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Author: Gregory B. Stone
Publisher: University of Pennsylvania Press
ISBN: 1512807338
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
The Death of the Troubadour offers new insight into the emergence of the autonomous "self," which has often been taken as a marker of the end of the Middle Ages and the beginning of the Renaissance. Gregory B. Stone argues that the anonymity of late medieval texts, and specifically of the troubadour song, is not a sign of naïveté but rather that of a mature, deliberate resistance to the advent of individualism. Moreover, this anonymity reveals that medieval lyric, with a melancholy knowledge of the inevitable triumph of the specific over the general, of private over public subjectivity, lurks at the heart of narrative, ready to wield a retributive violence. Through a series of detailed readings of a colorful selection of texts which mourn "the death of the troubadour"—including old French lais, old Provençal vidas and razos, Italian novella, and Chaucer's Book of the Duchess—Stone locates various strategies of resistance to bourgeois individualism and to the emerging notion that literature is the realistic mimesis of historical fact. He offers brief narratives recounting the biographies of specifically identified troubadour poets and the events that led those individuals to compose specific verses for individual ladies. This narrative birth of the individual is, indeed, the death of the troubadour. The Death of the Troubadour will interest students and scholars of medieval and Renaissance literature, and of literary theory.
Author: Gregory B. Stone
Publisher: University of Pennsylvania Press
ISBN: 1512807338
Category : Literary Criticism
Languages : en
Pages : 240
Get Book Here
Book Description
The Death of the Troubadour offers new insight into the emergence of the autonomous "self," which has often been taken as a marker of the end of the Middle Ages and the beginning of the Renaissance. Gregory B. Stone argues that the anonymity of late medieval texts, and specifically of the troubadour song, is not a sign of naïveté but rather that of a mature, deliberate resistance to the advent of individualism. Moreover, this anonymity reveals that medieval lyric, with a melancholy knowledge of the inevitable triumph of the specific over the general, of private over public subjectivity, lurks at the heart of narrative, ready to wield a retributive violence. Through a series of detailed readings of a colorful selection of texts which mourn "the death of the troubadour"—including old French lais, old Provençal vidas and razos, Italian novella, and Chaucer's Book of the Duchess—Stone locates various strategies of resistance to bourgeois individualism and to the emerging notion that literature is the realistic mimesis of historical fact. He offers brief narratives recounting the biographies of specifically identified troubadour poets and the events that led those individuals to compose specific verses for individual ladies. This narrative birth of the individual is, indeed, the death of the troubadour. The Death of the Troubadour will interest students and scholars of medieval and Renaissance literature, and of literary theory.
Author: Lauren St John
Publisher: Harper Collins
ISBN: 0007161255
Category : Biography & Autobiography
Languages : en
Pages : 418
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Book Description
If Steve Earle weren't a living, breathing person, he'd be a character in a blues song -- a raucous ballad about a gifted rebel who drank too much, lost most of his women in a blizzard of crack and cocaine addiction, and always came out on the wrong side of the law. Somewhere in the midst of all this, he also managed to weld rock to country, the Beatles to Springsteen, and bluegrass to punk, establishing himself among the most thoroughly original and politically astute musicians of his generation. Granted unrestricted access to Steve and his family and friends, Lauren St John has given us a sometimes shocking, often moving, and completely unvarnished biography of one of America's most talismanic sons.
Author: Martin Walker
Publisher: Vintage
ISBN: 059331980X
Category : Fiction
Languages : en
Pages : 321
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Book Description
When a musician’s new song hits a political nerve, he finds himself in the crosshairs of Spanish nationalists’ ire, and it’s up to Bruno to track down the extremists who seem ready to take deadly measures, in another delightful installment of the internationally acclaimed series featuring Bruno, Chief of Police. “As usual, Walker concocts a satisfying dish featuring an intriguing lead character who moves through enviable settings and enjoys wonderful meals while tracking down criminals.”—Booklist Les Troubadours, a folk music group that Bruno has long supported, go viral with their new number, “Song for Catalonia,” when the Spanish government suddenly bans the song. The songwriter, Joel Martin, is a local enthusiast for the old Occitan language of Périgord and the medieval troubadours, and he sympathizes with the Catalan bid for independence. The success of his song provokes outrage among extreme Spanish nationalists. Then, in a stolen car found on a Périgord back road, police discover a distinctive bullet for a state-of-the-art sniper's rifle that can kill at three kilometers, and they fear that Joel might be the intended target. The French and Spanish governments agree to mount a joint operation to stop the assailants, and Bruno is the local man on the spot who mobilizes his resources to track them down. While Bruno tries to keep the peace, his friend Florence reaches out for help. Her abusive ex-husband is about to be paroled from prison and she fears he will return to reclaim their children. Will Bruno and Florence be able to prevent this unwanted visit? Despite the pressures, there is always time for Bruno to savor les plaisirs of the Dordogne around the table with friends.
