolerance and misogyny, demonstrated in the recent Trump versus Clinton presidential campaign, The Descent of Man is a timely and essential addition to current conversations around gender. Apart from gaining vast new wardrobe options, the real benefit might be that a newly fitted masculinity will allow men to have better relationships—and that’s happiness, right? Grayson Perry admits he’s not immune from the stereotypes himself—yet his thoughts on everything from power to physical appearance, from emotions to a brand new Manifesto for Men, are shot through with honesty, tenderness, and the belief that, for everyone to benefit, updating masculinity has to be something men decide to do themselves. They have nothing to lose but their hang-ups.
Author: Beatrice E. Kitzinger
Publisher: Cambridge University Press
ISBN: 1108577016
Category : Art
Languages : en
Pages :
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Book Description
In this book, Beatrice E. Kitzinger explores the power of representation in the Carolingian period, demonstrating how images were used to assert the value and efficacy of art works. She focuses on the cross, Christianity's central sign, which simultaneously commemorates sacred history, functions in the present, and prepares for the end of time. It is well recognized that the visual attributes of the cross were designed to communicate its theology relative to history and eschatology; Kitzinger argues that early medieval artists also developed a formal language to articulate its efficacious powers in the present day. Defined through form and text as the sign of the present, the image of the cross articulated the instrumentality of religious objects and built spaces. Whereas medieval and modern scholars have pondered the theological problems posed by representation, Kitzinger here proposes a visual argument that affirms the self-reflexive value of art works in the early medieval West. Introducing little-known sources, she re-evaluates both the image of the cross and the project of book-making in an expanded field of Carolingian painting.
Author: Ben Lerner
Publisher: Coffee House Press
ISBN: 1566892929
Category : Fiction
Languages : en
Pages : 191
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Book Description
Adam Gordon is a brilliant, if highly unreliable, young American poet on a prestigious fellowship in Madrid, struggling to establish his sense of self and his relationship to art. What is actual when our experiences are mediated by language, technology, medication, and the arts? Is poetry an essential art form, or merely a screen for the reader's projections? Instead of following the dictates of his fellowship, Adam's "research" becomes a meditation on the possibility of the genuine in the arts and beyond: are his relationships with the people he meets in Spain as fraudulent as he fears his poems are? A witness to the 2004 Madrid train bombings and their aftermath, does he participate in historic events or merely watch them pass him by? In prose that veers between the comic and tragic, the self-contemptuous and the inspired, Leaving the Atocha Station is a portrait of the artist as a young man in an age of Google searches, pharmaceuticals, and spectacle. Born in Topeka, Kansas, in 1979, Ben Lerner is the author of three books of poetry The Lichtenberg Figures, Angle of Yaw, and Mean Free Path. He has been a finalist for the National Book Award and the Northern California Book Award, a Fulbright Scholar in Spain, and the recipient of a 2010-2011 Howard Foundation Fellowship. In 2011 he became the first American to win the Preis der Stadt Münster für Internationale Poesie. Leaving the Atocha Station is his first novel.
Author: Richard Viladesau
Publisher: Oxford University Press
ISBN: 0198040660
Category : Religion
Languages : en
Pages : 225
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Book Description
From the earliest period of its existence, Christianity has been recognized as the "religion of the cross." Some of the great monuments of Western art are representations of the brutal torture and execution of Christ. Despite the horror of crucifixion, we often find such images beautiful. The beauty of the cross expresses the central paradox of Christian faith: the cross of Christ's execution is the symbol of God's victory over death and sin. The cross as an aesthetic object and as a means of devotion corresponds to the mystery of God's wisdom and power manifest in suffering and apparent failure. In this volume, Richard Viladesau seeks to understand the beauty of the cross as it developed in both theology and art from their beginnings until the eve of the renaissance. He argues that art and symbolism functioned as an alternative strand of theological expression -- sometimes parallel to, sometimes interwoven with, and sometimes in tension with formal theological reflection on the meaning of the Crucifixion and its role insalvation history. Using specific works of art to epitomize particular artistic and theological paradigms, Viladesau then explores the contours of each paradigm through the works of representative theologians as well as liturgical, poetic, artistic, and musical sources. The beauty of the cross is examined from Patristic theology and the earliest representations of the Logos on the cross, to the monastic theology of victory and the Romanesque crucified "majesty," to the Anselmian "revolution" that centered theological and artistic attention on the suffering humanity of Jesus, and finally to the breakdown of the high scholastic theology of the redemption in empirically concentrated nominalism and the beginnings of naturalism in art. By examining the relationship between aesthetic and conceptual theology, Viladesau deepens our understanding of the foremost symbol of Christianity. This volume makes an important contribution to an emerging field, breaking new ground in theological aesthetics. The Beauty of the Cross is a valuable resource for scholars, students, and anyone interested in the passion of Christ and its representation.
Author: Alma Katsu
Publisher: Simon and Schuster
ISBN: 1982165715
Category : Fiction
Languages : en
Pages : 352
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Book Description
The author of The Hunger delivers a “daring, soaring, and ultimately gut-wrenching” (The New York Times) conclusion to her critically acclaimed Taker Trilogy, bringing Lanore McIlvrae to a final encounter with Adair, her powerful nemesis. Dismayed by Adair’s otherworldly powers and afraid of his passionate temper, Lanore has run from him across time, even imprisoning him behind a wall for two centuries to save Jonathan, her eternal love. But instead of punishing her for her betrayal, Adair declared his love for Lanore once more and set her free. Now, Lanore has tracked Adair to his mystical island home to ask for one last favor. The Queen of the Underworld is keeping Jonathan as her consort, and Lanore wants Adair to send her to the hereafter so that she may beg for his release. Will she honor her promise to return to Adair? Or is her true intention to be reunited with Jonathan at any cost?
Author: Hans Urs von Balthasar
Publisher: Ignatius Press
ISBN: 1586171542
Category : Religion
Languages : en
Pages : 136
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Book Description
In the 1960's, Fr. Hans Urs von Balthasar gave two conferences in Paris on the subject of redemption. One considered the perspective of Christ the Redeemer. The other gave a view of the redemption from the perspective of Mary and the Church, consenting to the sacrifice of Jesus. These two conferences are what Fr. Jacques Servais, S.J., in his foreword calls "a lantern of the Word," shedding light amidst the advancing turmoil of the postconciliar period. These conferences were later collected by the eminent theologian Henri Cardinal de Lubac, S.J., in a single volume along with an anthology of meditations on the Passion by the mystic Adrienne von Speyr, and selected by von Balthasar. In this new edition, prepared for the centenary of the birth of Hans Urs von Balthasar, Fr. Servais, the director of Casa Balthasar in Rome, provides an extensive postscript illuminating the text along with the original preface by de Lubac.
