The Demetrius Legend and Its Literary Treatment in the Age of the Baroque PDF Download
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Author: Ervin C. Brody
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838679692
Category : Vega, Lope de, 1562-1635. El gran duque de Moscovia
Languages : en
Pages : 342
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Book Description
Analyzes the use in two baroque dramas (El Gran Duque de Moscovia y Emperador Perseguido and The Loyal Subject) of the legend of Demetrius, Ivan the Terrible's son.
Author: Ervin C. Brody
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838679692
Category : Vega, Lope de, 1562-1635. El gran duque de Moscovia
Languages : en
Pages : 342
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Book Description
Analyzes the use in two baroque dramas (El Gran Duque de Moscovia y Emperador Perseguido and The Loyal Subject) of the legend of Demetrius, Ivan the Terrible's son.
Author: Daryl W. Palmer
Publisher: Routledge
ISBN: 1351870769
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
This study commences with a simple question: how did Russia matter to England in the age of William Shakespeare? In order to answer the question, the author studies stories of Lapland survival, diplomatic envoys, merchant transactions, and plays for the public theaters of London. At the heart of every chapter, Shakespeare and his contemporaries are seen questioning the status of writing in English, what it can and cannot accomplish under the influence of humanism, capitalism, and early modern science. The phrase 'Writing Russia' stands for the way these English writers attempted to advance themselves by conjuring up versions of Russian life. Each man wrote out of a joint-stock arrangement, and each man's relative success and failure tells us much about the way Russia mattered to England.
Author: Margaret Ziolkowski
Publisher: Princeton University Press
ISBN: 1400859409
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
The heritage of medieval hagiography, the diverse and voluminous literature devoted to saints, was much more important in nineteenth-century Russia than is often recognized. Although scholars have treated examples of the influence of hagiographic writing on a few prominent Russian writers, Margaret Ziolkowski is the first to describe the vast extent of its impact. Some of the authors she discusses are Kondratii Ryleev, Aleksandr Bestuzhev-Marlinskii, Fedor Dostoevsky, Leo Tolstoy, Nikolai Leskov, Gleb Uspenskii, Dmitrii Merezhkovskii, and Maksimilian Voloshin. Such writers were often exposed to saints' lives at an early age, and these stories left a deep impression to be dealt with later, whether favorably or otherwise. Professor Ziolkowski identifies and analyzes the most common usages of hagiographic material by Russian writers, as well as the variety of purposes that inspired this exploitation of their cultural past. Tolstoy, for instance, employed hagiographic sources to attack the organized church and the institution of monasticism. Individual chapters treat the influence of hagiography on the poetry of the Decembrists, reworkings of specific hagiographic legends or tales, and the application of hagiographic conventions and features to contemporary characters and situations. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Piero Boitani
Publisher: BRILL
ISBN: 9004453679
Category : Literary Criticism
Languages : en
Pages : 473
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Book Description
Anagnorisis has been called ‘one of the great works of comparative literary criticism of our time’. It is a book that spans the millennia, the adventures of Ulysses in Homer and God’s mysterious appearance to Abraham in Genesis, down not only to Joyce’s Ulysses and Thomas Mann’s Joseph and his Brothers, but also to Dumas’ Count of Montecristo, Borges’s ‘The Immortal’, and Walcott's Omeros. ‘Anagnorisis’ means ‘recognition’. Aristotle defined it simply as ‘the passage from ignorance to knowledge’. But the knowledge one gains in anagnorisis is neither scientific nor abstract – it is living knowledge in the flesh, as Euripides’ Helen understood when, seeing her husband again after many years, she exclaimed: ‘to recognize those we love is a god.
Author: Richard Taruskin
Publisher: Princeton University Press
ISBN: 9780691016238
Category : Literary Collections
Languages : en
Pages : 456
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Book Description
Incorporating both new and now-classic essays, this book sets the vocal works of Modest Musorgsky in a fully detailed cultural, political, and historical context, elevating the composer's image over other biographers. Among the book's many offerings are the most complete explanation of the revision of the opera "Boris Godunov", and a revisionary characterization of "Khovanshchina" as an aristocratic tragedy resulting from a pessimistic view of history. Includes 102 music examples.
Author: Elizabeth A. Blake
Publisher: Northwestern University Press
ISBN: 0810167565
Category : Literary Criticism
Languages : en
Pages : 307
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Book Description
While Dostoevsky’s relation to religion is well-trod ground, there exists no comprehensive study of Dostoevsky and Catholicism. Elizabeth Blake’s ambitious and learned Dostoevsky and the Catholic Underground fills this glaring omission in the scholarship. Previous commentators have traced a wide-ranging hostility in Dostoevsky’s understanding of Catholicism to his Slavophilism. Blake depicts a far more nuanced picture. Her close reading demonstrates that he is repelled and fascinated by Catholicism in all its medieval, Reformation, and modern manifestations. Dostoevsky saw in Catholicism not just an inspirational source for the Grand Inquisitor but a political force, an ideological wellspring, a unique mode of intellectual inquiry, and a source of cultural production. Blake’s insightful textual analysis is accompanied by an equally penetrating analysis of nineteenth-century European revolutionary history, from Paris to Siberia, that undoubtedly influenced the evolution of Dostoevsky’s thought.
Author:
Publisher: BRILL
ISBN: 9004216820
Category : History
Languages : en
Pages : 404
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Book Description
Mobs are complex, often an enigma. The topic of Mobs presented here serves as a means to address not only an important historical as well as present consideration, but to provide multiple disciplinary methods and viewpoints, bringing the past into the present.
Author: J. Douglas Clayton
Publisher: Northwestern University Press
ISBN: 0810119382
Category : Drama
Languages : en
Pages : 234
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Book Description
An original and provocative interpretation of Boris Godunov as a reflection of Pushkin's thought on the Russian state
Author: Dian Fox
Publisher: Tamesis
ISBN: 9780729302401
Category : Literary Criticism
Languages : en
Pages : 166
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Book Description
Author: Rebecca Beasley
Publisher: OUP Oxford
ISBN: 0191636630
Category : Literary Criticism
Languages : en
Pages : 326
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Book Description
Russia in Britain offers the first comprehensive account of the breadth and depth of the British fascination with Russian and Soviet culture, tracing its transformative effect on British intellectual life from the 1880s, the decade which saw the first sustained interest in Russian literature, to 1940, the eve of the Soviet Union's entry into the Second World War. By focusing on the role played by institutions, disciplines and groups, libraries, periodicals, government agencies, concert halls, publishing houses, theatres, and film societies, this collection marks an important departure from standard literary critical narratives, which have tended to highlight the role of a small number of individuals, notably Sergei Diaghilev, Constance Garnett, Theodore Komisarjevsky, Katherine Mansfield, George Bernard Shaw and Virginia Woolf. Drawing on recent research and newly available archives, Russia in Britain shifts attention from individual figures to the networks within which they operated, and uncovers the variety of forces that enabled and structured the British engagement with Russian culture. The resulting narrative maps an intricate pattern of interdisciplinary relations and provides the foundational research for a new understanding of Anglo-Russian/Soviet interaction. In this, it makes a major contribution to the current debates about transnationalism, cosmopolitanism and 'global modernisms' that are reshaping our knowledge of nineteenth- and early twentieth-century British culture.
