The Debate about Colour Naming in 19th Century German Philology PDF Download
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Author: Barbara Saunders
Publisher: Leuven University Press
ISBN: 9058676005
Category : Art
Languages : en
Pages : 201
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Book Description
This selection of work directs itself toward the growing field of psychology and the shifting ground on which it was to form the later debates about color naming and categorization.
Author: Barbara Saunders
Publisher: Leuven University Press
ISBN: 9058676005
Category : Art
Languages : en
Pages : 201
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Book Description
This selection of work directs itself toward the growing field of psychology and the shifting ground on which it was to form the later debates about color naming and categorization.
Author: Natasha Eaton
Publisher: Bloomsbury Publishing
ISBN: 085772276X
Category : Art
Languages : en
Pages : 432
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Book Description
Colour, Art and Empire explores the entanglements of visual culture, enchanted technologies, waste, revolution, resistance and otherness. The materiality of colour offers a critical and timely force-field for approaching afresh debates on colonialism. This book analyses the formation of colour and politics as qualitative overspill. Colour can be viewed both as central and supplemental to early photography, the totem, alchemy, tantra and mysticism. From the eighteenth-century Austrian Empress Maria Theresa to Rabindranath Tagore and Gandhi, to 1970s Bollywood, colour makes us adjust our take on the politics of the human sensorium as defamiliarising and disorienting. The four chapters conjecture how European, Indian and Papua New Guinean artists, writers, scientists, activists, anthropologists or their subjects sought to negotiate the highly problematic stasis of colour in the repainting of modernity. Specifically, the thesis of this book traces Europeans' admiration and emulation of what they termed 'Indian colour' to its gradual denigration and the emergence of a 'space of exception'. This space of exception pitted industrial colours against the colonial desire for a massive workforce whose slave-like exploitation ignited riots against the production of pigments - most notably indigo. Feared or derided, the figure of the vernacular dyer constituted a force capable of dismantling the imperial machinations of colour. Colour thus wreaks havoc with Western expectations of biological determinism, objectivity and eugenics. Beyond the cracks of such discursive practice, colour becomes a sentient and nomadic retort to be pitted against a perceived colonial hegemony. The ideological reinvention of colour as a resource for independence struggles make it fundamental to multivalent genealogies of artistic and political action and their relevance to the present.
Author: Renzo Shamey
Publisher: Springer Nature
ISBN: 3030898628
Category : Science
Languages : en
Pages : 1634
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Book Description
This fully revised and expanded 2nd edition provides a single authoritative resource describing the concepts of color and the application of color science across research and industry. Significant changes for the 2nd edition include: New and expanded sections on color engineering More entries on fundamental concepts of color science and color terms Many additional entries on specific materials Further material on optical concepts and human visual perception Additional articles on organisations, tools and systems relevant to color A new set of entries on 3D presentation of color In addition, many of the existing entries have been revised and updated to ensure that the content of the encyclopedia is current and represents the state of the art. The work covers the full gamut of color: the fundamentals of color science; the physics and chemistry; color as it relates to optical phenomena and the human visual system; and colorants and materials. The measurement of color is described through entries on colorimetry, color spaces, color difference metrics, color appearance models, color order systems and cognitive color. The encyclopedia also has extensive coverage of applications throughout industry, including color imaging, color capture, display and printing, and descriptions of color encodings, color management, processing color and applications relating to color synthesis for computer graphics are included. The broad scope of the work is illustrated through entries on color in art conservation, color and architecture, color and education, color and culture, and biographies of some of the key figures involved in color research throughout history. With over 250 entries from color science researchers across academia and industry, this expanded 2nd edition of the Encyclopedia of Color Science and Technology remains the most important single resource in color science.
Author:
Publisher: BRILL
ISBN: 9004343040
Category : Language Arts & Disciplines
Languages : en
Pages : 527
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Book Description
The writing of Arabic’s linguistic history is by definition an interdisciplinary effort, the result of collaboration between historical linguists, epigraphists, dialectologists, and historians. The present volume seeks to catalyse a dialogue between scholars in various fields who are interested in Arabic’s past and to illustrate how much there is to be gained by looking beyond the traditional sources and methods. It contains 15 innovative studies ranging from pre-Islamic epigraphy to the modern spoken dialect, and from comparative Semitics to Middle Arabic. The combination of these perspectives hopes to stand as an important methodological intervention, encouraging a shift in the way Arabic’s linguistic history is written.
