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Author: Max Porter
Publisher: Strange Light
ISBN: 0771096380
Category : Fiction
Languages : en
Pages : 81
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Book Description
Madrid. Unfinished. Man dying. A great painter lies on his deathbed, synapses firing, writhing and reveling in pleasure and pain as a lifetime of chaotic and grotesque sense memories wash over and envelop him. In this bold and brilliant short work of experimental fiction by the author of Grief Is the Thing with Feathers and Lanny, Max Porter inhabits Francis Bacon in his final moments, translating into seven extraordinary written pictures the explosive final workings of the artist's mind. Writing as painting rather than about painting, Porter lets the images he conjures speak for themselves as they take their revenge on the subject who wielded them in life. The result is more than a biography: The Death of Francis Bacon is a physical, emotional, historical, sexual, and political bombardment--the measure of a man creative and compromised, erotic and masochistic, inexplicable and inspired.
Author: Max Porter
Publisher: Strange Light
ISBN: 0771096380
Category : Fiction
Languages : en
Pages : 81
Get Book Here
Book Description
Madrid. Unfinished. Man dying. A great painter lies on his deathbed, synapses firing, writhing and reveling in pleasure and pain as a lifetime of chaotic and grotesque sense memories wash over and envelop him. In this bold and brilliant short work of experimental fiction by the author of Grief Is the Thing with Feathers and Lanny, Max Porter inhabits Francis Bacon in his final moments, translating into seven extraordinary written pictures the explosive final workings of the artist's mind. Writing as painting rather than about painting, Porter lets the images he conjures speak for themselves as they take their revenge on the subject who wielded them in life. The result is more than a biography: The Death of Francis Bacon is a physical, emotional, historical, sexual, and political bombardment--the measure of a man creative and compromised, erotic and masochistic, inexplicable and inspired.
Author: Mark Stevens
Publisher: Knopf
ISBN: 052565674X
Category : Biography & Autobiography
Languages : en
Pages : 901
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Book Description
THE TIMES BEST ART BOOK OF THE YEAR • FINALIST FOR THE PLUTARCH AWARD AND THE APOLLO AWARD • “There are not many biographical masterpieces, but…Mark Stevens and Annalyn Swan have produced one,” wrote the novelist John Banville of Francis Bacon: Revelations. By the Pulitzer prize-winning authors of de Kooning: An American Master, this acclaimed biography contains a wealth of never before known details about one of the iconic artists of the 20th century—a singularly private, darkly funny, eruptive man and his extraordinary art, whose iconoclastic charm “keeps the pages turning” (The Washington Post). Francis Bacon created an indelible image of mankind in modern times, and played an outsized role in both twentieth century art and life—from his public emergence with his legendary Triptych 1944 (its images "so unrelievedly awful" that people fled the gallery), to his death in Madrid in 1992. Bacon was a witty free spirit and unabashed homosexual at a time when many others remained closeted, and his exploits were as unforgettable as his images. He moved among the worlds of London's Soho and East End, the literary salons of London and Paris, and the homosexual life of Tangier. Through hundreds of interviews, and extensive new research, the authors probe Bacon's childhood in Ireland (he earned his father's lasting disdain because his asthma prevented him from hunting); his increasingly open homosexuality; his early design career—never before explored in detail; the formation of his vision; his early failure as an artist; his uneasy relationship with American abstract art; and his improbable late emergence onto the international stage as one of the great visionaries of the twentieth century. In all, Francis Bacon: Revelations gives us a more complete and nuanced--and more international--portrait than ever before of this singularly private, darkly funny, eruptive man and his equally eruptive, extraordinary art. Bacon was not just an influential artist, he helped remake the twentieth-century figure.
Author: Francis Bacon
Publisher:
ISBN:
Category : Biology
Languages : en
Pages : 346
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Book Description
Author: Michael Peppiatt
Publisher: Bloomsbury Publishing
ISBN: 1408856239
Category : Biography & Autobiography
Languages : en
Pages : 417
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Book Description
It is a story I have been wanting to write for a long time, telling it as it really was before that whole world that I shared with Francis vanishes... Michael Peppiatt met Francis Bacon in June 1963 in Soho's French House to request an interview for a student magazine that he was editing. Bacon invited him to lunch, and over oysters and Chablis they began a friendship and a no-holds-barred conversation that would continue until Bacon's death thirty years later. Fascinated by the artist's brilliance and charisma, Peppiatt accompanied him on his nightly round of prodigious drinking from grand hotel to louche club and casino, seeing all aspects of Bacon's 'gilded gutter life' and meeting everybody around him, from Lucian Freud and Sonia Orwell to East End thugs; from predatory homosexuals to Andy Warhol and the Duke of Devonshire. He also frequently discussed painting with Bacon in his studio, where only the artist's closest friends were ever admitted. The Soho photographer, John Deakin, who introduced the young student to the famous artist, called Peppiatt 'Bacon's Boswell'. Despite the chaos that Bacon created around him, Peppiatt managed to record scores of their conversations ranging over every aspect of life and art, love and death, the revelatory and hilarious as well as the poignantly tragic. Gradually Bacon became a kind of father figure for Peppiatt, and the two men's lives grew closely intertwined. In this intimate and deliberately indiscreet account, Bacon is shown close-up, grand and petty, tender and treacherous by turn, and often quite unlike the myth that has grown up around him. This is a speaking portrait, a living likeness, of the defining artist of our times.
