The Death of Rhythm and Blues PDF Download
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Author: Nelson George
Publisher: Penguin
ISBN: 1101160675
Category : Social Science
Languages : en
Pages : 257
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Book Description
From Nelson George, supervising producer and writer of the hit Netflix series, "The Get Down," this passionate and provocative book tells the complete story of black music in the last fifty years, and in doing so outlines the perilous position of black culture within white American society. In a fast-paced narrative, Nelson George’s book chronicles the rise and fall of “race music” and its transformation into the R&B that eventually dominated the airwaves only to find itself diluted and submerged as crossover music.
Author: Nelson George
Publisher: Penguin
ISBN: 1101160675
Category : Social Science
Languages : en
Pages : 257
Get Book Here
Book Description
From Nelson George, supervising producer and writer of the hit Netflix series, "The Get Down," this passionate and provocative book tells the complete story of black music in the last fifty years, and in doing so outlines the perilous position of black culture within white American society. In a fast-paced narrative, Nelson George’s book chronicles the rise and fall of “race music” and its transformation into the R&B that eventually dominated the airwaves only to find itself diluted and submerged as crossover music.
Author: Nelson George
Publisher: Pantheon
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 266
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Book Description
The classic history of modern black music from "the best black writer writing about black music in America" ("Newsweek"). This passionate and provocative book tells the complete story of black music in the last 50 years, and in doing so outlines the perilous position of black culture within white American society.
Author: Norman Kelley
Publisher: Akashic Books
ISBN: 9781888451689
Category : Business & Economics
Languages : en
Pages : 348
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Book Description
Given than hip hop music alone has generated more than a billion dollars in sales, the absence of a major black record company is disturbing. Even Motown is now a subsidiary of the Universal Music Group. Nonetheless, little has been written about the economic relationship between African-Americans and the music industry. This anthology dissects contemporary trends in the music industry and explores how blacks have historically interacted with the business as artists, business-people and consumers.
Author: Nelson George
Publisher: Penguin
ISBN: 9780143035152
Category : Social Science
Languages : en
Pages : 260
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Book Description
From Nelson George, supervising producer and writer of the hit Netflix series, "The Get Down, Hip Hop America is the definitive account of the society-altering collision between black youth culture and the mass media.
Author: Michael Awkward
Publisher: Duke University Press
ISBN: 9780822339977
Category : Biography & Autobiography
Languages : en
Pages : 284
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Book Description
DIVCultural and literary study of the construction of racial and artistic identity in soul cover albums of three popular artists--Aretha Franklin, Al Green, and Phoebe Snow./div
Author: James M. Salem
Publisher: University of Illinois Press
ISBN: 9780252069697
Category : Biography & Autobiography
Languages : en
Pages : 324
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Book Description
If Elvis Presley was a white man who sang in a predominantly black style, Johnny Ace was a black man who sang in a predominantly white one. This title presents a treatment of this influential performer taking the reader to Beale Street in Memphis and to Houston's Fourth Ward, both vibrant black communities where the music never stopped.
Author: Nelson George
Publisher: Akashic Books
ISBN: 1617750247
Category : Fiction
Languages : en
Pages : 177
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Book Description
In a novel set in the hip hop world, bodyguard and security expert D Hunter reluctantly investigates the murder of his mentor, respected music critic Dwayne Robinson, whose killing has been dismissed by the NYPD as a gang initiation.
Author: Lynn Abbott
Publisher: Univ. Press of Mississippi
ISBN: 1496810031
Category : Music
Languages : en
Pages : 866
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Book Description
Blues Book of the Year —Living Blues Association of Recorded Sound Collections Awards for Excellence Best Historical Research in Recorded Blues, Gospel, Soul, or R&B–Certificate of Merit (2018) 2023 Blues Hall of Fame Inductee - Classic of Blues Literature category With this volume, Lynn Abbott and Doug Seroff complete their groundbreaking trilogy on the development of African American popular music. Fortified by decades of research, the authors bring to life the performers, entrepreneurs, critics, venues, and institutions that were most crucial to the emergence of the blues in black southern vaudeville theaters; the shadowy prehistory and early development of the blues is illuminated, detailed, and given substance. At the end of the nineteenth century, vaudeville began to replace minstrelsy as America’s favorite form of stage entertainment. Segregation necessitated the creation of discrete African American vaudeville theaters. When these venues first gained popularity, ragtime coon songs were the standard fare. Insular black southern theaters provided a safe haven, where coon songs underwent rehabilitation and blues songs suitable for the professional stage were formulated. The process was energized by dynamic interaction between the performers and their racially-exclusive audience. The first blues star of black vaudeville was Butler “String Beans” May, a blackface comedian from Montgomery, Alabama. Before his bizarre, senseless death in 1917, String Beans was recognized as the “blues master piano player of the world.” His musical legacy, elusive and previously unacknowledged, is preserved in the repertoire of country blues singer-guitarists and pianists of the race recording era. While male blues singers remained tethered to the role of blackface comedian, female “coon shouters” acquired a more dignified aura in the emergent persona of the “blues queen.” Ma Rainey, Bessie Smith, and most of their contemporaries came through this portal; while others, such as forgotten blues heroine Ora Criswell and her protégé Trixie Smith, ingeniously reconfigured the blackface mask for their own subversive purposes. In 1921 black vaudeville activity was effectively nationalized by the Theater Owners Booking Association (T.O.B.A.). In collaboration with the emergent race record industry, T.O.B.A. theaters featured touring companies headed by blues queens with records to sell. By this time the blues had moved beyond the confines of entertainment for an exclusively black audience. Small-time black vaudeville became something it had never been before—a gateway to big-time white vaudeville circuits, burlesque wheels, and fancy metropolitan cabarets. While the 1920s was the most glamorous and remunerative period of vaudeville blues, the prior decade was arguably even more creative, having witnessed the emergence, popularization, and early development of the original blues on the African American vaudeville stage.
Author: Ben Sandmel
Publisher: Louisiana Artists Biography
ISBN: 9780917860607
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
"May 1961, and one tune was sitting pretty atop both the R&B and pop charts. "Mother-in-Law" became the first hit by a New Orleans artist to achieve this feat?to rule black and white airwaves alike. Ernie K-Doe was only twenty-five years old, and his reign was just beginning. Born in New Orleans?s Charity Hospital, K-Doe came of age in a still-segregated South. He built his musical chops singing gospel in church, graduating to late-night gigs in clubs on the city?s backstreets. He practiced self-projection, reinvention, shedding his surname, Kador, for the radio-friendly tag K-Doe. He coined his own dialect, heavy on hyperbole, and created his own pantheon, placing himself front and center: "There have only been five great singers of rhythm & blues?Ernie K-Doe, James Brown, and Ernie K-Doe!" Decades after releasing his one-and-only chart-topper, he crowned himself Emperor of the Universe. A decade after his death, lovers of New Orleans music remain his loyal subjects." -- from publisher's website.
Author: Jerry Wexler
Publisher: Knopf
ISBN: 0307819000
Category : Music
Languages : en
Pages : 425
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Book Description
Atlantic Records partner and producer, Wexler presided over the evolution of the modern music business and made prodigious contributions through to our cultural history. Wexler has worked with the entire range of American genius: Ray Charles, Aretha Franklin, Otis Redding, Bob Dylan, Willie Nelson, and others. 75 photographs.