Author: Viviane Arigne
Publisher: Cambridge Scholars Publishing
ISBN: 152752115X
Category : Language Arts & Disciplines
Languages : en
Pages : 388
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Book Description
This book addresses some issues of theorization in linguistics having to do with the systems of representation used in linguistics and the relation between linguistics and cognition. The essays gathered in the first part question the very concept of metalanguage, comparing the metalanguage used in formalised languages and that of natural languages, or examining Chomsky’s theory of mental representations in relation to semantic description and analysis. In the same line of thought, another contribution endeavours to show how the notational system of a linguistic theory is part and parcel of both conceptualisation and theorisation, in an analysis based on the early development of phonetics and phonology. The second part of the volume studies the relations between linguistics and cognition seen under different angles. The first study examines how the relation between cognitive linguistics and other disciplines is conducive to confusion and divergences in the interpretation of the terminology, and is followed by a discussion of the origins and development of prototype theory in psychology and its transfer in linguistics by cognitive semanticists. The last two chapters study how mental operations are expressed in language, analysing the cognitive processes of deductive vs. abductive inference on the one hand, and the metarepresentation of utterance acts by assertive shell-nouns on the other hand.
Author: Nicholas Gaskill
Publisher: U of Minnesota Press
ISBN: 1452957630
Category : Literary Criticism
Languages : en
Pages : 366
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Book Description
The first major literary and cultural history of color in America, 1880–1930 Chromographia tells the story of how color became modern and how literature, by engaging with modern color, became modernist. From the vivid pictures in children’s books to the bold hues of abstract painting, from psychological theories of perception to the synthetic dyes that brightened commercial goods, color concerned both the material stuff of modernity and its theoretical and artistic formulations. Chromographia spans these diverse practices to reveal the widespread effects on U.S. literature and culture of the chromatic revolution that unfolded at the turn of the twentieth century. In analyzing color experience through the lens of U.S. writers (including Charlotte Perkins Gilman, L. Frank Baum, Stephen Crane, Charles Chesnutt, Gertrude Stein, Nella Larsen, and William Carlos Williams), Chromographia argues that modern aesthetic techniques are inseparable from the theories and technologies that drove modern color. Nicholas Gaskill shows how literature registered the social worlds within which chromatic technologies emerged, and also experimented with the ideas about perception, language, and the sensory environment that accompanied their proliferation. Chromographia is the only study of modern color in U.S. literature. It presents a new reading of perception in literature and a theory of experience that uses color to move beyond the usual divisions of modern thought.
Author: Charles Darwin
Publisher: Cambridge University Press
ISBN: 1316998371
Category : Science
Languages : en
Pages : 1090
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Book Description
This volume is part of the definitive edition of letters written by and to Charles Darwin, the most celebrated naturalist of the nineteenth century. Notes and appendixes put these fascinating and wide-ranging letters in context, making the letters accessible to both scholars and general readers. Darwin depended on correspondence to collect data from all over the world, and to discuss his emerging ideas with scientific colleagues, many of whom he never met in person. The letters are published chronologically: volume 27 includes letters from 1879, the year in which Darwin completed his manuscript on movement in plants. He also researched and published a biography of his grandfather Erasmus. The Darwins spent most of August on holiday in the Lake District. In October, Darwin's youngest son, Horace, became officially engaged to Ida Farrer, after some initial resistance from her father, who, although an admirer of Charles Darwin, thought Horace a poor prospect for his daughter.
Author: Christian Ferencz-Flatz
Publisher: Springer Nature
ISBN: 3031276159
Category : Philosophy
Languages : en
Pages : 219
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Book Description
This book outlines the most important points of intersection between early phenomenology and critical theory. It develops extensive analyses’ of specific instruments of the phenomenological method such as eidetic intuition and the procedures of genetic phenomenology. These procedures were both criticized and reappropriated by some of the most notable early critical theorists such as Adorno, Benjamin, Kracauer and Marcuse. As such, the book offers the first extensive account of the important phenomenological heritage of critical theory. This book also attests to the versatility of the phenomenological method, which can be shown to have influenced a wide array of approaches within the critical tradition. The chapters focus on these early critical theorists and also discuss the applications of their methods within the treatment of numerous media-theory issues. In so doing, the book shows how fertile a critically reappropriated phenomenology may prove for tackling contemporary media phenomena such as television, film and advertising. This volume appeals to students and researchers working in the crosshairs of phenomenology, critical theory, and media studies.
Author: Charles Darwin
Publisher: Cambridge University Press
ISBN: 1108502318
Category : Science
Languages : en
Pages : 1074
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Book Description
This volume is part of the definitive edition of letters written by and to Charles Darwin, the most celebrated naturalist of the nineteenth century. Notes and appendixes put these fascinating and wide-ranging letters in context, making the letters accessible to both scholars and general readers. Darwin depended on correspondence to collect data from all over the world, and to discuss his emerging ideas with scientific colleagues, many of whom he never met in person. The letters are published chronologically: volume 25 includes letters from 1877, the year in which Darwin published Forms of Flowers and with his son Francis carried out experiments on plant movement and bloom on plants. Darwin was awarded an honorary LL.D. by Cambridge University, and appeared in person to receive it. The volume contains a number of appendixes, including two on the albums of photograph sent to Darwin by his Dutch, German, and Austrian admirers.
Author:
Publisher:
ISBN:
Category : Science
Languages : en
Pages : 360
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Book Description