Author: Ernst van Alphen
Publisher: Harvard University Press
ISBN: 9780674317628
Category : Art
Languages : en
Pages : 214
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Book Description
Since his death in April 12 Francis Bacon has been acclaimed as one of the very greatest of modern painters. Yet most analyses of Bacon actually neutralize his work by discussing it as an existential expression and as the horrifying communication of an isolated individualâe"which simply transfers the pain in the paintings back to Bacon himself. This study is the first attempt to account for the pain of the viewer. It is also, most challengingly, an explanation of what Baconâe(tm)s art tells us about ourselves as individuals. For, during this very personal investigation, the author comes to realize that the effect of Baconâe(tm)s work is founded upon the way that each of us carves our identity, our âeoeself,âe from the inchoate evidence of our senses, using the conventions of representation as tools. It is in his warping of these conventions of the senses, rather than in the superficial distortion of his images, that Bacon most radically confronts âeoeart,âe and ourselves as individuals.
Author: Max Porter
Publisher: Graywolf Press
ISBN: 1555979378
Category : Fiction
Languages : en
Pages : 129
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Book Description
Here he is, husband and father, scruffy romantic, a shambolic scholar--a man adrift in the wake of his wife's sudden, accidental death. And there are his two sons who like him struggle in their London apartment to face the unbearable sadness that has engulfed them. The father imagines a future of well-meaning visitors and emptiness, while the boys wander, savage and unsupervised. In this moment of violent despair they are visited by Crow--antagonist, trickster, goad, protector, therapist, and babysitter. This self-described "sentimental bird," at once wild and tender, who "finds humans dull except in grief," threatens to stay with the wounded family until they no longer need him. As weeks turn to months and the pain of loss lessens with the balm of memories, Crow's efforts are rewarded and the little unit of three begins to recover: Dad resumes his book about the poet Ted Hughes; the boys get on with it, grow up. Part novella, part polyphonic fable, part essay on grief, Max Porter's extraordinary debut combines compassion and bravura style to dazzling effect. Full of angular wit and profound truths, Grief Is the Thing with Feathers is a startlingly original and haunting debut by a significant new talent.
Author: Katharina Günther
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110720647
Category : Art
Languages : de
Pages : 446
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Book Description
The British painter Francis Bacon (1909–1992) is famed for his idiosyncratic mode of depicting the human figure. Thirty years after his death, his working methods remain underexplored. New research on the Francis Bacon Studio Archive at Hugh Lane Gallery, Dublin, sheds light on the genesis of his works, namely the photographic source material he collected in his studios, on which he consistently based his paintings. The book brings together the artist’s pictorial springboards for the first time, delineating and interpreting recurring patterns and methods in his preparatory work and adoption of photographic material. In addition, it correctly locates ‘chance’ as a driving force in Bacon’s working method and qualifies the significance of photography for the painter.
Author: Perry Ogden
Publisher:
ISBN: 9780500510346
Category : Art
Languages : en
Pages : 120
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Book Description
This is a photographic portrait of painter Francis Bacon's south London studio in the days following his death. A visual statement of Bacon's frenetic life and work. 60 photos.
Author:
Publisher:
ISBN: 9781912520558
Category : Animals in art
Languages : en
Pages : 160
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Book Description
Francis Bacon is considered one of the most important painters of the 20th century. A major exhibition of his paintings at the Royal Academy of Arts in 2020 explores the role of animals in his work - not least the human animal. Having often painted dogs and horses, in 1969 Bacon first depicted bullfights. In this powerful series of works, the interaction between man and beast is dangerous and cruel, but also disturbingly intimate. Both are contorted in their anguished struggle and the erotic lurks not far away: "Bullfighting is like boxing," Bacon once said. "A marvellous aperitif to sex." 0Twenty-two years later, a lone bull was to be the subject of his final painting. In this fascinating publication - a significant addition to the literature on Bacon - expert authors discuss Bacon's approach to animals and identify his varied sources of inspiration, which included surrealist literature and the photographs of Eadweard Muybridge. They contend that, by depicting animals in states of vulnerability, anger and unease, Bacon sought to delve into the human condition.00Exhibition: Royal Academy of Arts, London, UK (22.01-12.04.2021).
Author: Linda Patricia Cleary
Publisher:
ISBN: 9781320549431
Category :
Languages : en
Pages :
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Book Description
One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!