Author: Billy Bragg
Publisher: Faber & Faber
ISBN: 0571327761
Category : Music
Languages : en
Pages : 357
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Book Description
SHORTLISTED FOR THE PENDERYN MUSIC BOOK PRIZERoots, Radicals & Rockers: How Skiffle Changed the World is the first book to explore this phenomenon in depth - a meticulously researched and joyous account that explains how skiffle sparked a revolution that shaped pop music as we have come to know it. It's a story of jazz pilgrims and blues blowers, Teddy Boys and beatnik girls, coffee-bar bohemians and refugees from the McCarthyite witch-hunts. Billy traces how the guitar came to the forefront of music in the UK and led directly to the British Invasion of the US charts in the 1960s.Emerging from the trad-jazz clubs of the early '50s, skiffle was adopted by kids who growing up during the dreary, post-war rationing years. These were Britain's first teenagers, looking for a music of their own in a pop culture dominated by crooners and mediated by a stuffy BBC. Lonnie Donegan hit the charts in 1956 with a version of 'Rock Island Line' and soon sales of guitars rocketed from 5,000 to 250,000 a year. Like punk rock that would flourish two decades later, skiffle was a do-it-yourself music. All you needed were three guitar chords and you could form a group, with mates playing tea-chest bass and washboard as a rhythm section.
Author: Simon Gaunt
Publisher: Cambridge University Press
ISBN: 1316582620
Category : Literary Criticism
Languages : en
Pages : 346
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Book Description
The dazzling culture of the troubadours - the virtuosity of their songs, the subtlety of their exploration of love, and the glamorous international careers some troubadours enjoyed - fascinated contemporaries and had a lasting influence on European life and literature. Apart from the refined love songs for which the troubadours are renowned, the tradition includes political and satirical poetry, devotional lyrics and bawdy or zany poems. It is also in the troubadour song-books that the only substantial collection of medieval lyrics by women is preserved. This book offers a general introduction to the troubadours. Its sixteen newly-commissioned essays, written by leading scholars from Britain, the US, France, Italy and Spain, trace the historical development and setting of troubadour song, engage with the main trends in troubadour criticism, and examine the reception of troubadour poetry. Appendices offer an invaluable guide to the troubadours, to technical vocabulary, to research tools and to surviving manuscripts.
Author: A. Kline
Publisher:
ISBN: 9781722867010
Category :
Languages : en
Pages : 210
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Book Description
From Dawn to Dawn - Troubadour Poetry. Translated into English from the Occitan by A. S. Kline. Published with commentary notes and illustrations courtesy of the public domain collections of the British Library. The troubadour tradition of lyric poetry originated in eleventh century Occitania - a region comprising what is now southern France together with portions of Catalonia and northern Italy. Occitania, whilst a cultural union linguistically founded on the Occitan language, was neither a legal nor political entity in its own right. The troubadour school of Occitan poetical and musical fiction, rich in genre and satire, concerned itself principally with the twin themes of chivalry and courtly love. Spreading across Europe over two and a half centuries, the tradition eventually waned in popularity and died out around the time of the Black Death. This selection of Occitan poetry comprises verse of poetic merit rather than that of purely historic interest. The translations herein aim to preserve, in some measure, the rhyming schemes of the originals. The form of Occtian poems was at least half their art - with crucially many being set to music, of which much survives. This and other texts available from Poetry in Translation
Author: Malcolm White
Publisher: Price Stern Sloan
ISBN: 9780843117080
Category : Juvenile Fiction
Languages : en
Pages : 0
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Book Description
Author: Sophie Jewett
Publisher:
ISBN:
Category :
Languages : en
Pages : 246
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Book Description
Author: George Economou
Publisher: New York Review of Books
ISBN: 168137031X
Category : Poetry
Languages : en
Pages : 353
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Book Description
It was out of medieval Provence—Proensa—that the ethos of courtly love emerged, and it was in the poetry of the Provençal troubadours that it found its perfect expression. Their poetry was also a central inspiration for Dante and his Italian contemporaries, propagators of the modern vernacular lyric, and seven centuries later it was no less important to the modernist Ezra Pound. These poems, a source to which poetry has returned again and again in search of renewal, are subtle, startling, earthy, erotic, and supremely musical. The poet Paul Blackburn studied and translated the troubadours for twenty years, and the result of that long commitment is Proensa, an anthology of thirty poets of the eleventh through thirteenth centuries, which has since established itself not only as a powerful and faithful work of translation but as a work of poetry in its own right. Blackburn’s Proensa, George Economou writes, “will take its place among Gavin Douglas’ Aeneid, Golding’s Metamorphoses, the Homer of Chapman, Pope, and Lattimore, Waley’s Japanese, and Pound’s Chinese, Italian, and Old English.”
Author: Nicole M. Schulman
Publisher: Routledge
ISBN: 1136064982
Category : History
Languages : en
Pages : 354
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Book Description
Using one man as a lens, a man known variously as Folquet, Folques, Folco, and Folc, it will examine some of the important changes and developments of the period from a new, more human, perspective.
